Un p’tit truc en plus (2024)
| Theatrical Performance | ||
| Domestic Box Office | $28,875 | Details |
| International Box Office | $492,116 | Details |
| Worldwide Box Office | $520,991 | |
| OpusData ID: 668480100 More info... | ||
| Further financial details... | ||
Synopsis
After Paulo and his father flee from the police after a robbery in a coach that takes young adults with disabilities to the mountains, they pretend to be fellow travelers and carers. A special adventure full of challenges, fun, friendships and heart begins.
Metrics
| Opening Weekend: | $16,791 (58.2% of total gross) |
| Legs: | 1.72 (domestic box office/biggest weekend) |
| Domestic Share: | 5.5% (domestic box office/worldwide) |
| Theater counts: | 201 opening theaters/201 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $28,875 |
Movie Details
| Domestic Releases: | April 17th, 2026 (Limited) by Sony Pictures, released as A Little Something Extra |
| International Releases: | May 1st, 2024 (Limited) (France)
August 1st, 2024 (Limited) (Netherlands) September 5th, 2024 (Limited), released as Was ist schon normal? (Germany) October 24th, 2024 (Limited) (Croatia) December 19th, 2024 (Limited), released as Lidt udover det saedvanlige (Denmark) ... Show all releases |
| MPA Rating: | R for language. (Rating bulletin 2926 (cert #55920), 3/4/2026) |
| Running Time: | 99 minutes |
| Plot point: | Disability, False Identity, Fugitive / On the Run, Heist, Satire |
| Social setting: | Summer Camp |
| Subgenre: | Satirical Comedy |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | France |
| Languages: | French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 17, 2026 | - | $16,791 | 201 | $84 | $16,791 | 1 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Apr 17, 2026 | - | $4,859 | 201 | $24 | $4,859 | 1 | |
| Apr 18, 2026 | - | $6,492 | +34% | 201 | $32 | $11,351 | 2 |
| Apr 19, 2026 | - | $5,440 | -16% | 201 | $27 | $16,791 | 3 |
| Apr 20, 2026 | - | $2,982 | -45% | 201 | $15 | $19,773 | 4 |
| Apr 21, 2026 | - | $4,254 | +43% | 201 | $21 | $24,027 | 5 |
| Apr 22, 2026 | - | $3,543 | -17% | 201 | $18 | $27,570 | 6 |
| Apr 23, 2026 | - | $1,305 | -63% | 201 | $6 | $28,875 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 17, 2026 | 36 | $28,875 | 201 | $144 | $28,875 | 1 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 4/3/2025 | $3,991 | 4 | 4 | 0 | $38,786 | 4/4/2026 | |||
| Croatia | 10/24/2024 | $11,753 | 20 | 20 | 41 | $27,079 | 11/22/2024 | |||
| Finland | 12/27/2024 | $9,999 | 31 | 31 | 31 | $18,024 | 4/21/2026 | |||
| Netherlands | 8/1/2024 | $51,439 | 80 | 80 | 347 | $289,622 | 4/4/2026 | |||
| New Zealand | 10/16/2025 | $5,094 | 22 | 22 | 0 | $29,709 | 4/4/2026 | |||
| Portugal | 9/11/2025 | $35,992 | 46 | 6 | 109 | $88,896 | 4/4/2026 | |||
| International Total | $492,116 | 4/21/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Victor Artus Solaro* | Paulo / Sylvain | |
| Clovis Cornillac | Lucien | |
| Alice Belaidi | Alice |
Production and Technical Credits
| Victor Artus Solaro* | Director | |
| Victor Artus Solaro* | Screenwriter | |
| Clément Marchand | Screenwriter | |
| Pierre Forette | Producer | |
| Thierry Wong | Producer | |
| Ludovic Naar | Executive Producer | |
| Jean-Marie Dreujou | Cinematographer | |
| Jean-François Elie | Editor | |
| Thomas Besson | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
After Paulo and his father flee from the police after a robbery in a coach that takes young adults with disabilities to the mountains, they pretend to be fellow travelers and carers. A special adventure full of challenges, fun, friendships and heart begins.
Metrics
| Opening Weekend: | $16,791 (58.2% of total gross) |
| Legs: | 1.72 (domestic box office/biggest weekend) |
| Domestic Share: | 5.5% (domestic box office/worldwide) |
| Theater counts: | 201 opening theaters/201 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $28,875 |
Movie Details
| Domestic Releases: | April 17th, 2026 (Limited) by Sony Pictures, released as A Little Something Extra |
| International Releases: | May 1st, 2024 (Limited) (France)
August 1st, 2024 (Limited) (Netherlands) September 5th, 2024 (Limited), released as Was ist schon normal? (Germany) October 24th, 2024 (Limited) (Croatia) December 19th, 2024 (Limited), released as Lidt udover det saedvanlige (Denmark) ... Show all releases |
| MPA Rating: | R for language. (Rating bulletin 2926 (cert #55920), 3/4/2026) |
| Running Time: | 99 minutes |
| Plot point: | Disability, False Identity, Fugitive / On the Run, Heist, Satire |
| Social setting: | Summer Camp |
| Subgenre: | Satirical Comedy |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | France |
| Languages: | French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 17, 2026 | - | $16,791 | 201 | $84 | $16,791 | 1 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Apr 17, 2026 | - | $4,859 | 201 | $24 | $4,859 | 1 | |
| Apr 18, 2026 | - | $6,492 | +34% | 201 | $32 | $11,351 | 2 |
| Apr 19, 2026 | - | $5,440 | -16% | 201 | $27 | $16,791 | 3 |
| Apr 20, 2026 | - | $2,982 | -45% | 201 | $15 | $19,773 | 4 |
| Apr 21, 2026 | - | $4,254 | +43% | 201 | $21 | $24,027 | 5 |
| Apr 22, 2026 | - | $3,543 | -17% | 201 | $18 | $27,570 | 6 |
| Apr 23, 2026 | - | $1,305 | -63% | 201 | $6 | $28,875 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 17, 2026 | 36 | $28,875 | 201 | $144 | $28,875 | 1 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 4/3/2025 | $3,991 | 4 | 4 | 0 | $38,786 | 4/4/2026 | |||
| Croatia | 10/24/2024 | $11,753 | 20 | 20 | 41 | $27,079 | 11/22/2024 | |||
| Finland | 12/27/2024 | $9,999 | 31 | 31 | 31 | $18,024 | 4/21/2026 | |||
| Netherlands | 8/1/2024 | $51,439 | 80 | 80 | 347 | $289,622 | 4/4/2026 | |||
| New Zealand | 10/16/2025 | $5,094 | 22 | 22 | 0 | $29,709 | 4/4/2026 | |||
| Portugal | 9/11/2025 | $35,992 | 46 | 6 | 109 | $88,896 | 4/4/2026 | |||
| International Total | $492,116 | 4/21/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Victor Artus Solaro* | Paulo / Sylvain | |
| Clovis Cornillac | Lucien | |
| Alice Belaidi | Alice |
Production and Technical Credits
| Victor Artus Solaro* | Director | |
| Victor Artus Solaro* | Screenwriter | |
| Clément Marchand | Screenwriter | |
| Pierre Forette | Producer | |
| Thierry Wong | Producer | |
| Ludovic Naar | Executive Producer | |
| Jean-Marie Dreujou | Cinematographer | |
| Jean-François Elie | Editor | |
| Thomas Besson | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.