Un amour de jeunesse (2012)
| Theatrical Performance | ||
| Domestic Box Office | $64,925 | Details |
| International Box Office | $284,861 | Details |
| Worldwide Box Office | $349,786 | |
| OpusData ID: 171980100 More info... | ||
| Further financial details... | ||
Synopsis
Fifteen-year-old Camille is a serious, intensely focused girl who has fallen in love with cheerful Sullivan, an older boy who reciprocates her feelings, mostly, but wants to be free to explore the world. When he leaves her to travel through South America, she is devastated. But over the next eight years, she develops into a more fully formed woman, with new interests and a new love - and the possibility that she'll be less defenseless when Sullivan enters her life again. Filled with scenes that showcase her extraordinary ability to evoke moods and feelings, Hansen-Løve takes the story of a young woman’s first romance and makes it into a singular experience, familiar in its broad strokes and yet so specific that it feels uniquely personal.
Metrics
| Opening Weekend: | $21,077 (32.5% of total gross) |
| Legs: | 3.08 (domestic box office/biggest weekend) |
| Domestic Share: | 18.6% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/5 max. theaters, 2.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $97,546 |
Movie Details
| Domestic Releases: | April 20th, 2012 (Limited) by IFC Films, released as Goodbye First Love |
| International Releases: | April 20th, 2012 (Wide) (Taiwan)
May 4th, 2012 (Wide) (United Kingdom) May 11th, 2012 (Wide) (Spain) May 24th, 2012 (Wide) (Hungary) June 22nd, 2012 (Wide) (Italy) ... Show all releases |
| MPA Rating: | Not Rated |
| Running Time: | 110 minutes |
| Plot point: | Coming of Age, First Love, Romance |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Les Films Pelleas, Razor Films, ARTE France, Rhone-Alpes Cinema, WDR, Arte, Jouror Productions, CNC, Medienboard Berlin-Brandenburg, Canal Plus, Cinecinema |
| Production Countries: | France, Germany |
| Languages: | French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 20, 2012 | 63 | $21,077 | 4 | $5,269 | $21,077 | 1 | |
| Apr 27, 2012 | 73 | $14,004 | -34% | 5 | $2,801 | $46,014 | 2 |
| May 4, 2012 | 88 | $4,033 | -71% | 3 | $1,344 | $56,908 | 3 |
| May 11, 2012 | 93 | $3,039 | -25% | 2 | $1,520 | $62,890 | 4 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 20, 2012 | 65 | $32,010 | 4 | $8,003 | $32,010 | 1 | |
| Apr 27, 2012 | 70 | $20,865 | -35% | 5 | $4,173 | $52,875 | 2 |
| May 4, 2012 | 83 | $6,976 | -67% | 3 | $2,325 | $59,851 | 3 |
| May 11, 2012 | 86 | $5,074 | -27% | 2 | $2,537 | $64,925 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Hungary | 5/24/2012 | $397 | 1 | 1 | 1 | $397 | 12/29/2018 | |||
| Italy | 6/22/2012 | $22,131 | 21 | 22 | 59 | $71,399 | 12/10/2015 | |||
| Spain | 5/11/2012 | $0 | 0 | 8 | 18 | $57,776 | 12/10/2015 | |||
| Taiwan | 4/20/2012 | $0 | 0 | 2 | 2 | $5,071 | 12/6/2015 | |||
| United Kingdom | 5/4/2012 | $51,865 | 18 | 18 | 43 | $150,218 | 12/10/2015 | |||
| International Total | $284,861 | 12/29/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Lola Creton | Camille | |
| Sebastian Urzendowsky | Sullivan |
Supporting
| Magne-Havard Brekke | Lorenz | |
| Valerie Bonneton | Camille's Mother | |
| Serge Renko | Camille's Mother | |
| Ozay Fecht | Sullivan's Mother |
Production and Technical Credits
| Mia Hansen-Love | Director | |
| Mia Hansen-Love | Screenwriter | |
| Stephane Fontaine | Cinematographer | |
| Marion Monnier | Editor | |
| Juliette Maillard | Assistant Director | |
| Luc Bricault | Assistant Director | |
| Vincent Vatoux | Sound Mixer | |
| Olivier Goinard | Sound Designer | |
| Mathieu Menut | Production Designer | |
| Mathieu Menut | Set Designer | |
| Charlotte de Cadeville | Production Designer | |
| Charlotte de Cadeville | Set Designer | |
| Bethsabee Dreyfus | Costume Designer | |
| Helene Bastide | Production Designer | |
| Elsa Pharaon | Casting Director | |
| Antoinette Boulat | Casting Director | |
| Roman Paul | Co-Producer | |
| Gerhard Meixner | Co-Producer | |
| Geraldine Michelot | Associate Producer | |
| Philippe Martin | Producer | |
| David Thion | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Fifteen-year-old Camille is a serious, intensely focused girl who has fallen in love with cheerful Sullivan, an older boy who reciprocates her feelings, mostly, but wants to be free to explore the world. When he leaves her to travel through South America, she is devastated. But over the next eight years, she develops into a more fully formed woman, with new interests and a new love - and the possibility that she'll be less defenseless when Sullivan enters her life again. Filled with scenes that showcase her extraordinary ability to evoke moods and feelings, Hansen-Løve takes the story of a young woman’s first romance and makes it into a singular experience, familiar in its broad strokes and yet so specific that it feels uniquely personal.
Metrics
| Opening Weekend: | $21,077 (32.5% of total gross) |
| Legs: | 3.08 (domestic box office/biggest weekend) |
| Domestic Share: | 18.6% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/5 max. theaters, 2.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $97,546 |
Movie Details
| Domestic Releases: | April 20th, 2012 (Limited) by IFC Films, released as Goodbye First Love |
| International Releases: | April 20th, 2012 (Wide) (Taiwan)
May 4th, 2012 (Wide) (United Kingdom) May 11th, 2012 (Wide) (Spain) May 24th, 2012 (Wide) (Hungary) June 22nd, 2012 (Wide) (Italy) ... Show all releases |
| MPA Rating: | Not Rated |
| Running Time: | 110 minutes |
| Plot point: | Coming of Age, First Love, Romance |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Les Films Pelleas, Razor Films, ARTE France, Rhone-Alpes Cinema, WDR, Arte, Jouror Productions, CNC, Medienboard Berlin-Brandenburg, Canal Plus, Cinecinema |
| Production Countries: | France, Germany |
| Languages: | French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 20, 2012 | 63 | $21,077 | 4 | $5,269 | $21,077 | 1 | |
| Apr 27, 2012 | 73 | $14,004 | -34% | 5 | $2,801 | $46,014 | 2 |
| May 4, 2012 | 88 | $4,033 | -71% | 3 | $1,344 | $56,908 | 3 |
| May 11, 2012 | 93 | $3,039 | -25% | 2 | $1,520 | $62,890 | 4 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 20, 2012 | 65 | $32,010 | 4 | $8,003 | $32,010 | 1 | |
| Apr 27, 2012 | 70 | $20,865 | -35% | 5 | $4,173 | $52,875 | 2 |
| May 4, 2012 | 83 | $6,976 | -67% | 3 | $2,325 | $59,851 | 3 |
| May 11, 2012 | 86 | $5,074 | -27% | 2 | $2,537 | $64,925 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Hungary | 5/24/2012 | $397 | 1 | 1 | 1 | $397 | 12/29/2018 | |||
| Italy | 6/22/2012 | $22,131 | 21 | 22 | 59 | $71,399 | 12/10/2015 | |||
| Spain | 5/11/2012 | $0 | 0 | 8 | 18 | $57,776 | 12/10/2015 | |||
| Taiwan | 4/20/2012 | $0 | 0 | 2 | 2 | $5,071 | 12/6/2015 | |||
| United Kingdom | 5/4/2012 | $51,865 | 18 | 18 | 43 | $150,218 | 12/10/2015 | |||
| International Total | $284,861 | 12/29/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Lola Creton | Camille | |
| Sebastian Urzendowsky | Sullivan |
Supporting
| Magne-Havard Brekke | Lorenz | |
| Valerie Bonneton | Camille's Mother | |
| Serge Renko | Camille's Mother | |
| Ozay Fecht | Sullivan's Mother |
Production and Technical Credits
| Mia Hansen-Love | Director | |
| Mia Hansen-Love | Screenwriter | |
| Stephane Fontaine | Cinematographer | |
| Marion Monnier | Editor | |
| Juliette Maillard | Assistant Director | |
| Luc Bricault | Assistant Director | |
| Vincent Vatoux | Sound Mixer | |
| Olivier Goinard | Sound Designer | |
| Mathieu Menut | Production Designer | |
| Mathieu Menut | Set Designer | |
| Charlotte de Cadeville | Production Designer | |
| Charlotte de Cadeville | Set Designer | |
| Bethsabee Dreyfus | Costume Designer | |
| Helene Bastide | Production Designer | |
| Elsa Pharaon | Casting Director | |
| Antoinette Boulat | Casting Director | |
| Roman Paul | Co-Producer | |
| Gerhard Meixner | Co-Producer | |
| Geraldine Michelot | Associate Producer | |
| Philippe Martin | Producer | |
| David Thion | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.