The Woman in the Fifth (2012)
| Theatrical Performance | ||
| Domestic Box Office | $107,921 | Details |
| International Box Office | $95,492 | Details |
| Worldwide Box Office | $203,413 | |
| OpusData ID: 150330100 More info... | ||
| Further financial details... | ||
Synopsis
An American writer moves to Paris to be closer to his daughter and finds himself falling immediately on hard times. Befriended by a French Arab who offers him a job, Tom finds himself employed as a security agent as he struggles to write his second novel and see his daughter. Meanwhile, his personal life takes a turn as he becomes involved with a beguiling woman.
Metrics
| Opening Weekend: | $33,011 (30.6% of total gross) |
| Legs: | 3.27 (domestic box office/biggest weekend) |
| Domestic Share: | 53.1% (domestic box office/worldwide) |
| Theater counts: | 9 opening theaters/11 max. theaters, 2.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $162,154 |
Movie Details
| Domestic Releases: | June 15th, 2012 (Limited) by ATO Pictures |
| International Releases: | May 3rd, 2012 (Wide) (Australia)
June 15th, 2012 (Wide) (Turkey) June 21st, 2012 (Wide) (Serbia and Montenegro) July 26th, 2012 (Wide) (United Arab Emirates) August 2nd, 2012 (Wide) (Lebanon) ... Show all releases |
| Video Release: | September 18th, 2012 by New Video Group |
| MPA Rating: | R for some sexual content, language and violent images. (Rating bulletin 2178, 6/29/2011) |
| Running Time: | 83 minutes |
| Plot point: | Fired, Relationships Gone Wrong, Scandal, Writing and Writers |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Haut et Court, Film4, UK Film Council |
| Production Countries: | France, Poland, United Kingdom |
| Languages: | English, French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 15, 2012 | 46 | $33,011 | 9 | $3,668 | $33,011 | 1 | |
| Jun 22, 2012 | 49 | $27,088 | -18% | 11 | $2,463 | $78,348 | 2 |
| Jul 6, 2012 | 68 | $3,944 | 6 | $657 | $107,921 | 4 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 15, 2012 | 46 | $51,260 | 9 | $5,696 | $51,260 | 1 | |
| Jun 22, 2012 | 47 | $52,717 | +3% | 11 | $4,792 | $103,977 | 2 |
| Jul 6, 2012 | 75 | $3,944 | 6 | $657 | $107,921 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 5/3/2012 | $6,182 | 1 | 1 | 1 | $6,182 | 12/6/2015 | |||
| Croatia | 11/1/2012 | $1,726 | 3 | 3 | 6 | $3,727 | 12/29/2018 | |||
| Lebanon | 8/2/2012 | $11,705 | 8 | 8 | 14 | $24,076 | 12/29/2018 | |||
| Serbia and Montenegro | 6/21/2012 | $500 | 5 | 5 | 15 | $6,787 | 12/29/2018 | |||
| Singapore | 9/6/2012 | $5,539 | 1 | 1 | 2 | $9,794 | 12/11/2015 | |||
| Turkey | 6/15/2012 | $1,273 | 1 | 1 | 2 | $2,779 | 12/29/2018 | |||
| United Arab Emirates | 7/26/2012 | $0 | 0 | 4 | 4 | $42,147 | 12/29/2018 | |||
| International Total | $95,492 | 12/29/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Ethan Hawke | Tom | |
| Kristin Scott Thomas | Margit |
Supporting
| Joanna Kulig | Ania | |
| Samir Guesmi | Sezer |
Production and Technical Credits
| Paweł Pawlikowski | Director | |
| Paweł Pawlikowski | Screenwriter | |
| Douglas Kennedy | Based on the novel | |
| Caroline Benjo | Producer | |
| Carole Scotta | Producer | |
| Tessa Ross | Executive Producer | |
| Piotr Reisch | Co-Producer | |
| Soledad Gatti-Pascual | Co-Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
An American writer moves to Paris to be closer to his daughter and finds himself falling immediately on hard times. Befriended by a French Arab who offers him a job, Tom finds himself employed as a security agent as he struggles to write his second novel and see his daughter. Meanwhile, his personal life takes a turn as he becomes involved with a beguiling woman.
Metrics
| Opening Weekend: | $33,011 (30.6% of total gross) |
| Legs: | 3.27 (domestic box office/biggest weekend) |
| Domestic Share: | 53.1% (domestic box office/worldwide) |
| Theater counts: | 9 opening theaters/11 max. theaters, 2.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $162,154 |
Movie Details
| Domestic Releases: | June 15th, 2012 (Limited) by ATO Pictures |
| International Releases: | May 3rd, 2012 (Wide) (Australia)
June 15th, 2012 (Wide) (Turkey) June 21st, 2012 (Wide) (Serbia and Montenegro) July 26th, 2012 (Wide) (United Arab Emirates) August 2nd, 2012 (Wide) (Lebanon) ... Show all releases |
| Video Release: | September 18th, 2012 by New Video Group |
| MPA Rating: | R for some sexual content, language and violent images. (Rating bulletin 2178, 6/29/2011) |
| Running Time: | 83 minutes |
| Plot point: | Fired, Relationships Gone Wrong, Scandal, Writing and Writers |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Haut et Court, Film4, UK Film Council |
| Production Countries: | France, Poland, United Kingdom |
| Languages: | English, French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 15, 2012 | 46 | $33,011 | 9 | $3,668 | $33,011 | 1 | |
| Jun 22, 2012 | 49 | $27,088 | -18% | 11 | $2,463 | $78,348 | 2 |
| Jul 6, 2012 | 68 | $3,944 | 6 | $657 | $107,921 | 4 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 15, 2012 | 46 | $51,260 | 9 | $5,696 | $51,260 | 1 | |
| Jun 22, 2012 | 47 | $52,717 | +3% | 11 | $4,792 | $103,977 | 2 |
| Jul 6, 2012 | 75 | $3,944 | 6 | $657 | $107,921 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 5/3/2012 | $6,182 | 1 | 1 | 1 | $6,182 | 12/6/2015 | |||
| Croatia | 11/1/2012 | $1,726 | 3 | 3 | 6 | $3,727 | 12/29/2018 | |||
| Lebanon | 8/2/2012 | $11,705 | 8 | 8 | 14 | $24,076 | 12/29/2018 | |||
| Serbia and Montenegro | 6/21/2012 | $500 | 5 | 5 | 15 | $6,787 | 12/29/2018 | |||
| Singapore | 9/6/2012 | $5,539 | 1 | 1 | 2 | $9,794 | 12/11/2015 | |||
| Turkey | 6/15/2012 | $1,273 | 1 | 1 | 2 | $2,779 | 12/29/2018 | |||
| United Arab Emirates | 7/26/2012 | $0 | 0 | 4 | 4 | $42,147 | 12/29/2018 | |||
| International Total | $95,492 | 12/29/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Ethan Hawke | Tom | |
| Kristin Scott Thomas | Margit |
Supporting
| Joanna Kulig | Ania | |
| Samir Guesmi | Sezer |
Production and Technical Credits
| Paweł Pawlikowski | Director | |
| Paweł Pawlikowski | Screenwriter | |
| Douglas Kennedy | Based on the novel | |
| Caroline Benjo | Producer | |
| Carole Scotta | Producer | |
| Tessa Ross | Executive Producer | |
| Piotr Reisch | Co-Producer | |
| Soledad Gatti-Pascual | Co-Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.