Xi you xiang mo pian (2013)
| Theatrical Performance | ||
| Domestic Box Office | $18,058 | Details |
| International Box Office | $207,909,924 | |
| Worldwide Box Office | $207,927,982 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $564,138 | |
| Blu-ray Sales (estimated) | $550,395 | |
| Total | $1,114,533 | |
| OpusData ID: 201540100 More info... | ||
| Further financial details... | ||
Synopsis
One of the undisputed Chinese masters of comedy, Stephen Chow returns with an action-packed love story about competing demon hunters vying for the same conquests.
Metrics
| Opening Weekend: | $7,456 (41.3% of total gross) |
| Legs: | 2.42 (domestic box office/biggest weekend) |
| Domestic Share: | 0.0% (domestic box office/worldwide) |
| Theater counts: | 7 opening theaters/7 max. theaters, 2.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $26,432 |
Movie Details
| Domestic Releases: | March 7th, 2014 (Limited) by Magnolia Pictures, released as Journey to the West |
| International Releases: | February 7th, 2013 (Wide) (China) |
| Video Release: | May 27th, 2014 by Magnolia Home Entertainment, released as Journey to the West |
| MPA Rating: | PG-13 for fantasy violence including bloody images, some sexual content and partial nudity. (Rating bulletin 2307, 1/29/2014) |
| Running Time: | 110 minutes |
| Franchise: | Journey to the West |
| Cast, crew, or production detail: | Character's Journey Shown on Map, Fantasy Sequence, One Set, Visual Effects |
| Plot point: | Demons, First Love, Martial Arts, Romance, Unrequited Love |
| Social setting: | Wuxia |
| Subgenre: | Heroic Adventure |
| Time period setting: | Chinese Mythology |
| Source: | Based on Folk Tale/Legend/Fairytale |
| Genre: | Adventure |
| Production Method: | Live Action |
| Creative Type: | Fantasy |
| Production/Financing Companies: | Village Roadshow Asia, Chinavision Media Group, Bingo Movie Development, Edko Films, Wanda Media |
| Production Countries: | China |
| Languages: | Mandarin, Cantonese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 7, 2014 | 76 | $7,456 | 7 | $1,065 | $7,456 | 1 | |
| Mar 14, 2014 | 87 | $1,392 | -81% | 3 | $464 | $11,695 | 2 |
| Mar 21, 2014 | 92 | $1,259 | -10% | 4 | $315 | $14,248 | 3 |
| Mar 28, 2014 | 81 | $1,437 | +14% | 3 | $479 | $16,630 | 4 |
| Apr 4, 2014 | 102 | $533 | -63% | 2 | $267 | $17,734 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 7, 2014 | 71 | $10,303 | 7 | $1,472 | $10,303 | 1 | |
| Mar 14, 2014 | 75 | $2,686 | -74% | 3 | $895 | $12,989 | 2 |
| Mar 21, 2014 | 86 | $2,204 | -18% | 4 | $551 | $15,193 | 3 |
| Mar 28, 2014 | 88 | $2,008 | -9% | 3 | $669 | $17,201 | 4 |
| Apr 4, 2014 | 95 | $857 | -57% | 2 | $429 | $18,058 | 5 |
Leading
| Shu Qi | Miss Duan | |
| Wen Zhang | Xuan Zang | |
| Huang Bo | Sun Wukong | |
| Show Lo | Prince Important |
Supporting
| Lee Sheung-ching | Sand Monk | |
| Chiu Chi-ling | Killer Two | |
| Chrissie Chau | Killer Four | |
| Chen Bing Qiang | KL Hogg | |
| Cheng Si Han | Master Nameless | |
| Yu Xing | First of the North Star |
Production and Technical Credits
| Stephen Chow | Director | |
| Wang Zhonglei | Co-Producer | |
| Stephen Chow | Screenwriter | |
| Stephen Chow | Producer | |
| Ivy Kong | Producer | |
| Stephen Chow | Executive Producer | |
| Ellen Eliasoph | Executive Producer | |
| Dong Ping | Executive Producer | |
| Bill Kong | Executive Producer | |
| Wang Zhongjun | Executive Producer | |
| Fung Chih-chiang | Executive Producer | |
| Alice Chow | Associate Producer | |
| Lu Zheng-yu | Executive Producer | |
| Lee Sheung-ching | Executive Producer | |
| Ivy Kong | Executive Producer | |
| Choi Sung-fai | Director of Photography | |
| Chan Chi-wai | Editor | |
| Bruce Yu | Production Designer | |
| Ku Huen Chiu | Fight Choreographer | |
| Raymond Wong | Music Director | |
| Derek Kwok | Co-Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
One of the undisputed Chinese masters of comedy, Stephen Chow returns with an action-packed love story about competing demon hunters vying for the same conquests.
Metrics
| Opening Weekend: | $7,456 (41.3% of total gross) |
| Legs: | 2.42 (domestic box office/biggest weekend) |
| Domestic Share: | 0.0% (domestic box office/worldwide) |
| Theater counts: | 7 opening theaters/7 max. theaters, 2.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $26,432 |
Movie Details
| Domestic Releases: | March 7th, 2014 (Limited) by Magnolia Pictures, released as Journey to the West |
| International Releases: | February 7th, 2013 (Wide) (China) |
| Video Release: | May 27th, 2014 by Magnolia Home Entertainment, released as Journey to the West |
| MPA Rating: | PG-13 for fantasy violence including bloody images, some sexual content and partial nudity. (Rating bulletin 2307, 1/29/2014) |
| Running Time: | 110 minutes |
| Franchise: | Journey to the West |
| Cast, crew, or production detail: | Character's Journey Shown on Map, Fantasy Sequence, One Set, Visual Effects |
| Plot point: | Demons, First Love, Martial Arts, Romance, Unrequited Love |
| Social setting: | Wuxia |
| Subgenre: | Heroic Adventure |
| Time period setting: | Chinese Mythology |
| Source: | Based on Folk Tale/Legend/Fairytale |
| Genre: | Adventure |
| Production Method: | Live Action |
| Creative Type: | Fantasy |
| Production/Financing Companies: | Village Roadshow Asia, Chinavision Media Group, Bingo Movie Development, Edko Films, Wanda Media |
| Production Countries: | China |
| Languages: | Mandarin, Cantonese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 7, 2014 | 76 | $7,456 | 7 | $1,065 | $7,456 | 1 | |
| Mar 14, 2014 | 87 | $1,392 | -81% | 3 | $464 | $11,695 | 2 |
| Mar 21, 2014 | 92 | $1,259 | -10% | 4 | $315 | $14,248 | 3 |
| Mar 28, 2014 | 81 | $1,437 | +14% | 3 | $479 | $16,630 | 4 |
| Apr 4, 2014 | 102 | $533 | -63% | 2 | $267 | $17,734 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 7, 2014 | 71 | $10,303 | 7 | $1,472 | $10,303 | 1 | |
| Mar 14, 2014 | 75 | $2,686 | -74% | 3 | $895 | $12,989 | 2 |
| Mar 21, 2014 | 86 | $2,204 | -18% | 4 | $551 | $15,193 | 3 |
| Mar 28, 2014 | 88 | $2,008 | -9% | 3 | $669 | $17,201 | 4 |
| Apr 4, 2014 | 95 | $857 | -57% | 2 | $429 | $18,058 | 5 |
Leading
| Shu Qi | Miss Duan | |
| Wen Zhang | Xuan Zang | |
| Huang Bo | Sun Wukong | |
| Show Lo | Prince Important |
Supporting
| Lee Sheung-ching | Sand Monk | |
| Chiu Chi-ling | Killer Two | |
| Chrissie Chau | Killer Four | |
| Chen Bing Qiang | KL Hogg | |
| Cheng Si Han | Master Nameless | |
| Yu Xing | First of the North Star |
Production and Technical Credits
| Stephen Chow | Director | |
| Wang Zhonglei | Co-Producer | |
| Stephen Chow | Screenwriter | |
| Stephen Chow | Producer | |
| Ivy Kong | Producer | |
| Stephen Chow | Executive Producer | |
| Ellen Eliasoph | Executive Producer | |
| Dong Ping | Executive Producer | |
| Bill Kong | Executive Producer | |
| Wang Zhongjun | Executive Producer | |
| Fung Chih-chiang | Executive Producer | |
| Alice Chow | Associate Producer | |
| Lu Zheng-yu | Executive Producer | |
| Lee Sheung-ching | Executive Producer | |
| Ivy Kong | Executive Producer | |
| Choi Sung-fai | Director of Photography | |
| Chan Chi-wai | Editor | |
| Bruce Yu | Production Designer | |
| Ku Huen Chiu | Fight Choreographer | |
| Raymond Wong | Music Director | |
| Derek Kwok | Co-Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.