You Gotta Believe (2024)
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| Theatrical Performance | ||
| Domestic Box Office | $1,398,975 | Details |
| Domestic Physical Disc Sales | ||
| Blu-ray Sales (estimated) | $14,167 | |
| Total | $14,167 | |
| OpusData ID: 685160100 More info... | ||
| Further financial details... | ||
Synopsis
The true story of one team’s transformational journey from district underdog to taking its place in the Little League record books. After dedicating the season to a teammate’s ailing father, a group of underestimated youth baseball players from Fort Worth, Texas, takes its Cinderella run all the way to the 2002 Little League World Series—culminating in a record-breaking showdown that became an instant ESPN classic.
Metrics
| Opening Weekend: | $677,094 (48.4% of total gross) |
| Legs: | 2.07 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 730 opening theaters/730 max. theaters, 2.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,479,380 |
Movie Details
| Domestic Releases: | August 30th, 2024 (Wide) by Well Go USA |
| Video Release: | September 17th, 2024 by Well Go USA Video |
| MPA Rating: | PG for thematic content, language and suggestive references. (Rating bulletin 2838 (cert #55035), 6/12/2024) |
| Running Time: | 104 minutes |
| Filming location (country): | Canada |
| Geographical setting: | Pennsylvania, United States, Texas, United States |
| Plot point: | Baseball, Coming of Age, Inspirational Sports, Terminal Illness |
| Subgenre: | Sports Drama |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Well Go USA Entertainment, Santa Rita Pictures, Hangar18, Media Finance Capital |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 30, 2024 | - | $677,094 | 730 | $928 | $677,094 | 1 | |
| Sep 6, 2024 | - | $155,062 | -77% | 730 | $212 | $1,242,064 | 2 |
| Sep 13, 2024 | - | $31,522 | -80% | 80 | $394 | $1,339,018 | 3 |
| Sep 20, 2024 | - | $14,708 | -53% | 43 | $342 | $1,367,897 | 4 |
| Sep 27, 2024 | - | $4,219 | -71% | 22 | $192 | $1,382,147 | 5 |
| Oct 4, 2024 | - | $3,896 | -8% | 15 | $260 | $1,388,478 | 6 |
| Oct 18, 2024 | - | $1,527 | 5 | $305 | $1,398,975 | 8 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 30, 2024 | 16 | $1,087,002 | 730 | $1,489 | $1,087,002 | 1 | |
| Sep 6, 2024 | - | $220,494 | -80% | 360 | $612 | $1,307,496 | 2 |
| Sep 13, 2024 | 33 | $45,693 | -79% | 360 | $127 | $1,353,189 | 3 |
| Sep 20, 2024 | 37 | $23,435 | -49% | 43 | $545 | $1,376,624 | 4 |
| Sep 27, 2024 | 46 | $6,654 | -72% | 22 | $302 | $1,383,278 | 5 |
| Oct 4, 2024 | 48 | $6,222 | -6% | 15 | $415 | $1,389,500 | 6 |
| Oct 11, 2024 | 41 | $6,163 | -1% | 11 | $560 | $1,395,663 | 7 |
Leading
| Luke Wilson | Bobby Ratliff | |
| Greg Kinnear | Coach Jon Kelly |
Supporting
| Sarah Gadon | ||
| Lew Temple | ||
| Michael Cash | ||
| Etienne Kellici | ||
| Molly Parker |
Production and Technical Credits
| Ty Roberts | Director | |
| Lane Garrison | Screenwriter | |
| Ty Roberts | Screenwriter | |
| Matt Harvey | Producer | |
| Pasha Patriki | Producer | |
| Byron Campbell | Producer | |
| Houston Hill | Producer | |
| Ty Roberts | Executive Producer | |
| Doris Pfardrescher | Executive Producer | |
| Tony Vandeveerdonk | Executive Producer | |
| Wes Williams | Executive Producer | |
| Greg McCabe | Executive Producer | |
| Allen Gilmer | Executive Producer | |
| George Young | Executive Producer | |
| Marlon Vogelgesang | Executive Producer | |
| Charles Dorfman | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
The true story of one team’s transformational journey from district underdog to taking its place in the Little League record books. After dedicating the season to a teammate’s ailing father, a group of underestimated youth baseball players from Fort Worth, Texas, takes its Cinderella run all the way to the 2002 Little League World Series—culminating in a record-breaking showdown that became an instant ESPN classic.
Metrics
| Opening Weekend: | $677,094 (48.4% of total gross) |
| Legs: | 2.07 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 730 opening theaters/730 max. theaters, 2.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,479,380 |
Movie Details
| Domestic Releases: | August 30th, 2024 (Wide) by Well Go USA |
| Video Release: | September 17th, 2024 by Well Go USA Video |
| MPA Rating: | PG for thematic content, language and suggestive references. (Rating bulletin 2838 (cert #55035), 6/12/2024) |
| Running Time: | 104 minutes |
| Filming location (country): | Canada |
| Geographical setting: | Pennsylvania, United States, Texas, United States |
| Plot point: | Baseball, Coming of Age, Inspirational Sports, Terminal Illness |
| Subgenre: | Sports Drama |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Well Go USA Entertainment, Santa Rita Pictures, Hangar18, Media Finance Capital |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 30, 2024 | - | $677,094 | 730 | $928 | $677,094 | 1 | |
| Sep 6, 2024 | - | $155,062 | -77% | 730 | $212 | $1,242,064 | 2 |
| Sep 13, 2024 | - | $31,522 | -80% | 80 | $394 | $1,339,018 | 3 |
| Sep 20, 2024 | - | $14,708 | -53% | 43 | $342 | $1,367,897 | 4 |
| Sep 27, 2024 | - | $4,219 | -71% | 22 | $192 | $1,382,147 | 5 |
| Oct 4, 2024 | - | $3,896 | -8% | 15 | $260 | $1,388,478 | 6 |
| Oct 18, 2024 | - | $1,527 | 5 | $305 | $1,398,975 | 8 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 30, 2024 | 16 | $1,087,002 | 730 | $1,489 | $1,087,002 | 1 | |
| Sep 6, 2024 | - | $220,494 | -80% | 360 | $612 | $1,307,496 | 2 |
| Sep 13, 2024 | 33 | $45,693 | -79% | 360 | $127 | $1,353,189 | 3 |
| Sep 20, 2024 | 37 | $23,435 | -49% | 43 | $545 | $1,376,624 | 4 |
| Sep 27, 2024 | 46 | $6,654 | -72% | 22 | $302 | $1,383,278 | 5 |
| Oct 4, 2024 | 48 | $6,222 | -6% | 15 | $415 | $1,389,500 | 6 |
| Oct 11, 2024 | 41 | $6,163 | -1% | 11 | $560 | $1,395,663 | 7 |
Leading
| Luke Wilson | Bobby Ratliff | |
| Greg Kinnear | Coach Jon Kelly |
Supporting
| Sarah Gadon | ||
| Lew Temple | ||
| Michael Cash | ||
| Etienne Kellici | ||
| Molly Parker |
Production and Technical Credits
| Ty Roberts | Director | |
| Lane Garrison | Screenwriter | |
| Ty Roberts | Screenwriter | |
| Matt Harvey | Producer | |
| Pasha Patriki | Producer | |
| Byron Campbell | Producer | |
| Houston Hill | Producer | |
| Ty Roberts | Executive Producer | |
| Doris Pfardrescher | Executive Producer | |
| Tony Vandeveerdonk | Executive Producer | |
| Wes Williams | Executive Producer | |
| Greg McCabe | Executive Producer | |
| Allen Gilmer | Executive Producer | |
| George Young | Executive Producer | |
| Marlon Vogelgesang | Executive Producer | |
| Charles Dorfman | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.