La dame dans l’auto avec des lunettes et un fusil (2015)
| Theatrical Performance | ||
| Domestic Box Office | $2,167 | Details |
| International Box Office | $326,609 | Details |
| Worldwide Box Office | $328,776 | |
| OpusData ID: 247190100 More info... | ||
| Further financial details... | ||
Synopsis
A beautiful secretary steals her boss’ sports car to go joyriding in this stylish psychological thriller. She goes to visit a seaside town she swears she’s never been to, but everyone knows her name. And when a body turns up in the truck of the car, she is suddenly the lead suspect in a murder she knows nothing about. Is she going crazy?
Metrics
| Opening Weekend: | $297 (13.7% of total gross) |
| Legs: | 3.15 (domestic box office/biggest weekend) |
| Domestic Share: | 0.7% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/2 max. theaters, 3.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $3,062 |
Movie Details
| Domestic Releases: | December 18th, 2015 (Limited) by Magnolia Pictures, released as The Lady in the Car With Glasses and A Gun |
| International Releases: | August 7th, 2015 (Wide) (France)
October 23rd, 2015 (Wide) (Russia (CIS)) |
| Video Release: | December 18th, 2015 by Magnolia Home Entertainment, released as The Lady in the Car With Glasses and A Gun |
| MPA Rating: | Not Rated |
| Running Time: | 91 minutes |
| Cast, crew, or production detail: | Split Screen, Voiceover/Narration |
| Geographical setting: | France |
| Plot point: | Blackmail, Body in a Trunk, Faulty Memory, Framed, Infidelity, Joyride, Non-Chronological, Surprise Twist |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Social setting: | Film Noir |
| Time period setting: | 1970s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Waiting for Cinema, Aliceleo Cinema, Waiting for K, Versus Productions, Wild Bunch, France 2 Cinema, BNP Paribas Film Fund, RTBF, VOO ET BETV, France Television, Canal Plus, OCS., JMH , O’Brother Distribution, Wallonie , Tax Shelter of the Belgian Government, Inver Invest, CNC, Region Provence Alpes, Cote d'Azur, Centre Du Cinema Et L'Audiovisuel De La Federation Wallonie Bruxelles |
| Production Countries: | France, Belgium |
| Languages: | French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 18, 2015 | 82 | $297 | 2 | $149 | $297 | 1 | |
| Dec 25, 2015 | 63 | $688 | +132% | 2 | $344 | $1,086 | 2 |
| Jan 1, 2016 | 78 | $157 | -77% | 1 | $157 | $1,901 | 3 |
| Jan 8, 2016 | 86 | $64 | -59% | 1 | $64 | $2,033 | 4 |
| Jan 15, 2016 | 81 | $84 | +31% | 1 | $84 | $2,129 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 18, 2015 | 77 | $398 | 2 | $199 | $398 | 1 | |
| Dec 25, 2015 | 70 | $1,346 | +238% | 2 | $673 | $1,744 | 2 |
| Jan 1, 2016 | 82 | $225 | -83% | 1 | $225 | $1,969 | 3 |
| Jan 8, 2016 | 89 | $76 | -66% | 1 | $76 | $2,045 | 4 |
| Jan 15, 2016 | 82 | $122 | +61% | 1 | $122 | $2,167 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| France | 8/7/2015 | $282,794 | 0 | 0 | 0 | $292,889 | 8/21/2018 | |||
| Russia (CIS) | 10/23/2015 | $16,566 | 60 | 60 | 138 | $33,720 | 11/20/2018 | |||
| International Total | $326,609 | 11/20/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Freya Mavor | Dany |
Supporting
| Benjamin Biolay | Michel Caravaille | |
| Elio Germano | Young Man with Dark Eyes | |
| Stacy Martin | Anita | |
| Thierry Hancisse | Mechanic | |
| Sandrine Laroche | Mechanic's Wife | |
| Fred Etherlinck | Man at Gas Station 1 | |
| Alain Bellot | Man at Gas Station 2 | |
| Edouard Giard | Truck Driver with Bunch of Violets | |
| Francois Dominique Blin | Truck Driver at Transport Cafe | |
| Noémie Morales | Sylvie Caravaille |
Production and Technical Credits
| Joann Sfar | Director | |
| Sebastien Japrisot | Based on the novel by | |
| Gilles Marchand | Screenwriter | |
| Patrick Godeau | Screenwriter | |
| Patrick Godeau | Producer | |
| Karen Monluc | Producer | |
| Manu Dacosse | Director of Photography | |
| Agnes Olier | Composer | |
| Pierre Queffelean | Production Designer | |
| Christophe Pinel | Editor | |
| Pascaline Chavanne | Costume Designer | |
| Pascal Jasmes | Sound Mixer | |
| Manu De Boissieu | Sound Mixer | |
| Yann Cuinet | Assistant Director | |
| Frederic Sauvagnac | Production Manager | |
| Valerie Lindon | Music Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A beautiful secretary steals her boss’ sports car to go joyriding in this stylish psychological thriller. She goes to visit a seaside town she swears she’s never been to, but everyone knows her name. And when a body turns up in the truck of the car, she is suddenly the lead suspect in a murder she knows nothing about. Is she going crazy?
Metrics
| Opening Weekend: | $297 (13.7% of total gross) |
| Legs: | 3.15 (domestic box office/biggest weekend) |
| Domestic Share: | 0.7% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/2 max. theaters, 3.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $3,062 |
Movie Details
| Domestic Releases: | December 18th, 2015 (Limited) by Magnolia Pictures, released as The Lady in the Car With Glasses and A Gun |
| International Releases: | August 7th, 2015 (Wide) (France)
October 23rd, 2015 (Wide) (Russia (CIS)) |
| Video Release: | December 18th, 2015 by Magnolia Home Entertainment, released as The Lady in the Car With Glasses and A Gun |
| MPA Rating: | Not Rated |
| Running Time: | 91 minutes |
| Cast, crew, or production detail: | Split Screen, Voiceover/Narration |
| Geographical setting: | France |
| Plot point: | Blackmail, Body in a Trunk, Faulty Memory, Framed, Infidelity, Joyride, Non-Chronological, Surprise Twist |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Social setting: | Film Noir |
| Time period setting: | 1970s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Waiting for Cinema, Aliceleo Cinema, Waiting for K, Versus Productions, Wild Bunch, France 2 Cinema, BNP Paribas Film Fund, RTBF, VOO ET BETV, France Television, Canal Plus, OCS., JMH , O’Brother Distribution, Wallonie , Tax Shelter of the Belgian Government, Inver Invest, CNC, Region Provence Alpes, Cote d'Azur, Centre Du Cinema Et L'Audiovisuel De La Federation Wallonie Bruxelles |
| Production Countries: | France, Belgium |
| Languages: | French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 18, 2015 | 82 | $297 | 2 | $149 | $297 | 1 | |
| Dec 25, 2015 | 63 | $688 | +132% | 2 | $344 | $1,086 | 2 |
| Jan 1, 2016 | 78 | $157 | -77% | 1 | $157 | $1,901 | 3 |
| Jan 8, 2016 | 86 | $64 | -59% | 1 | $64 | $2,033 | 4 |
| Jan 15, 2016 | 81 | $84 | +31% | 1 | $84 | $2,129 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 18, 2015 | 77 | $398 | 2 | $199 | $398 | 1 | |
| Dec 25, 2015 | 70 | $1,346 | +238% | 2 | $673 | $1,744 | 2 |
| Jan 1, 2016 | 82 | $225 | -83% | 1 | $225 | $1,969 | 3 |
| Jan 8, 2016 | 89 | $76 | -66% | 1 | $76 | $2,045 | 4 |
| Jan 15, 2016 | 82 | $122 | +61% | 1 | $122 | $2,167 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| France | 8/7/2015 | $282,794 | 0 | 0 | 0 | $292,889 | 8/21/2018 | |||
| Russia (CIS) | 10/23/2015 | $16,566 | 60 | 60 | 138 | $33,720 | 11/20/2018 | |||
| International Total | $326,609 | 11/20/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Freya Mavor | Dany |
Supporting
| Benjamin Biolay | Michel Caravaille | |
| Elio Germano | Young Man with Dark Eyes | |
| Stacy Martin | Anita | |
| Thierry Hancisse | Mechanic | |
| Sandrine Laroche | Mechanic's Wife | |
| Fred Etherlinck | Man at Gas Station 1 | |
| Alain Bellot | Man at Gas Station 2 | |
| Edouard Giard | Truck Driver with Bunch of Violets | |
| Francois Dominique Blin | Truck Driver at Transport Cafe | |
| Noémie Morales | Sylvie Caravaille |
Production and Technical Credits
| Joann Sfar | Director | |
| Sebastien Japrisot | Based on the novel by | |
| Gilles Marchand | Screenwriter | |
| Patrick Godeau | Screenwriter | |
| Patrick Godeau | Producer | |
| Karen Monluc | Producer | |
| Manu Dacosse | Director of Photography | |
| Agnes Olier | Composer | |
| Pierre Queffelean | Production Designer | |
| Christophe Pinel | Editor | |
| Pascaline Chavanne | Costume Designer | |
| Pascal Jasmes | Sound Mixer | |
| Manu De Boissieu | Sound Mixer | |
| Yann Cuinet | Assistant Director | |
| Frederic Sauvagnac | Production Manager | |
| Valerie Lindon | Music Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.