La migiliore offerta (2014)
| Theatrical Performance | ||
| Domestic Box Office | $88,719 | Details |
| International Box Office | $329,286 | Details |
| Worldwide Box Office | $418,005 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $307,873 | |
| Total | $307,873 | |
| OpusData ID: 200020100 More info... | ||
| Further financial details... | ||
Synopsis
A story centered on an eccentric art auctioneer and his obsession with an heiress/collector.
Metrics
| Opening Weekend: | $2,595 (2.9% of total gross) |
| Legs: | 5.88 (domestic box office/biggest weekend) |
| Domestic Share: | 21.2% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/15 max. theaters, 4.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $133,482 |
Movie Details
| Domestic Releases: | January 3rd, 2014 (Limited) by IFC Films, released as The Best Offer |
| International Releases: | June 12th, 2014 (Wide) (South Korea) |
| Video Release: | April 29th, 2014 by Mpi Home Video |
| MPA Rating: | R for some sexuality and graphic nudity. (Rating bulletin 2302, 12/18/2013) |
| Running Time: | 131 minutes |
| Plot point: | Anxiety and Phobias, Artists, Confidence Men, Inheritance, May / December Romance, Romance, Surprise Twist, Unrequited Love |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Paco Cinematografica, Warner Bros Entertainment Italia |
| Production Countries: | Italy |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 3, 2014 | 61 | $2,595 | 1 | $2,595 | $2,595 | 1 | |
| Jan 10, 2014 | 47 | $12,874 | +396% | 6 | $2,146 | $15,469 | 2 |
| Jan 24, 2014 | 46 | $15,078 | 15 | $1,005 | $40,658 | 4 | |
| Jan 31, 2014 | 60 | $7,006 | -54% | 10 | $701 | $56,495 | 5 |
| Feb 7, 2014 | 56 | $4,700 | -33% | 12 | $392 | $67,420 | 6 |
| Feb 14, 2014 | 76 | $1,418 | -70% | 8 | $177 | $72,279 | 7 |
| Feb 21, 2014 | 74 | $3,171 | +124% | 6 | $529 | $77,357 | 8 |
| Feb 28, 2014 | 74 | $3,649 | +15% | 5 | $730 | $82,016 | 9 |
| Mar 7, 2014 | 81 | $5,176 | +42% | 5 | $1,035 | $83,543 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 24, 2014 | 44 | $23,909 | 15 | $1,594 | $49,489 | 4 | |
| Jan 31, 2014 | 53 | $11,729 | -51% | 10 | $1,173 | $62,648 | 5 |
| Feb 7, 2014 | 55 | $8,141 | -31% | 12 | $678 | $70,861 | 6 |
| Feb 14, 2014 | 68 | $3,325 | -59% | 8 | $416 | $74,186 | 7 |
| Feb 21, 2014 | 73 | $4,181 | +26% | 6 | $697 | $78,367 | 8 |
| Mar 7, 2014 | 79 | $4,119 | 3 | $1,373 | $87,662 | 10 | |
| May 9, 2014 | 84 | $5,176 | 5 | $1,035 | $88,719 | 19 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| South Korea | 6/12/2014 | $0 | 0 | 13 | 48 | $329,286 | 8/19/2020 | |||
| International Total | $329,286 | 8/19/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Geoffrey Rush | Virgil Oldman | |
| Jim Sturgess | Robert | |
| Sylvia Hoeks | Claire Ibbetson |
Supporting
| Donald Sutherland | Billy | |
| Philip Jackson | Fred | |
| Dermot Crowley | Lambert |
Production and Technical Credits
| Giuseppe Tornatore | Director | |
| Giuseppe Tornatore | Screenwriter | |
| Isabella Cocuzza | Producer | |
| Arturo Paglia | Producer | |
| Guido De Laurentiis | Line Producer | |
| Massimo Quaglia | Editor | |
| Maurizio Millenotti | Costume Designer | |
| Maurizio Sabatini | Production Designer | |
| Fabio Zamarion | Director of Photography | |
| Reg Poerscout-Edgerton | Casting Director | |
| Ennio Morricone | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A story centered on an eccentric art auctioneer and his obsession with an heiress/collector.
Metrics
| Opening Weekend: | $2,595 (2.9% of total gross) |
| Legs: | 5.88 (domestic box office/biggest weekend) |
| Domestic Share: | 21.2% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/15 max. theaters, 4.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $133,482 |
Movie Details
| Domestic Releases: | January 3rd, 2014 (Limited) by IFC Films, released as The Best Offer |
| International Releases: | June 12th, 2014 (Wide) (South Korea) |
| Video Release: | April 29th, 2014 by Mpi Home Video |
| MPA Rating: | R for some sexuality and graphic nudity. (Rating bulletin 2302, 12/18/2013) |
| Running Time: | 131 minutes |
| Plot point: | Anxiety and Phobias, Artists, Confidence Men, Inheritance, May / December Romance, Romance, Surprise Twist, Unrequited Love |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Paco Cinematografica, Warner Bros Entertainment Italia |
| Production Countries: | Italy |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 3, 2014 | 61 | $2,595 | 1 | $2,595 | $2,595 | 1 | |
| Jan 10, 2014 | 47 | $12,874 | +396% | 6 | $2,146 | $15,469 | 2 |
| Jan 24, 2014 | 46 | $15,078 | 15 | $1,005 | $40,658 | 4 | |
| Jan 31, 2014 | 60 | $7,006 | -54% | 10 | $701 | $56,495 | 5 |
| Feb 7, 2014 | 56 | $4,700 | -33% | 12 | $392 | $67,420 | 6 |
| Feb 14, 2014 | 76 | $1,418 | -70% | 8 | $177 | $72,279 | 7 |
| Feb 21, 2014 | 74 | $3,171 | +124% | 6 | $529 | $77,357 | 8 |
| Feb 28, 2014 | 74 | $3,649 | +15% | 5 | $730 | $82,016 | 9 |
| Mar 7, 2014 | 81 | $5,176 | +42% | 5 | $1,035 | $83,543 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 24, 2014 | 44 | $23,909 | 15 | $1,594 | $49,489 | 4 | |
| Jan 31, 2014 | 53 | $11,729 | -51% | 10 | $1,173 | $62,648 | 5 |
| Feb 7, 2014 | 55 | $8,141 | -31% | 12 | $678 | $70,861 | 6 |
| Feb 14, 2014 | 68 | $3,325 | -59% | 8 | $416 | $74,186 | 7 |
| Feb 21, 2014 | 73 | $4,181 | +26% | 6 | $697 | $78,367 | 8 |
| Mar 7, 2014 | 79 | $4,119 | 3 | $1,373 | $87,662 | 10 | |
| May 9, 2014 | 84 | $5,176 | 5 | $1,035 | $88,719 | 19 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| South Korea | 6/12/2014 | $0 | 0 | 13 | 48 | $329,286 | 8/19/2020 | |||
| International Total | $329,286 | 8/19/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Geoffrey Rush | Virgil Oldman | |
| Jim Sturgess | Robert | |
| Sylvia Hoeks | Claire Ibbetson |
Supporting
| Donald Sutherland | Billy | |
| Philip Jackson | Fred | |
| Dermot Crowley | Lambert |
Production and Technical Credits
| Giuseppe Tornatore | Director | |
| Giuseppe Tornatore | Screenwriter | |
| Isabella Cocuzza | Producer | |
| Arturo Paglia | Producer | |
| Guido De Laurentiis | Line Producer | |
| Massimo Quaglia | Editor | |
| Maurizio Millenotti | Costume Designer | |
| Maurizio Sabatini | Production Designer | |
| Fabio Zamarion | Director of Photography | |
| Reg Poerscout-Edgerton | Casting Director | |
| Ennio Morricone | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.