Les amours d’Anaïs (2021)
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| Theatrical Performance | ||
| Domestic Box Office | $42,941 | Details |
| International Box Office | $295,462 | Details |
| Worldwide Box Office | $338,403 | |
| OpusData ID: 511850100 More info... | ||
| Further financial details... | ||
Synopsis
Anais is 30, broke and has a boyfriend she doesn’t think she loves anymore. She meets Daniel, who immediately falls for her. But Daniel lives with Emilie — whom Anais also falls for.
Metrics
| Opening Weekend: | $18,351 (42.7% of total gross) |
| Legs: | 2.34 (domestic box office/biggest weekend) |
| Domestic Share: | 12.7% (domestic box office/worldwide) |
| Theater counts: | 53 opening theaters/55 max. theaters, 1.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $48,773 |
Movie Details
| Domestic Releases: | April 29th, 2022 (Limited) by Magnolia Pictures, released as Anais in Love |
| International Releases: | September 15th, 2021 (Wide) (France)
March 4th, 2022 (Limited), released as Los Amores de Anaïs (Spain) April 28th, 2022 (Wide), released as Gli amori di Anaïs (Italy) June 16th, 2022 (Limited) (Netherlands) July 21st, 2022 (Limited), released as Sommer mit Anaïs, Der (Germany) ... Show all releases |
| Video Release: | May 6th, 2022 by Magnolia Home Entertainment, released as Anais in Love |
| Running Time: | 98 minutes |
| Cast, crew, or production detail: | F-Rated, F-Rated, Triple, Voiceover/Narration |
| Geographical setting: | France, Paris |
| Plot point: | Abortion, Cancer, Infidelity, LGBTQ+, Love Triangle, Relationships Gone Wrong, Romance |
| Subgenre: | Comedy Drama |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Magnolia Pictures, Annee Zero, Les Films Pelleas, Arte France Cinema, Odessa Productions, Canal Plus, Cine Plus, ARTE France, Centre National du Cinema et de L Image Animee, La Region Bretagne, Region Des Pays De La Loire, CNC, Haut et Court, Manon 11, Cinemage 15, Indefilms 9, Cineaxe 2, Cinemage 13 Developpement, Cineaxe Developpement, Procirep Angoa, Be For Films |
| Production Countries: | France |
| Languages: | French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 29, 2022 | - | $18,351 | 53 | $346 | $18,351 | 1 | |
| May 6, 2022 | - | $4,655 | -75% | 18 | $259 | $35,544 | 2 |
| May 13, 2022 | - | $1,144 | -75% | 6 | $191 | $40,047 | 3 |
| May 20, 2022 | - | $756 | -34% | 3 | $252 | $41,356 | 4 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 29, 2022 | - | $30,889 | 55 | $562 | $30,889 | 1 | |
| May 6, 2022 | - | $8,014 | -74% | 18 | $445 | $38,903 | 2 |
| May 13, 2022 | - | $1,697 | -79% | 6 | $283 | $40,600 | 3 |
| May 20, 2022 | - | $2,341 | +38% | 3 | $780 | $42,941 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| France | 9/15/2021 | $178,008 | 174 | 174 | 174 | $178,008 | 9/24/2021 | |||
| Italy | 4/28/2022 | $33,361 | 0 | 0 | 0 | $79,963 | 10/20/2022 | |||
| Netherlands | 6/16/2022 | $7,654 | 30 | 30 | 30 | $9,192 | 6/20/2022 | |||
| South Korea | 10/13/2022 | $3,056 | 38 | 38 | 65 | $9,803 | 10/26/2022 | |||
| Spain | 3/4/2022 | $9,333 | 41 | 41 | 41 | $9,333 | 3/12/2022 | |||
| United Kingdom | 8/19/2022 | $9,163 | 13 | 13 | 13 | $9,163 | 8/25/2022 | |||
| International Total | $295,462 | 10/26/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Anais Demoustier | Les amours d’Anaïs | |
| Valeria Bruni Tedeschi | Emilie |
Supporting
| Denis Podalydes | Daniel | |
| Jean-Charles Clichet | Yoann | |
| Xavier Guelfi | Balthazar | |
| Christophe Montenez | Raoul | |
| Anne Canovas | Anaïs's Mother | |
| Bruno Todeschini | Anaïs's Father |
Production and Technical Credits
| Charline Bourgeois-Tacquet | Director | |
| Charline Bourgeois-Tacquet | Screenwriter | |
| David Thion | Producer | |
| Stéphane Demoustier | Producer | |
| Philippe Martin | Producer | |
| Igor Auzépy | Producer | |
| Noé Bach | Director of Photography | |
| Chantal Hymans | Editor | |
| Mathieu Villien | Sound | |
| Marie Willaume | 1st Assistant Director | |
| Pascale Consigny | Production Designer | |
| Léa Forest | Costumes | |
| Caroline Steff | Script | |
| Kim Nguyen | Production Manager | |
| Francois Mereu | Sound Designer | |
| Vincent Verdoux | Sound Mixer | |
| Nicola Piovani | Music |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Anais is 30, broke and has a boyfriend she doesn’t think she loves anymore. She meets Daniel, who immediately falls for her. But Daniel lives with Emilie — whom Anais also falls for.
Metrics
| Opening Weekend: | $18,351 (42.7% of total gross) |
| Legs: | 2.34 (domestic box office/biggest weekend) |
| Domestic Share: | 12.7% (domestic box office/worldwide) |
| Theater counts: | 53 opening theaters/55 max. theaters, 1.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $48,773 |
Movie Details
| Domestic Releases: | April 29th, 2022 (Limited) by Magnolia Pictures, released as Anais in Love |
| International Releases: | September 15th, 2021 (Wide) (France)
March 4th, 2022 (Limited), released as Los Amores de Anaïs (Spain) April 28th, 2022 (Wide), released as Gli amori di Anaïs (Italy) June 16th, 2022 (Limited) (Netherlands) July 21st, 2022 (Limited), released as Sommer mit Anaïs, Der (Germany) ... Show all releases |
| Video Release: | May 6th, 2022 by Magnolia Home Entertainment, released as Anais in Love |
| Running Time: | 98 minutes |
| Cast, crew, or production detail: | F-Rated, F-Rated, Triple, Voiceover/Narration |
| Geographical setting: | France, Paris |
| Plot point: | Abortion, Cancer, Infidelity, LGBTQ+, Love Triangle, Relationships Gone Wrong, Romance |
| Subgenre: | Comedy Drama |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Magnolia Pictures, Annee Zero, Les Films Pelleas, Arte France Cinema, Odessa Productions, Canal Plus, Cine Plus, ARTE France, Centre National du Cinema et de L Image Animee, La Region Bretagne, Region Des Pays De La Loire, CNC, Haut et Court, Manon 11, Cinemage 15, Indefilms 9, Cineaxe 2, Cinemage 13 Developpement, Cineaxe Developpement, Procirep Angoa, Be For Films |
| Production Countries: | France |
| Languages: | French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 29, 2022 | - | $18,351 | 53 | $346 | $18,351 | 1 | |
| May 6, 2022 | - | $4,655 | -75% | 18 | $259 | $35,544 | 2 |
| May 13, 2022 | - | $1,144 | -75% | 6 | $191 | $40,047 | 3 |
| May 20, 2022 | - | $756 | -34% | 3 | $252 | $41,356 | 4 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 29, 2022 | - | $30,889 | 55 | $562 | $30,889 | 1 | |
| May 6, 2022 | - | $8,014 | -74% | 18 | $445 | $38,903 | 2 |
| May 13, 2022 | - | $1,697 | -79% | 6 | $283 | $40,600 | 3 |
| May 20, 2022 | - | $2,341 | +38% | 3 | $780 | $42,941 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| France | 9/15/2021 | $178,008 | 174 | 174 | 174 | $178,008 | 9/24/2021 | |||
| Italy | 4/28/2022 | $33,361 | 0 | 0 | 0 | $79,963 | 10/20/2022 | |||
| Netherlands | 6/16/2022 | $7,654 | 30 | 30 | 30 | $9,192 | 6/20/2022 | |||
| South Korea | 10/13/2022 | $3,056 | 38 | 38 | 65 | $9,803 | 10/26/2022 | |||
| Spain | 3/4/2022 | $9,333 | 41 | 41 | 41 | $9,333 | 3/12/2022 | |||
| United Kingdom | 8/19/2022 | $9,163 | 13 | 13 | 13 | $9,163 | 8/25/2022 | |||
| International Total | $295,462 | 10/26/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Anais Demoustier | Les amours d’Anaïs | |
| Valeria Bruni Tedeschi | Emilie |
Supporting
| Denis Podalydes | Daniel | |
| Jean-Charles Clichet | Yoann | |
| Xavier Guelfi | Balthazar | |
| Christophe Montenez | Raoul | |
| Anne Canovas | Anaïs's Mother | |
| Bruno Todeschini | Anaïs's Father |
Production and Technical Credits
| Charline Bourgeois-Tacquet | Director | |
| Charline Bourgeois-Tacquet | Screenwriter | |
| David Thion | Producer | |
| Stéphane Demoustier | Producer | |
| Philippe Martin | Producer | |
| Igor Auzépy | Producer | |
| Noé Bach | Director of Photography | |
| Chantal Hymans | Editor | |
| Mathieu Villien | Sound | |
| Marie Willaume | 1st Assistant Director | |
| Pascale Consigny | Production Designer | |
| Léa Forest | Costumes | |
| Caroline Steff | Script | |
| Kim Nguyen | Production Manager | |
| Francois Mereu | Sound Designer | |
| Vincent Verdoux | Sound Mixer | |
| Nicola Piovani | Music |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.