Die goldenen Jahre (2022)
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| Theatrical Performance | ||
| Domestic Box Office | $17,194 | Details |
| OpusData ID: 565740100 More info... | ||
| Further financial details... | ||
Synopsis
Alice and Peter are celebrating their retirement — and with it, a new phase in their lives. However, shortly after the couple’s retirement party, a sudden tragedy befalls Alice’s best friend Magalie. Peter, sympathetic to the suffering of Magalie’s widower, Heinz, invites him on the retirement cruise their children gave them. Alice had hoped this trip would infuse fresh life into their marriage, but instead of enjoying their time together, they find themselves drifting further apart. Disappointed and hurt, Alice doesn’t reboard the cruise ship during a shore excursion and instead embarks on a journey of self-discovery, taking her across Southern Europe and bringing her into a community of older people finding joy outside traditional notions of gender, marriage, and the later years of one’s life.
Metrics
| Opening Weekend: | $7,195 (41.8% of total gross) |
| Legs: | 2.39 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/4 max. theaters, 4.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $18,179 |
Movie Details
| Domestic Releases: | February 23rd, 2024 (Limited) by Music Box Films, released as Golden Years |
| International Releases: | November 17th, 2022 (Wide) (Germany) |
| Running Time: | 92 minutes |
| Subgenre: | Comedy Drama |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Beta Cinema, Zodiac Pictures, Claussen, Putz Filmproduktion, Schweizer Radio und Fernsehen, SRG, SSR, ZDF, Blue+ |
| Production Countries: | Switzerland, Germany |
| Languages: | Swiss German |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 23, 2024 | - | $7,195 | 4 | $1,799 | $7,195 | 1 | |
| Mar 1, 2024 | - | $615 | -91% | 1 | $615 | $8,975 | 2 |
| Mar 8, 2024 | - | $204 | -67% | 1 | $204 | $9,179 | 3 |
| Mar 15, 2024 | - | $685 | +236% | 3 | $228 | $9,864 | 4 |
| Mar 22, 2024 | - | $619 | -10% | 1 | $619 | $10,801 | 5 |
| Apr 5, 2024 | - | $1,733 | 3 | $578 | $13,342 | 7 | |
| Apr 12, 2024 | - | $768 | -56% | 2 | $384 | $14,481 | 8 |
| Apr 19, 2024 | - | $488 | -36% | 2 | $244 | $15,042 | 9 |
| May 3, 2024 | - | $360 | 1 | $360 | $16,056 | 11 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 23, 2024 | 52 | $8,360 | 4 | $2,090 | $8,360 | 1 | |
| Mar 1, 2024 | 64 | $615 | -93% | 1 | $615 | $8,975 | 2 |
| Mar 8, 2024 | 69 | $204 | -67% | 1 | $204 | $9,179 | 3 |
| Mar 15, 2024 | 61 | $1,003 | +392% | 3 | $334 | $10,182 | 4 |
| Mar 22, 2024 | 66 | $817 | -19% | 1 | $817 | $10,999 | 5 |
| Mar 29, 2024 | 71 | $610 | -25% | 1 | $610 | $11,609 | 6 |
| Apr 5, 2024 | 53 | $2,104 | +245% | 3 | $701 | $13,713 | 7 |
| Apr 12, 2024 | 62 | $841 | -60% | 2 | $421 | $14,554 | 8 |
| Apr 19, 2024 | 66 | $735 | -13% | 2 | $368 | $15,289 | 9 |
| Apr 26, 2024 | 64 | $407 | -45% | 2 | $204 | $15,696 | 10 |
| May 3, 2024 | 67 | $650 | +60% | 1 | $650 | $16,346 | 11 |
| May 17, 2024 | 65 | $269 | 1 | $269 | $16,615 | 13 | |
| May 24, 2024 | 62 | $193 | -28% | 1 | $193 | $16,808 | 14 |
| Jul 5, 2024 | 58 | $386 | 1 | $386 | $17,194 | 20 |
Leading
| Esther Gemsch | Alice | |
| Stefan Kurt | Peter |
Supporting
| Ueli Jäggi | Heinz | |
| Gundi Ellert | Michi | |
| Isabelle Barth | Susanne | |
| Martin Vischer | Julian | |
| Teresa Harder | Ingrid | |
| Andre Jung | Josef | |
| Elvira Plüss | Magalie | |
| Monica Budde | Claude |
Production and Technical Credits
| Barbara Kulcsar | Director | |
| Petra Volpe | Screenwriter | |
| Lukas Hobi | Producer | |
| Reto Schaerli | Producer | |
| Jakob Claussen | Co-Producer | |
| Uli Putz | Co-Producer | |
| Tobias Dengler | Director of Photography | |
| Mirjam Zimmermann | Set Designer | |
| Linda Harper | Costume Designer | |
| Wolfgang Weigl | Editor | |
| Corinna Glaus | Casting Director | |
| Nora Leibundgut | Casting Director | |
| Carsten Meyer | Composer | |
| Manu Gerber | Sound Designer | |
| Sarah Bossard | Production Manager |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Alice and Peter are celebrating their retirement — and with it, a new phase in their lives. However, shortly after the couple’s retirement party, a sudden tragedy befalls Alice’s best friend Magalie. Peter, sympathetic to the suffering of Magalie’s widower, Heinz, invites him on the retirement cruise their children gave them. Alice had hoped this trip would infuse fresh life into their marriage, but instead of enjoying their time together, they find themselves drifting further apart. Disappointed and hurt, Alice doesn’t reboard the cruise ship during a shore excursion and instead embarks on a journey of self-discovery, taking her across Southern Europe and bringing her into a community of older people finding joy outside traditional notions of gender, marriage, and the later years of one’s life.
Metrics
| Opening Weekend: | $7,195 (41.8% of total gross) |
| Legs: | 2.39 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/4 max. theaters, 4.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $18,179 |
Movie Details
| Domestic Releases: | February 23rd, 2024 (Limited) by Music Box Films, released as Golden Years |
| International Releases: | November 17th, 2022 (Wide) (Germany) |
| Running Time: | 92 minutes |
| Subgenre: | Comedy Drama |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Beta Cinema, Zodiac Pictures, Claussen, Putz Filmproduktion, Schweizer Radio und Fernsehen, SRG, SSR, ZDF, Blue+ |
| Production Countries: | Switzerland, Germany |
| Languages: | Swiss German |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 23, 2024 | - | $7,195 | 4 | $1,799 | $7,195 | 1 | |
| Mar 1, 2024 | - | $615 | -91% | 1 | $615 | $8,975 | 2 |
| Mar 8, 2024 | - | $204 | -67% | 1 | $204 | $9,179 | 3 |
| Mar 15, 2024 | - | $685 | +236% | 3 | $228 | $9,864 | 4 |
| Mar 22, 2024 | - | $619 | -10% | 1 | $619 | $10,801 | 5 |
| Apr 5, 2024 | - | $1,733 | 3 | $578 | $13,342 | 7 | |
| Apr 12, 2024 | - | $768 | -56% | 2 | $384 | $14,481 | 8 |
| Apr 19, 2024 | - | $488 | -36% | 2 | $244 | $15,042 | 9 |
| May 3, 2024 | - | $360 | 1 | $360 | $16,056 | 11 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 23, 2024 | 52 | $8,360 | 4 | $2,090 | $8,360 | 1 | |
| Mar 1, 2024 | 64 | $615 | -93% | 1 | $615 | $8,975 | 2 |
| Mar 8, 2024 | 69 | $204 | -67% | 1 | $204 | $9,179 | 3 |
| Mar 15, 2024 | 61 | $1,003 | +392% | 3 | $334 | $10,182 | 4 |
| Mar 22, 2024 | 66 | $817 | -19% | 1 | $817 | $10,999 | 5 |
| Mar 29, 2024 | 71 | $610 | -25% | 1 | $610 | $11,609 | 6 |
| Apr 5, 2024 | 53 | $2,104 | +245% | 3 | $701 | $13,713 | 7 |
| Apr 12, 2024 | 62 | $841 | -60% | 2 | $421 | $14,554 | 8 |
| Apr 19, 2024 | 66 | $735 | -13% | 2 | $368 | $15,289 | 9 |
| Apr 26, 2024 | 64 | $407 | -45% | 2 | $204 | $15,696 | 10 |
| May 3, 2024 | 67 | $650 | +60% | 1 | $650 | $16,346 | 11 |
| May 17, 2024 | 65 | $269 | 1 | $269 | $16,615 | 13 | |
| May 24, 2024 | 62 | $193 | -28% | 1 | $193 | $16,808 | 14 |
| Jul 5, 2024 | 58 | $386 | 1 | $386 | $17,194 | 20 |
Leading
| Esther Gemsch | Alice | |
| Stefan Kurt | Peter |
Supporting
| Ueli Jäggi | Heinz | |
| Gundi Ellert | Michi | |
| Isabelle Barth | Susanne | |
| Martin Vischer | Julian | |
| Teresa Harder | Ingrid | |
| Andre Jung | Josef | |
| Elvira Plüss | Magalie | |
| Monica Budde | Claude |
Production and Technical Credits
| Barbara Kulcsar | Director | |
| Petra Volpe | Screenwriter | |
| Lukas Hobi | Producer | |
| Reto Schaerli | Producer | |
| Jakob Claussen | Co-Producer | |
| Uli Putz | Co-Producer | |
| Tobias Dengler | Director of Photography | |
| Mirjam Zimmermann | Set Designer | |
| Linda Harper | Costume Designer | |
| Wolfgang Weigl | Editor | |
| Corinna Glaus | Casting Director | |
| Nora Leibundgut | Casting Director | |
| Carsten Meyer | Composer | |
| Manu Gerber | Sound Designer | |
| Sarah Bossard | Production Manager |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.