Yosemite (2016)
| Theatrical Performance | ||
| Domestic Box Office | $13,931 | Details |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $27,414 | |
| Total | $27,414 | |
| OpusData ID: 240880100 More info... | ||
| Further financial details... | ||
Synopsis
It's the autumn of 1985. In intertwining tales by James Franco, three 5th grade friends, Chris, Joe and Ted, unfold in the suburban paradise of Palo Alto. Chris drives up to Yosemite for the weekend with his dad and discovers a corpse in the woods. Joe, left to his own devices by his babysitter, befriends a lonely drifter who shares his love of comic books. Meanwhile, a mountain lion is spotted in Palo Alto in broad daylight and Ted searches for his cat, who has gone missing
Metrics
| Opening Weekend: | $4,461 (32.0% of total gross) |
| Legs: | 3.12 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/5 max. theaters, 2.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $19,079 |
Movie Details
| Domestic Releases: | January 1st, 2016 (Limited) by Monterey Media |
| Video Release: | February 23rd, 2016 by Cinedigm |
| MPA Rating: | R for some sexual material/nudity and language. (Rating bulletin 2396 (Cert #50114), 10/21/2015) |
| Running Time: | 82 minutes |
| Geographical setting: | California |
| Plot point: | Bullies, Coming of Age, Dysfunctional Family |
| Time period setting: | 1980s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | The Art of Elysium, Rabbit Bandini Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 1, 2016 | 63 | $4,461 | 2 | $2,231 | $4,461 | 1 | |
| Jan 8, 2016 | 80 | $1,402 | -69% | 2 | $701 | $7,156 | 2 |
| Jan 15, 2016 | 78 | $333 | -76% | 4 | $83 | $7,586 | 3 |
| Jan 22, 2016 | 67 | $2,177 | +554% | 3 | $726 | $10,153 | 4 |
| Jan 29, 2016 | 83 | $33 | -98% | 1 | $33 | $10,352 | 5 |
| Feb 5, 2016 | 86 | $29 | -12% | 1 | $29 | $12,153 | 6 |
| Feb 12, 2016 | 93 | $68 | +134% | 1 | $68 | $12,598 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 1, 2016 | 64 | $5,754 | 2 | $2,877 | $5,754 | 1 | |
| Jan 8, 2016 | 80 | $1,499 | -74% | 2 | $750 | $7,253 | 2 |
| Jan 15, 2016 | 80 | $723 | -52% | 5 | $145 | $7,976 | 3 |
| Jan 22, 2016 | 74 | $2,343 | +224% | 3 | $781 | $10,319 | 4 |
| Jan 29, 2016 | 85 | $1,746 | -25% | 4 | $437 | $12,124 | 5 |
| Feb 5, 2016 | 88 | $700 | -60% | 3 | $233 | $12,824 | 6 |
| Feb 12, 2016 | 100 | $108 | -85% | 1 | $108 | $12,932 | 7 |
| Feb 19, 2016 | 109 | $84 | -22% | 1 | $84 | $13,016 | 8 |
| Mar 4, 2016 | 101 | $915 | 1 | $915 | $13,931 | 10 |
Supporting
| Henry Hopper | Henry |
Leading
| James Franco | Phil | |
| Everett Meckler | Chris | |
| Alec Mansky | Joe | |
| Calum John | Ted |
Supporting
| Todd Brotze | John | |
| James Darbyshire | Steve | |
| George Maguire | Ed | |
| Barry Del Sherman | Daniel | |
| Steven Wiig | Michael |
Production and Technical Credits
| Gabrielle Demeestere | Director | |
| Gabrielle Demeestere | Screenwriter | |
| Clara Aranovich | Producer | |
| Shruti Rya Ganguly* | Producer | |
| Nicolaas Bertelsen | Producer | |
| Sev Ohanian | Producer | |
| Paul Bernon | Producer | |
| Sam Slater | Producer | |
| Vince Jolivette | Executive Producer | |
| James Franco | Executive Producer | |
| Bruce Thierry Cheung | Director of Photography | |
| Chananun Chotrungroj | Director of Photography | |
| Maki Takenouchi | Production Designer | |
| Joe Murphy | Editor | |
| Jasmine Hamed | Costume Designer | |
| Ryder McNair | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
It's the autumn of 1985. In intertwining tales by James Franco, three 5th grade friends, Chris, Joe and Ted, unfold in the suburban paradise of Palo Alto. Chris drives up to Yosemite for the weekend with his dad and discovers a corpse in the woods. Joe, left to his own devices by his babysitter, befriends a lonely drifter who shares his love of comic books. Meanwhile, a mountain lion is spotted in Palo Alto in broad daylight and Ted searches for his cat, who has gone missing
Metrics
| Opening Weekend: | $4,461 (32.0% of total gross) |
| Legs: | 3.12 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/5 max. theaters, 2.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $19,079 |
Movie Details
| Domestic Releases: | January 1st, 2016 (Limited) by Monterey Media |
| Video Release: | February 23rd, 2016 by Cinedigm |
| MPA Rating: | R for some sexual material/nudity and language. (Rating bulletin 2396 (Cert #50114), 10/21/2015) |
| Running Time: | 82 minutes |
| Geographical setting: | California |
| Plot point: | Bullies, Coming of Age, Dysfunctional Family |
| Time period setting: | 1980s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | The Art of Elysium, Rabbit Bandini Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 1, 2016 | 63 | $4,461 | 2 | $2,231 | $4,461 | 1 | |
| Jan 8, 2016 | 80 | $1,402 | -69% | 2 | $701 | $7,156 | 2 |
| Jan 15, 2016 | 78 | $333 | -76% | 4 | $83 | $7,586 | 3 |
| Jan 22, 2016 | 67 | $2,177 | +554% | 3 | $726 | $10,153 | 4 |
| Jan 29, 2016 | 83 | $33 | -98% | 1 | $33 | $10,352 | 5 |
| Feb 5, 2016 | 86 | $29 | -12% | 1 | $29 | $12,153 | 6 |
| Feb 12, 2016 | 93 | $68 | +134% | 1 | $68 | $12,598 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 1, 2016 | 64 | $5,754 | 2 | $2,877 | $5,754 | 1 | |
| Jan 8, 2016 | 80 | $1,499 | -74% | 2 | $750 | $7,253 | 2 |
| Jan 15, 2016 | 80 | $723 | -52% | 5 | $145 | $7,976 | 3 |
| Jan 22, 2016 | 74 | $2,343 | +224% | 3 | $781 | $10,319 | 4 |
| Jan 29, 2016 | 85 | $1,746 | -25% | 4 | $437 | $12,124 | 5 |
| Feb 5, 2016 | 88 | $700 | -60% | 3 | $233 | $12,824 | 6 |
| Feb 12, 2016 | 100 | $108 | -85% | 1 | $108 | $12,932 | 7 |
| Feb 19, 2016 | 109 | $84 | -22% | 1 | $84 | $13,016 | 8 |
| Mar 4, 2016 | 101 | $915 | 1 | $915 | $13,931 | 10 |
Supporting
| Henry Hopper | Henry |
Leading
| James Franco | Phil | |
| Everett Meckler | Chris | |
| Alec Mansky | Joe | |
| Calum John | Ted |
Supporting
| Todd Brotze | John | |
| James Darbyshire | Steve | |
| George Maguire | Ed | |
| Barry Del Sherman | Daniel | |
| Steven Wiig | Michael |
Production and Technical Credits
| Gabrielle Demeestere | Director | |
| Gabrielle Demeestere | Screenwriter | |
| Clara Aranovich | Producer | |
| Shruti Rya Ganguly* | Producer | |
| Nicolaas Bertelsen | Producer | |
| Sev Ohanian | Producer | |
| Paul Bernon | Producer | |
| Sam Slater | Producer | |
| Vince Jolivette | Executive Producer | |
| James Franco | Executive Producer | |
| Bruce Thierry Cheung | Director of Photography | |
| Chananun Chotrungroj | Director of Photography | |
| Maki Takenouchi | Production Designer | |
| Joe Murphy | Editor | |
| Jasmine Hamed | Costume Designer | |
| Ryder McNair | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.