The Young Messiah (2016)
| Theatrical Performance | ||
| Domestic Box Office | $6,469,813 | Details |
| International Box Office | $843,884 | Details |
| Worldwide Box Office | $7,313,697 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $1,556,243 | |
| Blu-ray Sales (estimated) | $929,192 | |
| Total | $2,485,435 | |
| OpusData ID: 193820100 More info... | ||
| Further financial details... | ||
Synopsis
The story of seven year old Jesus Christ and His family as they come to a fuller understanding of His divine nature and purpose
Metrics
| Opening Weekend: | $3,294,876 (50.9% of total gross) |
| Legs: | 1.96 (domestic box office/biggest weekend) |
| Domestic Share: | 88.5% (domestic box office/worldwide) |
| Production Budget: | $16,800,000 (worldwide box office is 0.4 times production budget) |
| Theater counts: | 1,761 opening theaters/1,769 max. theaters, 2.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $8,945,542 |
Movie Details
| Domestic Releases: | March 11th, 2016 (Wide) by Focus Features |
| International Releases: | March 10th, 2016 (Wide) (Portugal)
March 11th, 2016 (Wide) (Mexico) March 17th, 2016 (Wide) (Croatia) March 17th, 2016 (Wide) (Iraq) March 17th, 2016 (Wide) (Lebanon) ... Show all releases |
| Video Release: | June 14th, 2016 by Universal Home Entertainment |
| MPA Rating: | PG-13 for some violence and thematic elements. (Rating bulletin 2394, 10/7/2015) |
| Running Time: | 111 minutes |
| Plot point: | Coming of Age, Religious |
| Subgenre: | Faith-Based Drama |
| Target audience: | Faith-Based Film |
| Time period setting: | Ancient Rome |
| Source: | Based on Comic/Graphic Novel |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Focus Features, Ocean Blue Entertainment, 1492 Pictures, CJ Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 11, 2016 | 7 | $3,294,876 | 1,761 | $1,871 | $3,294,876 | 1 | |
| Mar 18, 2016 | 13 | $1,089,234 | -67% | 1,769 | $616 | $5,401,589 | 2 |
| Mar 25, 2016 | 18 | $274,236 | -75% | 874 | $314 | $6,257,221 | 3 |
| Apr 1, 2016 | 51 | $31,840 | -88% | 152 | $209 | $6,419,054 | 4 |
| Apr 8, 2016 | 62 | $8,241 | -74% | 41 | $201 | $6,446,088 | 5 |
| Apr 15, 2016 | 60 | $12,341 | +50% | 55 | $224 | $6,462,576 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 10, 2016 | P | $475,000 | 0 | $475,000 | ||||
| Mar 11, 2016 | 6 | $1,388,013 | 1,761 | $788 | $1,388,013 | 1 | ||
| Mar 12, 2016 | 9 | $1,096,516 | -21% | 1,761 | $623 | $2,484,529 | 2 | |
| Mar 13, 2016 | 8 | $810,347 | -26% | 1,761 | $460 | $3,294,876 | 3 | |
| Mar 14, 2016 | 9 | $256,452 | -68% | 1,761 | $146 | $3,551,328 | 4 | |
| Mar 15, 2016 | 7 | $381,484 | +49% | 1,761 | $217 | $3,932,812 | 5 | |
| Mar 16, 2016 | 12 | $199,882 | -48% | 1,761 | $114 | $4,132,694 | 6 | |
| Mar 17, 2016 | 10 | $179,661 | -10% | 1,761 | $102 | $4,312,355 | 7 | |
| Mar 18, 2016 | 13 | $290,314 | +62% | -79% | 1,769 | $164 | $4,602,669 | 8 |
| Mar 19, 2016 | 14 | $436,540 | +50% | -60% | 1,769 | $247 | $5,039,209 | 9 |
| Mar 20, 2016 | 11 | $362,380 | -17% | -55% | 1,769 | $205 | $5,401,589 | 10 |
| Mar 21, 2016 | 11 | $134,563 | -63% | -48% | 1,769 | $76 | $5,536,152 | 11 |
| Mar 22, 2016 | 10 | $189,343 | +41% | -50% | 1,769 | $107 | $5,725,495 | 12 |
| Mar 23, 2016 | 11 | $146,578 | -23% | -27% | 1,769 | $83 | $5,872,073 | 13 |
| Mar 24, 2016 | 13 | $110,912 | -24% | -38% | 1,769 | $63 | $5,982,985 | 14 |
| Mar 25, 2016 | - | $83,146 | -25% | -71% | 874 | $95 | $6,066,131 | 15 |
| Mar 26, 2016 | - | $107,761 | +30% | -75% | 874 | $123 | $6,173,892 | 16 |
| Mar 27, 2016 | - | $83,329 | -23% | -77% | 874 | $95 | $6,257,221 | 17 |
| Mar 28, 2016 | - | $36,921 | -56% | -73% | 874 | $42 | $6,294,142 | 18 |
| Mar 29, 2016 | - | $34,338 | -7% | -82% | 874 | $39 | $6,328,480 | 19 |
| Mar 30, 2016 | - | $28,610 | -17% | -80% | 874 | $33 | $6,357,090 | 20 |
| Mar 31, 2016 | - | $30,124 | +5% | -73% | 874 | $34 | $6,387,214 | 21 |
| Apr 1, 2016 | - | $9,932 | -67% | -88% | 152 | $65 | $6,397,146 | 22 |
| Apr 2, 2016 | - | $12,230 | +23% | -89% | 152 | $80 | $6,409,376 | 23 |
| Apr 3, 2016 | - | $9,678 | -21% | -88% | 152 | $64 | $6,419,054 | 24 |
| Apr 4, 2016 | - | $5,019 | -48% | -86% | 152 | $33 | $6,424,073 | 25 |
| Apr 5, 2016 | - | $5,407 | +8% | -84% | 152 | $36 | $6,429,480 | 26 |
| Apr 6, 2016 | - | $4,542 | -16% | -84% | 152 | $30 | $6,434,022 | 27 |
| Apr 7, 2016 | - | $3,825 | -16% | -87% | 152 | $25 | $6,437,847 | 28 |
| Apr 8, 2016 | - | $2,039 | -47% | -79% | 41 | $50 | $6,439,886 | 29 |
| Apr 9, 2016 | - | $3,070 | +51% | -75% | 41 | $75 | $6,442,956 | 30 |
| Apr 10, 2016 | - | $3,132 | +2% | -68% | 41 | $76 | $6,446,088 | 31 |
| Apr 11, 2016 | - | $959 | -69% | -81% | 41 | $23 | $6,447,047 | 32 |
| Apr 12, 2016 | - | $1,332 | +39% | -75% | 41 | $32 | $6,448,379 | 33 |
| Apr 13, 2016 | - | $1,021 | -23% | -78% | 41 | $25 | $6,449,400 | 34 |
| Apr 14, 2016 | - | $835 | -18% | -78% | 41 | $20 | $6,450,235 | 35 |
| Apr 15, 2016 | - | $3,244 | +289% | +59% | 55 | $59 | $6,453,479 | 36 |
| Apr 16, 2016 | - | $4,981 | +54% | +62% | 55 | $91 | $6,458,460 | 37 |
| Apr 17, 2016 | - | $4,116 | -17% | +31% | 55 | $75 | $6,462,576 | 38 |
| Apr 18, 2016 | - | $1,670 | -59% | +74% | 55 | $30 | $6,464,246 | 39 |
| Apr 19, 2016 | - | $2,011 | +20% | +51% | 55 | $37 | $6,466,257 | 40 |
| Apr 20, 2016 | - | $1,682 | -16% | +65% | 55 | $31 | $6,467,939 | 41 |
| Apr 21, 2016 | - | $1,874 | +11% | +124% | 55 | $34 | $6,469,813 | 42 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 11, 2016 | 8 | $4,312,355 | 1,761 | $2,449 | $4,312,355 | 1 | |
| Mar 18, 2016 | 12 | $1,670,630 | -61% | 1,769 | $944 | $5,982,985 | 2 |
| Mar 25, 2016 | 19 | $404,229 | -76% | 874 | $463 | $6,387,214 | 3 |
| Apr 1, 2016 | 50 | $50,633 | -87% | 152 | $333 | $6,437,847 | 4 |
| Apr 8, 2016 | 65 | $12,388 | -76% | 41 | $302 | $6,450,235 | 5 |
| Apr 15, 2016 | 62 | $19,578 | +58% | 55 | $356 | $6,469,813 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Brazil | 3/24/2016 | $106,001 | 205 | 205 | 250 | $146,939 | 6/9/2016 | |||
| Croatia | 3/17/2016 | $1,594 | 9 | 11 | 20 | $4,523 | 12/31/2018 | |||
| Iraq | 3/17/2016 | $393 | 1 | 1 | 1 | $393 | 12/31/2018 | |||
| Lebanon | 3/17/2016 | $0 | 0 | 2 | 3 | $10,358 | 12/31/2018 | |||
| Mexico | 3/11/2016 | $335,731 | 0 | 301 | 301 | $390,268 | 6/9/2016 | |||
| Poland | 5/6/2016 | $46,252 | 0 | 0 | 0 | $136,673 | 12/31/2018 | |||
| Portugal | 3/10/2016 | $8,855 | 16 | 16 | 45 | $29,202 | 6/9/2016 | |||
| Singapore | 3/24/2016 | $21,443 | 7 | 10 | 23 | $37,923 | 6/9/2016 | |||
| Taiwan | 3/25/2016 | $0 | 0 | 10 | 18 | $66,548 | 6/9/2016 | |||
| Rest of World | $21,057 | |||||||||
| International Total | $843,884 | 12/31/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Adam Greaves-Neal | Jesus |
Supporting
| Sara Lazzard | Mary | |
| Vincent Walsh | Joseph | |
| Clive Russell | Weer | |
| Sean Bean | Severus | |
| Christian McKay | Cleopas | |
| Finn McLeod Ireland | James | |
| Agni Scott | Miriam | |
| Lois Ellington | Salome | |
| Jane Lapotaire | Old Sarah | |
| Dune Medros | Riba | |
| Rory Keenan | The Demon | |
| Jonathan Bailey | Herod | |
| David Bradley | Old Rabbi (Nazareth) | |
| David Burke | The Blind Rabbi | |
| Jacopo Alaimo | Eleazer | |
| Dorotea Mercuri | Eleazer's Mother | |
| Jarreth Merz | Eleazer's Father | |
| Gabriele Dentoni | Teenage Boy | |
| Douglas Dean | Physician | |
| Christopher Jones | Teacher | |
| Matt Patresi | Cynical Stranger | |
| Matteo Carlomagno | Ambusher | |
| Giselda Volodi | Female Soothsayer | |
| Lydia Muijen | Bald Soothsayer | |
| Iaon Gunn | Wizened Soothsayer | |
| Niccolo Senni | Tall Pilgrim | |
| Gian Piero Rotoli | Pilgrim #2 | |
| Giorgio Antonini | Assailant | |
| Lee Boardman | Roman Squad Leader | |
| Giulio Cristini | Roman Private | |
| Paul Ireland | Optio | |
| Michele Bevilacqua | Shepherd #1 | |
| Harold Bradley | Shepherd #2 | |
| Francesco DeVito | Shepherd #3 | |
| Simone Spinazze | Impoverished Pilgrim | |
| Silvia De Santis | Harried Woman | |
| Andrea Scarduzio | Dove Seller | |
| Francesco Carnelutti | Old Friend | |
| Isabelle Adriani | Seleni | |
| Ben Oduwole | Wise Man #1 | |
| Terence Nadesan | Wise Man #2 | |
| Marco Iannone | Wise Man #3 | |
| Niccolo Alaimo | Shepherd's Boy | |
| Gabrielle Chiararo | Crying Mother #1 | |
| Paola Lavini | Crying Mother #2 | |
| Pierluigi Pasino | Dove Seller Helper |
Production and Technical Credits
| Cyrus Nowrasteh | Director | |
| Cyrus Nowrasteh | Screenwriter | |
| Betsy Giffen Nowrasteh* | Screenwriter | |
| Anne Rice | Based on the novel 'Christ the Lord: Out of Egypt' by | |
| Chris Columbus | Producer | |
| Mark Radcliffe | Producer | |
| Michael Barnathan | Producer | |
| Tracy K Price | Producer | |
| Mark W Shaw | Producer | |
| Enzo Sisti | Executive Producer | |
| William V. Andrew | Executive Producer | |
| Mark Burton | Executive Producer | |
| Miky Lee | Executive Producer | |
| Jeong Tae-Sung | Executive Producer | |
| Ashok Amritraj | Executive Producer | |
| Andrew Spaulding | Executive Producer | |
| Richard Sandfer | Executive Producer | |
| Joel Ransom | Director of Photography | |
| Francesco Frigeri | Production Designer | |
| Geoffrey Rowland | Editor | |
| Paul Seydor | Editor | |
| John Debney | Composer | |
| Sang H Cho | Co-Producer | |
| Guy Inzalaco | Co-Producer | |
| Richard Lee | Co-Producer | |
| Steven Nam | Co-Producer | |
| Stefano De Nardis | Costume Designer | |
| Suzanne M. Smith | Casting Director | |
| Karen Swallow | Associate Producer | |
| Vito Colazzo | Unit Production Manager | |
| Luca Lachin | First Assistant Director | |
| Enzo Sisti | Line Producer | |
| Domenico Sica | Supervising Art Director | |
| Rachel Griffiths | Script Supervisor | |
| James K. Jensen | Post-Production Supervisor | |
| Steve Sahagun | First Assistant Editor | |
| Marco Fiumara | Sound Mixer | |
| Francesco Frigeri | Set Decorator | |
| Renato Agostini | Special Effects Supervisor | |
| Simona Sciannamanico | Costume Supervisor | |
| Raymond McIntyre | Visual Effects Supervisor | |
| Aaron Levy | Re-recording Mixer | |
| Ethan Beigel | Re-recording Mixer | |
| Daniel Pagan | Sound Effects Editor | |
| Ryan Collins | Sound Effects Editor | |
| Todd A. Niesen* | Dialogue Editor | |
| Sarah Payan | Dialogue Editor | |
| David Barnaby | Sound Designer | |
| Jim Harrison | Music Editor | |
| Jeff Carson | Music Editor | |
| Franco Salamon | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
The story of seven year old Jesus Christ and His family as they come to a fuller understanding of His divine nature and purpose
Metrics
| Opening Weekend: | $3,294,876 (50.9% of total gross) |
| Legs: | 1.96 (domestic box office/biggest weekend) |
| Domestic Share: | 88.5% (domestic box office/worldwide) |
| Production Budget: | $16,800,000 (worldwide box office is 0.4 times production budget) |
| Theater counts: | 1,761 opening theaters/1,769 max. theaters, 2.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $8,945,542 |
Movie Details
| Domestic Releases: | March 11th, 2016 (Wide) by Focus Features |
| International Releases: | March 10th, 2016 (Wide) (Portugal)
March 11th, 2016 (Wide) (Mexico) March 17th, 2016 (Wide) (Croatia) March 17th, 2016 (Wide) (Iraq) March 17th, 2016 (Wide) (Lebanon) ... Show all releases |
| Video Release: | June 14th, 2016 by Universal Home Entertainment |
| MPA Rating: | PG-13 for some violence and thematic elements. (Rating bulletin 2394, 10/7/2015) |
| Running Time: | 111 minutes |
| Plot point: | Coming of Age, Religious |
| Subgenre: | Faith-Based Drama |
| Target audience: | Faith-Based Film |
| Time period setting: | Ancient Rome |
| Source: | Based on Comic/Graphic Novel |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Focus Features, Ocean Blue Entertainment, 1492 Pictures, CJ Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 11, 2016 | 7 | $3,294,876 | 1,761 | $1,871 | $3,294,876 | 1 | |
| Mar 18, 2016 | 13 | $1,089,234 | -67% | 1,769 | $616 | $5,401,589 | 2 |
| Mar 25, 2016 | 18 | $274,236 | -75% | 874 | $314 | $6,257,221 | 3 |
| Apr 1, 2016 | 51 | $31,840 | -88% | 152 | $209 | $6,419,054 | 4 |
| Apr 8, 2016 | 62 | $8,241 | -74% | 41 | $201 | $6,446,088 | 5 |
| Apr 15, 2016 | 60 | $12,341 | +50% | 55 | $224 | $6,462,576 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 10, 2016 | P | $475,000 | 0 | $475,000 | ||||
| Mar 11, 2016 | 6 | $1,388,013 | 1,761 | $788 | $1,388,013 | 1 | ||
| Mar 12, 2016 | 9 | $1,096,516 | -21% | 1,761 | $623 | $2,484,529 | 2 | |
| Mar 13, 2016 | 8 | $810,347 | -26% | 1,761 | $460 | $3,294,876 | 3 | |
| Mar 14, 2016 | 9 | $256,452 | -68% | 1,761 | $146 | $3,551,328 | 4 | |
| Mar 15, 2016 | 7 | $381,484 | +49% | 1,761 | $217 | $3,932,812 | 5 | |
| Mar 16, 2016 | 12 | $199,882 | -48% | 1,761 | $114 | $4,132,694 | 6 | |
| Mar 17, 2016 | 10 | $179,661 | -10% | 1,761 | $102 | $4,312,355 | 7 | |
| Mar 18, 2016 | 13 | $290,314 | +62% | -79% | 1,769 | $164 | $4,602,669 | 8 |
| Mar 19, 2016 | 14 | $436,540 | +50% | -60% | 1,769 | $247 | $5,039,209 | 9 |
| Mar 20, 2016 | 11 | $362,380 | -17% | -55% | 1,769 | $205 | $5,401,589 | 10 |
| Mar 21, 2016 | 11 | $134,563 | -63% | -48% | 1,769 | $76 | $5,536,152 | 11 |
| Mar 22, 2016 | 10 | $189,343 | +41% | -50% | 1,769 | $107 | $5,725,495 | 12 |
| Mar 23, 2016 | 11 | $146,578 | -23% | -27% | 1,769 | $83 | $5,872,073 | 13 |
| Mar 24, 2016 | 13 | $110,912 | -24% | -38% | 1,769 | $63 | $5,982,985 | 14 |
| Mar 25, 2016 | - | $83,146 | -25% | -71% | 874 | $95 | $6,066,131 | 15 |
| Mar 26, 2016 | - | $107,761 | +30% | -75% | 874 | $123 | $6,173,892 | 16 |
| Mar 27, 2016 | - | $83,329 | -23% | -77% | 874 | $95 | $6,257,221 | 17 |
| Mar 28, 2016 | - | $36,921 | -56% | -73% | 874 | $42 | $6,294,142 | 18 |
| Mar 29, 2016 | - | $34,338 | -7% | -82% | 874 | $39 | $6,328,480 | 19 |
| Mar 30, 2016 | - | $28,610 | -17% | -80% | 874 | $33 | $6,357,090 | 20 |
| Mar 31, 2016 | - | $30,124 | +5% | -73% | 874 | $34 | $6,387,214 | 21 |
| Apr 1, 2016 | - | $9,932 | -67% | -88% | 152 | $65 | $6,397,146 | 22 |
| Apr 2, 2016 | - | $12,230 | +23% | -89% | 152 | $80 | $6,409,376 | 23 |
| Apr 3, 2016 | - | $9,678 | -21% | -88% | 152 | $64 | $6,419,054 | 24 |
| Apr 4, 2016 | - | $5,019 | -48% | -86% | 152 | $33 | $6,424,073 | 25 |
| Apr 5, 2016 | - | $5,407 | +8% | -84% | 152 | $36 | $6,429,480 | 26 |
| Apr 6, 2016 | - | $4,542 | -16% | -84% | 152 | $30 | $6,434,022 | 27 |
| Apr 7, 2016 | - | $3,825 | -16% | -87% | 152 | $25 | $6,437,847 | 28 |
| Apr 8, 2016 | - | $2,039 | -47% | -79% | 41 | $50 | $6,439,886 | 29 |
| Apr 9, 2016 | - | $3,070 | +51% | -75% | 41 | $75 | $6,442,956 | 30 |
| Apr 10, 2016 | - | $3,132 | +2% | -68% | 41 | $76 | $6,446,088 | 31 |
| Apr 11, 2016 | - | $959 | -69% | -81% | 41 | $23 | $6,447,047 | 32 |
| Apr 12, 2016 | - | $1,332 | +39% | -75% | 41 | $32 | $6,448,379 | 33 |
| Apr 13, 2016 | - | $1,021 | -23% | -78% | 41 | $25 | $6,449,400 | 34 |
| Apr 14, 2016 | - | $835 | -18% | -78% | 41 | $20 | $6,450,235 | 35 |
| Apr 15, 2016 | - | $3,244 | +289% | +59% | 55 | $59 | $6,453,479 | 36 |
| Apr 16, 2016 | - | $4,981 | +54% | +62% | 55 | $91 | $6,458,460 | 37 |
| Apr 17, 2016 | - | $4,116 | -17% | +31% | 55 | $75 | $6,462,576 | 38 |
| Apr 18, 2016 | - | $1,670 | -59% | +74% | 55 | $30 | $6,464,246 | 39 |
| Apr 19, 2016 | - | $2,011 | +20% | +51% | 55 | $37 | $6,466,257 | 40 |
| Apr 20, 2016 | - | $1,682 | -16% | +65% | 55 | $31 | $6,467,939 | 41 |
| Apr 21, 2016 | - | $1,874 | +11% | +124% | 55 | $34 | $6,469,813 | 42 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 11, 2016 | 8 | $4,312,355 | 1,761 | $2,449 | $4,312,355 | 1 | |
| Mar 18, 2016 | 12 | $1,670,630 | -61% | 1,769 | $944 | $5,982,985 | 2 |
| Mar 25, 2016 | 19 | $404,229 | -76% | 874 | $463 | $6,387,214 | 3 |
| Apr 1, 2016 | 50 | $50,633 | -87% | 152 | $333 | $6,437,847 | 4 |
| Apr 8, 2016 | 65 | $12,388 | -76% | 41 | $302 | $6,450,235 | 5 |
| Apr 15, 2016 | 62 | $19,578 | +58% | 55 | $356 | $6,469,813 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Brazil | 3/24/2016 | $106,001 | 205 | 205 | 250 | $146,939 | 6/9/2016 | |||
| Croatia | 3/17/2016 | $1,594 | 9 | 11 | 20 | $4,523 | 12/31/2018 | |||
| Iraq | 3/17/2016 | $393 | 1 | 1 | 1 | $393 | 12/31/2018 | |||
| Lebanon | 3/17/2016 | $0 | 0 | 2 | 3 | $10,358 | 12/31/2018 | |||
| Mexico | 3/11/2016 | $335,731 | 0 | 301 | 301 | $390,268 | 6/9/2016 | |||
| Poland | 5/6/2016 | $46,252 | 0 | 0 | 0 | $136,673 | 12/31/2018 | |||
| Portugal | 3/10/2016 | $8,855 | 16 | 16 | 45 | $29,202 | 6/9/2016 | |||
| Singapore | 3/24/2016 | $21,443 | 7 | 10 | 23 | $37,923 | 6/9/2016 | |||
| Taiwan | 3/25/2016 | $0 | 0 | 10 | 18 | $66,548 | 6/9/2016 | |||
| Rest of World | $21,057 | |||||||||
| International Total | $843,884 | 12/31/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Adam Greaves-Neal | Jesus |
Supporting
| Sara Lazzard | Mary | |
| Vincent Walsh | Joseph | |
| Clive Russell | Weer | |
| Sean Bean | Severus | |
| Christian McKay | Cleopas | |
| Finn McLeod Ireland | James | |
| Agni Scott | Miriam | |
| Lois Ellington | Salome | |
| Jane Lapotaire | Old Sarah | |
| Dune Medros | Riba | |
| Rory Keenan | The Demon | |
| Jonathan Bailey | Herod | |
| David Bradley | Old Rabbi (Nazareth) | |
| David Burke | The Blind Rabbi | |
| Jacopo Alaimo | Eleazer | |
| Dorotea Mercuri | Eleazer's Mother | |
| Jarreth Merz | Eleazer's Father | |
| Gabriele Dentoni | Teenage Boy | |
| Douglas Dean | Physician | |
| Christopher Jones | Teacher | |
| Matt Patresi | Cynical Stranger | |
| Matteo Carlomagno | Ambusher | |
| Giselda Volodi | Female Soothsayer | |
| Lydia Muijen | Bald Soothsayer | |
| Iaon Gunn | Wizened Soothsayer | |
| Niccolo Senni | Tall Pilgrim | |
| Gian Piero Rotoli | Pilgrim #2 | |
| Giorgio Antonini | Assailant | |
| Lee Boardman | Roman Squad Leader | |
| Giulio Cristini | Roman Private | |
| Paul Ireland | Optio | |
| Michele Bevilacqua | Shepherd #1 | |
| Harold Bradley | Shepherd #2 | |
| Francesco DeVito | Shepherd #3 | |
| Simone Spinazze | Impoverished Pilgrim | |
| Silvia De Santis | Harried Woman | |
| Andrea Scarduzio | Dove Seller | |
| Francesco Carnelutti | Old Friend | |
| Isabelle Adriani | Seleni | |
| Ben Oduwole | Wise Man #1 | |
| Terence Nadesan | Wise Man #2 | |
| Marco Iannone | Wise Man #3 | |
| Niccolo Alaimo | Shepherd's Boy | |
| Gabrielle Chiararo | Crying Mother #1 | |
| Paola Lavini | Crying Mother #2 | |
| Pierluigi Pasino | Dove Seller Helper |
Production and Technical Credits
| Cyrus Nowrasteh | Director | |
| Cyrus Nowrasteh | Screenwriter | |
| Betsy Giffen Nowrasteh* | Screenwriter | |
| Anne Rice | Based on the novel 'Christ the Lord: Out of Egypt' by | |
| Chris Columbus | Producer | |
| Mark Radcliffe | Producer | |
| Michael Barnathan | Producer | |
| Tracy K Price | Producer | |
| Mark W Shaw | Producer | |
| Enzo Sisti | Executive Producer | |
| William V. Andrew | Executive Producer | |
| Mark Burton | Executive Producer | |
| Miky Lee | Executive Producer | |
| Jeong Tae-Sung | Executive Producer | |
| Ashok Amritraj | Executive Producer | |
| Andrew Spaulding | Executive Producer | |
| Richard Sandfer | Executive Producer | |
| Joel Ransom | Director of Photography | |
| Francesco Frigeri | Production Designer | |
| Geoffrey Rowland | Editor | |
| Paul Seydor | Editor | |
| John Debney | Composer | |
| Sang H Cho | Co-Producer | |
| Guy Inzalaco | Co-Producer | |
| Richard Lee | Co-Producer | |
| Steven Nam | Co-Producer | |
| Stefano De Nardis | Costume Designer | |
| Suzanne M. Smith | Casting Director | |
| Karen Swallow | Associate Producer | |
| Vito Colazzo | Unit Production Manager | |
| Luca Lachin | First Assistant Director | |
| Enzo Sisti | Line Producer | |
| Domenico Sica | Supervising Art Director | |
| Rachel Griffiths | Script Supervisor | |
| James K. Jensen | Post-Production Supervisor | |
| Steve Sahagun | First Assistant Editor | |
| Marco Fiumara | Sound Mixer | |
| Francesco Frigeri | Set Decorator | |
| Renato Agostini | Special Effects Supervisor | |
| Simona Sciannamanico | Costume Supervisor | |
| Raymond McIntyre | Visual Effects Supervisor | |
| Aaron Levy | Re-recording Mixer | |
| Ethan Beigel | Re-recording Mixer | |
| Daniel Pagan | Sound Effects Editor | |
| Ryan Collins | Sound Effects Editor | |
| Todd A. Niesen* | Dialogue Editor | |
| Sarah Payan | Dialogue Editor | |
| David Barnaby | Sound Designer | |
| Jim Harrison | Music Editor | |
| Jeff Carson | Music Editor | |
| Franco Salamon | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
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