You Kill Me (2007)
| Theatrical Performance | ||
| Domestic Box Office | $2,426,851 | Details |
| International Box Office | $1,432,113 | |
| Worldwide Box Office | $3,858,964 | |
| OpusData ID: 54040100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $233,709 (9.6% of total gross) |
| Legs: | 4.12 (domestic box office/biggest weekend) |
| Domestic Share: | 62.9% (domestic box office/worldwide) |
| Production Budget: | $4,000,000 (worldwide box office is 1.0 times production budget) |
| Theater counts: | 35 opening theaters/252 max. theaters, 3.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $4,218,770 |
Movie Details
| Domestic Releases: | June 22nd, 2007 (Wide) by IFC Films |
| Video Release: | October 9th, 2007 by IFC Video |
| MPA Rating: | R for language and some violence |
| Running Time: | 93 minutes |
| Plot point: | Hitmen |
| Source: | Original Screenplay |
| Genre: | Black Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 22, 2007 | 20 | $233,709 | 35 | $6,677 | $233,709 | 1 | |
| Jun 29, 2007 | 24 | $152,900 | -35% | 39 | $3,921 | $490,036 | 2 |
| Jul 6, 2007 | 23 | $246,501 | +61% | 63 | $3,913 | $828,994 | 3 |
| Jul 13, 2007 | 16 | $589,368 | +139% | 247 | $2,386 | $1,514,156 | 4 |
| Jul 20, 2007 | 23 | $306,609 | -48% | 252 | $1,217 | $2,064,987 | 5 |
| Jul 27, 2007 | 35 | $107,970 | -65% | 108 | $1,000 | $2,311,434 | 6 |
| Aug 3, 2007 | 52 | $24,267 | -78% | 26 | $933 | $2,385,146 | 7 |
| Aug 10, 2007 | 60 | $16,813 | -31% | 14 | $1,201 | $2,415,335 | 8 |
| Aug 17, 2007 | 89 | $3,263 | -81% | 7 | $466 | $2,426,851 | 9 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 22, 2007 | 21 | $337,136 | 35 | $9,632 | $337,136 | 1 | |
| Jun 29, 2007 | 27 | $245,357 | -27% | 39 | $6,291 | $582,493 | 2 |
| Jul 6, 2007 | 25 | $342,295 | +40% | 63 | $5,433 | $924,788 | 3 |
| Jul 13, 2007 | 18 | $833,590 | +144% | 247 | $3,375 | $1,758,378 | 4 |
| Jul 20, 2007 | 24 | $445,086 | -47% | 252 | $1,766 | $2,203,464 | 5 |
| Jul 27, 2007 | 33 | $157,415 | -65% | 108 | $1,458 | $2,360,879 | 6 |
| Aug 3, 2007 | 54 | $37,643 | -76% | 26 | $1,448 | $2,398,522 | 7 |
| Aug 10, 2007 | 62 | $25,066 | -33% | 14 | $1,790 | $2,423,588 | 8 |
| Aug 17, 2007 | 90 | $3,263 | -87% | 7 | $466 | $2,426,851 | 9 |
Leading
| Ben Kingsley | Frank | |
| Téa Leoni | Laurel |
Supporting
| Luke Wilson | Tom | |
| Philip Baker Hall | Roman | |
| Dennis Farina | O'Leary | |
| Bill Pullman | Dave | |
| Marcus Thomas | Stef | |
| Alison Sealy-Smith | Doris |
Production and Technical Credits
| John Dahl | Director | |
| Jon Johnson | Supervising Sound Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Metrics
| Opening Weekend: | $233,709 (9.6% of total gross) |
| Legs: | 4.12 (domestic box office/biggest weekend) |
| Domestic Share: | 62.9% (domestic box office/worldwide) |
| Production Budget: | $4,000,000 (worldwide box office is 1.0 times production budget) |
| Theater counts: | 35 opening theaters/252 max. theaters, 3.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $4,218,770 |
Movie Details
| Domestic Releases: | June 22nd, 2007 (Wide) by IFC Films |
| Video Release: | October 9th, 2007 by IFC Video |
| MPA Rating: | R for language and some violence |
| Running Time: | 93 minutes |
| Plot point: | Hitmen |
| Source: | Original Screenplay |
| Genre: | Black Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 22, 2007 | 20 | $233,709 | 35 | $6,677 | $233,709 | 1 | |
| Jun 29, 2007 | 24 | $152,900 | -35% | 39 | $3,921 | $490,036 | 2 |
| Jul 6, 2007 | 23 | $246,501 | +61% | 63 | $3,913 | $828,994 | 3 |
| Jul 13, 2007 | 16 | $589,368 | +139% | 247 | $2,386 | $1,514,156 | 4 |
| Jul 20, 2007 | 23 | $306,609 | -48% | 252 | $1,217 | $2,064,987 | 5 |
| Jul 27, 2007 | 35 | $107,970 | -65% | 108 | $1,000 | $2,311,434 | 6 |
| Aug 3, 2007 | 52 | $24,267 | -78% | 26 | $933 | $2,385,146 | 7 |
| Aug 10, 2007 | 60 | $16,813 | -31% | 14 | $1,201 | $2,415,335 | 8 |
| Aug 17, 2007 | 89 | $3,263 | -81% | 7 | $466 | $2,426,851 | 9 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 22, 2007 | 21 | $337,136 | 35 | $9,632 | $337,136 | 1 | |
| Jun 29, 2007 | 27 | $245,357 | -27% | 39 | $6,291 | $582,493 | 2 |
| Jul 6, 2007 | 25 | $342,295 | +40% | 63 | $5,433 | $924,788 | 3 |
| Jul 13, 2007 | 18 | $833,590 | +144% | 247 | $3,375 | $1,758,378 | 4 |
| Jul 20, 2007 | 24 | $445,086 | -47% | 252 | $1,766 | $2,203,464 | 5 |
| Jul 27, 2007 | 33 | $157,415 | -65% | 108 | $1,458 | $2,360,879 | 6 |
| Aug 3, 2007 | 54 | $37,643 | -76% | 26 | $1,448 | $2,398,522 | 7 |
| Aug 10, 2007 | 62 | $25,066 | -33% | 14 | $1,790 | $2,423,588 | 8 |
| Aug 17, 2007 | 90 | $3,263 | -87% | 7 | $466 | $2,426,851 | 9 |
Leading
| Ben Kingsley | Frank | |
| Téa Leoni | Laurel |
Supporting
| Luke Wilson | Tom | |
| Philip Baker Hall | Roman | |
| Dennis Farina | O'Leary | |
| Bill Pullman | Dave | |
| Marcus Thomas | Stef | |
| Alison Sealy-Smith | Doris |
Production and Technical Credits
| John Dahl | Director | |
| Jon Johnson | Supervising Sound Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.