beurokeo (브로커) (2022)
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| Theatrical Performance | ||
| Domestic Box Office | $1,046,898 | Details |
| International Box Office | $11,275,866 | Details |
| Worldwide Box Office | $12,322,764 | |
| Domestic Physical Disc Sales | ||
| Blu-ray Sales (estimated) | $12,829 | |
| Total | $12,829 | |
| OpusData ID: 547620100 More info... | ||
| Further financial details... | ||
Synopsis
The film follows two brokers who sell orphaned infants, circumventing the bureaucracy of legal adoption, to affluent couples who can’t have children of their own. After an infant’s mother surprises the duo by returning to ensure her child finds a good home, the three embark on a journey to find the right couple, building an unlikely family of their own.
Metrics
| Opening Weekend: | $28,482 (2.7% of total gross) |
| Legs: | 3.32 (domestic box office/biggest weekend) |
| Domestic Share: | 8.5% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/271 max. theaters, 2.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,146,426 |
Movie Details
| Domestic Releases: | December 26th, 2022 (Limited) by Neon, released as Broker |
| International Releases: | June 8th, 2022 (Wide) (South Korea)
October 13th, 2022 (Limited), released as Le Buone Stelle (Italy) October 24th, 2022 (Limited), released as Broker (ベイビー・ブローカー) (Japan) October 28th, 2022 (Limited) (Turkey) December 6th, 2022 (Limited), released as Les Bonnes Étoiles (France) ... Show all releases |
| Video Release: | February 21st, 2023 by Decal, released as Broker |
| MPA Rating: | R for some language. (Rating bulletin 2759 (cert #54148), 11/23/2022) |
| Running Time: | 129 minutes |
| Plot point: | Fugitive / On the Run, Orphan, Poverty |
| Social setting: | Human-Trafficking |
| Subgenre: | Life Drama |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Republic of Korea |
| Languages: | Korean |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 30, 2022 | - | $28,482 | 4 | $7,121 | $53,753 | 1 | |
| Jan 6, 2023 | - | $73,706 | +159% | 17 | $4,336 | $147,933 | 2 |
| Jan 13, 2023 | - | $315,763 | +328% | 271 | $1,165 | $501,016 | 3 |
| Jan 20, 2023 | - | $145,605 | -54% | 206 | $707 | $840,484 | 4 |
| Jan 27, 2023 | - | $70,679 | -51% | 75 | $942 | $1,000,689 | 5 |
| Feb 3, 2023 | - | $14,298 | -80% | 32 | $447 | $1,040,895 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Dec 26, 2022 | - | $3,265 | 3 | $1,088 | $3,265 | 1 | ||
| Dec 27, 2022 | - | $1,884 | -42% | 3 | $628 | $5,149 | 2 | |
| Dec 28, 2022 | - | $14,354 | +662% | 3 | $4,785 | $19,503 | 3 | |
| Dec 29, 2022 | - | $5,768 | -60% | 3 | $1,923 | $25,271 | 4 | |
| Dec 30, 2022 | - | $12,941 | +124% | 4 | $3,235 | $38,212 | 5 | |
| Dec 31, 2022 | - | $6,795 | -47% | 4 | $1,699 | $45,007 | 6 | |
| Jan 1, 2023 | - | $8,746 | +29% | 4 | $2,187 | $53,753 | 7 | |
| Jan 2, 2023 | - | $7,905 | -10% | +142% | 4 | $1,976 | $61,658 | 8 |
| Jan 3, 2023 | - | $3,827 | -52% | +103% | 4 | $957 | $65,485 | 9 |
| Jan 4, 2023 | - | $4,573 | +19% | -68% | 4 | $1,143 | $70,058 | 10 |
| Jan 5, 2023 | - | $4,169 | -9% | -28% | 4 | $1,042 | $74,227 | 11 |
| Jan 6, 2023 | - | $22,971 | +451% | +78% | 17 | $1,351 | $97,198 | 12 |
| Jan 7, 2023 | - | $30,194 | +31% | +344% | 17 | $1,776 | $127,392 | 13 |
| Jan 8, 2023 | - | $20,541 | -32% | +135% | 17 | $1,208 | $147,933 | 14 |
| Jan 9, 2023 | - | $8,867 | -57% | +12% | 17 | $522 | $156,800 | 15 |
| Jan 10, 2023 | - | $9,088 | +2% | +137% | 17 | $535 | $165,888 | 16 |
| Jan 11, 2023 | - | $10,527 | +16% | +130% | 17 | $619 | $176,415 | 17 |
| Jan 12, 2023 | - | $8,838 | -16% | +112% | 17 | $520 | $185,253 | 18 |
| Jan 13, 2023 | - | $85,895 | +872% | +274% | 271 | $317 | $271,148 | 19 |
| Jan 14, 2023 | - | $119,991 | +40% | +297% | 271 | $443 | $391,139 | 20 |
| Jan 15, 2023 | - | $109,877 | -8% | +435% | 271 | $405 | $501,016 | 21 |
| Jan 16, 2023 | - | $74,716 | -32% | +743% | 271 | $276 | $575,732 | 22 |
| Jan 17, 2023 | - | $44,083 | -41% | +385% | 271 | $163 | $619,815 | 23 |
| Jan 18, 2023 | - | $37,911 | -14% | +260% | 271 | $140 | $657,726 | 24 |
| Jan 19, 2023 | - | $37,153 | -2% | +320% | 271 | $137 | $694,879 | 25 |
| Jan 20, 2023 | - | $40,868 | +10% | -52% | 206 | $198 | $735,747 | 26 |
| Jan 21, 2023 | - | $60,894 | +49% | -49% | 206 | $296 | $796,641 | 27 |
| Jan 22, 2023 | - | $43,843 | -28% | -60% | 206 | $213 | $840,484 | 28 |
| Jan 23, 2023 | - | $16,660 | -62% | -78% | 206 | $81 | $857,144 | 29 |
| Jan 24, 2023 | - | $23,658 | +42% | -46% | 206 | $115 | $880,802 | 30 |
| Jan 25, 2023 | - | $18,926 | -20% | -50% | 206 | $92 | $899,728 | 31 |
| Jan 26, 2023 | - | $30,282 | +60% | -18% | 206 | $147 | $930,010 | 32 |
| Jan 27, 2023 | - | $19,381 | -36% | -53% | 75 | $258 | $949,391 | 33 |
| Jan 28, 2023 | - | $29,652 | +53% | -51% | 75 | $395 | $979,043 | 34 |
| Jan 29, 2023 | - | $21,646 | -27% | -51% | 75 | $289 | $1,000,689 | 35 |
| Jan 30, 2023 | - | $5,412 | -75% | -68% | 75 | $72 | $1,006,101 | 36 |
| Jan 31, 2023 | - | $7,522 | +39% | -68% | 75 | $100 | $1,013,623 | 37 |
| Feb 1, 2023 | - | $6,619 | -12% | -65% | 75 | $88 | $1,020,242 | 38 |
| Feb 2, 2023 | - | $6,355 | -4% | -79% | 75 | $85 | $1,026,597 | 39 |
| Feb 3, 2023 | - | $3,431 | -46% | -82% | 32 | $107 | $1,030,028 | 40 |
| Feb 4, 2023 | - | $6,245 | +82% | -79% | 32 | $195 | $1,036,273 | 41 |
| Feb 5, 2023 | - | $4,622 | -26% | -79% | 32 | $144 | $1,040,895 | 42 |
| Feb 6, 2023 | - | $1,433 | -69% | -74% | 32 | $45 | $1,042,328 | 43 |
| Feb 7, 2023 | - | $2,120 | +48% | -72% | 32 | $66 | $1,044,448 | 44 |
| Feb 8, 2023 | - | $636 | -70% | -90% | 32 | $20 | $1,045,084 | 45 |
| Feb 9, 2023 | - | $1,814 | +185% | -71% | 32 | $57 | $1,046,898 | 46 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 23, 2022 | 27 | $25,271 | 3 | $8,424 | $25,271 | 1 | |
| Dec 30, 2022 | 23 | $48,956 | +94% | 4 | $12,239 | $74,227 | 2 |
| Jan 6, 2023 | 17 | $111,026 | +127% | 17 | $6,531 | $185,253 | 3 |
| Jan 13, 2023 | 14 | $509,626 | +359% | 271 | $1,881 | $694,879 | 4 |
| Jan 20, 2023 | 18 | $235,131 | -54% | 206 | $1,141 | $930,010 | 5 |
| Jan 27, 2023 | 25 | $96,587 | -59% | 75 | $1,288 | $1,026,597 | 6 |
| Feb 3, 2023 | 38 | $20,301 | -79% | 32 | $634 | $1,046,898 | 7 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 3/30/2023 | $34,705 | 42 | 42 | 164 | $261,038 | 7/31/2023 | |||
| Finland | 12/23/2022 | $2,576 | 15 | 26 | 80 | $62,972 | 1/23/2023 | |||
| Italy | 10/13/2022 | $73,510 | 0 | 0 | 0 | $166,101 | 10/24/2022 | |||
| Netherlands | 1/12/2023 | $82,298 | 45 | 50 | 228 | $319,118 | 2/18/2023 | |||
| New Zealand | 3/9/2023 | $7,863 | 32 | 32 | 58 | $24,212 | 5/15/2023 | |||
| Portugal | 1/5/2023 | $11,330 | 17 | 17 | 38 | $26,127 | 1/31/2023 | |||
| South Korea | 6/8/2022 | $4,118,091 | 1,546 | 1,546 | 2,988 | $9,590,301 | 8/3/2022 | |||
| Spain | 12/23/2022 | $31,913 | 63 | 64 | 209 | $212,707 | 2/16/2023 | |||
| Turkey | 10/28/2022 | $2,961 | 26 | 26 | 39 | $6,273 | 11/10/2022 | |||
| United Kingdom | 2/24/2023 | $179,424 | 71 | 122 | 300 | $607,017 | 3/22/2023 | |||
| International Total | $11,275,866 | 7/31/2023 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Dong-won Gang | ||
| Song Kang-ho | ||
| Ji Eun Lee (이지은) | ||
| Joo-Young Lee | ||
| Doona Bae |
Production and Technical Credits
| Hirokazu Kore-eda | Director | |
| Hirokazu Kore-eda | Screenwriter | |
| Eugene Lee | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
The film follows two brokers who sell orphaned infants, circumventing the bureaucracy of legal adoption, to affluent couples who can’t have children of their own. After an infant’s mother surprises the duo by returning to ensure her child finds a good home, the three embark on a journey to find the right couple, building an unlikely family of their own.
Metrics
| Opening Weekend: | $28,482 (2.7% of total gross) |
| Legs: | 3.32 (domestic box office/biggest weekend) |
| Domestic Share: | 8.5% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/271 max. theaters, 2.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,146,426 |
Movie Details
| Domestic Releases: | December 26th, 2022 (Limited) by Neon, released as Broker |
| International Releases: | June 8th, 2022 (Wide) (South Korea)
October 13th, 2022 (Limited), released as Le Buone Stelle (Italy) October 24th, 2022 (Limited), released as Broker (ベイビー・ブローカー) (Japan) October 28th, 2022 (Limited) (Turkey) December 6th, 2022 (Limited), released as Les Bonnes Étoiles (France) ... Show all releases |
| Video Release: | February 21st, 2023 by Decal, released as Broker |
| MPA Rating: | R for some language. (Rating bulletin 2759 (cert #54148), 11/23/2022) |
| Running Time: | 129 minutes |
| Plot point: | Fugitive / On the Run, Orphan, Poverty |
| Social setting: | Human-Trafficking |
| Subgenre: | Life Drama |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Republic of Korea |
| Languages: | Korean |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 30, 2022 | - | $28,482 | 4 | $7,121 | $53,753 | 1 | |
| Jan 6, 2023 | - | $73,706 | +159% | 17 | $4,336 | $147,933 | 2 |
| Jan 13, 2023 | - | $315,763 | +328% | 271 | $1,165 | $501,016 | 3 |
| Jan 20, 2023 | - | $145,605 | -54% | 206 | $707 | $840,484 | 4 |
| Jan 27, 2023 | - | $70,679 | -51% | 75 | $942 | $1,000,689 | 5 |
| Feb 3, 2023 | - | $14,298 | -80% | 32 | $447 | $1,040,895 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Dec 26, 2022 | - | $3,265 | 3 | $1,088 | $3,265 | 1 | ||
| Dec 27, 2022 | - | $1,884 | -42% | 3 | $628 | $5,149 | 2 | |
| Dec 28, 2022 | - | $14,354 | +662% | 3 | $4,785 | $19,503 | 3 | |
| Dec 29, 2022 | - | $5,768 | -60% | 3 | $1,923 | $25,271 | 4 | |
| Dec 30, 2022 | - | $12,941 | +124% | 4 | $3,235 | $38,212 | 5 | |
| Dec 31, 2022 | - | $6,795 | -47% | 4 | $1,699 | $45,007 | 6 | |
| Jan 1, 2023 | - | $8,746 | +29% | 4 | $2,187 | $53,753 | 7 | |
| Jan 2, 2023 | - | $7,905 | -10% | +142% | 4 | $1,976 | $61,658 | 8 |
| Jan 3, 2023 | - | $3,827 | -52% | +103% | 4 | $957 | $65,485 | 9 |
| Jan 4, 2023 | - | $4,573 | +19% | -68% | 4 | $1,143 | $70,058 | 10 |
| Jan 5, 2023 | - | $4,169 | -9% | -28% | 4 | $1,042 | $74,227 | 11 |
| Jan 6, 2023 | - | $22,971 | +451% | +78% | 17 | $1,351 | $97,198 | 12 |
| Jan 7, 2023 | - | $30,194 | +31% | +344% | 17 | $1,776 | $127,392 | 13 |
| Jan 8, 2023 | - | $20,541 | -32% | +135% | 17 | $1,208 | $147,933 | 14 |
| Jan 9, 2023 | - | $8,867 | -57% | +12% | 17 | $522 | $156,800 | 15 |
| Jan 10, 2023 | - | $9,088 | +2% | +137% | 17 | $535 | $165,888 | 16 |
| Jan 11, 2023 | - | $10,527 | +16% | +130% | 17 | $619 | $176,415 | 17 |
| Jan 12, 2023 | - | $8,838 | -16% | +112% | 17 | $520 | $185,253 | 18 |
| Jan 13, 2023 | - | $85,895 | +872% | +274% | 271 | $317 | $271,148 | 19 |
| Jan 14, 2023 | - | $119,991 | +40% | +297% | 271 | $443 | $391,139 | 20 |
| Jan 15, 2023 | - | $109,877 | -8% | +435% | 271 | $405 | $501,016 | 21 |
| Jan 16, 2023 | - | $74,716 | -32% | +743% | 271 | $276 | $575,732 | 22 |
| Jan 17, 2023 | - | $44,083 | -41% | +385% | 271 | $163 | $619,815 | 23 |
| Jan 18, 2023 | - | $37,911 | -14% | +260% | 271 | $140 | $657,726 | 24 |
| Jan 19, 2023 | - | $37,153 | -2% | +320% | 271 | $137 | $694,879 | 25 |
| Jan 20, 2023 | - | $40,868 | +10% | -52% | 206 | $198 | $735,747 | 26 |
| Jan 21, 2023 | - | $60,894 | +49% | -49% | 206 | $296 | $796,641 | 27 |
| Jan 22, 2023 | - | $43,843 | -28% | -60% | 206 | $213 | $840,484 | 28 |
| Jan 23, 2023 | - | $16,660 | -62% | -78% | 206 | $81 | $857,144 | 29 |
| Jan 24, 2023 | - | $23,658 | +42% | -46% | 206 | $115 | $880,802 | 30 |
| Jan 25, 2023 | - | $18,926 | -20% | -50% | 206 | $92 | $899,728 | 31 |
| Jan 26, 2023 | - | $30,282 | +60% | -18% | 206 | $147 | $930,010 | 32 |
| Jan 27, 2023 | - | $19,381 | -36% | -53% | 75 | $258 | $949,391 | 33 |
| Jan 28, 2023 | - | $29,652 | +53% | -51% | 75 | $395 | $979,043 | 34 |
| Jan 29, 2023 | - | $21,646 | -27% | -51% | 75 | $289 | $1,000,689 | 35 |
| Jan 30, 2023 | - | $5,412 | -75% | -68% | 75 | $72 | $1,006,101 | 36 |
| Jan 31, 2023 | - | $7,522 | +39% | -68% | 75 | $100 | $1,013,623 | 37 |
| Feb 1, 2023 | - | $6,619 | -12% | -65% | 75 | $88 | $1,020,242 | 38 |
| Feb 2, 2023 | - | $6,355 | -4% | -79% | 75 | $85 | $1,026,597 | 39 |
| Feb 3, 2023 | - | $3,431 | -46% | -82% | 32 | $107 | $1,030,028 | 40 |
| Feb 4, 2023 | - | $6,245 | +82% | -79% | 32 | $195 | $1,036,273 | 41 |
| Feb 5, 2023 | - | $4,622 | -26% | -79% | 32 | $144 | $1,040,895 | 42 |
| Feb 6, 2023 | - | $1,433 | -69% | -74% | 32 | $45 | $1,042,328 | 43 |
| Feb 7, 2023 | - | $2,120 | +48% | -72% | 32 | $66 | $1,044,448 | 44 |
| Feb 8, 2023 | - | $636 | -70% | -90% | 32 | $20 | $1,045,084 | 45 |
| Feb 9, 2023 | - | $1,814 | +185% | -71% | 32 | $57 | $1,046,898 | 46 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 23, 2022 | 27 | $25,271 | 3 | $8,424 | $25,271 | 1 | |
| Dec 30, 2022 | 23 | $48,956 | +94% | 4 | $12,239 | $74,227 | 2 |
| Jan 6, 2023 | 17 | $111,026 | +127% | 17 | $6,531 | $185,253 | 3 |
| Jan 13, 2023 | 14 | $509,626 | +359% | 271 | $1,881 | $694,879 | 4 |
| Jan 20, 2023 | 18 | $235,131 | -54% | 206 | $1,141 | $930,010 | 5 |
| Jan 27, 2023 | 25 | $96,587 | -59% | 75 | $1,288 | $1,026,597 | 6 |
| Feb 3, 2023 | 38 | $20,301 | -79% | 32 | $634 | $1,046,898 | 7 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 3/30/2023 | $34,705 | 42 | 42 | 164 | $261,038 | 7/31/2023 | |||
| Finland | 12/23/2022 | $2,576 | 15 | 26 | 80 | $62,972 | 1/23/2023 | |||
| Italy | 10/13/2022 | $73,510 | 0 | 0 | 0 | $166,101 | 10/24/2022 | |||
| Netherlands | 1/12/2023 | $82,298 | 45 | 50 | 228 | $319,118 | 2/18/2023 | |||
| New Zealand | 3/9/2023 | $7,863 | 32 | 32 | 58 | $24,212 | 5/15/2023 | |||
| Portugal | 1/5/2023 | $11,330 | 17 | 17 | 38 | $26,127 | 1/31/2023 | |||
| South Korea | 6/8/2022 | $4,118,091 | 1,546 | 1,546 | 2,988 | $9,590,301 | 8/3/2022 | |||
| Spain | 12/23/2022 | $31,913 | 63 | 64 | 209 | $212,707 | 2/16/2023 | |||
| Turkey | 10/28/2022 | $2,961 | 26 | 26 | 39 | $6,273 | 11/10/2022 | |||
| United Kingdom | 2/24/2023 | $179,424 | 71 | 122 | 300 | $607,017 | 3/22/2023 | |||
| International Total | $11,275,866 | 7/31/2023 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Dong-won Gang | ||
| Song Kang-ho | ||
| Ji Eun Lee (이지은) | ||
| Joo-Young Lee | ||
| Doona Bae |
Production and Technical Credits
| Hirokazu Kore-eda | Director | |
| Hirokazu Kore-eda | Screenwriter | |
| Eugene Lee | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.