Z for Zachariah (2015)
| Theatrical Performance | ||
| Domestic Box Office | $121,461 | Details |
| International Box Office | $427,518 | Details |
| Worldwide Box Office | $548,979 | |
| OpusData ID: 220130100 More info... | ||
| Further financial details... | ||
Synopsis
In the wake of a nuclear war, a young woman survives on her own, fearing she may actually be the proverbial last woman on earth, until she discovers the most astonishing sight of her life: another human being. A distraught scientist, he’s nearly been driven mad by radiation exposure and his desperate search for others. A fragile, imperative strand of trust connects them. But when a stranger enters the valley, their precarious bond begins to unravel.
Metrics
| Opening Weekend: | $56,902 (46.8% of total gross) |
| Legs: | 2.13 (domestic box office/biggest weekend) |
| Domestic Share: | 22.1% (domestic box office/worldwide) |
| Theater counts: | 29 opening theaters/29 max. theaters, 2.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $172,320 |
Movie Details
| Domestic Releases: | August 28th, 2015 (Limited) by Roadside Attractions |
| International Releases: | November 19th, 2015 (Wide) (Thailand)
March 23rd, 2016 (Wide) (Portugal) November 30th, 2016 (Wide) (Italy) December 28th, 2016 (Wide) (South Korea) ... Show all releases |
| Video Release: | August 25th, 2015 by Lionsgate Home Entertainment |
| MPA Rating: | PG-13 for a scene of sexuality, partial nudity, and brief strong language. (Rating bulletin 2369, 4/15/2015) |
| Running Time: | 98 minutes |
| Cast, crew, or production detail: | Minimal Cast |
| Film festival: | Sundance Film Festival 2015 |
| Plot point: | Interracial Romance, Love Triangle, Relationships Gone Wrong, Romance |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Social setting: | Post Apocalypse |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Zik Zak Filmworks, Sighvatsson Films, Material Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 28, 2015 | 44 | $56,902 | 29 | $1,962 | $56,902 | 1 | |
| Sep 4, 2015 | 61 | $21,920 | -61% | 27 | $812 | $100,101 | 2 |
| Sep 11, 2015 | 84 | $4,783 | -78% | 13 | $368 | $118,483 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Aug 28, 2015 | - | $17,792 | 29 | $614 | $17,792 | 1 | ||
| Aug 29, 2015 | - | $22,728 | +28% | 29 | $784 | $40,520 | 2 | |
| Aug 30, 2015 | - | $16,382 | -28% | 29 | $565 | $56,902 | 3 | |
| Aug 31, 2015 | - | $6,060 | -63% | 29 | $209 | $62,962 | 4 | |
| Sep 1, 2015 | - | $5,813 | -4% | 29 | $200 | $68,775 | 5 | |
| Sep 2, 2015 | - | $4,897 | -16% | 29 | $169 | $73,672 | 6 | |
| Sep 3, 2015 | - | $4,509 | -8% | 29 | $155 | $78,181 | 7 | |
| Sep 4, 2015 | - | $6,064 | +34% | -66% | 27 | $225 | $84,245 | 8 |
| Sep 5, 2015 | - | $7,929 | +31% | -65% | 27 | $294 | $92,174 | 9 |
| Sep 6, 2015 | - | $7,927 | n/c | -52% | 27 | $294 | $100,101 | 10 |
| Sep 7, 2015 | - | $6,179 | -22% | +2% | 27 | $229 | $106,280 | 11 |
| Sep 8, 2015 | - | $2,555 | -59% | -56% | 27 | $95 | $108,835 | 12 |
| Sep 9, 2015 | - | $2,442 | -4% | -50% | 27 | $90 | $111,277 | 13 |
| Sep 10, 2015 | - | $2,423 | -1% | -46% | 27 | $90 | $113,700 | 14 |
| Sep 11, 2015 | - | $1,017 | -58% | -83% | 13 | $78 | $114,717 | 15 |
| Sep 12, 2015 | - | $2,340 | +130% | -70% | 13 | $180 | $117,057 | 16 |
| Sep 13, 2015 | - | $1,426 | -39% | -82% | 13 | $110 | $118,483 | 17 |
| Sep 14, 2015 | - | $470 | -67% | -92% | 13 | $36 | $118,953 | 18 |
| Sep 15, 2015 | - | $817 | +74% | -68% | 13 | $63 | $119,770 | 19 |
| Sep 16, 2015 | - | $1,014 | +24% | -58% | 13 | $78 | $120,784 | 20 |
| Sep 17, 2015 | - | $677 | -33% | -72% | 13 | $52 | $121,461 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 28, 2015 | 47 | $78,181 | 29 | $2,696 | $78,181 | 1 | |
| Sep 4, 2015 | 62 | $35,519 | -55% | 27 | $1,316 | $113,700 | 2 |
| Sep 11, 2015 | 82 | $7,761 | -78% | 13 | $597 | $121,461 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Italy | 11/30/2016 | $62,871 | 0 | 0 | 0 | $192,292 | 12/21/2016 | |||
| Portugal | 3/23/2016 | $11,832 | 12 | 12 | 29 | $26,710 | 6/9/2016 | |||
| South Korea | 12/28/2016 | $10,128 | 23 | 23 | 23 | $16,092 | 1/14/2017 | |||
| Thailand | 11/19/2015 | $1,709 | 6 | 6 | 6 | $1,708 | 11/25/2015 | |||
| Rest of World | $190,716 | |||||||||
| International Total | $427,518 | 1/14/2017 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Chiwetel Ejiofor | Mr. Loomis | |
| Margot Robbie | Ann | |
| Chris Pine | Caleb |
Production and Technical Credits
| Craig Zobel | Director | |
| Nissar Modi | Screenwriter | |
| Robert C. O'Brien | Based on the Book by | |
| Sigurjon Sighvatsson | Producer | |
| Thor Sigurjonsson | Producer | |
| Skuli Malmquist | Producer | |
| Sophia Lin | Producer | |
| Matthew Plouffe | Producer | |
| Tobey Maguire | Producer | |
| Bill Johnson | Executive Producer | |
| Gary Ross | Executive Producer | |
| Steve Bannatyne | Executive Producer | |
| Craig Zobel | Executive Producer | |
| Claudia Bluemhuber | Executive Producer | |
| Florian Dargel | Executive Producer | |
| Robert Williams | Executive Producer | |
| Timothy Christian | Executive Producer | |
| Ryan Johnson | Executive Producer | |
| Barry Brooker | Executive Producer | |
| Stan Wertlieb | Executive Producer | |
| Jim Seibel | Executive Producer | |
| Ara Keshishian | Executive Producer | |
| Pall Grimsson | Co-Producer | |
| Steven Johnson | Line Producer | |
| Tim Orr | Director of Photography | |
| Matthew Munn | Production Designer | |
| Jane Rizzo | Editor | |
| Bob Buck | Costume Designer | |
| Heather McIntosh | Composer | |
| Kerry Barden | Casting Director | |
| Paul Schnee | Casting Director | |
| Allison Estrin | Casting Director | |
| Desray Armstrong | Unit Production Manager | |
| Axel Paton | First Assistant Director | |
| Rachael Rowe | Second Assistant Director | |
| Barbara Tulliver | Additional Editor | |
| Ken Turner | Supervising Art Director | |
| Amber Richards | Set Decorator | |
| Monique Knight | Script Supervisor | |
| Paul Booth | Costume Supervisor | |
| Hil Cook | Make-up and Prosthetic Effects Designer | |
| Ant Davies | Third Assistant Director | |
| Dave Young | Third Assistant Director | |
| Michael S. Powsner* | Art Director | |
| Lea Prainsack | Visual Effects Producer | |
| John Bair | Visual Effects Supervisor | |
| Kris Baucom | Post-Production Supervisor | |
| Will Files | Re-recording Mixer | |
| Michael Barry | Re-recording Mixer | |
| Rich Bologna | Supervising Sound Editor | |
| John Moros | Dialogue Editor | |
| Chris Newlin | Music Editor | |
| Dane Leon | Music Editor | |
| Rodney Cook | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
In the wake of a nuclear war, a young woman survives on her own, fearing she may actually be the proverbial last woman on earth, until she discovers the most astonishing sight of her life: another human being. A distraught scientist, he’s nearly been driven mad by radiation exposure and his desperate search for others. A fragile, imperative strand of trust connects them. But when a stranger enters the valley, their precarious bond begins to unravel.
Metrics
| Opening Weekend: | $56,902 (46.8% of total gross) |
| Legs: | 2.13 (domestic box office/biggest weekend) |
| Domestic Share: | 22.1% (domestic box office/worldwide) |
| Theater counts: | 29 opening theaters/29 max. theaters, 2.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $172,320 |
Movie Details
| Domestic Releases: | August 28th, 2015 (Limited) by Roadside Attractions |
| International Releases: | November 19th, 2015 (Wide) (Thailand)
March 23rd, 2016 (Wide) (Portugal) November 30th, 2016 (Wide) (Italy) December 28th, 2016 (Wide) (South Korea) ... Show all releases |
| Video Release: | August 25th, 2015 by Lionsgate Home Entertainment |
| MPA Rating: | PG-13 for a scene of sexuality, partial nudity, and brief strong language. (Rating bulletin 2369, 4/15/2015) |
| Running Time: | 98 minutes |
| Cast, crew, or production detail: | Minimal Cast |
| Film festival: | Sundance Film Festival 2015 |
| Plot point: | Interracial Romance, Love Triangle, Relationships Gone Wrong, Romance |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Social setting: | Post Apocalypse |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Zik Zak Filmworks, Sighvatsson Films, Material Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 28, 2015 | 44 | $56,902 | 29 | $1,962 | $56,902 | 1 | |
| Sep 4, 2015 | 61 | $21,920 | -61% | 27 | $812 | $100,101 | 2 |
| Sep 11, 2015 | 84 | $4,783 | -78% | 13 | $368 | $118,483 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Aug 28, 2015 | - | $17,792 | 29 | $614 | $17,792 | 1 | ||
| Aug 29, 2015 | - | $22,728 | +28% | 29 | $784 | $40,520 | 2 | |
| Aug 30, 2015 | - | $16,382 | -28% | 29 | $565 | $56,902 | 3 | |
| Aug 31, 2015 | - | $6,060 | -63% | 29 | $209 | $62,962 | 4 | |
| Sep 1, 2015 | - | $5,813 | -4% | 29 | $200 | $68,775 | 5 | |
| Sep 2, 2015 | - | $4,897 | -16% | 29 | $169 | $73,672 | 6 | |
| Sep 3, 2015 | - | $4,509 | -8% | 29 | $155 | $78,181 | 7 | |
| Sep 4, 2015 | - | $6,064 | +34% | -66% | 27 | $225 | $84,245 | 8 |
| Sep 5, 2015 | - | $7,929 | +31% | -65% | 27 | $294 | $92,174 | 9 |
| Sep 6, 2015 | - | $7,927 | n/c | -52% | 27 | $294 | $100,101 | 10 |
| Sep 7, 2015 | - | $6,179 | -22% | +2% | 27 | $229 | $106,280 | 11 |
| Sep 8, 2015 | - | $2,555 | -59% | -56% | 27 | $95 | $108,835 | 12 |
| Sep 9, 2015 | - | $2,442 | -4% | -50% | 27 | $90 | $111,277 | 13 |
| Sep 10, 2015 | - | $2,423 | -1% | -46% | 27 | $90 | $113,700 | 14 |
| Sep 11, 2015 | - | $1,017 | -58% | -83% | 13 | $78 | $114,717 | 15 |
| Sep 12, 2015 | - | $2,340 | +130% | -70% | 13 | $180 | $117,057 | 16 |
| Sep 13, 2015 | - | $1,426 | -39% | -82% | 13 | $110 | $118,483 | 17 |
| Sep 14, 2015 | - | $470 | -67% | -92% | 13 | $36 | $118,953 | 18 |
| Sep 15, 2015 | - | $817 | +74% | -68% | 13 | $63 | $119,770 | 19 |
| Sep 16, 2015 | - | $1,014 | +24% | -58% | 13 | $78 | $120,784 | 20 |
| Sep 17, 2015 | - | $677 | -33% | -72% | 13 | $52 | $121,461 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 28, 2015 | 47 | $78,181 | 29 | $2,696 | $78,181 | 1 | |
| Sep 4, 2015 | 62 | $35,519 | -55% | 27 | $1,316 | $113,700 | 2 |
| Sep 11, 2015 | 82 | $7,761 | -78% | 13 | $597 | $121,461 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Italy | 11/30/2016 | $62,871 | 0 | 0 | 0 | $192,292 | 12/21/2016 | |||
| Portugal | 3/23/2016 | $11,832 | 12 | 12 | 29 | $26,710 | 6/9/2016 | |||
| South Korea | 12/28/2016 | $10,128 | 23 | 23 | 23 | $16,092 | 1/14/2017 | |||
| Thailand | 11/19/2015 | $1,709 | 6 | 6 | 6 | $1,708 | 11/25/2015 | |||
| Rest of World | $190,716 | |||||||||
| International Total | $427,518 | 1/14/2017 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Chiwetel Ejiofor | Mr. Loomis | |
| Margot Robbie | Ann | |
| Chris Pine | Caleb |
Production and Technical Credits
| Craig Zobel | Director | |
| Nissar Modi | Screenwriter | |
| Robert C. O'Brien | Based on the Book by | |
| Sigurjon Sighvatsson | Producer | |
| Thor Sigurjonsson | Producer | |
| Skuli Malmquist | Producer | |
| Sophia Lin | Producer | |
| Matthew Plouffe | Producer | |
| Tobey Maguire | Producer | |
| Bill Johnson | Executive Producer | |
| Gary Ross | Executive Producer | |
| Steve Bannatyne | Executive Producer | |
| Craig Zobel | Executive Producer | |
| Claudia Bluemhuber | Executive Producer | |
| Florian Dargel | Executive Producer | |
| Robert Williams | Executive Producer | |
| Timothy Christian | Executive Producer | |
| Ryan Johnson | Executive Producer | |
| Barry Brooker | Executive Producer | |
| Stan Wertlieb | Executive Producer | |
| Jim Seibel | Executive Producer | |
| Ara Keshishian | Executive Producer | |
| Pall Grimsson | Co-Producer | |
| Steven Johnson | Line Producer | |
| Tim Orr | Director of Photography | |
| Matthew Munn | Production Designer | |
| Jane Rizzo | Editor | |
| Bob Buck | Costume Designer | |
| Heather McIntosh | Composer | |
| Kerry Barden | Casting Director | |
| Paul Schnee | Casting Director | |
| Allison Estrin | Casting Director | |
| Desray Armstrong | Unit Production Manager | |
| Axel Paton | First Assistant Director | |
| Rachael Rowe | Second Assistant Director | |
| Barbara Tulliver | Additional Editor | |
| Ken Turner | Supervising Art Director | |
| Amber Richards | Set Decorator | |
| Monique Knight | Script Supervisor | |
| Paul Booth | Costume Supervisor | |
| Hil Cook | Make-up and Prosthetic Effects Designer | |
| Ant Davies | Third Assistant Director | |
| Dave Young | Third Assistant Director | |
| Michael S. Powsner* | Art Director | |
| Lea Prainsack | Visual Effects Producer | |
| John Bair | Visual Effects Supervisor | |
| Kris Baucom | Post-Production Supervisor | |
| Will Files | Re-recording Mixer | |
| Michael Barry | Re-recording Mixer | |
| Rich Bologna | Supervising Sound Editor | |
| John Moros | Dialogue Editor | |
| Chris Newlin | Music Editor | |
| Dane Leon | Music Editor | |
| Rodney Cook | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.