Without Getting Killed or Caught (2021)
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| Theatrical Performance | ||
| Domestic Box Office | $55,333 | Details |
| OpusData ID: 511310100 More info... | ||
| Further financial details... | ||
Synopsis
Without Getting Killed or Caught follows Guy Clark, Susanna Clark, and Townes Van Zandt as they rise from obscurity to reverence: Guy, the Pancho to Van Zandt’s Lefty, struggling to establish himself as the Dylan Thomas of American music, while Susanna pens hit songs and paints album covers for top artists, and Townes spirals in self-destruction after writing some of Americana music’s most enduring and influential ballads.
Metrics
| Opening Weekend: | $6,350 (11.5% of total gross) |
| Legs: | 3.83 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/7 max. theaters, 1.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $65,074 |
Movie Details
| Domestic Releases: | July 23rd, 2021 (Limited) by Good Deed Entertainment |
| Running Time: | 95 minutes |
| Source: | Based on Factual Book/Article |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Slow Uvalde Films, Good Deed Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 23, 2021 | - | $6,350 | 1 | $6,350 | $6,350 | 1 | |
| Jul 30, 2021 | - | $14,430 | +127% | 7 | $2,061 | $23,893 | 2 |
| Sep 17, 2021 | - | $1,607 | 2 | $804 | $52,596 | 9 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 23, 2021 | 34 | $9,463 | 1 | $9,463 | $9,463 | 1 | |
| Jul 30, 2021 | - | $17,111 | +81% | 7 | $2,444 | $26,574 | 2 |
| Aug 6, 2021 | - | $11,391 | -33% | 6 | $1,899 | $37,965 | 3 |
| Aug 13, 2021 | - | $2,308 | -80% | 1 | $2,308 | $40,273 | 4 |
| Aug 20, 2021 | - | $4,005 | +74% | 2 | $2,003 | $44,278 | 5 |
| Aug 27, 2021 | - | $4,035 | +1% | 5 | $807 | $48,313 | 6 |
| Sep 3, 2021 | - | $1,239 | -69% | 4 | $310 | $49,552 | 7 |
| Sep 10, 2021 | - | $1,437 | +16% | 2 | $719 | $50,989 | 8 |
| Sep 24, 2021 | - | $2,737 | 3 | $912 | $55,333 | 10 |
Documentary Subject
| Guy Clark | Himself | |
| Susanna Clark | Herself / Narrator / Interviewee | |
| Townes Van Zandt | Himself |
Narrator
| Sissy Spacek | Narrator |
Interviewee
| Jo Harvey Allen | Herself | |
| Terry Allen | Himself | |
| Rodney Crowell | Himself | |
| Steve Earle | Himself | |
| Vince Gill | Himself | |
| Barry Poss | Himself |
Production and Technical Credits
| Tamara Saviano | Director | |
| Paul Whitfield | Director | |
| Tamara Saviano | Screenwriter | |
| Bart Knaggs | Screenwriter | |
| Tamara Saviano | Story based on the book “Without Getting Killed or Caught: The Life and Music of Guy Clark” by | |
| Tamara Saviano | Producer | |
| Paul Whitfield | Producer | |
| Bart Knaggs | Executive Producer | |
| Jay Newberg | Executive Producer | |
| Barry Poss | Executive Producer | |
| Paul Whitfield | Director of Photography | |
| Paul Whitfield | Editor | |
| Sandra Adair | Story Editor/Film Editor | |
| Connie Koepke Nelson | Associate Producer | |
| Guy Clark | Composer | |
| Verlon Thompson | Composer | |
| Andrea von Foerster | Music Supervisor | |
| Mel Chin | Art Director | |
| Mel Chin | Animation Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Without Getting Killed or Caught follows Guy Clark, Susanna Clark, and Townes Van Zandt as they rise from obscurity to reverence: Guy, the Pancho to Van Zandt’s Lefty, struggling to establish himself as the Dylan Thomas of American music, while Susanna pens hit songs and paints album covers for top artists, and Townes spirals in self-destruction after writing some of Americana music’s most enduring and influential ballads.
Metrics
| Opening Weekend: | $6,350 (11.5% of total gross) |
| Legs: | 3.83 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/7 max. theaters, 1.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $65,074 |
Movie Details
| Domestic Releases: | July 23rd, 2021 (Limited) by Good Deed Entertainment |
| Running Time: | 95 minutes |
| Source: | Based on Factual Book/Article |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Slow Uvalde Films, Good Deed Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 23, 2021 | - | $6,350 | 1 | $6,350 | $6,350 | 1 | |
| Jul 30, 2021 | - | $14,430 | +127% | 7 | $2,061 | $23,893 | 2 |
| Sep 17, 2021 | - | $1,607 | 2 | $804 | $52,596 | 9 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 23, 2021 | 34 | $9,463 | 1 | $9,463 | $9,463 | 1 | |
| Jul 30, 2021 | - | $17,111 | +81% | 7 | $2,444 | $26,574 | 2 |
| Aug 6, 2021 | - | $11,391 | -33% | 6 | $1,899 | $37,965 | 3 |
| Aug 13, 2021 | - | $2,308 | -80% | 1 | $2,308 | $40,273 | 4 |
| Aug 20, 2021 | - | $4,005 | +74% | 2 | $2,003 | $44,278 | 5 |
| Aug 27, 2021 | - | $4,035 | +1% | 5 | $807 | $48,313 | 6 |
| Sep 3, 2021 | - | $1,239 | -69% | 4 | $310 | $49,552 | 7 |
| Sep 10, 2021 | - | $1,437 | +16% | 2 | $719 | $50,989 | 8 |
| Sep 24, 2021 | - | $2,737 | 3 | $912 | $55,333 | 10 |
Documentary Subject
| Guy Clark | Himself | |
| Susanna Clark | Herself / Narrator / Interviewee | |
| Townes Van Zandt | Himself |
Narrator
| Sissy Spacek | Narrator |
Interviewee
| Jo Harvey Allen | Herself | |
| Terry Allen | Himself | |
| Rodney Crowell | Himself | |
| Steve Earle | Himself | |
| Vince Gill | Himself | |
| Barry Poss | Himself |
Production and Technical Credits
| Tamara Saviano | Director | |
| Paul Whitfield | Director | |
| Tamara Saviano | Screenwriter | |
| Bart Knaggs | Screenwriter | |
| Tamara Saviano | Story based on the book “Without Getting Killed or Caught: The Life and Music of Guy Clark” by | |
| Tamara Saviano | Producer | |
| Paul Whitfield | Producer | |
| Bart Knaggs | Executive Producer | |
| Jay Newberg | Executive Producer | |
| Barry Poss | Executive Producer | |
| Paul Whitfield | Director of Photography | |
| Paul Whitfield | Editor | |
| Sandra Adair | Story Editor/Film Editor | |
| Connie Koepke Nelson | Associate Producer | |
| Guy Clark | Composer | |
| Verlon Thompson | Composer | |
| Andrea von Foerster | Music Supervisor | |
| Mel Chin | Art Director | |
| Mel Chin | Animation Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.