Youngblood (2026)
.jpg)
| Theatrical Performance | ||
| Domestic Box Office | $511,351 | Details |
| OpusData ID: 780650100 More info... | ||
| Further financial details... | ||
Synopsis
Dean Youngblood is a hockey prodigy who joins the Hamilton Bulldogs and has to deal with toxic behavior during his journey to the National Hockey League draft.
Metrics
| Legs: | 6.30 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $511,351 |
Movie Details
| Domestic Releases: | March 6th, 2026 (Limited) by Well Go USA |
| International Releases: | March 6th, 2026 (Limited) (Uruguay) |
| MPA Rating: | PG-13 for some strong language, violence, suggestive material and teen drinking. (Rating bulletin 2915 (cert #55817), 12/5/2025) |
| Running Time: | 105 minutes |
| Cast, crew, or production detail: | Remake |
| Geographical setting: | Canada |
| Plot point: | Hockey |
| Subgenre: | Sports Drama |
| Source: | Based on Movie |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Aircraft Pictures, Dolphins Films, Photon Films, Well Go USA Entertainment |
| Production Countries: | Canada |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 13, 2026 | - | $81,131 | 150 | $541 | $434,976 | 2 | |
| Mar 20, 2026 | - | $24,898 | -69% | 38 | $655 | $511,351 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 6, 2026 | 22 | $353,845 | 440 | $804 | $353,845 | 1 | |
| Mar 13, 2026 | 29 | $132,608 | -63% | 150 | $884 | $486,453 | 2 |
Leading
| Ashton James | ||
| Henry Picard | ||
| Blair Underwood |
Supporting
| Alexandra McDonald | ||
| Emidio Lopes | ||
| Olunike Adeliyi | ||
| Tamara Podemski | ||
| Keris Hope Hill | ||
| Donald MaClean Jr. | ||
| Joris Jarsky | ||
| Allan Hawco | ||
| Shawn Doyle |
Production and Technical Credits
| Hubert Davis | Director | |
| Charles Officer | Screenwriter | |
| Josh Epstein | Screenwriter | |
| Kyle Rideout | Screenwriter | |
| Seneca Aaron | Screenwriter | |
| Anthony Leo | Producer | |
| Andrew Rosen | Producer | |
| Bill O'Dowd | Executive Producer | |
| Emerson Davis | Executive Producer | |
| Zanne Devine | Executive Producer | |
| Mark Slone | Executive Producer | |
| Allan Fung | Executive Producer | |
| Christopher V. Nelson | Associate Producer | |
| Peter Markle | Story Creator | |
| John Whitman | Story Creator | |
| Peter Markle | Screenwriter | |
| Stuart James Cameron | Cinematographer | |
| Adriana Bogaard | Production Designer | |
| Marissa Schwartz | Costume Designer | |
| Matt Lyon | Editor | |
| Todor Kobakov | Composer | |
| Colleen Rush | Casting Director | |
| Larissa Mair | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Dean Youngblood is a hockey prodigy who joins the Hamilton Bulldogs and has to deal with toxic behavior during his journey to the National Hockey League draft.
Metrics
| Legs: | 6.30 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $511,351 |
Movie Details
| Domestic Releases: | March 6th, 2026 (Limited) by Well Go USA |
| International Releases: | March 6th, 2026 (Limited) (Uruguay) |
| MPA Rating: | PG-13 for some strong language, violence, suggestive material and teen drinking. (Rating bulletin 2915 (cert #55817), 12/5/2025) |
| Running Time: | 105 minutes |
| Cast, crew, or production detail: | Remake |
| Geographical setting: | Canada |
| Plot point: | Hockey |
| Subgenre: | Sports Drama |
| Source: | Based on Movie |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Aircraft Pictures, Dolphins Films, Photon Films, Well Go USA Entertainment |
| Production Countries: | Canada |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 13, 2026 | - | $81,131 | 150 | $541 | $434,976 | 2 | |
| Mar 20, 2026 | - | $24,898 | -69% | 38 | $655 | $511,351 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 6, 2026 | 22 | $353,845 | 440 | $804 | $353,845 | 1 | |
| Mar 13, 2026 | 29 | $132,608 | -63% | 150 | $884 | $486,453 | 2 |
Leading
| Ashton James | ||
| Henry Picard | ||
| Blair Underwood |
Supporting
| Alexandra McDonald | ||
| Emidio Lopes | ||
| Olunike Adeliyi | ||
| Tamara Podemski | ||
| Keris Hope Hill | ||
| Donald MaClean Jr. | ||
| Joris Jarsky | ||
| Allan Hawco | ||
| Shawn Doyle |
Production and Technical Credits
| Hubert Davis | Director | |
| Charles Officer | Screenwriter | |
| Josh Epstein | Screenwriter | |
| Kyle Rideout | Screenwriter | |
| Seneca Aaron | Screenwriter | |
| Anthony Leo | Producer | |
| Andrew Rosen | Producer | |
| Bill O'Dowd | Executive Producer | |
| Emerson Davis | Executive Producer | |
| Zanne Devine | Executive Producer | |
| Mark Slone | Executive Producer | |
| Allan Fung | Executive Producer | |
| Christopher V. Nelson | Associate Producer | |
| Peter Markle | Story Creator | |
| John Whitman | Story Creator | |
| Peter Markle | Screenwriter | |
| Stuart James Cameron | Cinematographer | |
| Adriana Bogaard | Production Designer | |
| Marissa Schwartz | Costume Designer | |
| Matt Lyon | Editor | |
| Todor Kobakov | Composer | |
| Colleen Rush | Casting Director | |
| Larissa Mair | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.