Wrong Turn (2021)
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| Theatrical Performance | ||
| Domestic Box Office | $1,251,184 | Details |
| International Box Office | $2,392,577 | Details |
| Worldwide Box Office | $3,643,761 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $1,236,272 | |
| Blu-ray Sales (estimated) | $857,761 | |
| Total | $2,094,033 | |
| OpusData ID: 436280100 More info... | ||
| Further financial details... | ||
Synopsis
Backwoods terror and never-jangling suspense meet when Jen and a group of friends set out to hike the Appalachian Trail. Despite warnings to stick to the trail, the hikers stray off course—and cross into land inhabited by The Foundation, a hidden community of mountain dwellers who use deadly means to protect their way of life. Suddenly under siege, Jen and her friends seem headed to the point of no return— unless Jen’s father can reach them in time.
Metrics
| Opening Weekend: | $107,897 (8.6% of total gross) |
| Legs: | 9.97 (domestic box office/biggest weekend) |
| Domestic Share: | 34.3% (domestic box office/worldwide) |
| Theater counts: | 259 opening theaters/259 max. theaters, 5.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,471,403 |
Movie Details
| Domestic Releases: | January 26th, 2021 (Limited) by Saban Films |
| International Releases: | January 29th, 2021 (Limited), released as Wrong Turn: The Foundation (United Kingdom)
February 4th, 2021 (Limited) (Australia) February 18th, 2021 (Wide) (New Zealand) February 19th, 2021 (Wide) (Russia (CIS)) February 25th, 2021 (Limited) (Germany) ... Show all releases |
| Video Release: | February 23rd, 2021 by Lionsgate Home Entertainment May 3rd, 2021 by Signature Entertainment |
| MPA Rating: | R for strong bloody violence, grisly images and pervasive language. (Rating bulletin 2654 (cert #52786), 11/4/2020) |
| Running Time: | 109 minutes |
| Franchise: | Wrong Turn |
| Cast, crew, or production detail: | Reboot |
| Geographical setting: | West Virgina |
| Plot point: | Hiking |
| Subgenre: | Slasher Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Constantin Film, Saban Films, The H Collective, The Tea Shop & Film Company |
| Production Countries: | United States, Germany |
| Languages: | English, Spanish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 29, 2021 | - | $107,897 | 259 | $417 | $187,607 | 1 | |
| Feb 5, 2021 | - | $14,615 | -86% | 35 | $418 | $202,222 | 2 |
| Feb 12, 2021 | - | $5,181 | -65% | 9 | $576 | $207,798 | 3 |
| Feb 19, 2021 | - | $270 | -95% | 1 | $270 | $208,068 | 4 |
| Feb 26, 2021 | - | $125,529 | +46,392% | 142 | $884 | $333,597 | 5 |
| Mar 5, 2021 | 14 | $111,548 | -11% | 146 | $764 | $482,529 | 6 |
| Mar 12, 2021 | - | $111,804 | n/c | 140 | $799 | $645,158 | 7 |
| Mar 19, 2021 | - | $109,423 | -2% | 137 | $799 | $804,910 | 8 |
| Mar 26, 2021 | - | $89,168 | -19% | 133 | $670 | $942,054 | 9 |
| Apr 2, 2021 | - | $36,952 | -59% | 84 | $440 | $1,010,895 | 10 |
| Apr 9, 2021 | - | $34,575 | -6% | 48 | $720 | $1,063,908 | 11 |
| Apr 16, 2021 | - | $48,513 | +40% | 63 | $770 | $1,126,355 | 12 |
| Apr 23, 2021 | - | $34,415 | -29% | 47 | $732 | $1,175,619 | 13 |
| Apr 30, 2021 | - | $21,809 | -37% | 31 | $704 | $1,208,155 | 14 |
| May 7, 2021 | - | $17,304 | -21% | 10 | $1,730 | $1,233,192 | 15 |
| May 14, 2021 | - | $9,520 | -45% | 3 | $3,173 | $1,251,184 | 16 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 22, 2021 | - | $79,710 | 201 | $397 | $79,710 | 1 | |
| Jan 29, 2021 | - | $107,897 | +35% | 259 | $417 | $187,607 | 2 |
| Feb 5, 2021 | - | $15,010 | -86% | 35 | $429 | $202,617 | 3 |
| Feb 12, 2021 | - | $5,181 | -65% | 9 | $576 | $207,798 | 4 |
| Feb 19, 2021 | - | $270 | -95% | 1 | $270 | $208,068 | 5 |
| Feb 26, 2021 | - | $162,913 | +60,238% | 145 | $1,124 | $370,981 | 6 |
| Mar 5, 2021 | - | $162,373 | n/c | 146 | $1,112 | $533,354 | 7 |
| Mar 12, 2021 | - | $162,133 | n/c | 140 | $1,158 | $695,487 | 8 |
| Mar 19, 2021 | - | $157,399 | -3% | 138 | $1,141 | $852,886 | 9 |
| Mar 26, 2021 | - | $121,057 | -23% | 133 | $910 | $973,943 | 10 |
| Apr 2, 2021 | - | $55,390 | -54% | 84 | $659 | $1,029,333 | 11 |
| Apr 9, 2021 | - | $48,509 | -12% | 49 | $990 | $1,077,842 | 12 |
| Apr 16, 2021 | - | $63,362 | +31% | 63 | $1,006 | $1,141,204 | 13 |
| Apr 23, 2021 | - | $45,142 | -29% | 47 | $960 | $1,186,346 | 14 |
| Apr 30, 2021 | 24 | $29,542 | -35% | 31 | $953 | $1,215,888 | 15 |
| May 7, 2021 | 30 | $25,776 | -13% | 10 | $2,578 | $1,241,664 | 16 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 2/4/2021 | $281,316 | 147 | 147 | 780 | $1,109,209 | 10/19/2022 | |||
| Finland | 8/13/2021 | $17,964 | 31 | 31 | 73 | $59,114 | 4/21/2026 | |||
| Lithuania | 6/18/2021 | $1,921 | 13 | 13 | 20 | $6,337 | 10/20/2022 | |||
| New Zealand | 2/18/2021 | $21 | 1 | 50 | 161 | $82,172 | 3/31/2021 | |||
| Portugal | 6/25/2021 | $4,595 | 14 | 14 | 24 | $11,364 | 7/13/2021 | |||
| Russia (CIS) | 2/19/2021 | $204,335 | 471 | 471 | 1,063 | $615,406 | 4/4/2026 | |||
| Spain | 7/23/2021 | $63,466 | 152 | 152 | 241 | $140,558 | 8/6/2021 | |||
| Turkey | 9/24/2021 | $26,278 | 161 | 161 | 410 | $82,911 | 4/4/2026 | |||
| Rest of World | $285,506 | |||||||||
| International Total | $2,392,577 | 4/21/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Charlotte Vega | Jen Shaw | |
| Matthew Modine | Scott |
Supporting
| Adain Bradley | Darius Clemons | |
| Bill Sage | John Venable | |
| Emma Dumont | Milla D’Angelo | |
| Dylan McTee | Adam Lucas | |
| Daisy Head | Edith | |
| Valerie Jane Parker | Corrine | |
| Tim deZarn | Nate Roades | |
| Daniel R. Hill | Reggie |
Production and Technical Credits
| Mike P. Nelson | Director | |
| Alan McElroy | Screenwriter | |
| Robert Kulzer | Producer | |
| James Harris | Producer | |
| Martin Moszkowicz | Executive Producer | |
| Alan McElroy | Executive Producer | |
| William V. Bromley Jr | Executive Producer | |
| Shanan Becker | Executive Producer | |
| Jonathan Saba | Executive Producer | |
| Ness Saban | Executive Producer | |
| Christian Oliver | Executive Producer | |
| Fiona Yang Li | Executive Producer | |
| Dylan Tarason | Co-Producer | |
| Nick Junkersfeld | Director of Photography | |
| Roshelle Berliner | Production Designer | |
| Tom Elkins | Editor | |
| Gina Ruiz | Costume Designer | |
| Stephen Lukach | Composer | |
| Jon Wagner | Line Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Backwoods terror and never-jangling suspense meet when Jen and a group of friends set out to hike the Appalachian Trail. Despite warnings to stick to the trail, the hikers stray off course—and cross into land inhabited by The Foundation, a hidden community of mountain dwellers who use deadly means to protect their way of life. Suddenly under siege, Jen and her friends seem headed to the point of no return— unless Jen’s father can reach them in time.
Metrics
| Opening Weekend: | $107,897 (8.6% of total gross) |
| Legs: | 9.97 (domestic box office/biggest weekend) |
| Domestic Share: | 34.3% (domestic box office/worldwide) |
| Theater counts: | 259 opening theaters/259 max. theaters, 5.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,471,403 |
Movie Details
| Domestic Releases: | January 26th, 2021 (Limited) by Saban Films |
| International Releases: | January 29th, 2021 (Limited), released as Wrong Turn: The Foundation (United Kingdom)
February 4th, 2021 (Limited) (Australia) February 18th, 2021 (Wide) (New Zealand) February 19th, 2021 (Wide) (Russia (CIS)) February 25th, 2021 (Limited) (Germany) ... Show all releases |
| Video Release: | February 23rd, 2021 by Lionsgate Home Entertainment May 3rd, 2021 by Signature Entertainment |
| MPA Rating: | R for strong bloody violence, grisly images and pervasive language. (Rating bulletin 2654 (cert #52786), 11/4/2020) |
| Running Time: | 109 minutes |
| Franchise: | Wrong Turn |
| Cast, crew, or production detail: | Reboot |
| Geographical setting: | West Virgina |
| Plot point: | Hiking |
| Subgenre: | Slasher Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Constantin Film, Saban Films, The H Collective, The Tea Shop & Film Company |
| Production Countries: | United States, Germany |
| Languages: | English, Spanish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 29, 2021 | - | $107,897 | 259 | $417 | $187,607 | 1 | |
| Feb 5, 2021 | - | $14,615 | -86% | 35 | $418 | $202,222 | 2 |
| Feb 12, 2021 | - | $5,181 | -65% | 9 | $576 | $207,798 | 3 |
| Feb 19, 2021 | - | $270 | -95% | 1 | $270 | $208,068 | 4 |
| Feb 26, 2021 | - | $125,529 | +46,392% | 142 | $884 | $333,597 | 5 |
| Mar 5, 2021 | 14 | $111,548 | -11% | 146 | $764 | $482,529 | 6 |
| Mar 12, 2021 | - | $111,804 | n/c | 140 | $799 | $645,158 | 7 |
| Mar 19, 2021 | - | $109,423 | -2% | 137 | $799 | $804,910 | 8 |
| Mar 26, 2021 | - | $89,168 | -19% | 133 | $670 | $942,054 | 9 |
| Apr 2, 2021 | - | $36,952 | -59% | 84 | $440 | $1,010,895 | 10 |
| Apr 9, 2021 | - | $34,575 | -6% | 48 | $720 | $1,063,908 | 11 |
| Apr 16, 2021 | - | $48,513 | +40% | 63 | $770 | $1,126,355 | 12 |
| Apr 23, 2021 | - | $34,415 | -29% | 47 | $732 | $1,175,619 | 13 |
| Apr 30, 2021 | - | $21,809 | -37% | 31 | $704 | $1,208,155 | 14 |
| May 7, 2021 | - | $17,304 | -21% | 10 | $1,730 | $1,233,192 | 15 |
| May 14, 2021 | - | $9,520 | -45% | 3 | $3,173 | $1,251,184 | 16 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 22, 2021 | - | $79,710 | 201 | $397 | $79,710 | 1 | |
| Jan 29, 2021 | - | $107,897 | +35% | 259 | $417 | $187,607 | 2 |
| Feb 5, 2021 | - | $15,010 | -86% | 35 | $429 | $202,617 | 3 |
| Feb 12, 2021 | - | $5,181 | -65% | 9 | $576 | $207,798 | 4 |
| Feb 19, 2021 | - | $270 | -95% | 1 | $270 | $208,068 | 5 |
| Feb 26, 2021 | - | $162,913 | +60,238% | 145 | $1,124 | $370,981 | 6 |
| Mar 5, 2021 | - | $162,373 | n/c | 146 | $1,112 | $533,354 | 7 |
| Mar 12, 2021 | - | $162,133 | n/c | 140 | $1,158 | $695,487 | 8 |
| Mar 19, 2021 | - | $157,399 | -3% | 138 | $1,141 | $852,886 | 9 |
| Mar 26, 2021 | - | $121,057 | -23% | 133 | $910 | $973,943 | 10 |
| Apr 2, 2021 | - | $55,390 | -54% | 84 | $659 | $1,029,333 | 11 |
| Apr 9, 2021 | - | $48,509 | -12% | 49 | $990 | $1,077,842 | 12 |
| Apr 16, 2021 | - | $63,362 | +31% | 63 | $1,006 | $1,141,204 | 13 |
| Apr 23, 2021 | - | $45,142 | -29% | 47 | $960 | $1,186,346 | 14 |
| Apr 30, 2021 | 24 | $29,542 | -35% | 31 | $953 | $1,215,888 | 15 |
| May 7, 2021 | 30 | $25,776 | -13% | 10 | $2,578 | $1,241,664 | 16 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 2/4/2021 | $281,316 | 147 | 147 | 780 | $1,109,209 | 10/19/2022 | |||
| Finland | 8/13/2021 | $17,964 | 31 | 31 | 73 | $59,114 | 4/21/2026 | |||
| Lithuania | 6/18/2021 | $1,921 | 13 | 13 | 20 | $6,337 | 10/20/2022 | |||
| New Zealand | 2/18/2021 | $21 | 1 | 50 | 161 | $82,172 | 3/31/2021 | |||
| Portugal | 6/25/2021 | $4,595 | 14 | 14 | 24 | $11,364 | 7/13/2021 | |||
| Russia (CIS) | 2/19/2021 | $204,335 | 471 | 471 | 1,063 | $615,406 | 4/4/2026 | |||
| Spain | 7/23/2021 | $63,466 | 152 | 152 | 241 | $140,558 | 8/6/2021 | |||
| Turkey | 9/24/2021 | $26,278 | 161 | 161 | 410 | $82,911 | 4/4/2026 | |||
| Rest of World | $285,506 | |||||||||
| International Total | $2,392,577 | 4/21/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Charlotte Vega | Jen Shaw | |
| Matthew Modine | Scott |
Supporting
| Adain Bradley | Darius Clemons | |
| Bill Sage | John Venable | |
| Emma Dumont | Milla D’Angelo | |
| Dylan McTee | Adam Lucas | |
| Daisy Head | Edith | |
| Valerie Jane Parker | Corrine | |
| Tim deZarn | Nate Roades | |
| Daniel R. Hill | Reggie |
Production and Technical Credits
| Mike P. Nelson | Director | |
| Alan McElroy | Screenwriter | |
| Robert Kulzer | Producer | |
| James Harris | Producer | |
| Martin Moszkowicz | Executive Producer | |
| Alan McElroy | Executive Producer | |
| William V. Bromley Jr | Executive Producer | |
| Shanan Becker | Executive Producer | |
| Jonathan Saba | Executive Producer | |
| Ness Saban | Executive Producer | |
| Christian Oliver | Executive Producer | |
| Fiona Yang Li | Executive Producer | |
| Dylan Tarason | Co-Producer | |
| Nick Junkersfeld | Director of Photography | |
| Roshelle Berliner | Production Designer | |
| Tom Elkins | Editor | |
| Gina Ruiz | Costume Designer | |
| Stephen Lukach | Composer | |
| Jon Wagner | Line Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.