Il capitale umano (2015)
| Theatrical Performance | ||
| Domestic Box Office | $158,549 | Details |
| International Box Office | $688,371 | Details |
| Worldwide Box Office | $846,920 | |
| OpusData ID: 221490100 More info... | ||
| Further financial details... | ||
Synopsis
Human Capital begins at the end, as a cyclist is run off the road by a careening SUV the night before Christmas Eve. As details emerge of the events leading up to the accident, the lives of the well-to-do Bernaschi family, privileged and detached, will intertwine with the Ossolas, struggling to keep their comfortable middle-class life, in ways neither could have expected. Dino Ossola, in dire financial straits, anticipates the birth of twins with his second wife. Meanwhile, Dino’s teenage daughter’s relationship with hedge-fund manager Giovanni Bernaschi’s playboy son complicates an already tricky social dance of status, money and ambition.
Metrics
| Legs: | 13.57 (domestic box office/biggest weekend) |
| Domestic Share: | 18.7% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $224,944 |
Movie Details
| Domestic Releases: | January 14th, 2015 (Limited) by Film Movement, released as Human Capital |
| International Releases: | January 23rd, 2015 (Wide) (Netherlands)
April 10th, 2015 (Wide) (Spain) July 24th, 2015 (Wide) (Mexico) August 13th, 2015 (Wide) (Argentina) November 12th, 2015 (Wide) (Brazil) ... Show all releases |
| Video Release: | July 7th, 2015 by Film Movement Video, released as Human Capital |
| MPA Rating: | Not Rated |
| Running Time: | 110 minutes |
| Cast, crew, or production detail: | Intertitle |
| Plot point: | Accidental Death, Addiction, Dysfunctional Family, Hit and Run, Narcotics, Non-Chronological, Real Estate Agent, Step-Family, Suicide Attempt |
| Social setting: | Christmas |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Indiana Production Company, RAI Cinema, Manny Films, Motorino Amaranto |
| Production Countries: | Italy, France |
| Languages: | Italian, English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 30, 2015 | 70 | $6,532 | 3 | $2,177 | $57,239 | 3 | |
| Feb 6, 2015 | 82 | $4,157 | -36% | 4 | $1,039 | $66,972 | 4 |
| Feb 13, 2015 | 74 | $7,501 | +80% | 8 | $938 | $74,473 | 5 |
| Feb 20, 2015 | 64 | $11,687 | +56% | 10 | $1,169 | $90,283 | 6 |
| Feb 27, 2015 | 73 | $8,449 | -28% | 11 | $768 | $103,345 | 7 |
| Mar 13, 2015 | 80 | $3,206 | 3 | $1,069 | $133,277 | 9 | |
| Mar 20, 2015 | 71 | $7,060 | +120% | 5 | $1,412 | $140,337 | 10 |
| Mar 27, 2015 | 76 | $4,008 | -43% | 4 | $1,002 | $146,984 | 11 |
| Apr 3, 2015 | 79 | $2,278 | -43% | 3 | $759 | $152,543 | 12 |
| Apr 10, 2015 | 88 | $1,702 | -25% | 1 | $1,702 | $157,336 | 13 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 9, 2015 | 80 | $2,715 | 2 | $1,358 | $2,715 | 1 | |
| Jan 16, 2015 | 60 | $28,470 | +949% | 6 | $4,745 | $31,135 | 2 |
| Jan 23, 2015 | 63 | $18,850 | -34% | 6 | $3,142 | $50,707 | 3 |
| Jan 30, 2015 | 66 | $12,108 | -36% | 3 | $4,036 | $62,815 | 4 |
| Feb 6, 2015 | 51 | $62,762 | +418% | 4 | $15,691 | $66,919 | 5 |
| Feb 13, 2015 | 76 | $11,677 | -81% | 8 | $1,460 | $78,596 | 6 |
| Feb 20, 2015 | 70 | $16,039 | +37% | 10 | $1,604 | $95,980 | 7 |
| Feb 27, 2015 | 71 | $22,643 | +41% | 11 | $2,058 | $118,623 | 8 |
| Mar 6, 2015 | 79 | $8,683 | -62% | 7 | $1,240 | $127,306 | 9 |
| Mar 13, 2015 | 86 | $4,431 | -49% | 2 | $2,216 | $131,737 | 10 |
| Mar 20, 2015 | 72 | $9,699 | +119% | 5 | $1,940 | $142,976 | 11 |
| Mar 27, 2015 | 78 | $7,289 | -25% | 4 | $1,822 | $151,232 | 12 |
| Apr 3, 2015 | 82 | $4,402 | -40% | 3 | $1,467 | $155,634 | 13 |
| Apr 10, 2015 | 97 | $2,594 | -41% | 1 | $2,594 | $158,228 | 14 |
| Apr 17, 2015 | 121 | $208 | -92% | 1 | $208 | $158,549 | 15 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 8/13/2015 | $26,171 | 11 | 11 | 42 | $103,228 | 11/24/2018 | |||
| Brazil | 11/12/2015 | $0 | 0 | 2 | 5 | $7,042 | 6/9/2016 | |||
| Hong Kong | 12/10/2015 | $0 | 0 | 1 | 1 | $10,429 | 12/29/2015 | |||
| Mexico | 7/24/2015 | $21,859 | 0 | 0 | 0 | $56,633 | 9/7/2018 | |||
| Netherlands | 1/23/2015 | $36,060 | 21 | 21 | 42 | $90,048 | 11/21/2018 | |||
| Spain | 4/10/2015 | $11,509 | 28 | 54 | 194 | $377,072 | 11/28/2018 | |||
| Uruguay | 11/19/2015 | $0 | 0 | 4 | 20 | $43,919 | 12/31/2018 | |||
| International Total | $688,371 | 12/31/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Valeria Bruni Tedeschi | Carla | |
| Fabrizio Bentivoglio | Dino | |
| Valeria Golino | Roberta | |
| Fabrizio Gifuni | Giovanni | |
| Luigi Lo Cascio | Donato Russomanno | |
| Giovanni Anzaldo | Luca | |
| Matilde Gioli | Serena | |
| Guglielmo Pinelli | Massimiliano | |
| Gigio Alberti | Giampi | |
| Bebo Storti | Inspector |
Production and Technical Credits
| Paolo Virzi | Director | |
| Paolo Virzi | Screenwriter | |
| Francesco Bruni | Screenwriter | |
| Francesco Piccolo | Screenwriter | |
| Fabrizio Donvito | Producer | |
| Marco Cohen | Producer | |
| Benedetto Habib | Producer | |
| Lorenzo Gangarossa | Associate Producer | |
| Philippe Gompel | Co-Producer | |
| Birgit Kemner | Co-Producer | |
| Jerome Almeras | Director of Photography | |
| Cecilia Zanuso | Editor | |
| Carlo Virzi | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Human Capital begins at the end, as a cyclist is run off the road by a careening SUV the night before Christmas Eve. As details emerge of the events leading up to the accident, the lives of the well-to-do Bernaschi family, privileged and detached, will intertwine with the Ossolas, struggling to keep their comfortable middle-class life, in ways neither could have expected. Dino Ossola, in dire financial straits, anticipates the birth of twins with his second wife. Meanwhile, Dino’s teenage daughter’s relationship with hedge-fund manager Giovanni Bernaschi’s playboy son complicates an already tricky social dance of status, money and ambition.
Metrics
| Legs: | 13.57 (domestic box office/biggest weekend) |
| Domestic Share: | 18.7% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $224,944 |
Movie Details
| Domestic Releases: | January 14th, 2015 (Limited) by Film Movement, released as Human Capital |
| International Releases: | January 23rd, 2015 (Wide) (Netherlands)
April 10th, 2015 (Wide) (Spain) July 24th, 2015 (Wide) (Mexico) August 13th, 2015 (Wide) (Argentina) November 12th, 2015 (Wide) (Brazil) ... Show all releases |
| Video Release: | July 7th, 2015 by Film Movement Video, released as Human Capital |
| MPA Rating: | Not Rated |
| Running Time: | 110 minutes |
| Cast, crew, or production detail: | Intertitle |
| Plot point: | Accidental Death, Addiction, Dysfunctional Family, Hit and Run, Narcotics, Non-Chronological, Real Estate Agent, Step-Family, Suicide Attempt |
| Social setting: | Christmas |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Indiana Production Company, RAI Cinema, Manny Films, Motorino Amaranto |
| Production Countries: | Italy, France |
| Languages: | Italian, English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 30, 2015 | 70 | $6,532 | 3 | $2,177 | $57,239 | 3 | |
| Feb 6, 2015 | 82 | $4,157 | -36% | 4 | $1,039 | $66,972 | 4 |
| Feb 13, 2015 | 74 | $7,501 | +80% | 8 | $938 | $74,473 | 5 |
| Feb 20, 2015 | 64 | $11,687 | +56% | 10 | $1,169 | $90,283 | 6 |
| Feb 27, 2015 | 73 | $8,449 | -28% | 11 | $768 | $103,345 | 7 |
| Mar 13, 2015 | 80 | $3,206 | 3 | $1,069 | $133,277 | 9 | |
| Mar 20, 2015 | 71 | $7,060 | +120% | 5 | $1,412 | $140,337 | 10 |
| Mar 27, 2015 | 76 | $4,008 | -43% | 4 | $1,002 | $146,984 | 11 |
| Apr 3, 2015 | 79 | $2,278 | -43% | 3 | $759 | $152,543 | 12 |
| Apr 10, 2015 | 88 | $1,702 | -25% | 1 | $1,702 | $157,336 | 13 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 9, 2015 | 80 | $2,715 | 2 | $1,358 | $2,715 | 1 | |
| Jan 16, 2015 | 60 | $28,470 | +949% | 6 | $4,745 | $31,135 | 2 |
| Jan 23, 2015 | 63 | $18,850 | -34% | 6 | $3,142 | $50,707 | 3 |
| Jan 30, 2015 | 66 | $12,108 | -36% | 3 | $4,036 | $62,815 | 4 |
| Feb 6, 2015 | 51 | $62,762 | +418% | 4 | $15,691 | $66,919 | 5 |
| Feb 13, 2015 | 76 | $11,677 | -81% | 8 | $1,460 | $78,596 | 6 |
| Feb 20, 2015 | 70 | $16,039 | +37% | 10 | $1,604 | $95,980 | 7 |
| Feb 27, 2015 | 71 | $22,643 | +41% | 11 | $2,058 | $118,623 | 8 |
| Mar 6, 2015 | 79 | $8,683 | -62% | 7 | $1,240 | $127,306 | 9 |
| Mar 13, 2015 | 86 | $4,431 | -49% | 2 | $2,216 | $131,737 | 10 |
| Mar 20, 2015 | 72 | $9,699 | +119% | 5 | $1,940 | $142,976 | 11 |
| Mar 27, 2015 | 78 | $7,289 | -25% | 4 | $1,822 | $151,232 | 12 |
| Apr 3, 2015 | 82 | $4,402 | -40% | 3 | $1,467 | $155,634 | 13 |
| Apr 10, 2015 | 97 | $2,594 | -41% | 1 | $2,594 | $158,228 | 14 |
| Apr 17, 2015 | 121 | $208 | -92% | 1 | $208 | $158,549 | 15 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 8/13/2015 | $26,171 | 11 | 11 | 42 | $103,228 | 11/24/2018 | |||
| Brazil | 11/12/2015 | $0 | 0 | 2 | 5 | $7,042 | 6/9/2016 | |||
| Hong Kong | 12/10/2015 | $0 | 0 | 1 | 1 | $10,429 | 12/29/2015 | |||
| Mexico | 7/24/2015 | $21,859 | 0 | 0 | 0 | $56,633 | 9/7/2018 | |||
| Netherlands | 1/23/2015 | $36,060 | 21 | 21 | 42 | $90,048 | 11/21/2018 | |||
| Spain | 4/10/2015 | $11,509 | 28 | 54 | 194 | $377,072 | 11/28/2018 | |||
| Uruguay | 11/19/2015 | $0 | 0 | 4 | 20 | $43,919 | 12/31/2018 | |||
| International Total | $688,371 | 12/31/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Valeria Bruni Tedeschi | Carla | |
| Fabrizio Bentivoglio | Dino | |
| Valeria Golino | Roberta | |
| Fabrizio Gifuni | Giovanni | |
| Luigi Lo Cascio | Donato Russomanno | |
| Giovanni Anzaldo | Luca | |
| Matilde Gioli | Serena | |
| Guglielmo Pinelli | Massimiliano | |
| Gigio Alberti | Giampi | |
| Bebo Storti | Inspector |
Production and Technical Credits
| Paolo Virzi | Director | |
| Paolo Virzi | Screenwriter | |
| Francesco Bruni | Screenwriter | |
| Francesco Piccolo | Screenwriter | |
| Fabrizio Donvito | Producer | |
| Marco Cohen | Producer | |
| Benedetto Habib | Producer | |
| Lorenzo Gangarossa | Associate Producer | |
| Philippe Gompel | Co-Producer | |
| Birgit Kemner | Co-Producer | |
| Jerome Almeras | Director of Photography | |
| Cecilia Zanuso | Editor | |
| Carlo Virzi | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.