Yardie (2018)
(2018).jpg)
| Theatrical Performance | ||
| Domestic Box Office | $35,632 | Details |
| International Box Office | $1,497,063 | Details |
| Worldwide Box Office | $1,532,695 | |
| OpusData ID: 364910100 More info... | ||
| Further financial details... | ||
Synopsis
Set in ’70s Kingston and ’80s Hackney, Yardie centers on the life of a young Jamaican man named D, who has never fully recovered from the murder, committed during his childhood, of his older brother Jerry Dread. D grows up under the wing of a Kingston Don and music producer named King Fox. Fox dispatches him to London, where he reconnects with his childhood sweetheart, Yvonne, and his daughter who he's not seen since she was a baby. He also hooks up with a sound clash crew, called High Noon. But before he can be convinced to abandon his life of crime and follow “the righteous path”, he encounters the man who shot his brother 10 years earlier, and embarks on a bloody, explosive quest for retribution—a quest which brings him into conflict with vicious London gangster Rico.
Metrics
| Opening Weekend: | $22,056 (61.9% of total gross) |
| Legs: | 1.62 (domestic box office/biggest weekend) |
| Domestic Share: | 2.3% (domestic box office/worldwide) |
| Theater counts: | 77 opening theaters/77 max. theaters, 1.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $46,524 |
Movie Details
| Domestic Releases: | March 15th, 2019 (Limited) by Rialto Pictures |
| International Releases: | August 31st, 2018 (Wide) (United Kingdom)
November 30th, 2018 (Wide) (Portugal) |
| MPA Rating: | Not Rated |
| Running Time: | 102 minutes |
| Cast, crew, or production detail: | Actors Making Their Directorial Debut |
| Film festival: | Sundance Film Festival 2018 |
| Geographical setting: | England, Jamaica, London |
| Plot point: | Death of a Sibling, Gangs, Narcotics, Revenge, Smuggler |
| Social setting: | Music Industry, Organized Crime |
| Time period setting: | 1970s, 1980s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | StudioCanal, BFI, BBC Films, Screen Yorkshire, Warp Films |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 15, 2019 | 58 | $22,056 | 77 | $286 | $22,056 | 1 | |
| Mar 22, 2019 | 91 | $699 | -97% | 10 | $70 | $35,632 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 15, 2019 | - | $6,979 | 77 | $91 | $6,979 | 1 | ||
| Mar 16, 2019 | - | $8,905 | +28% | 77 | $116 | $15,884 | 2 | |
| Mar 17, 2019 | - | $6,172 | -31% | 77 | $80 | $22,056 | 3 | |
| Mar 18, 2019 | - | $2,910 | -53% | 77 | $38 | $24,966 | 4 | |
| Mar 19, 2019 | - | $4,244 | +46% | 77 | $55 | $29,210 | 5 | |
| Mar 20, 2019 | - | $2,984 | -30% | 77 | $39 | $32,194 | 6 | |
| Mar 21, 2019 | - | $2,739 | -8% | 77 | $36 | $34,933 | 7 | |
| Mar 22, 2019 | - | $278 | -90% | -96% | 10 | $28 | $35,211 | 8 |
| Mar 23, 2019 | - | $333 | +20% | -96% | 10 | $33 | $35,544 | 9 |
| Mar 24, 2019 | - | $88 | -74% | -99% | 10 | $9 | $35,632 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 15, 2019 | 58 | $34,933 | 77 | $454 | $34,933 | 1 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Portugal | 11/30/2018 | $3,375 | 7 | 7 | 14 | $6,027 | 12/11/2018 | |||
| United Kingdom | 8/31/2018 | $567,913 | 225 | 225 | 572 | $1,491,036 | 4/4/2026 | |||
| International Total | $1,497,063 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Aml Ameen | D |
Supporting
| Shantol Jackson | Yvonne | |
| Stephen Graham | Rico | |
| Fraser James | Piper | |
| Sheldon Shepherd | King Fox | |
| Everaldo Creary | Jerry Dread | |
| Rayon McLean | Skeets | |
| Mark 'Rhino' Smith | Raggz | |
| Christopher Daly | Marcus | |
| Reshawna Douglas | Young Yvonne |
Production and Technical Credits
| Idris Elba | Director | |
| Gina Carter | Producer | |
| Robin Gutch | Producer | |
| Brock Norman Brock | Screenwriter | |
| Martin Stellman | Screenwriter | |
| Victor Headley | Story based on a novel by | |
| Dan Macrae | Executive Producer | |
| Danny Perkins | Executive Producer | |
| Joe Oppenheimer | Executive Producer | |
| Hugo Heppell | Executive Producer | |
| Mark Herbert | Executive Producer | |
| Mary Burke | Executive Producer | |
| Ben Roberts | Executive Producer | |
| Idris Elba | Executive Producer | |
| Alice Dawson | Line Producer | |
| John Conroy | Director of Photography | |
| Justine Wright | Editor | |
| Dickon Hinchliffe | Composer | |
| Nick Angel | Music Supervisor | |
| Damien Creagh | Production Designer | |
| James Keast | Costume Designer | |
| Shaheen Baig | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Set in ’70s Kingston and ’80s Hackney, Yardie centers on the life of a young Jamaican man named D, who has never fully recovered from the murder, committed during his childhood, of his older brother Jerry Dread. D grows up under the wing of a Kingston Don and music producer named King Fox. Fox dispatches him to London, where he reconnects with his childhood sweetheart, Yvonne, and his daughter who he's not seen since she was a baby. He also hooks up with a sound clash crew, called High Noon. But before he can be convinced to abandon his life of crime and follow “the righteous path”, he encounters the man who shot his brother 10 years earlier, and embarks on a bloody, explosive quest for retribution—a quest which brings him into conflict with vicious London gangster Rico.
Metrics
| Opening Weekend: | $22,056 (61.9% of total gross) |
| Legs: | 1.62 (domestic box office/biggest weekend) |
| Domestic Share: | 2.3% (domestic box office/worldwide) |
| Theater counts: | 77 opening theaters/77 max. theaters, 1.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $46,524 |
Movie Details
| Domestic Releases: | March 15th, 2019 (Limited) by Rialto Pictures |
| International Releases: | August 31st, 2018 (Wide) (United Kingdom)
November 30th, 2018 (Wide) (Portugal) |
| MPA Rating: | Not Rated |
| Running Time: | 102 minutes |
| Cast, crew, or production detail: | Actors Making Their Directorial Debut |
| Film festival: | Sundance Film Festival 2018 |
| Geographical setting: | England, Jamaica, London |
| Plot point: | Death of a Sibling, Gangs, Narcotics, Revenge, Smuggler |
| Social setting: | Music Industry, Organized Crime |
| Time period setting: | 1970s, 1980s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | StudioCanal, BFI, BBC Films, Screen Yorkshire, Warp Films |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 15, 2019 | 58 | $22,056 | 77 | $286 | $22,056 | 1 | |
| Mar 22, 2019 | 91 | $699 | -97% | 10 | $70 | $35,632 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 15, 2019 | - | $6,979 | 77 | $91 | $6,979 | 1 | ||
| Mar 16, 2019 | - | $8,905 | +28% | 77 | $116 | $15,884 | 2 | |
| Mar 17, 2019 | - | $6,172 | -31% | 77 | $80 | $22,056 | 3 | |
| Mar 18, 2019 | - | $2,910 | -53% | 77 | $38 | $24,966 | 4 | |
| Mar 19, 2019 | - | $4,244 | +46% | 77 | $55 | $29,210 | 5 | |
| Mar 20, 2019 | - | $2,984 | -30% | 77 | $39 | $32,194 | 6 | |
| Mar 21, 2019 | - | $2,739 | -8% | 77 | $36 | $34,933 | 7 | |
| Mar 22, 2019 | - | $278 | -90% | -96% | 10 | $28 | $35,211 | 8 |
| Mar 23, 2019 | - | $333 | +20% | -96% | 10 | $33 | $35,544 | 9 |
| Mar 24, 2019 | - | $88 | -74% | -99% | 10 | $9 | $35,632 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 15, 2019 | 58 | $34,933 | 77 | $454 | $34,933 | 1 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Portugal | 11/30/2018 | $3,375 | 7 | 7 | 14 | $6,027 | 12/11/2018 | |||
| United Kingdom | 8/31/2018 | $567,913 | 225 | 225 | 572 | $1,491,036 | 4/4/2026 | |||
| International Total | $1,497,063 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Aml Ameen | D |
Supporting
| Shantol Jackson | Yvonne | |
| Stephen Graham | Rico | |
| Fraser James | Piper | |
| Sheldon Shepherd | King Fox | |
| Everaldo Creary | Jerry Dread | |
| Rayon McLean | Skeets | |
| Mark 'Rhino' Smith | Raggz | |
| Christopher Daly | Marcus | |
| Reshawna Douglas | Young Yvonne |
Production and Technical Credits
| Idris Elba | Director | |
| Gina Carter | Producer | |
| Robin Gutch | Producer | |
| Brock Norman Brock | Screenwriter | |
| Martin Stellman | Screenwriter | |
| Victor Headley | Story based on a novel by | |
| Dan Macrae | Executive Producer | |
| Danny Perkins | Executive Producer | |
| Joe Oppenheimer | Executive Producer | |
| Hugo Heppell | Executive Producer | |
| Mark Herbert | Executive Producer | |
| Mary Burke | Executive Producer | |
| Ben Roberts | Executive Producer | |
| Idris Elba | Executive Producer | |
| Alice Dawson | Line Producer | |
| John Conroy | Director of Photography | |
| Justine Wright | Editor | |
| Dickon Hinchliffe | Composer | |
| Nick Angel | Music Supervisor | |
| Damien Creagh | Production Designer | |
| James Keast | Costume Designer | |
| Shaheen Baig | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.