Zindagi Na Milegi Dobara (2011)
| Theatrical Performance | ||
| Domestic Box Office | $3,103,656 | Details |
| International Box Office | $26,155,616 | Details |
| Worldwide Box Office | $29,259,272 | |
| OpusData ID: 164280100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $960,548 (30.9% of total gross) |
| Legs: | 3.23 (domestic box office/biggest weekend) |
| Domestic Share: | 10.6% (domestic box office/worldwide) |
| Theater counts: | 100 opening theaters/100 max. theaters, 9.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $4,680,929 |
Movie Details
| Domestic Releases: | July 15th, 2011 (Limited) by Eros Entertainment |
| International Releases: | March 1st, 2012 (Wide) (Hong Kong)
October 28th, 2022 (Limited), released as Zindagi Na Milegi Dobara (人生は二度とない) (Japan) |
| MPA Rating: | Not Rated |
| Running Time: | 148 minutes |
| Cast, crew, or production detail: | F-Rated, Screenplay Written By the Star |
| Geographical setting: | Spain |
| Plot point: | Coming of Age, Delayed Adulthood, Road Trip |
| Social setting: | Bachelor Party, Vacation |
| Subgenre: | Buddy Comedy |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | India |
| Languages: | Hindi |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 15, 2011 | 15 | $960,548 | 100 | $9,605 | $960,548 | 1 | |
| Jul 22, 2011 | 15 | $670,258 | -30% | 100 | $6,703 | $2,003,930 | 2 |
| Jul 29, 2011 | 19 | $348,092 | -48% | 100 | $3,481 | $2,562,458 | 3 |
| Aug 5, 2011 | 29 | $182,337 | -48% | 100 | $1,823 | $2,855,673 | 4 |
| Aug 12, 2011 | 46 | $71,398 | -61% | 100 | $714 | $2,987,577 | 5 |
| Aug 19, 2011 | 57 | $35,698 | -50% | 100 | $357 | $3,056,046 | 6 |
| Aug 26, 2011 | 74 | $9,257 | -74% | 100 | $93 | $3,076,226 | 7 |
| Sep 2, 2011 | 79 | $12,298 | +33% | 100 | $123 | $3,093,927 | 8 |
| Sep 9, 2011 | 92 | $5,137 | -58% | 100 | $51 | $3,103,656 | 9 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 5, 2011 | 79 | $2,524 | 100 | $25 | $3,096,451 | 53 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 15, 2011 | 15 | $1,333,672 | 100 | $13,337 | $1,333,672 | 1 | |
| Jul 22, 2011 | 16 | $880,694 | -34% | 100 | $8,807 | $2,214,366 | 2 |
| Jul 29, 2011 | 23 | $458,970 | -48% | 100 | $4,590 | $2,673,336 | 3 |
| Aug 5, 2011 | 33 | $242,843 | -47% | 100 | $2,428 | $2,916,179 | 4 |
| Aug 12, 2011 | 45 | $104,169 | -57% | 100 | $1,042 | $3,020,348 | 5 |
| Aug 19, 2011 | 59 | $46,621 | -55% | 100 | $466 | $3,066,969 | 6 |
| Aug 26, 2011 | 73 | $14,660 | -69% | 100 | $147 | $3,081,629 | 7 |
| Sep 2, 2011 | 77 | $16,890 | +15% | 100 | $169 | $3,098,519 | 8 |
| Sep 9, 2011 | 97 | $5,137 | -70% | 100 | $51 | $3,103,656 | 9 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Hong Kong | 3/1/2012 | $0 | 0 | 2 | 7 | $73,832 | 12/10/2015 | |||
| Rest of World | $26,081,784 | |||||||||
| International Total | $26,155,616 | 12/10/2015 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Hrithik Roshan | Arjun Saluja | |
| Abhay Deol | Kabir Dewan | |
| Farhan Akhtar | Imraan Qureshi |
Production and Technical Credits
| Zoya Akhtar | Director | |
| Zoya Akhtar | Screenwriter | |
| Reema Kagti | Screenwriter | |
| Zoya Akhtar | Story Creator | |
| Reema Kagti | Story Creator | |
| Farhan Akhtar | Dialogue by |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Metrics
| Opening Weekend: | $960,548 (30.9% of total gross) |
| Legs: | 3.23 (domestic box office/biggest weekend) |
| Domestic Share: | 10.6% (domestic box office/worldwide) |
| Theater counts: | 100 opening theaters/100 max. theaters, 9.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $4,680,929 |
Movie Details
| Domestic Releases: | July 15th, 2011 (Limited) by Eros Entertainment |
| International Releases: | March 1st, 2012 (Wide) (Hong Kong)
October 28th, 2022 (Limited), released as Zindagi Na Milegi Dobara (人生は二度とない) (Japan) |
| MPA Rating: | Not Rated |
| Running Time: | 148 minutes |
| Cast, crew, or production detail: | F-Rated, Screenplay Written By the Star |
| Geographical setting: | Spain |
| Plot point: | Coming of Age, Delayed Adulthood, Road Trip |
| Social setting: | Bachelor Party, Vacation |
| Subgenre: | Buddy Comedy |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | India |
| Languages: | Hindi |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 15, 2011 | 15 | $960,548 | 100 | $9,605 | $960,548 | 1 | |
| Jul 22, 2011 | 15 | $670,258 | -30% | 100 | $6,703 | $2,003,930 | 2 |
| Jul 29, 2011 | 19 | $348,092 | -48% | 100 | $3,481 | $2,562,458 | 3 |
| Aug 5, 2011 | 29 | $182,337 | -48% | 100 | $1,823 | $2,855,673 | 4 |
| Aug 12, 2011 | 46 | $71,398 | -61% | 100 | $714 | $2,987,577 | 5 |
| Aug 19, 2011 | 57 | $35,698 | -50% | 100 | $357 | $3,056,046 | 6 |
| Aug 26, 2011 | 74 | $9,257 | -74% | 100 | $93 | $3,076,226 | 7 |
| Sep 2, 2011 | 79 | $12,298 | +33% | 100 | $123 | $3,093,927 | 8 |
| Sep 9, 2011 | 92 | $5,137 | -58% | 100 | $51 | $3,103,656 | 9 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 5, 2011 | 79 | $2,524 | 100 | $25 | $3,096,451 | 53 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 15, 2011 | 15 | $1,333,672 | 100 | $13,337 | $1,333,672 | 1 | |
| Jul 22, 2011 | 16 | $880,694 | -34% | 100 | $8,807 | $2,214,366 | 2 |
| Jul 29, 2011 | 23 | $458,970 | -48% | 100 | $4,590 | $2,673,336 | 3 |
| Aug 5, 2011 | 33 | $242,843 | -47% | 100 | $2,428 | $2,916,179 | 4 |
| Aug 12, 2011 | 45 | $104,169 | -57% | 100 | $1,042 | $3,020,348 | 5 |
| Aug 19, 2011 | 59 | $46,621 | -55% | 100 | $466 | $3,066,969 | 6 |
| Aug 26, 2011 | 73 | $14,660 | -69% | 100 | $147 | $3,081,629 | 7 |
| Sep 2, 2011 | 77 | $16,890 | +15% | 100 | $169 | $3,098,519 | 8 |
| Sep 9, 2011 | 97 | $5,137 | -70% | 100 | $51 | $3,103,656 | 9 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Hong Kong | 3/1/2012 | $0 | 0 | 2 | 7 | $73,832 | 12/10/2015 | |||
| Rest of World | $26,081,784 | |||||||||
| International Total | $26,155,616 | 12/10/2015 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Hrithik Roshan | Arjun Saluja | |
| Abhay Deol | Kabir Dewan | |
| Farhan Akhtar | Imraan Qureshi |
Production and Technical Credits
| Zoya Akhtar | Director | |
| Zoya Akhtar | Screenwriter | |
| Reema Kagti | Screenwriter | |
| Zoya Akhtar | Story Creator | |
| Reema Kagti | Story Creator | |
| Farhan Akhtar | Dialogue by |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.