L'avenir (2016)
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| Theatrical Performance | ||
| Domestic Box Office | $388,265 | Details |
| International Box Office | $4,580,413 | Details |
| Worldwide Box Office | $4,968,678 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $79,222 | |
| Blu-ray Sales (estimated) | $64,697 | |
| Total | $143,919 | |
| OpusData ID: 262660100 More info... | ||
| Further financial details... | ||
Synopsis
What happens when the life you’ve worked so hard to build falls apart all at once? Nathalie is a philosophy teacher with a seemingly settled existence, juggling a rich life of the mind with the day-to-day demands of career and family. But beginning with the bombshell revelation that her husband of twenty-five years is leaving her, one by one the pillars of Nathalie’s life start to crumble. For the first time in ages, she finds herself adrift, but also with a newfound sense of liberation. With nothing to hold her back, Nathalie sets out to define this new phase of her life and to rediscover herself.
Metrics
| Opening Weekend: | $31,936 (8.2% of total gross) |
| Legs: | 8.38 (domestic box office/biggest weekend) |
| Domestic Share: | 7.8% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/22 max. theaters, 7.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $529,923 |
Movie Details
| Domestic Releases: | December 2nd, 2016 (Limited) by IFC Films, released as Things to Come |
| International Releases: | April 8th, 2016 (Wide), released as L'avenir (France)
June 17th, 2016 (Wide), released as L'avenir (Portugal) September 2nd, 2016 (Limited), released as Things to Come (United Kingdom) September 9th, 2016 (Wide), released as L'avenir (Netherlands) September 23rd, 2016 (Wide), released as L'avenir (Spain) ... Show all releases |
| Video Release: | May 9th, 2017 by Mpi Home Video, released as Things to Come |
| MPA Rating: | PG-13 for brief language and drug use. (Rating bulletin 2449 (Cert #50763), 11/2/2016) |
| Running Time: | 100 minutes |
| Geographical setting: | Paris |
| Plot point: | Dysfunctional Family, Infidelity, Relationships Gone Wrong, Teachers |
| Social setting: | High School |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | CG Cinema, Detailfilm, Arte France Cinema, Rhone-Alpes Cinema, Cinemage , Cofinova SRG SSR, Canal Plus, ARTE France, Procirep, CNC, Hessen Invest Film |
| Production Countries: | France, Germany |
| Languages: | French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 2, 2016 | 44 | $31,936 | 3 | $10,645 | $31,936 | 1 | |
| Dec 9, 2016 | 38 | $46,307 | +45% | 14 | $3,308 | $93,194 | 2 |
| Dec 16, 2016 | 35 | $38,138 | -18% | 22 | $1,734 | $155,107 | 3 |
| Dec 23, 2016 | 40 | $25,344 | -34% | 19 | $1,334 | $206,022 | 4 |
| Dec 30, 2016 | 47 | $18,504 | -27% | 13 | $1,423 | $247,933 | 5 |
| Jan 6, 2017 | 44 | $19,845 | +7% | 19 | $1,044 | $282,382 | 6 |
| Jan 13, 2017 | 41 | $17,612 | -11% | 20 | $881 | $313,922 | 7 |
| Jan 20, 2017 | 51 | $9,382 | -47% | 15 | $625 | $335,929 | 8 |
| Jan 27, 2017 | 49 | $11,379 | +21% | 15 | $759 | $356,710 | 9 |
| Feb 3, 2017 | 51 | $10,527 | -7% | 19 | $554 | $375,555 | 10 |
| Feb 10, 2017 | 67 | $1,804 | -83% | 9 | $200 | $388,265 | 11 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 2, 2016 | 44 | $46,877 | 3 | $15,626 | $46,877 | 1 | |
| Dec 9, 2016 | 38 | $70,082 | +50% | 14 | $5,006 | $116,959 | 2 |
| Dec 16, 2016 | 41 | $63,709 | -9% | 22 | $2,896 | $180,678 | 3 |
| Dec 23, 2016 | 48 | $48,751 | -23% | 11 | $4,432 | $229,429 | 4 |
| Dec 30, 2016 | 48 | $33,108 | -32% | 11 | $3,010 | $262,537 | 5 |
| Jan 6, 2017 | 41 | $33,773 | +2% | 19 | $1,778 | $296,310 | 6 |
| Jan 13, 2017 | 40 | $30,237 | -10% | 20 | $1,512 | $326,547 | 7 |
| Jan 20, 2017 | 47 | $18,784 | -38% | 15 | $1,252 | $345,331 | 8 |
| Jan 27, 2017 | 42 | $19,697 | +5% | 15 | $1,313 | $365,028 | 9 |
| Feb 3, 2017 | 47 | $21,433 | +9% | 19 | $1,128 | $386,461 | 10 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 4/14/2017 | $0 | 0 | 0 | 0 | $56,786 | 4/4/2026 | |||
| Australia | 4/28/2017 | $82,941 | 15 | 21 | 141 | $417,779 | 8/14/2017 | |||
| France | 4/8/2016 | $0 | 0 | 0 | 0 | $2,196,661 | 10/2/2018 | |||
| Italy | 4/21/2017 | $104,975 | 0 | 0 | 0 | $416,038 | 5/18/2017 | |||
| Lithuania | 3/10/2017 | $0 | 0 | 5 | 10 | $1,789 | 5/4/2017 | |||
| Netherlands | 9/9/2016 | $56,592 | 32 | 36 | 300 | $532,552 | 11/9/2016 | |||
| Portugal | 6/17/2016 | $9,379 | 8 | 8 | 29 | $41,808 | 8/18/2016 | |||
| South Korea | 9/29/2016 | $26,150 | 27 | 28 | 134 | $234,453 | 6/27/2018 | |||
| Spain | 9/23/2016 | $94,991 | 50 | 59 | 303 | $525,112 | 1/17/2017 | |||
| Turkey | 4/28/2017 | $1,903 | 0 | 0 | 0 | $9,235 | 1/1/2019 | |||
| United Kingdom | 9/2/2016 | $66,977 | 0 | 0 | 0 | $66,977 | 9/8/2018 | |||
| Rest of World | $81,223 | |||||||||
| International Total | $4,580,413 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Isabelle Huppert | Nathalie |
Supporting
| Andre Marcon | Heinz | |
| Roman Kolinka | Fabien | |
| Edith Scob | Yvette | |
| Sarah Le Picard | Chloe | |
| Solal Forte | Johann | |
| Elise Lhomeau | Esla | |
| Lionel Dray | Hugo | |
| Gregoire Montana-Haroche | Simon | |
| Lina Benzerti | Antonia |
Production and Technical Credits
| Mia Hansen-Love | Director | |
| Mia Hansen-Love | Screenwriter | |
| Charles Gillibert | Executive Producer | |
| Denis Lenoir | Director of Photography | |
| Vincent Vatoux | Sound Designer | |
| Olivier Goinard | Sound Mixer | |
| Marion Monnier | Editor | |
| Anna Falgueres | Set Designer | |
| Rachele Raoult | Costume Designer | |
| Thi Loan Nguyen | Make up | |
| Clara Vincienne | Special Effects | |
| Marie Doller | First Assistant Director | |
| Clementine Schaeffer | Script Supervisor | |
| Julien Flick | Unit Production Manager | |
| Sacha Guillaume-Bourbault | Production Manager |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
What happens when the life you’ve worked so hard to build falls apart all at once? Nathalie is a philosophy teacher with a seemingly settled existence, juggling a rich life of the mind with the day-to-day demands of career and family. But beginning with the bombshell revelation that her husband of twenty-five years is leaving her, one by one the pillars of Nathalie’s life start to crumble. For the first time in ages, she finds herself adrift, but also with a newfound sense of liberation. With nothing to hold her back, Nathalie sets out to define this new phase of her life and to rediscover herself.
Metrics
| Opening Weekend: | $31,936 (8.2% of total gross) |
| Legs: | 8.38 (domestic box office/biggest weekend) |
| Domestic Share: | 7.8% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/22 max. theaters, 7.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $529,923 |
Movie Details
| Domestic Releases: | December 2nd, 2016 (Limited) by IFC Films, released as Things to Come |
| International Releases: | April 8th, 2016 (Wide), released as L'avenir (France)
June 17th, 2016 (Wide), released as L'avenir (Portugal) September 2nd, 2016 (Limited), released as Things to Come (United Kingdom) September 9th, 2016 (Wide), released as L'avenir (Netherlands) September 23rd, 2016 (Wide), released as L'avenir (Spain) ... Show all releases |
| Video Release: | May 9th, 2017 by Mpi Home Video, released as Things to Come |
| MPA Rating: | PG-13 for brief language and drug use. (Rating bulletin 2449 (Cert #50763), 11/2/2016) |
| Running Time: | 100 minutes |
| Geographical setting: | Paris |
| Plot point: | Dysfunctional Family, Infidelity, Relationships Gone Wrong, Teachers |
| Social setting: | High School |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | CG Cinema, Detailfilm, Arte France Cinema, Rhone-Alpes Cinema, Cinemage , Cofinova SRG SSR, Canal Plus, ARTE France, Procirep, CNC, Hessen Invest Film |
| Production Countries: | France, Germany |
| Languages: | French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 2, 2016 | 44 | $31,936 | 3 | $10,645 | $31,936 | 1 | |
| Dec 9, 2016 | 38 | $46,307 | +45% | 14 | $3,308 | $93,194 | 2 |
| Dec 16, 2016 | 35 | $38,138 | -18% | 22 | $1,734 | $155,107 | 3 |
| Dec 23, 2016 | 40 | $25,344 | -34% | 19 | $1,334 | $206,022 | 4 |
| Dec 30, 2016 | 47 | $18,504 | -27% | 13 | $1,423 | $247,933 | 5 |
| Jan 6, 2017 | 44 | $19,845 | +7% | 19 | $1,044 | $282,382 | 6 |
| Jan 13, 2017 | 41 | $17,612 | -11% | 20 | $881 | $313,922 | 7 |
| Jan 20, 2017 | 51 | $9,382 | -47% | 15 | $625 | $335,929 | 8 |
| Jan 27, 2017 | 49 | $11,379 | +21% | 15 | $759 | $356,710 | 9 |
| Feb 3, 2017 | 51 | $10,527 | -7% | 19 | $554 | $375,555 | 10 |
| Feb 10, 2017 | 67 | $1,804 | -83% | 9 | $200 | $388,265 | 11 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 2, 2016 | 44 | $46,877 | 3 | $15,626 | $46,877 | 1 | |
| Dec 9, 2016 | 38 | $70,082 | +50% | 14 | $5,006 | $116,959 | 2 |
| Dec 16, 2016 | 41 | $63,709 | -9% | 22 | $2,896 | $180,678 | 3 |
| Dec 23, 2016 | 48 | $48,751 | -23% | 11 | $4,432 | $229,429 | 4 |
| Dec 30, 2016 | 48 | $33,108 | -32% | 11 | $3,010 | $262,537 | 5 |
| Jan 6, 2017 | 41 | $33,773 | +2% | 19 | $1,778 | $296,310 | 6 |
| Jan 13, 2017 | 40 | $30,237 | -10% | 20 | $1,512 | $326,547 | 7 |
| Jan 20, 2017 | 47 | $18,784 | -38% | 15 | $1,252 | $345,331 | 8 |
| Jan 27, 2017 | 42 | $19,697 | +5% | 15 | $1,313 | $365,028 | 9 |
| Feb 3, 2017 | 47 | $21,433 | +9% | 19 | $1,128 | $386,461 | 10 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 4/14/2017 | $0 | 0 | 0 | 0 | $56,786 | 4/4/2026 | |||
| Australia | 4/28/2017 | $82,941 | 15 | 21 | 141 | $417,779 | 8/14/2017 | |||
| France | 4/8/2016 | $0 | 0 | 0 | 0 | $2,196,661 | 10/2/2018 | |||
| Italy | 4/21/2017 | $104,975 | 0 | 0 | 0 | $416,038 | 5/18/2017 | |||
| Lithuania | 3/10/2017 | $0 | 0 | 5 | 10 | $1,789 | 5/4/2017 | |||
| Netherlands | 9/9/2016 | $56,592 | 32 | 36 | 300 | $532,552 | 11/9/2016 | |||
| Portugal | 6/17/2016 | $9,379 | 8 | 8 | 29 | $41,808 | 8/18/2016 | |||
| South Korea | 9/29/2016 | $26,150 | 27 | 28 | 134 | $234,453 | 6/27/2018 | |||
| Spain | 9/23/2016 | $94,991 | 50 | 59 | 303 | $525,112 | 1/17/2017 | |||
| Turkey | 4/28/2017 | $1,903 | 0 | 0 | 0 | $9,235 | 1/1/2019 | |||
| United Kingdom | 9/2/2016 | $66,977 | 0 | 0 | 0 | $66,977 | 9/8/2018 | |||
| Rest of World | $81,223 | |||||||||
| International Total | $4,580,413 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Isabelle Huppert | Nathalie |
Supporting
| Andre Marcon | Heinz | |
| Roman Kolinka | Fabien | |
| Edith Scob | Yvette | |
| Sarah Le Picard | Chloe | |
| Solal Forte | Johann | |
| Elise Lhomeau | Esla | |
| Lionel Dray | Hugo | |
| Gregoire Montana-Haroche | Simon | |
| Lina Benzerti | Antonia |
Production and Technical Credits
| Mia Hansen-Love | Director | |
| Mia Hansen-Love | Screenwriter | |
| Charles Gillibert | Executive Producer | |
| Denis Lenoir | Director of Photography | |
| Vincent Vatoux | Sound Designer | |
| Olivier Goinard | Sound Mixer | |
| Marion Monnier | Editor | |
| Anna Falgueres | Set Designer | |
| Rachele Raoult | Costume Designer | |
| Thi Loan Nguyen | Make up | |
| Clara Vincienne | Special Effects | |
| Marie Doller | First Assistant Director | |
| Clementine Schaeffer | Script Supervisor | |
| Julien Flick | Unit Production Manager | |
| Sacha Guillaume-Bourbault | Production Manager |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.