Yakuza Princess (2021)
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| Theatrical Performance | ||
| Domestic Box Office | $32,124 | Details |
| International Box Office | $3,639 | Details |
| Worldwide Box Office | $35,763 | |
| Domestic Physical Disc Sales | ||
| Blu-ray Sales (estimated) | $3,668 | |
| Total | $3,668 | |
| OpusData ID: 511600100 More info... | ||
| Further financial details... | ||
Synopsis
Set in the expansive Japanese community of Sao Paulo in Brazil — the largest Japanese diaspora in the world — Yakuza Princess follows Akemi, an orphan who discovers she is the heiress to half of the Yakuza crime syndicate. Forging an uneasy alliance with an amnesiac stranger who believes an ancient sword binds their two fates, Akemi must unleash war against the other half of the syndicate who wants her dead.
Metrics
| Opening Weekend: | $8,056 (25.1% of total gross) |
| Legs: | 3.26 (domestic box office/biggest weekend) |
| Domestic Share: | 89.8% (domestic box office/worldwide) |
| Theater counts: | 63 opening theaters/63 max. theaters, 1.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $37,782 |
Movie Details
| Domestic Releases: | September 3rd, 2021 (Limited) by Magnolia Pictures |
| International Releases: | August 26th, 2021 (Wide) (Russia (CIS))
December 15th, 2022 (Limited) (South Korea) |
| Video Release: | November 16th, 2021 by Magnolia Home Entertainment |
| MPA Rating: | R for strong bloody violence, some language and graphic nudity. (Rating bulletin 2690 (cert #53325), 7/21/2021) |
| Running Time: | 112 minutes |
| Subgenre: | Action Thriller |
| Source: | Based on Comic/Graphic Novel |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Magnet Releasing, Filmland Internacional, Warner Bros., XYZ Films |
| Production Countries: | Brazil |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 3, 2021 | - | $8,056 | 63 | $128 | $8,056 | 1 | |
| Sep 10, 2021 | - | $1,238 | -85% | 5 | $248 | $15,377 | 2 |
| Sep 17, 2021 | - | $768 | -38% | 2 | $384 | $16,704 | 3 |
| Sep 24, 2021 | - | $9,863 | +1,184% | 23 | $429 | $26,779 | 4 |
| Oct 1, 2021 | - | $1,754 | -82% | 10 | $175 | $31,449 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 3, 2021 | - | $14,139 | 63 | $224 | $14,139 | 1 | |
| Sep 10, 2021 | - | $1,797 | -87% | 5 | $359 | $15,936 | 2 |
| Sep 17, 2021 | - | $980 | -45% | 2 | $490 | $16,916 | 3 |
| Sep 24, 2021 | - | $12,779 | +1,204% | 23 | $556 | $29,695 | 4 |
| Oct 1, 2021 | - | $2,429 | -81% | 10 | $243 | $32,124 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Russia (CIS) | 8/26/2021 | $0 | 0 | 15 | 19 | $3,639 | 10/20/2022 | |||
| International Total | $3,639 | 10/20/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Masumi | Akemi, the Yakuza Princess |
Supporting
| Jonathan Rhys-Meyers | Shiro | |
| Tsuyoshi Ihara | Takeshi | |
| Eijiro Ozaki | Kojiro | |
| Kenny Leu | Taxista | |
| Mariko Takai | Senhora Tsugahara | |
| Nicholas Trevijano | Wallace | |
| Iuri Saraiva | Tulio | |
| Ricardo Gelli | César | |
| Nduduzo Siba | Samara |
Production and Technical Credits
| Vicente Amorim | Director | |
| Tubaldini Shelling | Producer | |
| Andre Skaf | Producer | |
| Danilo Beyruth | Story based on the novel “Shiro” by | |
| Gustavo Habda | Cinematographer | |
| Danilo Lemos | Editor | |
| Lucas Marcier | Composer | |
| Fabiano Krieger | Composer | |
| Daniel Flaksman | Production Designer | |
| Cristina Kangussu | Costume Designer | |
| Leandro Lima | Sound Mixer | |
| Sergio Farjalla, Jr. | Special Effects Supervisor | |
| Nate Bolotin | Executive Producer | |
| Todd Brown | Executive Producer | |
| Brent Travers | Executive Producer | |
| David Atlan-Jackson | Executive Producer | |
| Magali Assenço | Co-Producer | |
| Alexandre Rocha | Co-Producer | |
| Marcelo Pedrazzi | Co-Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Set in the expansive Japanese community of Sao Paulo in Brazil — the largest Japanese diaspora in the world — Yakuza Princess follows Akemi, an orphan who discovers she is the heiress to half of the Yakuza crime syndicate. Forging an uneasy alliance with an amnesiac stranger who believes an ancient sword binds their two fates, Akemi must unleash war against the other half of the syndicate who wants her dead.
Metrics
| Opening Weekend: | $8,056 (25.1% of total gross) |
| Legs: | 3.26 (domestic box office/biggest weekend) |
| Domestic Share: | 89.8% (domestic box office/worldwide) |
| Theater counts: | 63 opening theaters/63 max. theaters, 1.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $37,782 |
Movie Details
| Domestic Releases: | September 3rd, 2021 (Limited) by Magnolia Pictures |
| International Releases: | August 26th, 2021 (Wide) (Russia (CIS))
December 15th, 2022 (Limited) (South Korea) |
| Video Release: | November 16th, 2021 by Magnolia Home Entertainment |
| MPA Rating: | R for strong bloody violence, some language and graphic nudity. (Rating bulletin 2690 (cert #53325), 7/21/2021) |
| Running Time: | 112 minutes |
| Subgenre: | Action Thriller |
| Source: | Based on Comic/Graphic Novel |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Magnet Releasing, Filmland Internacional, Warner Bros., XYZ Films |
| Production Countries: | Brazil |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 3, 2021 | - | $8,056 | 63 | $128 | $8,056 | 1 | |
| Sep 10, 2021 | - | $1,238 | -85% | 5 | $248 | $15,377 | 2 |
| Sep 17, 2021 | - | $768 | -38% | 2 | $384 | $16,704 | 3 |
| Sep 24, 2021 | - | $9,863 | +1,184% | 23 | $429 | $26,779 | 4 |
| Oct 1, 2021 | - | $1,754 | -82% | 10 | $175 | $31,449 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 3, 2021 | - | $14,139 | 63 | $224 | $14,139 | 1 | |
| Sep 10, 2021 | - | $1,797 | -87% | 5 | $359 | $15,936 | 2 |
| Sep 17, 2021 | - | $980 | -45% | 2 | $490 | $16,916 | 3 |
| Sep 24, 2021 | - | $12,779 | +1,204% | 23 | $556 | $29,695 | 4 |
| Oct 1, 2021 | - | $2,429 | -81% | 10 | $243 | $32,124 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Russia (CIS) | 8/26/2021 | $0 | 0 | 15 | 19 | $3,639 | 10/20/2022 | |||
| International Total | $3,639 | 10/20/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Masumi | Akemi, the Yakuza Princess |
Supporting
| Jonathan Rhys-Meyers | Shiro | |
| Tsuyoshi Ihara | Takeshi | |
| Eijiro Ozaki | Kojiro | |
| Kenny Leu | Taxista | |
| Mariko Takai | Senhora Tsugahara | |
| Nicholas Trevijano | Wallace | |
| Iuri Saraiva | Tulio | |
| Ricardo Gelli | César | |
| Nduduzo Siba | Samara |
Production and Technical Credits
| Vicente Amorim | Director | |
| Tubaldini Shelling | Producer | |
| Andre Skaf | Producer | |
| Danilo Beyruth | Story based on the novel “Shiro” by | |
| Gustavo Habda | Cinematographer | |
| Danilo Lemos | Editor | |
| Lucas Marcier | Composer | |
| Fabiano Krieger | Composer | |
| Daniel Flaksman | Production Designer | |
| Cristina Kangussu | Costume Designer | |
| Leandro Lima | Sound Mixer | |
| Sergio Farjalla, Jr. | Special Effects Supervisor | |
| Nate Bolotin | Executive Producer | |
| Todd Brown | Executive Producer | |
| Brent Travers | Executive Producer | |
| David Atlan-Jackson | Executive Producer | |
| Magali Assenço | Co-Producer | |
| Alexandre Rocha | Co-Producer | |
| Marcelo Pedrazzi | Co-Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.