Wounds (2019)
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| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| OpusData ID: 355020100 More info... | ||
| Further financial details... | ||
Synopsis
A New Orleans bartender’s life is upended when a cell phone is left behind in his dive bar. Instead of just worrying about wooing another woman behind the back of his live-in girlfriend, he has to fret about the phone, which may well be cursed.
Metrics
Movie Details
| Video Release: | October 18th, 2019 by Hulu |
| MPA Rating: | R for disturbing violent content, language throughout, drug/alcohol use, and brief nudity. (Rating bulletin 2563 (Cert #51948), 1/30/2019) |
| Running Time: | 94 minutes |
| Film festival: | Sundance Film Festival 2019 |
| Geographical setting: | New Orleans, LA |
| Subgenre: | Psychological Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Annapurna Pictures, Two and Two Pictures |
| Production Countries: | United Kingdom, United States |
| Languages: | English |
Leading
| Armie Hammer | Will |
Supporting
| Dakota Johnson | Carrie | |
| Zazie Beetz | Alicia | |
| Brad William Henke | Eric | |
| Karl Glusman | Jeffrey | |
| Kerry Cahill | Rosie | |
| Luke Hawx | Marvin | |
| Jim Klock | Patrick | |
| Xena Zeit-Geist | Tattooed Woman | |
| Lawrence Turner | Willard |
Production and Technical Credits
| Babak Anvari | Director | |
| Babak Anvari | Screenwriter | |
| Nathan Ballingrad | Story based on the novel “The Visible Filth” by | |
| Christopher Kopp | Producer | |
| Lucan Toh | Producer | |
| Chris Barwell | Editor | |
| Kit Fraser | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A New Orleans bartender’s life is upended when a cell phone is left behind in his dive bar. Instead of just worrying about wooing another woman behind the back of his live-in girlfriend, he has to fret about the phone, which may well be cursed.
Metrics
Movie Details
| Video Release: | October 18th, 2019 by Hulu |
| MPA Rating: | R for disturbing violent content, language throughout, drug/alcohol use, and brief nudity. (Rating bulletin 2563 (Cert #51948), 1/30/2019) |
| Running Time: | 94 minutes |
| Film festival: | Sundance Film Festival 2019 |
| Geographical setting: | New Orleans, LA |
| Subgenre: | Psychological Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Annapurna Pictures, Two and Two Pictures |
| Production Countries: | United Kingdom, United States |
| Languages: | English |
Leading
| Armie Hammer | Will |
Supporting
| Dakota Johnson | Carrie | |
| Zazie Beetz | Alicia | |
| Brad William Henke | Eric | |
| Karl Glusman | Jeffrey | |
| Kerry Cahill | Rosie | |
| Luke Hawx | Marvin | |
| Jim Klock | Patrick | |
| Xena Zeit-Geist | Tattooed Woman | |
| Lawrence Turner | Willard |
Production and Technical Credits
| Babak Anvari | Director | |
| Babak Anvari | Screenwriter | |
| Nathan Ballingrad | Story based on the novel “The Visible Filth” by | |
| Christopher Kopp | Producer | |
| Lucan Toh | Producer | |
| Chris Barwell | Editor | |
| Kit Fraser | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.