XXX: State of the Union (2005)
| Theatrical Performance | ||
| Domestic Box Office | $26,873,932 | Details |
| International Box Office | $44,200,000 | Details |
| Worldwide Box Office | $71,073,932 | |
| OpusData ID: 20330100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $12,712,272 (47.3% of total gross) |
| Legs: | 2.11 (domestic box office/biggest weekend) |
| Domestic Share: | 37.8% (domestic box office/worldwide) |
| Production Budget: | $60,000,000 (worldwide box office is 1.2 times production budget) |
| Theater counts: | 3,480 opening theaters/3,480 max. theaters, 3.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $47,417,186 |
Movie Details
| Domestic Releases: | April 29th, 2005 (Wide) by Sony Pictures |
| International Releases: | April 29th, 2005 (Wide), released as Xxx²: The Next Level (Australia) |
| Video Release: | July 26th, 2005 by Sony Pictures Home Entertainment |
| MPA Rating: | PG-13 for sequences of intense action violence and some language. |
| Running Time: | 101 minutes |
| Franchise: | xXx |
| Cast, crew, or production detail: | Sequels Without Their Original Stars, Visual Effects |
| Plot point: | Secret Agent |
| Subgenre: | Action Thriller |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Revolution Studios |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 29, 2005 | 3 | $12,712,272 | 3,480 | $3,653 | $12,712,272 | 1 | |
| May 6, 2005 | 6 | $5,520,628 | -57% | 3,480 | $1,586 | $20,902,584 | 2 |
| May 13, 2005 | 9 | $2,134,772 | -61% | 2,387 | $894 | $24,340,577 | 3 |
| May 20, 2005 | 11 | $828,350 | -61% | 1,301 | $637 | $25,607,347 | 4 |
| May 27, 2005 | 23 | $171,175 | -79% | 341 | $502 | $26,043,369 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 29, 2005 | 3 | $4,179,324 | 3,480 | $1,201 | $4,179,324 | 1 | ||
| Apr 30, 2005 | 3 | $5,432,120 | +30% | 3,480 | $1,561 | $9,611,444 | 2 | |
| May 1, 2005 | 3 | $3,100,828 | -43% | 3,480 | $891 | $12,712,272 | 3 | |
| May 2, 2005 | 3 | $776,722 | -75% | 3,480 | $223 | $13,488,994 | 4 | |
| May 3, 2005 | 3 | $684,499 | -12% | 3,480 | $197 | $14,173,493 | 5 | |
| May 4, 2005 | 3 | $611,230 | -11% | 3,480 | $176 | $14,784,723 | 6 | |
| May 5, 2005 | 3 | $597,233 | -2% | 3,480 | $172 | $15,381,956 | 7 | |
| May 6, 2005 | 6 | $1,717,042 | +187% | -59% | 3,480 | $493 | $17,098,998 | 8 |
| May 7, 2005 | 6 | $2,329,971 | +36% | -57% | 3,480 | $670 | $19,428,969 | 9 |
| May 8, 2005 | 6 | $1,473,615 | -37% | -52% | 3,480 | $423 | $20,902,584 | 10 |
| May 9, 2005 | 6 | $342,250 | -77% | -56% | 3,480 | $98 | $21,244,834 | 11 |
| May 10, 2005 | 6 | $323,474 | -5% | -53% | 3,480 | $93 | $21,568,308 | 12 |
| May 11, 2005 | 6 | $315,698 | -2% | -48% | 3,480 | $91 | $21,884,006 | 13 |
| May 12, 2005 | 6 | $321,799 | +2% | -46% | 3,480 | $92 | $22,205,805 | 14 |
| May 13, 2005 | 10 | $604,763 | +88% | -65% | 2,387 | $253 | $22,810,568 | 15 |
| May 14, 2005 | 9 | $947,618 | +57% | -59% | 2,387 | $397 | $23,758,186 | 16 |
| May 15, 2005 | 9 | $582,391 | -39% | -60% | 2,387 | $244 | $24,340,577 | 17 |
| May 16, 2005 | 11 | $136,576 | -77% | -60% | 2,387 | $57 | $24,477,153 | 18 |
| May 17, 2005 | 10 | $134,285 | -2% | -58% | 2,387 | $56 | $24,611,438 | 19 |
| May 18, 2005 | 10 | $107,447 | -20% | -66% | 2,387 | $45 | $24,718,885 | 20 |
| May 19, 2005 | - | $60,112 | -44% | -81% | 2,387 | $25 | $24,778,997 | 21 |
| May 20, 2005 | - | $232,123 | +286% | -62% | 2,387 | $97 | $25,011,120 | 22 |
| May 21, 2005 | 11 | $366,183 | +58% | -61% | 2,387 | $153 | $25,377,303 | 23 |
| May 22, 2005 | 11 | $230,044 | -37% | -61% | 2,387 | $96 | $25,607,347 | 24 |
| May 23, 2005 | - | $68,080 | -70% | -50% | 2,387 | $29 | $25,675,427 | 25 |
| May 24, 2005 | - | $60,382 | -11% | -55% | 2,387 | $25 | $25,735,809 | 26 |
| May 25, 2005 | - | $61,657 | +2% | -43% | 2,387 | $26 | $25,797,466 | 27 |
| May 26, 2005 | - | $74,728 | +21% | +24% | 2,387 | $31 | $25,872,194 | 28 |
| May 27, 2005 | - | $51,436 | -31% | -78% | 2,387 | $22 | $25,923,630 | 29 |
| May 28, 2005 | - | $64,099 | +25% | -82% | 2,387 | $27 | $25,987,729 | 30 |
| May 29, 2005 | - | $55,640 | -13% | -76% | 2,387 | $23 | $26,043,369 | 31 |
| May 30, 2005 | 23 | $39,545 | -29% | -42% | 341 | $116 | $26,082,914 | 32 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 29, 2005 | 3 | $15,381,956 | 3,480 | $4,420 | $15,381,956 | 1 | |
| May 6, 2005 | 6 | $6,823,849 | -56% | 3,480 | $1,961 | $22,205,805 | 2 |
| May 13, 2005 | 10 | $2,573,192 | -62% | 2,387 | $1,078 | $24,778,997 | 3 |
| May 20, 2005 | 13 | $1,093,197 | -58% | 1,301 | $840 | $25,872,194 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 4/29/2005 | $934,300 | 246 | 246 | 979 | $2,450,633 | 9/24/2020 | |||
| Rest of World | $41,749,367 | |||||||||
| International Total | $44,200,000 | 9/24/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Ice Cube | Darius Stone |
Supporting
| Willem Dafoe | General George Octavius Deckert | |
| Scott Speedman | Agent Kyle Steele | |
| Peter Strauss | President James Sanford | |
| Samuel L. Jackson | Agent Augustus Gibbons | |
| Xzibit | Zeke | |
| Michael Roof | Toby Lee Shavers | |
| Sunny Mabrey | Charlie | |
| Nona Gaye | Lola Jackson | |
| John G. Connolly | Lt. Alabama "Bama" Cobb | |
| Ramon De Ocampo | Agent Meadows | |
| Barry Sigismondi | Bull | |
| Michael Don Evans | Conductor | |
| David Rountree | Agent | |
| Ned Schmidtke | Col. Jack Pettibone | |
| Scott Michael Morgan | Farmhand | |
| Chris Johnson | Young Agent | |
| Thom Gossom Jr. | Baptist Preacher | |
| Stan Sellers | Uptight Businessman | |
| Paul Collins | NSA Director Bill Brody | |
| Lisa Joyner | Field Reporter at Fire | |
| Bruce Kirkpatrick | Police Captain Davis | |
| Lance Baldwin | Sharpshooter | |
| Kent Shocknek | Newscaster | |
| Glen Walker | Newscaster | |
| Leyna Nguyen | Newscaster | |
| Jeanne Sakata | Field Reporter | |
| Gina St. John | Field Reporter | |
| Paul Keeley | Field Reporter | |
| Andrew Fiscella | Guard | |
| J. Anthony Brown | Webster | |
| Bruce Bruce | Maurice | |
| Matt Gerald | Liebo | |
| Dave Kennedy | Funeral Commander | |
| Rene Ibarra | Casket Detail Commander | |
| Sarah Mack | Presidential Aide | |
| Jared Chandler | Firing Team Commander | |
| Samantha Tyler | Corvette Girl | |
| Gavin Lindsay Goode | SWAT Officer | |
| Jeffrey Moon | Soldier | |
| Travis Hinson | Tank Gunner |
Production and Technical Credits
| Lee Tamahori | Director | |
| Simon Kinberg | Screenwriter | |
| Rich Wilkes | Story Creator | |
| Arne L. Schmidt | Producer | |
| Neal H. Moritz | Producer | |
| Todd Garner | Executive Producer | |
| Rob Cohen | Executive Producer | |
| Derek Dauchy | Executive Producer | |
| Gavin Bocquet | Production Designer | |
| Mark Goldblatt | Editor | |
| Steven Rosenblum | Editor | |
| Todd E. Miller | Editor | |
| Marco Beltrami | Composer | |
| David Tattersall | Director of Photography | |
| J. Michael Haynie | Assistant Director | |
| Geoff Murphy | Second Unit Director | |
| Debra James | Unit Production Manager | |
| Mark W. Mansbridge | Supervising Art Director | |
| Bradford Ricker* | Art Director | |
| Hilton Rosemarin | Set Decorator | |
| Philip Pfeiffer | Second Unit Camera | |
| Sanja Milkovic Hays | Costume Designer | |
| Camille Argus | Costume Supervisor | |
| Willie Burton | Sound Mixer | |
| Christopher Boyes | Re-recording Mixer | |
| Gary Summers | Re-recording Mixer | |
| Tom Belfort | Supervising Sound Editor | |
| Frank Eulner | Supervising Sound Editor | |
| J.R. Grubbs | Sound Effects Editor | |
| Tim Nielsen | Sound Effects Editor | |
| Kyrsten Mate | Sound Effects Editor | |
| Christopher Boyes | Sound Designer | |
| Frederick H. Stahly | Dialogue Editor | |
| Daniel Irwin | Dialogue Editor | |
| Alex Gibson | Supervising | |
| Bill Abbott | Music Editor | |
| Hallie D'Amore | Make up | |
| Kenneth Schoenfeld | Make up | |
| Beth Miller | Hairstylist | |
| Catherine Childers | Hairstylist | |
| Marco Beltrami | Music Producer | |
| Buck Sanders | Music Producer | |
| Laura Wasserman | Music Supervisor | |
| Darren Higman | Music Supervisor | |
| Margery Simkin | Casting Director | |
| R.A. Rondell | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Metrics
| Opening Weekend: | $12,712,272 (47.3% of total gross) |
| Legs: | 2.11 (domestic box office/biggest weekend) |
| Domestic Share: | 37.8% (domestic box office/worldwide) |
| Production Budget: | $60,000,000 (worldwide box office is 1.2 times production budget) |
| Theater counts: | 3,480 opening theaters/3,480 max. theaters, 3.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $47,417,186 |
Movie Details
| Domestic Releases: | April 29th, 2005 (Wide) by Sony Pictures |
| International Releases: | April 29th, 2005 (Wide), released as Xxx²: The Next Level (Australia) |
| Video Release: | July 26th, 2005 by Sony Pictures Home Entertainment |
| MPA Rating: | PG-13 for sequences of intense action violence and some language. |
| Running Time: | 101 minutes |
| Franchise: | xXx |
| Cast, crew, or production detail: | Sequels Without Their Original Stars, Visual Effects |
| Plot point: | Secret Agent |
| Subgenre: | Action Thriller |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Revolution Studios |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 29, 2005 | 3 | $12,712,272 | 3,480 | $3,653 | $12,712,272 | 1 | |
| May 6, 2005 | 6 | $5,520,628 | -57% | 3,480 | $1,586 | $20,902,584 | 2 |
| May 13, 2005 | 9 | $2,134,772 | -61% | 2,387 | $894 | $24,340,577 | 3 |
| May 20, 2005 | 11 | $828,350 | -61% | 1,301 | $637 | $25,607,347 | 4 |
| May 27, 2005 | 23 | $171,175 | -79% | 341 | $502 | $26,043,369 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 29, 2005 | 3 | $4,179,324 | 3,480 | $1,201 | $4,179,324 | 1 | ||
| Apr 30, 2005 | 3 | $5,432,120 | +30% | 3,480 | $1,561 | $9,611,444 | 2 | |
| May 1, 2005 | 3 | $3,100,828 | -43% | 3,480 | $891 | $12,712,272 | 3 | |
| May 2, 2005 | 3 | $776,722 | -75% | 3,480 | $223 | $13,488,994 | 4 | |
| May 3, 2005 | 3 | $684,499 | -12% | 3,480 | $197 | $14,173,493 | 5 | |
| May 4, 2005 | 3 | $611,230 | -11% | 3,480 | $176 | $14,784,723 | 6 | |
| May 5, 2005 | 3 | $597,233 | -2% | 3,480 | $172 | $15,381,956 | 7 | |
| May 6, 2005 | 6 | $1,717,042 | +187% | -59% | 3,480 | $493 | $17,098,998 | 8 |
| May 7, 2005 | 6 | $2,329,971 | +36% | -57% | 3,480 | $670 | $19,428,969 | 9 |
| May 8, 2005 | 6 | $1,473,615 | -37% | -52% | 3,480 | $423 | $20,902,584 | 10 |
| May 9, 2005 | 6 | $342,250 | -77% | -56% | 3,480 | $98 | $21,244,834 | 11 |
| May 10, 2005 | 6 | $323,474 | -5% | -53% | 3,480 | $93 | $21,568,308 | 12 |
| May 11, 2005 | 6 | $315,698 | -2% | -48% | 3,480 | $91 | $21,884,006 | 13 |
| May 12, 2005 | 6 | $321,799 | +2% | -46% | 3,480 | $92 | $22,205,805 | 14 |
| May 13, 2005 | 10 | $604,763 | +88% | -65% | 2,387 | $253 | $22,810,568 | 15 |
| May 14, 2005 | 9 | $947,618 | +57% | -59% | 2,387 | $397 | $23,758,186 | 16 |
| May 15, 2005 | 9 | $582,391 | -39% | -60% | 2,387 | $244 | $24,340,577 | 17 |
| May 16, 2005 | 11 | $136,576 | -77% | -60% | 2,387 | $57 | $24,477,153 | 18 |
| May 17, 2005 | 10 | $134,285 | -2% | -58% | 2,387 | $56 | $24,611,438 | 19 |
| May 18, 2005 | 10 | $107,447 | -20% | -66% | 2,387 | $45 | $24,718,885 | 20 |
| May 19, 2005 | - | $60,112 | -44% | -81% | 2,387 | $25 | $24,778,997 | 21 |
| May 20, 2005 | - | $232,123 | +286% | -62% | 2,387 | $97 | $25,011,120 | 22 |
| May 21, 2005 | 11 | $366,183 | +58% | -61% | 2,387 | $153 | $25,377,303 | 23 |
| May 22, 2005 | 11 | $230,044 | -37% | -61% | 2,387 | $96 | $25,607,347 | 24 |
| May 23, 2005 | - | $68,080 | -70% | -50% | 2,387 | $29 | $25,675,427 | 25 |
| May 24, 2005 | - | $60,382 | -11% | -55% | 2,387 | $25 | $25,735,809 | 26 |
| May 25, 2005 | - | $61,657 | +2% | -43% | 2,387 | $26 | $25,797,466 | 27 |
| May 26, 2005 | - | $74,728 | +21% | +24% | 2,387 | $31 | $25,872,194 | 28 |
| May 27, 2005 | - | $51,436 | -31% | -78% | 2,387 | $22 | $25,923,630 | 29 |
| May 28, 2005 | - | $64,099 | +25% | -82% | 2,387 | $27 | $25,987,729 | 30 |
| May 29, 2005 | - | $55,640 | -13% | -76% | 2,387 | $23 | $26,043,369 | 31 |
| May 30, 2005 | 23 | $39,545 | -29% | -42% | 341 | $116 | $26,082,914 | 32 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 29, 2005 | 3 | $15,381,956 | 3,480 | $4,420 | $15,381,956 | 1 | |
| May 6, 2005 | 6 | $6,823,849 | -56% | 3,480 | $1,961 | $22,205,805 | 2 |
| May 13, 2005 | 10 | $2,573,192 | -62% | 2,387 | $1,078 | $24,778,997 | 3 |
| May 20, 2005 | 13 | $1,093,197 | -58% | 1,301 | $840 | $25,872,194 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 4/29/2005 | $934,300 | 246 | 246 | 979 | $2,450,633 | 9/24/2020 | |||
| Rest of World | $41,749,367 | |||||||||
| International Total | $44,200,000 | 9/24/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Ice Cube | Darius Stone |
Supporting
| Willem Dafoe | General George Octavius Deckert | |
| Scott Speedman | Agent Kyle Steele | |
| Peter Strauss | President James Sanford | |
| Samuel L. Jackson | Agent Augustus Gibbons | |
| Xzibit | Zeke | |
| Michael Roof | Toby Lee Shavers | |
| Sunny Mabrey | Charlie | |
| Nona Gaye | Lola Jackson | |
| John G. Connolly | Lt. Alabama "Bama" Cobb | |
| Ramon De Ocampo | Agent Meadows | |
| Barry Sigismondi | Bull | |
| Michael Don Evans | Conductor | |
| David Rountree | Agent | |
| Ned Schmidtke | Col. Jack Pettibone | |
| Scott Michael Morgan | Farmhand | |
| Chris Johnson | Young Agent | |
| Thom Gossom Jr. | Baptist Preacher | |
| Stan Sellers | Uptight Businessman | |
| Paul Collins | NSA Director Bill Brody | |
| Lisa Joyner | Field Reporter at Fire | |
| Bruce Kirkpatrick | Police Captain Davis | |
| Lance Baldwin | Sharpshooter | |
| Kent Shocknek | Newscaster | |
| Glen Walker | Newscaster | |
| Leyna Nguyen | Newscaster | |
| Jeanne Sakata | Field Reporter | |
| Gina St. John | Field Reporter | |
| Paul Keeley | Field Reporter | |
| Andrew Fiscella | Guard | |
| J. Anthony Brown | Webster | |
| Bruce Bruce | Maurice | |
| Matt Gerald | Liebo | |
| Dave Kennedy | Funeral Commander | |
| Rene Ibarra | Casket Detail Commander | |
| Sarah Mack | Presidential Aide | |
| Jared Chandler | Firing Team Commander | |
| Samantha Tyler | Corvette Girl | |
| Gavin Lindsay Goode | SWAT Officer | |
| Jeffrey Moon | Soldier | |
| Travis Hinson | Tank Gunner |
Production and Technical Credits
| Lee Tamahori | Director | |
| Simon Kinberg | Screenwriter | |
| Rich Wilkes | Story Creator | |
| Arne L. Schmidt | Producer | |
| Neal H. Moritz | Producer | |
| Todd Garner | Executive Producer | |
| Rob Cohen | Executive Producer | |
| Derek Dauchy | Executive Producer | |
| Gavin Bocquet | Production Designer | |
| Mark Goldblatt | Editor | |
| Steven Rosenblum | Editor | |
| Todd E. Miller | Editor | |
| Marco Beltrami | Composer | |
| David Tattersall | Director of Photography | |
| J. Michael Haynie | Assistant Director | |
| Geoff Murphy | Second Unit Director | |
| Debra James | Unit Production Manager | |
| Mark W. Mansbridge | Supervising Art Director | |
| Bradford Ricker* | Art Director | |
| Hilton Rosemarin | Set Decorator | |
| Philip Pfeiffer | Second Unit Camera | |
| Sanja Milkovic Hays | Costume Designer | |
| Camille Argus | Costume Supervisor | |
| Willie Burton | Sound Mixer | |
| Christopher Boyes | Re-recording Mixer | |
| Gary Summers | Re-recording Mixer | |
| Tom Belfort | Supervising Sound Editor | |
| Frank Eulner | Supervising Sound Editor | |
| J.R. Grubbs | Sound Effects Editor | |
| Tim Nielsen | Sound Effects Editor | |
| Kyrsten Mate | Sound Effects Editor | |
| Christopher Boyes | Sound Designer | |
| Frederick H. Stahly | Dialogue Editor | |
| Daniel Irwin | Dialogue Editor | |
| Alex Gibson | Supervising | |
| Bill Abbott | Music Editor | |
| Hallie D'Amore | Make up | |
| Kenneth Schoenfeld | Make up | |
| Beth Miller | Hairstylist | |
| Catherine Childers | Hairstylist | |
| Marco Beltrami | Music Producer | |
| Buck Sanders | Music Producer | |
| Laura Wasserman | Music Supervisor | |
| Darren Higman | Music Supervisor | |
| Margery Simkin | Casting Director | |
| R.A. Rondell | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.