You Won’t Be Alone (2022)
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| Theatrical Performance | ||
| Domestic Box Office | $264,055 | Details |
| International Box Office | $70,856 | Details |
| Worldwide Box Office | $334,911 | |
| OpusData ID: 525310100 More info... | ||
| Further financial details... | ||
Synopsis
A young girl is kidnapped and then transformed into a witch by an ancient spirit. Curious about life as a human, the young witch accidentally kills a peasant in the nearby village and then takes her victim’s shape to live life in her skin. Her curiosity ignited, she continues to wield this horrific power in order to understand what it means to be human.
Metrics
| Opening Weekend: | $124,750 (47.2% of total gross) |
| Legs: | 2.12 (domestic box office/biggest weekend) |
| Domestic Share: | 78.8% (domestic box office/worldwide) |
| Theater counts: | 147 opening theaters/147 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $299,909 |
Movie Details
| Domestic Releases: | April 1st, 2022 (Limited) by Focus Features |
| International Releases: | July 7th, 2022 (Limited), released as Non Sarai Sola (Italy)
August 4th, 2022 (Limited) (New Zealand) September 22nd, 2022 (Limited) (Australia) |
| Video Release: | May 17th, 2022 by Universal Home Entertainment |
| MPA Rating: | R for violence and gore, sexual content, graphic nudity, and sexual assault. (Rating bulletin 2712 (cert #53208), 12/22/2021) |
| Running Time: | 109 minutes |
| Film festival: | Sundance Film Festival 2022 |
| Plot point: | Sex Crimes |
| Social setting: | Supernatural |
| Subgenre: | Supernatural Horror |
| Time period setting: | 1800s |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Focus Features, Screen Australia, Film Victoria, Head Gear Films, Causeway Films, Balkanic Media |
| Production Countries: | Australia, United Kingdom, Serbia |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 1, 2022 | - | $124,750 | 147 | $849 | $124,750 | 1 | |
| Apr 8, 2022 | - | $49,750 | -60% | 147 | $338 | $234,925 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 1, 2022 | - | $44,295 | 147 | $301 | $44,295 | 1 | ||
| Apr 2, 2022 | - | $47,290 | +7% | 147 | $322 | $91,585 | 2 | |
| Apr 3, 2022 | - | $33,165 | -30% | 147 | $226 | $124,750 | 3 | |
| Apr 4, 2022 | - | $15,160 | -54% | 147 | $103 | $139,910 | 4 | |
| Apr 5, 2022 | - | $17,500 | +15% | 147 | $119 | $157,410 | 5 | |
| Apr 6, 2022 | - | $15,745 | -10% | 147 | $107 | $173,155 | 6 | |
| Apr 7, 2022 | - | $12,020 | -24% | 147 | $82 | $185,175 | 7 | |
| Apr 8, 2022 | - | $13,750 | +14% | -69% | 147 | $94 | $198,925 | 8 |
| Apr 9, 2022 | - | $20,405 | +48% | -57% | 147 | $139 | $219,330 | 9 |
| Apr 10, 2022 | - | $15,595 | -24% | -53% | 147 | $106 | $234,925 | 10 |
| Apr 11, 2022 | - | $6,500 | -58% | -57% | 147 | $44 | $241,425 | 11 |
| Apr 12, 2022 | - | $8,070 | +24% | -54% | 147 | $55 | $249,495 | 12 |
| Apr 13, 2022 | - | $7,220 | -11% | -54% | 147 | $49 | $256,715 | 13 |
| Apr 14, 2022 | - | $7,340 | +2% | -39% | 147 | $50 | $264,055 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 1, 2022 | - | $185,175 | 147 | $1,260 | $185,175 | 1 | |
| Apr 8, 2022 | - | $78,880 | -57% | 147 | $537 | $264,055 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 9/22/2022 | $7,216 | 7 | 7 | 32 | $59,955 | 9/5/2023 | |||
| Italy | 7/7/2022 | $9,419 | 0 | 0 | 0 | $9,419 | 7/16/2022 | |||
| New Zealand | 8/4/2022 | $0 | 0 | 3 | 5 | $1,482 | 8/30/2022 | |||
| International Total | $70,856 | 9/5/2023 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Supporting
| Anamaria Marinca | Maria | |
| Sara Klimoska | Nevena | |
| Alice Englert | Biliana | |
| Félix Maritaud | Yovan | |
| Carloto Cotta | Boris |
Leading
| Noomi Rapace | Bosilka |
Supporting
| Arta Dobroshi | Stamena | |
| Irena Ristic | Elica |
Production and Technical Credits
| Goran Stolevski | Director | |
| Goran Stolevski | Screenwriter | |
| Kristina Ceyton | Producer | |
| Samantha Jennings | Producer | |
| Stephen Kelliher | Executive Producer | |
| Phil Hunt | Executive Producer | |
| Compton Ross | Executive Producer | |
| Noomi Rapace | Executive Producer | |
| Jonathan English | Co-Producer | |
| Matthew Chuang | Director of Photography | |
| Bethany Ryan | Production Designer | |
| Luca Cappelli | Editor | |
| Mark Bradshaw | Composer | |
| Emma Bortignon | Sound Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A young girl is kidnapped and then transformed into a witch by an ancient spirit. Curious about life as a human, the young witch accidentally kills a peasant in the nearby village and then takes her victim’s shape to live life in her skin. Her curiosity ignited, she continues to wield this horrific power in order to understand what it means to be human.
Metrics
| Opening Weekend: | $124,750 (47.2% of total gross) |
| Legs: | 2.12 (domestic box office/biggest weekend) |
| Domestic Share: | 78.8% (domestic box office/worldwide) |
| Theater counts: | 147 opening theaters/147 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $299,909 |
Movie Details
| Domestic Releases: | April 1st, 2022 (Limited) by Focus Features |
| International Releases: | July 7th, 2022 (Limited), released as Non Sarai Sola (Italy)
August 4th, 2022 (Limited) (New Zealand) September 22nd, 2022 (Limited) (Australia) |
| Video Release: | May 17th, 2022 by Universal Home Entertainment |
| MPA Rating: | R for violence and gore, sexual content, graphic nudity, and sexual assault. (Rating bulletin 2712 (cert #53208), 12/22/2021) |
| Running Time: | 109 minutes |
| Film festival: | Sundance Film Festival 2022 |
| Plot point: | Sex Crimes |
| Social setting: | Supernatural |
| Subgenre: | Supernatural Horror |
| Time period setting: | 1800s |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Focus Features, Screen Australia, Film Victoria, Head Gear Films, Causeway Films, Balkanic Media |
| Production Countries: | Australia, United Kingdom, Serbia |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 1, 2022 | - | $124,750 | 147 | $849 | $124,750 | 1 | |
| Apr 8, 2022 | - | $49,750 | -60% | 147 | $338 | $234,925 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 1, 2022 | - | $44,295 | 147 | $301 | $44,295 | 1 | ||
| Apr 2, 2022 | - | $47,290 | +7% | 147 | $322 | $91,585 | 2 | |
| Apr 3, 2022 | - | $33,165 | -30% | 147 | $226 | $124,750 | 3 | |
| Apr 4, 2022 | - | $15,160 | -54% | 147 | $103 | $139,910 | 4 | |
| Apr 5, 2022 | - | $17,500 | +15% | 147 | $119 | $157,410 | 5 | |
| Apr 6, 2022 | - | $15,745 | -10% | 147 | $107 | $173,155 | 6 | |
| Apr 7, 2022 | - | $12,020 | -24% | 147 | $82 | $185,175 | 7 | |
| Apr 8, 2022 | - | $13,750 | +14% | -69% | 147 | $94 | $198,925 | 8 |
| Apr 9, 2022 | - | $20,405 | +48% | -57% | 147 | $139 | $219,330 | 9 |
| Apr 10, 2022 | - | $15,595 | -24% | -53% | 147 | $106 | $234,925 | 10 |
| Apr 11, 2022 | - | $6,500 | -58% | -57% | 147 | $44 | $241,425 | 11 |
| Apr 12, 2022 | - | $8,070 | +24% | -54% | 147 | $55 | $249,495 | 12 |
| Apr 13, 2022 | - | $7,220 | -11% | -54% | 147 | $49 | $256,715 | 13 |
| Apr 14, 2022 | - | $7,340 | +2% | -39% | 147 | $50 | $264,055 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 1, 2022 | - | $185,175 | 147 | $1,260 | $185,175 | 1 | |
| Apr 8, 2022 | - | $78,880 | -57% | 147 | $537 | $264,055 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 9/22/2022 | $7,216 | 7 | 7 | 32 | $59,955 | 9/5/2023 | |||
| Italy | 7/7/2022 | $9,419 | 0 | 0 | 0 | $9,419 | 7/16/2022 | |||
| New Zealand | 8/4/2022 | $0 | 0 | 3 | 5 | $1,482 | 8/30/2022 | |||
| International Total | $70,856 | 9/5/2023 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Supporting
| Anamaria Marinca | Maria | |
| Sara Klimoska | Nevena | |
| Alice Englert | Biliana | |
| Félix Maritaud | Yovan | |
| Carloto Cotta | Boris |
Leading
| Noomi Rapace | Bosilka |
Supporting
| Arta Dobroshi | Stamena | |
| Irena Ristic | Elica |
Production and Technical Credits
| Goran Stolevski | Director | |
| Goran Stolevski | Screenwriter | |
| Kristina Ceyton | Producer | |
| Samantha Jennings | Producer | |
| Stephen Kelliher | Executive Producer | |
| Phil Hunt | Executive Producer | |
| Compton Ross | Executive Producer | |
| Noomi Rapace | Executive Producer | |
| Jonathan English | Co-Producer | |
| Matthew Chuang | Director of Photography | |
| Bethany Ryan | Production Designer | |
| Luca Cappelli | Editor | |
| Mark Bradshaw | Composer | |
| Emma Bortignon | Sound Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.