You Can See Everything (2026)
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| Theatrical Performance | ||
| Domestic Box Office | $79,377,392 | Details |
| International Box Office | $287,562 | Details |
| Worldwide Box Office | $79,664,954 | |
| OpusData ID: 824570100 More info... | ||
| Further financial details... | ||
Synopsis
Thirty-four days before she’s sent to prison, notorious Silicon Valley founder Elizabeth Holmes invites a skeptical film crew to document her every move. What begins as an intimate portrait of an enigmatic felon becomes a mind-bending three-year journey into the abyss.
Metrics
| Opening Weekend: | $15,601,418 (19.7% of total gross) |
| Legs: | 4.24 (domestic box office/biggest weekend) |
| Domestic Share: | 99.6% (domestic box office/worldwide) |
| Production Budget: | $7,000,000 (worldwide box office is 11.4 times production budget) |
| Theater counts: | 855 opening theaters/3,243 max. theaters, 2.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $79,377,392 |
Movie Details
| Domestic Releases: | October 16th, 2026 (Wide) by A24 |
| International Releases: | October 30th, 2026 (Wide), released as Her Şey Ortada (Turkey)
November 5th, 2026 (Wide), released as Uvidíš všechno (Czech Republic) November 8th, 2026 (Limited) (Portugal) November 9th, 2026 (Wide) (Portugal) November 12th, 2026 (Wide) (Australia) ... Show all releases |
| MPA Rating: | R for language and some graphic nudity. (Rating bulletin 2955 (cert #56066), 9/23/2026) |
| Running Time: | 174 minutes |
| Cast, crew, or production detail: | Epilogue, Intertitle |
| Film festival: | Telluride Film Festival 2026 |
| Plot point: | Biography, Entrepreneur, Inventor, Medical and Hospitals, White Collar Crime |
| Subgenre: | Biographical Documentary |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | A24, To Be Formed, Blow Out Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 16, 2026 | 2 | $15,601,418 | 855 | $18,247 | $15,601,418 | 1 | |
| Oct 23, 2026 | 2 | $18,733,547 | +20% | 2,655 | $7,056 | $44,379,023 | 2 |
| Oct 30, 2026 | 1 | $11,445,628 | -39% | 3,243 | $3,529 | $64,727,540 | 3 |
| Nov 6, 2026 | 5 | $8,442,842 | -26% | 2,473 | $3,414 | $79,377,392 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 15, 2026 | P | $1,750,000 | 855 | $2,047 | $1,750,000 | |||
| Oct 16, 2026 | 2 | $5,543,820 | 855 | $6,484 | $5,543,820 | 1 | ||
| Oct 17, 2026 | 2 | $5,211,191 | -6% | 855 | $6,095 | $10,755,011 | 2 | |
| Oct 18, 2026 | 2 | $4,846,407 | -7% | 855 | $5,668 | $15,601,418 | 3 | |
| Oct 19, 2026 | 1 | $2,576,115 | -47% | 855 | $3,013 | $18,177,533 | 4 | |
| Oct 20, 2026 | 2 | $2,627,637 | +2% | 855 | $3,073 | $20,805,170 | 5 | |
| Oct 21, 2026 | 1 | $2,602,315 | -1% | 855 | $3,044 | $23,407,485 | 6 | |
| Oct 22, 2026 | 1 | $2,237,991 | -14% | 855 | $2,618 | $25,645,476 | 7 | |
| Oct 23, 2026 | 2 | $6,146,325 | +175% | +11% | 2,655 | $2,315 | $31,791,801 | 8 |
| Oct 24, 2026 | 2 | $6,945,347 | +13% | +33% | 2,655 | $2,616 | $38,737,148 | 9 |
| Oct 25, 2026 | 1 | $5,641,875 | -19% | +16% | 2,655 | $2,125 | $44,379,023 | 10 |
| Oct 26, 2026 | 2 | $2,262,060 | -60% | -12% | 2,655 | $852 | $46,641,083 | 11 |
| Oct 27, 2026 | 2 | $2,533,507 | +12% | -4% | 2,655 | $954 | $49,174,590 | 12 |
| Oct 28, 2026 | 1 | $2,128,146 | -16% | -18% | 2,655 | $802 | $51,302,736 | 13 |
| Oct 29, 2026 | 1 | $1,979,176 | -7% | -12% | 2,655 | $745 | $53,281,912 | 14 |
| Oct 30, 2026 | 1 | $3,569,030 | +80% | -42% | 3,243 | $1,101 | $56,850,942 | 15 |
| Oct 31, 2026 | 2 | $3,580,272 | n/c | -48% | 3,243 | $1,104 | $60,431,214 | 16 |
| Nov 1, 2026 | 1 | $4,296,326 | +20% | -24% | 3,243 | $1,325 | $64,727,541 | 17 |
| Nov 2, 2026 | 1 | $1,460,751 | -66% | -35% | 3,243 | $450 | $66,188,292 | 18 |
| Nov 3, 2026 | 2 | $1,942,799 | +33% | -23% | 3,243 | $599 | $68,131,091 | 19 |
| Nov 4, 2026 | 1 | $1,515,383 | -22% | -29% | 3,243 | $467 | $69,646,474 | 20 |
| Nov 5, 2026 | 2 | $1,288,076 | -15% | -35% | 3,243 | $397 | $70,934,550 | 21 |
| Nov 6, 2026 | 4 | $2,557,462 | +99% | -28% | 2,473 | $1,034 | $73,492,012 | 22 |
| Nov 7, 2026 | 4 | $3,503,202 | +37% | -2% | 2,473 | $1,417 | $76,995,214 | 23 |
| Nov 8, 2026 | 5 | $2,382,178 | -32% | -45% | 2,473 | $963 | $79,377,392 | 24 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 16, 2026 | 2 | $25,645,476 | 855 | $29,995 | $25,645,476 | 1 | |
| Oct 23, 2026 | 2 | $27,636,436 | +8% | 2,655 | $10,409 | $53,281,912 | 2 |
| Oct 30, 2026 | 1 | $17,652,638 | -36% | 3,243 | $5,443 | $70,934,549 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Czech Republic | 11/5/2026 | $49,400 | 56 | 56 | 56 | $103,831 | 11/10/2026 | |||
| Portugal | 11/8/2026 | $20,822 | 18 | 18 | 0 | $20,822 | 11/10/2026 | |||
| Turkey | 10/30/2026 | $162,909 | 117 | 117 | 117 | $162,909 | 11/4/2026 | |||
| International Total | $287,562 | 11/10/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Documentary Subject
| Elizabeth Holmes | Herself | |
| Billy Evans | Himself |
Leading
| Nathan Fielder | Himself |
Supporting
| Amanda Seyfried | Herself / Elizabeth Holmes |
Production and Technical Credits
| Nathan Fielder | Director | |
| Lance Oppenheim | Director | |
| Lance Oppenheim | Producer | |
| Nathan Fielder | Producer | |
| Jack Davis | Producer | |
| Tatiana Bears | Producer | |
| Maggie Ambrose | Producer | |
| Emily Osborne | Executive Producer | |
| Adam Locke-Norton | Editor | |
| Ari Balouzian | Composer | |
| David Bolen | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Thirty-four days before she’s sent to prison, notorious Silicon Valley founder Elizabeth Holmes invites a skeptical film crew to document her every move. What begins as an intimate portrait of an enigmatic felon becomes a mind-bending three-year journey into the abyss.
Metrics
| Opening Weekend: | $15,601,418 (19.7% of total gross) |
| Legs: | 4.24 (domestic box office/biggest weekend) |
| Domestic Share: | 99.6% (domestic box office/worldwide) |
| Production Budget: | $7,000,000 (worldwide box office is 11.4 times production budget) |
| Theater counts: | 855 opening theaters/3,243 max. theaters, 2.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $79,377,392 |
Movie Details
| Domestic Releases: | October 16th, 2026 (Wide) by A24 |
| International Releases: | October 30th, 2026 (Wide), released as Her Şey Ortada (Turkey)
November 5th, 2026 (Wide), released as Uvidíš všechno (Czech Republic) November 8th, 2026 (Limited) (Portugal) November 9th, 2026 (Wide) (Portugal) November 12th, 2026 (Wide) (Australia) ... Show all releases |
| MPA Rating: | R for language and some graphic nudity. (Rating bulletin 2955 (cert #56066), 9/23/2026) |
| Running Time: | 174 minutes |
| Cast, crew, or production detail: | Epilogue, Intertitle |
| Film festival: | Telluride Film Festival 2026 |
| Plot point: | Biography, Entrepreneur, Inventor, Medical and Hospitals, White Collar Crime |
| Subgenre: | Biographical Documentary |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | A24, To Be Formed, Blow Out Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 16, 2026 | 2 | $15,601,418 | 855 | $18,247 | $15,601,418 | 1 | |
| Oct 23, 2026 | 2 | $18,733,547 | +20% | 2,655 | $7,056 | $44,379,023 | 2 |
| Oct 30, 2026 | 1 | $11,445,628 | -39% | 3,243 | $3,529 | $64,727,540 | 3 |
| Nov 6, 2026 | 5 | $8,442,842 | -26% | 2,473 | $3,414 | $79,377,392 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 15, 2026 | P | $1,750,000 | 855 | $2,047 | $1,750,000 | |||
| Oct 16, 2026 | 2 | $5,543,820 | 855 | $6,484 | $5,543,820 | 1 | ||
| Oct 17, 2026 | 2 | $5,211,191 | -6% | 855 | $6,095 | $10,755,011 | 2 | |
| Oct 18, 2026 | 2 | $4,846,407 | -7% | 855 | $5,668 | $15,601,418 | 3 | |
| Oct 19, 2026 | 1 | $2,576,115 | -47% | 855 | $3,013 | $18,177,533 | 4 | |
| Oct 20, 2026 | 2 | $2,627,637 | +2% | 855 | $3,073 | $20,805,170 | 5 | |
| Oct 21, 2026 | 1 | $2,602,315 | -1% | 855 | $3,044 | $23,407,485 | 6 | |
| Oct 22, 2026 | 1 | $2,237,991 | -14% | 855 | $2,618 | $25,645,476 | 7 | |
| Oct 23, 2026 | 2 | $6,146,325 | +175% | +11% | 2,655 | $2,315 | $31,791,801 | 8 |
| Oct 24, 2026 | 2 | $6,945,347 | +13% | +33% | 2,655 | $2,616 | $38,737,148 | 9 |
| Oct 25, 2026 | 1 | $5,641,875 | -19% | +16% | 2,655 | $2,125 | $44,379,023 | 10 |
| Oct 26, 2026 | 2 | $2,262,060 | -60% | -12% | 2,655 | $852 | $46,641,083 | 11 |
| Oct 27, 2026 | 2 | $2,533,507 | +12% | -4% | 2,655 | $954 | $49,174,590 | 12 |
| Oct 28, 2026 | 1 | $2,128,146 | -16% | -18% | 2,655 | $802 | $51,302,736 | 13 |
| Oct 29, 2026 | 1 | $1,979,176 | -7% | -12% | 2,655 | $745 | $53,281,912 | 14 |
| Oct 30, 2026 | 1 | $3,569,030 | +80% | -42% | 3,243 | $1,101 | $56,850,942 | 15 |
| Oct 31, 2026 | 2 | $3,580,272 | n/c | -48% | 3,243 | $1,104 | $60,431,214 | 16 |
| Nov 1, 2026 | 1 | $4,296,326 | +20% | -24% | 3,243 | $1,325 | $64,727,541 | 17 |
| Nov 2, 2026 | 1 | $1,460,751 | -66% | -35% | 3,243 | $450 | $66,188,292 | 18 |
| Nov 3, 2026 | 2 | $1,942,799 | +33% | -23% | 3,243 | $599 | $68,131,091 | 19 |
| Nov 4, 2026 | 1 | $1,515,383 | -22% | -29% | 3,243 | $467 | $69,646,474 | 20 |
| Nov 5, 2026 | 2 | $1,288,076 | -15% | -35% | 3,243 | $397 | $70,934,550 | 21 |
| Nov 6, 2026 | 4 | $2,557,462 | +99% | -28% | 2,473 | $1,034 | $73,492,012 | 22 |
| Nov 7, 2026 | 4 | $3,503,202 | +37% | -2% | 2,473 | $1,417 | $76,995,214 | 23 |
| Nov 8, 2026 | 5 | $2,382,178 | -32% | -45% | 2,473 | $963 | $79,377,392 | 24 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 16, 2026 | 2 | $25,645,476 | 855 | $29,995 | $25,645,476 | 1 | |
| Oct 23, 2026 | 2 | $27,636,436 | +8% | 2,655 | $10,409 | $53,281,912 | 2 |
| Oct 30, 2026 | 1 | $17,652,638 | -36% | 3,243 | $5,443 | $70,934,549 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Czech Republic | 11/5/2026 | $49,400 | 56 | 56 | 56 | $103,831 | 11/10/2026 | |||
| Portugal | 11/8/2026 | $20,822 | 18 | 18 | 0 | $20,822 | 11/10/2026 | |||
| Turkey | 10/30/2026 | $162,909 | 117 | 117 | 117 | $162,909 | 11/4/2026 | |||
| International Total | $287,562 | 11/10/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Documentary Subject
| Elizabeth Holmes | Herself | |
| Billy Evans | Himself |
Leading
| Nathan Fielder | Himself |
Supporting
| Amanda Seyfried | Herself / Elizabeth Holmes |
Production and Technical Credits
| Nathan Fielder | Director | |
| Lance Oppenheim | Director | |
| Lance Oppenheim | Producer | |
| Nathan Fielder | Producer | |
| Jack Davis | Producer | |
| Tatiana Bears | Producer | |
| Maggie Ambrose | Producer | |
| Emily Osborne | Executive Producer | |
| Adam Locke-Norton | Editor | |
| Ari Balouzian | Composer | |
| David Bolen | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.