L'affaire SK1 (2015)
| Theatrical Performance | ||
| Domestic Box Office | $10,330 | Details |
| International Box Office | $2,563,070 | Details |
| Worldwide Box Office | $2,573,400 | |
| OpusData ID: 262510100 More info... | ||
| Further financial details... | ||
Synopsis
Franck is an eager rookie homicide squad inspector. When a woman is found with her throat cut, he shrewdly unearths parallels between previously unrelated cases. Before he knows it, Franck is caught up in an eight-year obsessive hunt for Serial Killer 1, a man whose very existence is questioned by others. Loosely based on the investigation into real-life murderer Guy Georges, aka the Beast Of The Bastille, the story milks suspense from the procedural aspects of the manhunt, the false leads, dead ends, and the stifling bureaucracy of a police force hindered by dwindling budgets and a knee-jerk insistence on outdated, traditional methods.
Metrics
| Opening Weekend: | $2,659 (25.7% of total gross) |
| Legs: | 3.88 (domestic box office/biggest weekend) |
| Domestic Share: | 0.4% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/1 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $14,280 |
Movie Details
| Domestic Releases: | June 17th, 2016 (Limited) by Kino Lorber, released as Serial Killer 1 |
| International Releases: | January 9th, 2015 (Wide) (France) |
| MPA Rating: | Not Rated |
| Running Time: | 119 minutes |
| Geographical setting: | France, Paris |
| Plot point: | Lawyers, Non-Chronological, Political, Serial Killer |
| Time period setting: | 1990s, 2000s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Les Films du Labyrinthe, France 3 Cinema, Movie Pictures, SND, Cinefrance 1888, Mondatta Films, Bethsabee Mucho, Canal Plus, Cine Plus, France Television, Manon 4, La Region-Ile-de-France, Centre National du Cinema et de L Image Animee |
| Production Countries: | France |
| Languages: | French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 17, 2016 | 68 | $2,659 | 1 | $2,659 | $9,729 | 1 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 17, 2016 | 79 | $3,260 | 1 | $3,260 | $10,330 | 1 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| France | 1/9/2015 | $949,154 | 0 | 0 | 0 | $2,563,070 | 8/20/2018 | |||
| International Total | $2,563,070 | 8/20/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Raphael Personnaz | Franck Magne (Charlie) |
Supporting
| Olivier Gourmet | Bougon | |
| Michel Vuillermoz | Carbonnel | |
| Nathalie Baye | Frédérique Pons | |
| Adama Niane | Guy Georges | |
| Christa Théret | Elisabeth Ortega | |
| Thierry Neuvic | Jensen | |
| Chloe Stefani | Corinne | |
| William Nadylam | Guy George’s Advocate | |
| Marianne Denicourt | Martine Monteil |
Production and Technical Credits
| Frederic Tellier | Director | |
| Julien Leclercq | Co-Producer | |
| Julien Madon | Producer | |
| Alain Olivieri-Afar | Assistant Director | |
| Christophe Moulin | Casting Director | |
| Claire Dumaze | Screenwriter | |
| Elisabeth Rousseau-Lehuger | Costume Designer | |
| Nicolas Prier | Production Designer | |
| Vincent Goujon | Sound Designer | |
| Mickael Dumontier | Editor | |
| Matias Boucard | Cinematographer | |
| Christophe La Pinta | Composer | |
| Frederic Tellier | Composer | |
| Jacques Arhex | Production Manager |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Franck is an eager rookie homicide squad inspector. When a woman is found with her throat cut, he shrewdly unearths parallels between previously unrelated cases. Before he knows it, Franck is caught up in an eight-year obsessive hunt for Serial Killer 1, a man whose very existence is questioned by others. Loosely based on the investigation into real-life murderer Guy Georges, aka the Beast Of The Bastille, the story milks suspense from the procedural aspects of the manhunt, the false leads, dead ends, and the stifling bureaucracy of a police force hindered by dwindling budgets and a knee-jerk insistence on outdated, traditional methods.
Metrics
| Opening Weekend: | $2,659 (25.7% of total gross) |
| Legs: | 3.88 (domestic box office/biggest weekend) |
| Domestic Share: | 0.4% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/1 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $14,280 |
Movie Details
| Domestic Releases: | June 17th, 2016 (Limited) by Kino Lorber, released as Serial Killer 1 |
| International Releases: | January 9th, 2015 (Wide) (France) |
| MPA Rating: | Not Rated |
| Running Time: | 119 minutes |
| Geographical setting: | France, Paris |
| Plot point: | Lawyers, Non-Chronological, Political, Serial Killer |
| Time period setting: | 1990s, 2000s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Les Films du Labyrinthe, France 3 Cinema, Movie Pictures, SND, Cinefrance 1888, Mondatta Films, Bethsabee Mucho, Canal Plus, Cine Plus, France Television, Manon 4, La Region-Ile-de-France, Centre National du Cinema et de L Image Animee |
| Production Countries: | France |
| Languages: | French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 17, 2016 | 68 | $2,659 | 1 | $2,659 | $9,729 | 1 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 17, 2016 | 79 | $3,260 | 1 | $3,260 | $10,330 | 1 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| France | 1/9/2015 | $949,154 | 0 | 0 | 0 | $2,563,070 | 8/20/2018 | |||
| International Total | $2,563,070 | 8/20/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Raphael Personnaz | Franck Magne (Charlie) |
Supporting
| Olivier Gourmet | Bougon | |
| Michel Vuillermoz | Carbonnel | |
| Nathalie Baye | Frédérique Pons | |
| Adama Niane | Guy Georges | |
| Christa Théret | Elisabeth Ortega | |
| Thierry Neuvic | Jensen | |
| Chloe Stefani | Corinne | |
| William Nadylam | Guy George’s Advocate | |
| Marianne Denicourt | Martine Monteil |
Production and Technical Credits
| Frederic Tellier | Director | |
| Julien Leclercq | Co-Producer | |
| Julien Madon | Producer | |
| Alain Olivieri-Afar | Assistant Director | |
| Christophe Moulin | Casting Director | |
| Claire Dumaze | Screenwriter | |
| Elisabeth Rousseau-Lehuger | Costume Designer | |
| Nicolas Prier | Production Designer | |
| Vincent Goujon | Sound Designer | |
| Mickael Dumontier | Editor | |
| Matias Boucard | Cinematographer | |
| Christophe La Pinta | Composer | |
| Frederic Tellier | Composer | |
| Jacques Arhex | Production Manager |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.