Yip Man 4 (2019)
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| Theatrical Performance | ||
| Domestic Box Office | $3,956,031 | Details |
| International Box Office | $188,661,860 | Details |
| Worldwide Box Office | $192,617,891 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $1,065,077 | |
| Blu-ray Sales (estimated) | $2,469,673 | |
| Total | $3,534,750 | |
| OpusData ID: 435800100 More info... | ||
| Further financial details... | ||
Synopsis
Ip Man’s life remains unchanged after his wife’s death, but he and his son are slowly drifting apart. To seek a better future for his son, Ip Man decides to travel to the U.S. only to find the stable, peaceful life abroad is only skin deep. Underneath lies a deep rooted racial discrimination that is far worse than he has expected. Ip Man re-examines his position and ponders on the reason he took up martial arts in the beginning.
Metrics
| Opening Weekend: | $1,459,523 (36.9% of total gross) |
| Legs: | 2.71 (domestic box office/biggest weekend) |
| Domestic Share: | 2.1% (domestic box office/worldwide) |
| Theater counts: | 70 opening theaters/125 max. theaters, 3.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $5,159,365 |
Movie Details
| Domestic Releases: | December 25th, 2019 (Limited) by Well Go USA, released as IP Man: The Finale |
| International Releases: | November 29th, 2019 (Wide) (Germany)
December 19th, 2019 (Wide) (China) December 20th, 2019 (Wide), released as Ip Man 4: The Finale (New Zealand) December 20th, 2019 (Wide), released as Ip Man 4: The Finale (Australia) December 20th, 2019 (Wide) (Hong Kong) ... Show all releases |
| Video Release: | April 21st, 2020 by Well Go USA Video, released as IP Man: The Finale |
| MPA Rating: | Not Rated |
| Running Time: | 105 minutes |
| Franchise: | Ip Man |
| Cast, crew, or production detail: | Non-Drama Biographies |
| Geographical setting: | San Francisco |
| Plot point: | Biography, Cancer, Immigration, Martial Arts, Martial Arts Master, Terminal Illness |
| Subgenre: | Sports Action |
| Target audience: | Asian-Americans |
| Time period setting: | 1960s |
| Source: | Based on Real Life Events |
| Genre: | Action |
| Production Method: | Multiple Production Methods |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Tin Tin, Well Go USA Entertainment |
| Production Countries: | Hong Kong |
| Languages: | Cantonese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 27, 2019 | 13 | $1,459,523 | 70 | $20,850 | $1,868,874 | 1 | |
| Jan 3, 2020 | 16 | $669,054 | -54% | 125 | $5,352 | $2,866,676 | 2 |
| Jan 10, 2020 | 22 | $316,437 | -53% | 119 | $2,659 | $3,493,505 | 3 |
| Jan 17, 2020 | 24 | $105,168 | -67% | 54 | $1,948 | $3,751,387 | 4 |
| Jan 24, 2020 | 34 | $53,911 | -49% | 29 | $1,859 | $3,870,814 | 5 |
| Jan 31, 2020 | 42 | $20,337 | -62% | 15 | $1,356 | $3,919,448 | 6 |
| Feb 7, 2020 | 50 | $10,826 | -47% | 10 | $1,083 | $3,940,962 | 7 |
| Feb 14, 2020 | 66 | $3,976 | -63% | 4 | $994 | $3,951,069 | 8 |
| Feb 21, 2020 | 76 | $2,286 | -43% | 2 | $1,143 | $3,956,031 | 9 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 20, 2019 | 16 | $721,805 | 70 | $10,312 | $721,805 | 1 | |
| Dec 27, 2019 | 14 | $1,475,817 | +104% | 70 | $21,083 | $2,197,622 | 2 |
| Jan 3, 2020 | 17 | $979,446 | -34% | 70 | $13,992 | $3,177,068 | 3 |
| Jan 10, 2020 | 20 | $469,151 | -52% | 119 | $3,942 | $3,646,219 | 4 |
| Jan 17, 2020 | 24 | $170,684 | -64% | 54 | $3,161 | $3,816,903 | 5 |
| Jan 24, 2020 | 35 | $82,208 | -52% | 29 | $2,835 | $3,899,111 | 6 |
| Jan 31, 2020 | 42 | $31,025 | -62% | 29 | $1,070 | $3,930,136 | 7 |
| Feb 7, 2020 | 50 | $16,957 | -45% | 10 | $1,696 | $3,947,093 | 8 |
| Feb 14, 2020 | 67 | $6,652 | -61% | 4 | $1,663 | $3,953,745 | 9 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 12/20/2019 | $202,515 | 48 | 54 | 287 | $43,143 | 4/4/2026 | |||
| China | 12/19/2019 | $47,190,000 | 126,344 | 126,344 | 453,619 | $171,950,000 | 5/11/2020 | |||
| France | 7/24/2020 | $370,439 | 359 | 359 | 714 | $709,962 | 8/7/2020 | |||
| Germany | 11/29/2019 | $0 | 0 | 151 | 151 | $176,922 | 3/14/2020 | |||
| Hong Kong | 12/20/2019 | $958,911 | 0 | 0 | 0 | $3,725,263 | 1/20/2020 | |||
| New Zealand | 12/20/2019 | $44,038 | 23 | 30 | 138 | $16,449 | 4/4/2026 | |||
| South Korea | 4/1/2020 | $148,993 | 206 | 206 | 676 | $1,302 | 4/4/2026 | |||
| Turkey | 1/1/2020 | $131,866 | 251 | 251 | 592 | $265,983 | 4/4/2026 | |||
| United Kingdom | 12/27/2019 | $114,270 | 32 | 32 | 73 | $256,874 | 1/29/2020 | |||
| Rest of World | $11,515,962 | |||||||||
| International Total | $188,661,860 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Donnie Yen | IP Man |
Supporting
| Scott Adkins | Barton Geddes | |
| Danny Chan* | Bruce Lee | |
| Wu Yue | Wan Zong Hua | |
| Vanness Wu | Hartman Wu | |
| Chris Collins | Collins Father | |
| Kent Cheng | ||
| Kanin Ngo | ||
| Vanda Margraf | Yonah |
Production and Technical Credits
| Wilson Yip | Director | |
| Edmond Wong | Screenwriter | |
| Dana Fukazawa | Screenwriter | |
| Chan Tai-lee | Screenwriter | |
| Jill Leung | Screenwriter | |
| Donnie Yen | Producer | |
| Raymond Wong | Producer | |
| Edmond Wong | Executive Producer | |
| Anita Wong | Executive Producer | |
| Kenneth Mak | Production Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Ip Man’s life remains unchanged after his wife’s death, but he and his son are slowly drifting apart. To seek a better future for his son, Ip Man decides to travel to the U.S. only to find the stable, peaceful life abroad is only skin deep. Underneath lies a deep rooted racial discrimination that is far worse than he has expected. Ip Man re-examines his position and ponders on the reason he took up martial arts in the beginning.
Metrics
| Opening Weekend: | $1,459,523 (36.9% of total gross) |
| Legs: | 2.71 (domestic box office/biggest weekend) |
| Domestic Share: | 2.1% (domestic box office/worldwide) |
| Theater counts: | 70 opening theaters/125 max. theaters, 3.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $5,159,365 |
Movie Details
| Domestic Releases: | December 25th, 2019 (Limited) by Well Go USA, released as IP Man: The Finale |
| International Releases: | November 29th, 2019 (Wide) (Germany)
December 19th, 2019 (Wide) (China) December 20th, 2019 (Wide), released as Ip Man 4: The Finale (New Zealand) December 20th, 2019 (Wide), released as Ip Man 4: The Finale (Australia) December 20th, 2019 (Wide) (Hong Kong) ... Show all releases |
| Video Release: | April 21st, 2020 by Well Go USA Video, released as IP Man: The Finale |
| MPA Rating: | Not Rated |
| Running Time: | 105 minutes |
| Franchise: | Ip Man |
| Cast, crew, or production detail: | Non-Drama Biographies |
| Geographical setting: | San Francisco |
| Plot point: | Biography, Cancer, Immigration, Martial Arts, Martial Arts Master, Terminal Illness |
| Subgenre: | Sports Action |
| Target audience: | Asian-Americans |
| Time period setting: | 1960s |
| Source: | Based on Real Life Events |
| Genre: | Action |
| Production Method: | Multiple Production Methods |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Tin Tin, Well Go USA Entertainment |
| Production Countries: | Hong Kong |
| Languages: | Cantonese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 27, 2019 | 13 | $1,459,523 | 70 | $20,850 | $1,868,874 | 1 | |
| Jan 3, 2020 | 16 | $669,054 | -54% | 125 | $5,352 | $2,866,676 | 2 |
| Jan 10, 2020 | 22 | $316,437 | -53% | 119 | $2,659 | $3,493,505 | 3 |
| Jan 17, 2020 | 24 | $105,168 | -67% | 54 | $1,948 | $3,751,387 | 4 |
| Jan 24, 2020 | 34 | $53,911 | -49% | 29 | $1,859 | $3,870,814 | 5 |
| Jan 31, 2020 | 42 | $20,337 | -62% | 15 | $1,356 | $3,919,448 | 6 |
| Feb 7, 2020 | 50 | $10,826 | -47% | 10 | $1,083 | $3,940,962 | 7 |
| Feb 14, 2020 | 66 | $3,976 | -63% | 4 | $994 | $3,951,069 | 8 |
| Feb 21, 2020 | 76 | $2,286 | -43% | 2 | $1,143 | $3,956,031 | 9 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 20, 2019 | 16 | $721,805 | 70 | $10,312 | $721,805 | 1 | |
| Dec 27, 2019 | 14 | $1,475,817 | +104% | 70 | $21,083 | $2,197,622 | 2 |
| Jan 3, 2020 | 17 | $979,446 | -34% | 70 | $13,992 | $3,177,068 | 3 |
| Jan 10, 2020 | 20 | $469,151 | -52% | 119 | $3,942 | $3,646,219 | 4 |
| Jan 17, 2020 | 24 | $170,684 | -64% | 54 | $3,161 | $3,816,903 | 5 |
| Jan 24, 2020 | 35 | $82,208 | -52% | 29 | $2,835 | $3,899,111 | 6 |
| Jan 31, 2020 | 42 | $31,025 | -62% | 29 | $1,070 | $3,930,136 | 7 |
| Feb 7, 2020 | 50 | $16,957 | -45% | 10 | $1,696 | $3,947,093 | 8 |
| Feb 14, 2020 | 67 | $6,652 | -61% | 4 | $1,663 | $3,953,745 | 9 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 12/20/2019 | $202,515 | 48 | 54 | 287 | $43,143 | 4/4/2026 | |||
| China | 12/19/2019 | $47,190,000 | 126,344 | 126,344 | 453,619 | $171,950,000 | 5/11/2020 | |||
| France | 7/24/2020 | $370,439 | 359 | 359 | 714 | $709,962 | 8/7/2020 | |||
| Germany | 11/29/2019 | $0 | 0 | 151 | 151 | $176,922 | 3/14/2020 | |||
| Hong Kong | 12/20/2019 | $958,911 | 0 | 0 | 0 | $3,725,263 | 1/20/2020 | |||
| New Zealand | 12/20/2019 | $44,038 | 23 | 30 | 138 | $16,449 | 4/4/2026 | |||
| South Korea | 4/1/2020 | $148,993 | 206 | 206 | 676 | $1,302 | 4/4/2026 | |||
| Turkey | 1/1/2020 | $131,866 | 251 | 251 | 592 | $265,983 | 4/4/2026 | |||
| United Kingdom | 12/27/2019 | $114,270 | 32 | 32 | 73 | $256,874 | 1/29/2020 | |||
| Rest of World | $11,515,962 | |||||||||
| International Total | $188,661,860 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Donnie Yen | IP Man |
Supporting
| Scott Adkins | Barton Geddes | |
| Danny Chan* | Bruce Lee | |
| Wu Yue | Wan Zong Hua | |
| Vanness Wu | Hartman Wu | |
| Chris Collins | Collins Father | |
| Kent Cheng | ||
| Kanin Ngo | ||
| Vanda Margraf | Yonah |
Production and Technical Credits
| Wilson Yip | Director | |
| Edmond Wong | Screenwriter | |
| Dana Fukazawa | Screenwriter | |
| Chan Tai-lee | Screenwriter | |
| Jill Leung | Screenwriter | |
| Donnie Yen | Producer | |
| Raymond Wong | Producer | |
| Edmond Wong | Executive Producer | |
| Anita Wong | Executive Producer | |
| Kenneth Mak | Production Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.