Ye Wen hui chuan: Zhang Tianzhi (2018)
-(2018).jpg)
| Theatrical Performance | ||
| Domestic Box Office | $209,454 | Details |
| International Box Office | $19,572,493 | Details |
| Worldwide Box Office | $19,781,947 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $135,415 | |
| Blu-ray Sales (estimated) | $678,018 | |
| Total | $813,433 | |
| OpusData ID: 387890100 More info... | ||
| Further financial details... | ||
Synopsis
Following his defeat by Master Ip, Cheung Tin Chi, tries to make a life with his young son in Hong Kong, waiting tables at a bar that caters to expats. But it’s not long before the mix of foreigners, money, and triad leaders draw him once again to the fight.
Metrics
| Opening Weekend: | $92,663 (44.2% of total gross) |
| Legs: | 2.26 (domestic box office/biggest weekend) |
| Domestic Share: | 1.1% (domestic box office/worldwide) |
| Theater counts: | 61 opening theaters/61 max. theaters, 1.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $273,477 |
Movie Details
| Domestic Releases: | April 12th, 2019 (Limited) by Well Go USA, released as Master Z: Ip Man Legacy |
| International Releases: | December 21st, 2018 (Wide) (China)
December 21st, 2018 (Wide), released as Master Z: Ip Man Legacy (Australia) |
| Video Release: | July 23rd, 2019 by Well Go USA Video, released as Master Z: Ip Man Legacy |
| MPA Rating: | Not Rated |
| Running Time: | 108 minutes |
| Franchise: | Ip Man |
| Geographical setting: | Hong Kong |
| Plot point: | Death of a Mentor, Gangs, Going Legit, Martial Arts, Restaurants |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Production/Financing Companies: | Mandarin Motion Pictures Limited, Shanghai Pegasus, United Motion Pictures Culture Co Limited, Shanghai Mingzhao Motion Pictures Culture Co Limited |
| Production Countries: | Hong Kong, China |
| Languages: | Cantonese, Mandarin, English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 12, 2019 | 27 | $92,663 | 61 | $1,519 | $92,663 | 1 | |
| Apr 19, 2019 | 49 | $34,622 | -63% | 32 | $1,082 | $188,676 | 2 |
| Apr 26, 2019 | 76 | $2,379 | -93% | 5 | $476 | $207,570 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 12, 2019 | 30 | $154,054 | 61 | $2,525 | $154,054 | 1 | |
| Apr 19, 2019 | 50 | $51,137 | -67% | 32 | $1,598 | $205,191 | 2 |
| Apr 26, 2019 | 76 | $4,263 | -92% | 5 | $853 | $209,454 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 12/21/2018 | $40,718 | 20 | 20 | 35 | $82,127 | 1/1/2019 | |||
| China | 12/21/2018 | $6,090,000 | 40,895 | 47,382 | 80,669 | $19,490,366 | 4/4/2026 | |||
| International Total | $19,572,493 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Max Zhang | ||
| Dave Bautista | ||
| Michelle Yeoh |
Supporting
| Tony Jaa | ||
| Yan Liu | ||
| Kevin Cheng | ||
| Chrissie Chau | ||
| Patrick Tam |
Cameo
| Yuen Wah |
Supporting
| Philip Keung | ||
| Adam Pak | ||
| Anthony Ho | ||
| Stefan Wong Burrell | ||
| Brian Thomas | ||
| Zhang Heng | ||
| Jiang Jing |
Production and Technical Credits
| Yuen Woo Ping | Director | |
| Edmond Wong | Screenwriter | |
| Chan Tai-lee | Screenwriter | |
| Raymond Wong | Producer | |
| Donnie Yen | Producer | |
| Mak Ho Pong | Line Producer | |
| Louis Wong | Line Producer | |
| Edmond Wong | Co-Producer | |
| Allison Yuen | Co-Producer | |
| David Fu | Co-Producer | |
| Dave Bautista | Co-Producer | |
| Jonathan Meisner | Co-Producer | |
| Edmond Wong | Executive Producer | |
| Anita Wong | Executive Producer | |
| Nip Kei-Wing | Sound Designer | |
| Ip Siu Kei | Sound Designer | |
| Day Tai | Composer | |
| Kwong Chi-leung | Editor | |
| Chow Kai Pong | Editor | |
| Seppe Van Grieken | Director of Photography | |
| David Fu | Director of Photography | |
| Shun-Yee Yuen | Action Choreographer | |
| Joyce Chan | Costume Designer | |
| Raymond Chan | Art Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Following his defeat by Master Ip, Cheung Tin Chi, tries to make a life with his young son in Hong Kong, waiting tables at a bar that caters to expats. But it’s not long before the mix of foreigners, money, and triad leaders draw him once again to the fight.
Metrics
| Opening Weekend: | $92,663 (44.2% of total gross) |
| Legs: | 2.26 (domestic box office/biggest weekend) |
| Domestic Share: | 1.1% (domestic box office/worldwide) |
| Theater counts: | 61 opening theaters/61 max. theaters, 1.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $273,477 |
Movie Details
| Domestic Releases: | April 12th, 2019 (Limited) by Well Go USA, released as Master Z: Ip Man Legacy |
| International Releases: | December 21st, 2018 (Wide) (China)
December 21st, 2018 (Wide), released as Master Z: Ip Man Legacy (Australia) |
| Video Release: | July 23rd, 2019 by Well Go USA Video, released as Master Z: Ip Man Legacy |
| MPA Rating: | Not Rated |
| Running Time: | 108 minutes |
| Franchise: | Ip Man |
| Geographical setting: | Hong Kong |
| Plot point: | Death of a Mentor, Gangs, Going Legit, Martial Arts, Restaurants |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Production/Financing Companies: | Mandarin Motion Pictures Limited, Shanghai Pegasus, United Motion Pictures Culture Co Limited, Shanghai Mingzhao Motion Pictures Culture Co Limited |
| Production Countries: | Hong Kong, China |
| Languages: | Cantonese, Mandarin, English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 12, 2019 | 27 | $92,663 | 61 | $1,519 | $92,663 | 1 | |
| Apr 19, 2019 | 49 | $34,622 | -63% | 32 | $1,082 | $188,676 | 2 |
| Apr 26, 2019 | 76 | $2,379 | -93% | 5 | $476 | $207,570 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 12, 2019 | 30 | $154,054 | 61 | $2,525 | $154,054 | 1 | |
| Apr 19, 2019 | 50 | $51,137 | -67% | 32 | $1,598 | $205,191 | 2 |
| Apr 26, 2019 | 76 | $4,263 | -92% | 5 | $853 | $209,454 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 12/21/2018 | $40,718 | 20 | 20 | 35 | $82,127 | 1/1/2019 | |||
| China | 12/21/2018 | $6,090,000 | 40,895 | 47,382 | 80,669 | $19,490,366 | 4/4/2026 | |||
| International Total | $19,572,493 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Max Zhang | ||
| Dave Bautista | ||
| Michelle Yeoh |
Supporting
| Tony Jaa | ||
| Yan Liu | ||
| Kevin Cheng | ||
| Chrissie Chau | ||
| Patrick Tam |
Cameo
| Yuen Wah |
Supporting
| Philip Keung | ||
| Adam Pak | ||
| Anthony Ho | ||
| Stefan Wong Burrell | ||
| Brian Thomas | ||
| Zhang Heng | ||
| Jiang Jing |
Production and Technical Credits
| Yuen Woo Ping | Director | |
| Edmond Wong | Screenwriter | |
| Chan Tai-lee | Screenwriter | |
| Raymond Wong | Producer | |
| Donnie Yen | Producer | |
| Mak Ho Pong | Line Producer | |
| Louis Wong | Line Producer | |
| Edmond Wong | Co-Producer | |
| Allison Yuen | Co-Producer | |
| David Fu | Co-Producer | |
| Dave Bautista | Co-Producer | |
| Jonathan Meisner | Co-Producer | |
| Edmond Wong | Executive Producer | |
| Anita Wong | Executive Producer | |
| Nip Kei-Wing | Sound Designer | |
| Ip Siu Kei | Sound Designer | |
| Day Tai | Composer | |
| Kwong Chi-leung | Editor | |
| Chow Kai Pong | Editor | |
| Seppe Van Grieken | Director of Photography | |
| David Fu | Director of Photography | |
| Shun-Yee Yuen | Action Choreographer | |
| Joyce Chan | Costume Designer | |
| Raymond Chan | Art Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.