The Woman in the Yard (2025)
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| Theatrical Performance | ||
| Domestic Box Office | $22,405,985 | Details |
| International Box Office | $905,517 | Details |
| Worldwide Box Office | $23,311,502 | |
| OpusData ID: 665100100 More info... | ||
| Further financial details... | ||
Synopsis
A lone, spectral woman shrouded entirely in black appears on a family’s front lawn without explanation and warns them “today’s the day.” Where did she come from? What does she want? When will she leave? Only The Woman in the Yard knows.
Metrics
| Opening Weekend: | $9,395,255 (41.9% of total gross) |
| Legs: | 2.38 (domestic box office/biggest weekend) |
| Domestic Share: | 96.1% (domestic box office/worldwide) |
| Production Budget: | $12,000,000 (worldwide box office is 1.9 times production budget) |
| Theater counts: | 2,842 opening theaters/2,845 max. theaters, 3.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $22,405,985 |
Movie Details
| Domestic Releases: | March 28th, 2025 (Wide) by Universal |
| International Releases: | March 27th, 2025 (Wide) (Australia)
March 27th, 2025 (Wide) (New Zealand) March 27th, 2025 (Wide) (Germany) March 27th, 2025 (Wide) (Czech Republic) March 27th, 2025 (Wide) (Slovakia) ... Show all releases |
| Video Release: | April 15th, 2025 by Universal Home Entertainment |
| MPA Rating: | PG-13 for terror, some violent content/bloody images, suicide-related content, and brief strong language. (Rating bulletin 2854 (cert #55202), 10/2/2024) |
| Running Time: | 87 minutes |
| Cast, crew, or production detail: | Black List Graduates, One Location |
| Filming location (country): | United States |
| Filming location (state or county): | Georgia, United States |
| Plot point: | Car Accident, Death of a Spouse or Fiancée / Fiancé, Depression, Disability, Missing Pet, Surprise Twist, Young Child Dealing with the Death of a Parent |
| Social setting: | Supernatural |
| Subgenre: | Psychological Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Blumhouse |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 28, 2025 | 4 | $9,395,255 | 2,842 | $3,306 | $9,395,255 | 1 | |
| Apr 4, 2025 | 5 | $4,518,720 | -52% | 2,845 | $1,588 | $16,685,705 | 2 |
| Apr 11, 2025 | 9 | $2,099,470 | -54% | 2,134 | $984 | $20,352,330 | 3 |
| Apr 18, 2025 | 13 | $746,675 | -64% | 1,171 | $638 | $21,934,045 | 4 |
| Apr 25, 2025 | - | $153,555 | -79% | 287 | $535 | $22,365,075 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 27, 2025 | P | $870,000 | 2,500 | $348 | $870,000 | |||
| Mar 28, 2025 | 4 | $3,669,845 | 2,842 | $1,291 | $3,669,845 | 1 | ||
| Mar 29, 2025 | 4 | $3,525,595 | -4% | 2,842 | $1,241 | $7,195,440 | 2 | |
| Mar 30, 2025 | 4 | $2,199,815 | -38% | 2,842 | $774 | $9,395,255 | 3 | |
| Mar 31, 2025 | 4 | $753,860 | -66% | 2,842 | $265 | $10,149,115 | 4 | |
| Apr 1, 2025 | 4 | $908,915 | +21% | 2,842 | $320 | $11,058,030 | 5 | |
| Apr 2, 2025 | 4 | $561,560 | -38% | 2,842 | $198 | $11,619,590 | 6 | |
| Apr 3, 2025 | 3 | $547,395 | -3% | 2,842 | $193 | $12,166,985 | 7 | |
| Apr 4, 2025 | 5 | $1,318,135 | +141% | -64% | 2,845 | $463 | $13,485,120 | 8 |
| Apr 5, 2025 | 5 | $2,002,915 | +52% | -43% | 2,845 | $704 | $15,488,035 | 9 |
| Apr 6, 2025 | 5 | $1,197,670 | -40% | -46% | 2,845 | $421 | $16,685,705 | 10 |
| Apr 7, 2025 | 5 | $378,540 | -68% | -50% | 2,845 | $133 | $17,064,245 | 11 |
| Apr 8, 2025 | 5 | $537,395 | +42% | -41% | 2,845 | $189 | $17,601,640 | 12 |
| Apr 9, 2025 | 5 | $376,215 | -30% | -33% | 2,845 | $132 | $17,977,855 | 13 |
| Apr 10, 2025 | - | $275,005 | -27% | -50% | 2,845 | $97 | $18,252,860 | 14 |
| Apr 11, 2025 | 9 | $616,575 | +124% | -53% | 2,134 | $289 | $18,869,435 | 15 |
| Apr 12, 2025 | 9 | $942,905 | +53% | -53% | 2,134 | $442 | $19,812,340 | 16 |
| Apr 13, 2025 | 9 | $539,990 | -43% | -55% | 2,134 | $253 | $20,352,330 | 17 |
| Apr 14, 2025 | - | $200,565 | -63% | -47% | 2,134 | $94 | $20,552,895 | 18 |
| Apr 15, 2025 | - | $266,845 | +33% | -50% | 2,134 | $125 | $20,819,740 | 19 |
| Apr 16, 2025 | - | $209,985 | -21% | -44% | 2,134 | $98 | $21,029,725 | 20 |
| Apr 17, 2025 | - | $157,645 | -25% | -43% | 2,134 | $74 | $21,187,370 | 21 |
| Apr 18, 2025 | - | $271,220 | +72% | -56% | 1,171 | $232 | $21,458,590 | 22 |
| Apr 19, 2025 | - | $309,370 | +14% | -67% | 1,171 | $264 | $21,767,960 | 23 |
| Apr 20, 2025 | - | $166,085 | -46% | -69% | 1,171 | $142 | $21,934,045 | 24 |
| Apr 21, 2025 | - | $93,680 | -44% | -53% | 1,171 | $80 | $22,027,725 | 25 |
| Apr 22, 2025 | - | $85,540 | -9% | -68% | 1,171 | $73 | $22,113,265 | 26 |
| Apr 23, 2025 | - | $66,460 | -22% | -68% | 1,171 | $57 | $22,179,725 | 27 |
| Apr 24, 2025 | - | $31,795 | -52% | -80% | 1,171 | $27 | $22,211,520 | 28 |
| Apr 25, 2025 | - | $45,590 | +43% | -83% | 287 | $159 | $22,257,110 | 29 |
| Apr 26, 2025 | - | $75,950 | +67% | -75% | 287 | $265 | $22,333,060 | 30 |
| Apr 27, 2025 | - | $32,015 | -58% | -81% | 287 | $112 | $22,365,075 | 31 |
| Apr 28, 2025 | - | $11,115 | -65% | -88% | 287 | $39 | $22,376,190 | 32 |
| Apr 29, 2025 | - | $11,945 | +7% | -86% | 287 | $42 | $22,388,135 | 33 |
| Apr 30, 2025 | - | $9,955 | -17% | -85% | 287 | $35 | $22,398,090 | 34 |
| May 1, 2025 | - | $7,895 | -21% | -75% | 287 | $28 | $22,405,985 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 28, 2025 | 4 | $12,166,985 | 2,842 | $4,281 | $12,166,985 | 1 | |
| Apr 4, 2025 | 5 | $6,085,875 | -50% | 2,845 | $2,139 | $18,252,860 | 2 |
| Apr 11, 2025 | 9 | $2,934,510 | -52% | 2,134 | $1,375 | $21,187,370 | 3 |
| Apr 18, 2025 | 14 | $1,024,150 | -65% | 1,171 | $875 | $22,211,520 | 4 |
| Apr 25, 2025 | 20 | $194,465 | -81% | 287 | $678 | $22,405,985 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Brazil | 5/8/2025 | $87,490 | 0 | 0 | 0 | $134,762 | 5/21/2025 | |||
| Germany | 3/27/2025 | $72,862 | 99 | 101 | 332 | $177,424 | 6/22/2025 | |||
| Trinidad | 3/27/2025 | $17,952 | 0 | 0 | 0 | $49,149 | 4/13/2025 | |||
| United Kingdom | 3/28/2025 | $239,880 | 328 | 328 | 579 | $544,182 | 4/16/2025 | |||
| International Total | $905,517 | 6/22/2025 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Danielle Deadwyler | Ramona |
Supporting
| Okwui Okpokwasili | The Woman | |
| Russell Hornsby | David | |
| Estella Kahiha | Annie | |
| Peyton Jackson | Taylor |
Production and Technical Credits
| Jaume Collet-Serra | Director | |
| Sam Stefanak | Screenwriter | |
| Jason Blum | Producer | |
| Stephanie Allain | Producer | |
| Danielle Deadwyler | Executive Producer | |
| Jaume Collet-Serra | Executive Producer | |
| Gabrielle Ebron | Executive Producer | |
| Scott Greenberg | Executive Producer | |
| James Moran | Executive Producer | |
| Pawel Pogorzelski | Cinematographer | |
| Timothy Alverson* | Editor | |
| Krisztian Majdik | Editor | |
| Lorne Balfe | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A lone, spectral woman shrouded entirely in black appears on a family’s front lawn without explanation and warns them “today’s the day.” Where did she come from? What does she want? When will she leave? Only The Woman in the Yard knows.
Metrics
| Opening Weekend: | $9,395,255 (41.9% of total gross) |
| Legs: | 2.38 (domestic box office/biggest weekend) |
| Domestic Share: | 96.1% (domestic box office/worldwide) |
| Production Budget: | $12,000,000 (worldwide box office is 1.9 times production budget) |
| Theater counts: | 2,842 opening theaters/2,845 max. theaters, 3.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $22,405,985 |
Movie Details
| Domestic Releases: | March 28th, 2025 (Wide) by Universal |
| International Releases: | March 27th, 2025 (Wide) (Australia)
March 27th, 2025 (Wide) (New Zealand) March 27th, 2025 (Wide) (Germany) March 27th, 2025 (Wide) (Czech Republic) March 27th, 2025 (Wide) (Slovakia) ... Show all releases |
| Video Release: | April 15th, 2025 by Universal Home Entertainment |
| MPA Rating: | PG-13 for terror, some violent content/bloody images, suicide-related content, and brief strong language. (Rating bulletin 2854 (cert #55202), 10/2/2024) |
| Running Time: | 87 minutes |
| Cast, crew, or production detail: | Black List Graduates, One Location |
| Filming location (country): | United States |
| Filming location (state or county): | Georgia, United States |
| Plot point: | Car Accident, Death of a Spouse or Fiancée / Fiancé, Depression, Disability, Missing Pet, Surprise Twist, Young Child Dealing with the Death of a Parent |
| Social setting: | Supernatural |
| Subgenre: | Psychological Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Blumhouse |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 28, 2025 | 4 | $9,395,255 | 2,842 | $3,306 | $9,395,255 | 1 | |
| Apr 4, 2025 | 5 | $4,518,720 | -52% | 2,845 | $1,588 | $16,685,705 | 2 |
| Apr 11, 2025 | 9 | $2,099,470 | -54% | 2,134 | $984 | $20,352,330 | 3 |
| Apr 18, 2025 | 13 | $746,675 | -64% | 1,171 | $638 | $21,934,045 | 4 |
| Apr 25, 2025 | - | $153,555 | -79% | 287 | $535 | $22,365,075 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 27, 2025 | P | $870,000 | 2,500 | $348 | $870,000 | |||
| Mar 28, 2025 | 4 | $3,669,845 | 2,842 | $1,291 | $3,669,845 | 1 | ||
| Mar 29, 2025 | 4 | $3,525,595 | -4% | 2,842 | $1,241 | $7,195,440 | 2 | |
| Mar 30, 2025 | 4 | $2,199,815 | -38% | 2,842 | $774 | $9,395,255 | 3 | |
| Mar 31, 2025 | 4 | $753,860 | -66% | 2,842 | $265 | $10,149,115 | 4 | |
| Apr 1, 2025 | 4 | $908,915 | +21% | 2,842 | $320 | $11,058,030 | 5 | |
| Apr 2, 2025 | 4 | $561,560 | -38% | 2,842 | $198 | $11,619,590 | 6 | |
| Apr 3, 2025 | 3 | $547,395 | -3% | 2,842 | $193 | $12,166,985 | 7 | |
| Apr 4, 2025 | 5 | $1,318,135 | +141% | -64% | 2,845 | $463 | $13,485,120 | 8 |
| Apr 5, 2025 | 5 | $2,002,915 | +52% | -43% | 2,845 | $704 | $15,488,035 | 9 |
| Apr 6, 2025 | 5 | $1,197,670 | -40% | -46% | 2,845 | $421 | $16,685,705 | 10 |
| Apr 7, 2025 | 5 | $378,540 | -68% | -50% | 2,845 | $133 | $17,064,245 | 11 |
| Apr 8, 2025 | 5 | $537,395 | +42% | -41% | 2,845 | $189 | $17,601,640 | 12 |
| Apr 9, 2025 | 5 | $376,215 | -30% | -33% | 2,845 | $132 | $17,977,855 | 13 |
| Apr 10, 2025 | - | $275,005 | -27% | -50% | 2,845 | $97 | $18,252,860 | 14 |
| Apr 11, 2025 | 9 | $616,575 | +124% | -53% | 2,134 | $289 | $18,869,435 | 15 |
| Apr 12, 2025 | 9 | $942,905 | +53% | -53% | 2,134 | $442 | $19,812,340 | 16 |
| Apr 13, 2025 | 9 | $539,990 | -43% | -55% | 2,134 | $253 | $20,352,330 | 17 |
| Apr 14, 2025 | - | $200,565 | -63% | -47% | 2,134 | $94 | $20,552,895 | 18 |
| Apr 15, 2025 | - | $266,845 | +33% | -50% | 2,134 | $125 | $20,819,740 | 19 |
| Apr 16, 2025 | - | $209,985 | -21% | -44% | 2,134 | $98 | $21,029,725 | 20 |
| Apr 17, 2025 | - | $157,645 | -25% | -43% | 2,134 | $74 | $21,187,370 | 21 |
| Apr 18, 2025 | - | $271,220 | +72% | -56% | 1,171 | $232 | $21,458,590 | 22 |
| Apr 19, 2025 | - | $309,370 | +14% | -67% | 1,171 | $264 | $21,767,960 | 23 |
| Apr 20, 2025 | - | $166,085 | -46% | -69% | 1,171 | $142 | $21,934,045 | 24 |
| Apr 21, 2025 | - | $93,680 | -44% | -53% | 1,171 | $80 | $22,027,725 | 25 |
| Apr 22, 2025 | - | $85,540 | -9% | -68% | 1,171 | $73 | $22,113,265 | 26 |
| Apr 23, 2025 | - | $66,460 | -22% | -68% | 1,171 | $57 | $22,179,725 | 27 |
| Apr 24, 2025 | - | $31,795 | -52% | -80% | 1,171 | $27 | $22,211,520 | 28 |
| Apr 25, 2025 | - | $45,590 | +43% | -83% | 287 | $159 | $22,257,110 | 29 |
| Apr 26, 2025 | - | $75,950 | +67% | -75% | 287 | $265 | $22,333,060 | 30 |
| Apr 27, 2025 | - | $32,015 | -58% | -81% | 287 | $112 | $22,365,075 | 31 |
| Apr 28, 2025 | - | $11,115 | -65% | -88% | 287 | $39 | $22,376,190 | 32 |
| Apr 29, 2025 | - | $11,945 | +7% | -86% | 287 | $42 | $22,388,135 | 33 |
| Apr 30, 2025 | - | $9,955 | -17% | -85% | 287 | $35 | $22,398,090 | 34 |
| May 1, 2025 | - | $7,895 | -21% | -75% | 287 | $28 | $22,405,985 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 28, 2025 | 4 | $12,166,985 | 2,842 | $4,281 | $12,166,985 | 1 | |
| Apr 4, 2025 | 5 | $6,085,875 | -50% | 2,845 | $2,139 | $18,252,860 | 2 |
| Apr 11, 2025 | 9 | $2,934,510 | -52% | 2,134 | $1,375 | $21,187,370 | 3 |
| Apr 18, 2025 | 14 | $1,024,150 | -65% | 1,171 | $875 | $22,211,520 | 4 |
| Apr 25, 2025 | 20 | $194,465 | -81% | 287 | $678 | $22,405,985 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Brazil | 5/8/2025 | $87,490 | 0 | 0 | 0 | $134,762 | 5/21/2025 | |||
| Germany | 3/27/2025 | $72,862 | 99 | 101 | 332 | $177,424 | 6/22/2025 | |||
| Trinidad | 3/27/2025 | $17,952 | 0 | 0 | 0 | $49,149 | 4/13/2025 | |||
| United Kingdom | 3/28/2025 | $239,880 | 328 | 328 | 579 | $544,182 | 4/16/2025 | |||
| International Total | $905,517 | 6/22/2025 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Danielle Deadwyler | Ramona |
Supporting
| Okwui Okpokwasili | The Woman | |
| Russell Hornsby | David | |
| Estella Kahiha | Annie | |
| Peyton Jackson | Taylor |
Production and Technical Credits
| Jaume Collet-Serra | Director | |
| Sam Stefanak | Screenwriter | |
| Jason Blum | Producer | |
| Stephanie Allain | Producer | |
| Danielle Deadwyler | Executive Producer | |
| Jaume Collet-Serra | Executive Producer | |
| Gabrielle Ebron | Executive Producer | |
| Scott Greenberg | Executive Producer | |
| James Moran | Executive Producer | |
| Pawel Pogorzelski | Cinematographer | |
| Timothy Alverson* | Editor | |
| Krisztian Majdik | Editor | |
| Lorne Balfe | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.