Los amantes pasajeros (2013)
| Theatrical Performance | ||
| Domestic Box Office | $1,359,796 | Details |
| International Box Office | $12,578,884 | |
| Worldwide Box Office | $13,938,680 | |
| Further financial details... | ||
Synopsis
A very varied group of people are in a precarious situation aboard a plane flying to Mexico City. A technical failure (a kind of justifiable negligence, even though it sounds contradictory, but that’s what human actions are) has endangered the lives of the passengers on Peninsula Flight 2549. The pilots, hardened, experienced professionals are striving, along with their colleagues in the Control Center, to find a solution. The flight attendants and the chief steward are atypical, baroque characters who, in the face of danger, try to forget their own personal problems and devote themselves b ody and soul to the task of making the flight as enjoyable as possible for the passengers, while they wait for a solution. Life in the clouds is as complicated as it is at ground level, and for the same reasons, which could be summarized in two: sex and death. The travelers in Business Class consist of a pair of newlyweds, partygoers, worn out by their wedding celebration; a financier and embezzler; unscrupulous in business but also a father afflicted by his daughter’s estrangement; an inveterate Don Juan with an uneasy conscience who is trying to say goodbye to one of his women (girlfriends); a rural psychic; a queen of the gossip magazines and a Mexican with an important secret. Each of them has a project in Mexico City, either to work or to escape. They all have some kind of secret, not just the Mexican. Their defenselessness in the face of danger provokes a general catharsis among the passengers and the crew, and this ends up becoming the best way to escape from the idea of death. This catharsis, develope d in the tone of a riotous, moral comedy, fills the time with sensational confessions that help them forget the anguish of the moment.
Metrics
| Opening Weekend: | $97,328 (7.2% of total gross) |
| Legs: | 8.90 (domestic box office/biggest weekend) |
| Domestic Share: | 9.8% (domestic box office/worldwide) |
| Theater counts: | 5 opening theaters/99 max. theaters, 3.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,000,394 |
Movie Details
| Domestic Releases: | June 28th, 2013 (Limited) by Sony Pictures Classics, released as I'm So Excited (International title) |
| International Releases: | January 6th, 2022 (Limited), released as I’m So Excited! (Australia) |
| MPA Rating: | R for strong sexual content including crude references, and drug use. (Rating bulletin 2263, 3/13/2013) |
| Running Time: | 89 minutes |
| Plot point: | Disaster, LGBTQ+ |
| Social setting: | In a Plane |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | El Deseo, TVE., Canal Plus |
| Production Countries: | Spain |
| Languages: | Spanish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 28, 2013 | 33 | $97,328 | 5 | $19,466 | $97,328 | 1 | |
| Jul 19, 2013 | 32 | $152,847 | 50 | $3,057 | $674,089 | 4 | |
| Jul 26, 2013 | 32 | $143,892 | -6% | 76 | $1,893 | $900,165 | 5 |
| Aug 2, 2013 | 36 | $124,487 | -13% | 99 | $1,257 | $1,101,745 | 6 |
| Aug 9, 2013 | 46 | $50,864 | -59% | 52 | $978 | $1,216,168 | 7 |
| Aug 16, 2013 | 58 | $25,168 | -51% | 31 | $812 | $1,275,606 | 8 |
| Aug 23, 2013 | 60 | $13,060 | -48% | 22 | $594 | $1,306,392 | 9 |
| Aug 30, 2013 | 70 | $7,939 | -39% | 11 | $722 | $1,325,277 | 10 |
| Sep 6, 2013 | 74 | $8,348 | +5% | 8 | $1,044 | $1,337,544 | 11 |
| Sep 13, 2013 | 73 | $6,458 | -23% | 9 | $718 | $1,351,399 | 12 |
| Sep 20, 2013 | 93 | $2,116 | -67% | 9 | $235 | $1,355,292 | 13 |
| Sep 27, 2013 | 100 | $560 | -74% | 2 | $280 | $1,357,091 | 14 |
| Oct 4, 2013 | 111 | $360 | -36% | 5 | $72 | $1,357,971 | 15 |
| Oct 11, 2013 | 89 | $1,435 | +299% | 7 | $205 | $1,359,796 | 16 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 19, 2013 | 33 | $235,031 | 50 | $4,701 | $756,273 | 4 | |
| Jul 26, 2013 | 33 | $220,985 | -6% | 76 | $2,908 | $977,258 | 5 |
| Aug 2, 2013 | 39 | $188,046 | -15% | 99 | $1,899 | $1,165,304 | 6 |
| Aug 9, 2013 | 46 | $85,134 | -55% | 52 | $1,637 | $1,250,438 | 7 |
| Aug 16, 2013 | 53 | $42,894 | -50% | 31 | $1,384 | $1,293,332 | 8 |
| Aug 23, 2013 | 59 | $24,006 | -44% | 22 | $1,091 | $1,317,338 | 9 |
| Aug 30, 2013 | 70 | $11,858 | -51% | 11 | $1,078 | $1,329,196 | 10 |
| Sep 6, 2013 | 63 | $15,745 | +33% | 8 | $1,968 | $1,344,941 | 11 |
| Sep 13, 2013 | 73 | $8,235 | -48% | 9 | $915 | $1,353,176 | 12 |
| Sep 20, 2013 | 84 | $3,355 | -59% | 9 | $373 | $1,356,531 | 13 |
| Sep 27, 2013 | 95 | $1,080 | -68% | 2 | $540 | $1,357,611 | 14 |
| Oct 4, 2013 | 108 | $750 | -31% | 5 | $150 | $1,358,361 | 15 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A very varied group of people are in a precarious situation aboard a plane flying to Mexico City. A technical failure (a kind of justifiable negligence, even though it sounds contradictory, but that’s what human actions are) has endangered the lives of the passengers on Peninsula Flight 2549. The pilots, hardened, experienced professionals are striving, along with their colleagues in the Control Center, to find a solution. The flight attendants and the chief steward are atypical, baroque characters who, in the face of danger, try to forget their own personal problems and devote themselves b ody and soul to the task of making the flight as enjoyable as possible for the passengers, while they wait for a solution. Life in the clouds is as complicated as it is at ground level, and for the same reasons, which could be summarized in two: sex and death. The travelers in Business Class consist of a pair of newlyweds, partygoers, worn out by their wedding celebration; a financier and embezzler; unscrupulous in business but also a father afflicted by his daughter’s estrangement; an inveterate Don Juan with an uneasy conscience who is trying to say goodbye to one of his women (girlfriends); a rural psychic; a queen of the gossip magazines and a Mexican with an important secret. Each of them has a project in Mexico City, either to work or to escape. They all have some kind of secret, not just the Mexican. Their defenselessness in the face of danger provokes a general catharsis among the passengers and the crew, and this ends up becoming the best way to escape from the idea of death. This catharsis, develope d in the tone of a riotous, moral comedy, fills the time with sensational confessions that help them forget the anguish of the moment.
Metrics
| Opening Weekend: | $97,328 (7.2% of total gross) |
| Legs: | 8.90 (domestic box office/biggest weekend) |
| Domestic Share: | 9.8% (domestic box office/worldwide) |
| Theater counts: | 5 opening theaters/99 max. theaters, 3.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,000,394 |
Movie Details
| Domestic Releases: | June 28th, 2013 (Limited) by Sony Pictures Classics, released as I'm So Excited (International title) |
| International Releases: | January 6th, 2022 (Limited), released as I’m So Excited! (Australia) |
| MPA Rating: | R for strong sexual content including crude references, and drug use. (Rating bulletin 2263, 3/13/2013) |
| Running Time: | 89 minutes |
| Plot point: | Disaster, LGBTQ+ |
| Social setting: | In a Plane |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | El Deseo, TVE., Canal Plus |
| Production Countries: | Spain |
| Languages: | Spanish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 28, 2013 | 33 | $97,328 | 5 | $19,466 | $97,328 | 1 | |
| Jul 19, 2013 | 32 | $152,847 | 50 | $3,057 | $674,089 | 4 | |
| Jul 26, 2013 | 32 | $143,892 | -6% | 76 | $1,893 | $900,165 | 5 |
| Aug 2, 2013 | 36 | $124,487 | -13% | 99 | $1,257 | $1,101,745 | 6 |
| Aug 9, 2013 | 46 | $50,864 | -59% | 52 | $978 | $1,216,168 | 7 |
| Aug 16, 2013 | 58 | $25,168 | -51% | 31 | $812 | $1,275,606 | 8 |
| Aug 23, 2013 | 60 | $13,060 | -48% | 22 | $594 | $1,306,392 | 9 |
| Aug 30, 2013 | 70 | $7,939 | -39% | 11 | $722 | $1,325,277 | 10 |
| Sep 6, 2013 | 74 | $8,348 | +5% | 8 | $1,044 | $1,337,544 | 11 |
| Sep 13, 2013 | 73 | $6,458 | -23% | 9 | $718 | $1,351,399 | 12 |
| Sep 20, 2013 | 93 | $2,116 | -67% | 9 | $235 | $1,355,292 | 13 |
| Sep 27, 2013 | 100 | $560 | -74% | 2 | $280 | $1,357,091 | 14 |
| Oct 4, 2013 | 111 | $360 | -36% | 5 | $72 | $1,357,971 | 15 |
| Oct 11, 2013 | 89 | $1,435 | +299% | 7 | $205 | $1,359,796 | 16 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 19, 2013 | 33 | $235,031 | 50 | $4,701 | $756,273 | 4 | |
| Jul 26, 2013 | 33 | $220,985 | -6% | 76 | $2,908 | $977,258 | 5 |
| Aug 2, 2013 | 39 | $188,046 | -15% | 99 | $1,899 | $1,165,304 | 6 |
| Aug 9, 2013 | 46 | $85,134 | -55% | 52 | $1,637 | $1,250,438 | 7 |
| Aug 16, 2013 | 53 | $42,894 | -50% | 31 | $1,384 | $1,293,332 | 8 |
| Aug 23, 2013 | 59 | $24,006 | -44% | 22 | $1,091 | $1,317,338 | 9 |
| Aug 30, 2013 | 70 | $11,858 | -51% | 11 | $1,078 | $1,329,196 | 10 |
| Sep 6, 2013 | 63 | $15,745 | +33% | 8 | $1,968 | $1,344,941 | 11 |
| Sep 13, 2013 | 73 | $8,235 | -48% | 9 | $915 | $1,353,176 | 12 |
| Sep 20, 2013 | 84 | $3,355 | -59% | 9 | $373 | $1,356,531 | 13 |
| Sep 27, 2013 | 95 | $1,080 | -68% | 2 | $540 | $1,357,611 | 14 |
| Oct 4, 2013 | 108 | $750 | -31% | 5 | $150 | $1,358,361 | 15 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.