Un tango mas (2016)
| Theatrical Performance | ||
| Domestic Box Office | $100,086 | Details |
| International Box Office | $417,565 | Details |
| Worldwide Box Office | $517,651 | |
| OpusData ID: 254260100 More info... | ||
| Further financial details... | ||
Synopsis
A story of love between the two most famous dancers in tango’s history. And the story of their tremendous love of tango. María Nieves Rego and Juan Carlos Copes met when they were 14 and 17, and they danced together for nearly fifty years. In all those years they loved and hated each other and went through several painful separations but always got back together. No other man danced like Juan and no other woman danced like María! Eventually, he left her for good for a woman 20 years younger with whom he fathered two children. Now, at the end of their lives, Juan and María are willing to open up about their love, their hatred, and their passion.
Metrics
| Opening Weekend: | $6,550 (6.5% of total gross) |
| Legs: | 10.63 (domestic box office/biggest weekend) |
| Domestic Share: | 19.3% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/6 max. theaters, 9.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $138,389 |
Movie Details
| Domestic Releases: | April 15th, 2016 (Limited) by Strand Releasing, released as Our Last Tango |
| International Releases: | January 1st, 2016 (Wide) (South Korea)
March 25th, 2016 (Limited), released as Our Last Tango (Australia) April 8th, 2016 (Wide) (Germany) June 3rd, 2016 (Wide) (France) September 9th, 2016 (Limited), released as Our Last Tango (New Zealand) ... Show all releases |
| MPA Rating: | Not Rated |
| Running Time: | 85 minutes |
| Plot point: | Dancing, Romance |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Lailaps Pictures, German Kral Filmproduktion, Monogatari Films, Mateina Producciones, Schubert International, Westdeutscher Rundfunk, Filmfernsehfonds Bayern, Filmforderungsanstalt, Deutscher Filmfoerderfonds, INCAA |
| Production Countries: | Argentina, Germany |
| Languages: | Spanish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 15, 2016 | 67 | $6,550 | 1 | $6,550 | $6,550 | 1 | |
| Apr 22, 2016 | 63 | $9,419 | +44% | 3 | $3,140 | $19,086 | 2 |
| Apr 29, 2016 | 69 | $6,548 | -30% | 5 | $1,310 | $30,915 | 3 |
| May 6, 2016 | 64 | $9,003 | +37% | 6 | $1,501 | $42,921 | 4 |
| May 13, 2016 | 67 | $7,238 | -20% | 6 | $1,206 | $54,440 | 5 |
| May 20, 2016 | 72 | $4,450 | -39% | 5 | $890 | $64,246 | 6 |
| May 27, 2016 | 64 | $3,692 | -17% | 6 | $615 | $71,359 | 7 |
| Jun 3, 2016 | 80 | $930 | -75% | 3 | $310 | $75,142 | 8 |
| Jun 10, 2016 | 91 | $632 | -32% | 1 | $632 | $76,276 | 9 |
| Jun 17, 2016 | 69 | $2,591 | +310% | 3 | $864 | $79,236 | 10 |
| Jun 24, 2016 | 62 | $6,153 | +137% | 6 | $1,026 | $87,857 | 11 |
| Jul 1, 2016 | 66 | $4,200 | -32% | 4 | $1,050 | $95,608 | 12 |
| Jul 15, 2016 | 92 | $470 | 3 | $157 | $98,993 | 14 | |
| Jul 22, 2016 | 88 | $692 | +47% | 3 | $231 | $99,928 | 15 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 15, 2016 | 73 | $9,667 | 1 | $9,667 | $9,667 | 1 | |
| Apr 22, 2016 | 65 | $14,700 | +52% | 3 | $4,900 | $24,367 | 2 |
| Apr 29, 2016 | 79 | $9,551 | -35% | 5 | $1,910 | $33,918 | 3 |
| May 6, 2016 | 71 | $13,284 | +39% | 6 | $2,214 | $47,202 | 4 |
| May 13, 2016 | 71 | $12,594 | -5% | 6 | $2,099 | $59,796 | 5 |
| May 20, 2016 | 73 | $7,871 | -38% | 5 | $1,574 | $67,667 | 6 |
| May 27, 2016 | 70 | $6,545 | -17% | 6 | $1,091 | $74,212 | 7 |
| Jun 3, 2016 | 87 | $1,432 | -78% | 3 | $477 | $75,644 | 8 |
| Jun 10, 2016 | 101 | $1,001 | -30% | 1 | $1,001 | $76,645 | 9 |
| Jun 17, 2016 | 70 | $5,059 | +405% | 3 | $1,686 | $81,704 | 10 |
| Jun 24, 2016 | 64 | $9,704 | +92% | 6 | $1,617 | $91,408 | 11 |
| Jul 1, 2016 | 71 | $6,405 | -34% | 4 | $1,601 | $97,813 | 12 |
| Jul 8, 2016 | 102 | $710 | -89% | 2 | $355 | $98,523 | 13 |
| Jul 15, 2016 | 102 | $713 | n/c | 3 | $238 | $99,236 | 14 |
| Jul 22, 2016 | 102 | $850 | +19% | 3 | $283 | $100,086 | 15 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 3/25/2016 | $16,513 | 6 | 6 | 35 | $52,908 | 6/9/2016 | |||
| France | 6/3/2016 | $42,000 | 0 | 0 | 0 | $155,903 | 4/4/2026 | |||
| Germany | 4/8/2016 | $0 | 0 | 0 | 0 | $161,651 | 8/18/2018 | |||
| New Zealand | 9/9/2016 | $3,056 | 9 | 9 | 19 | $7,961 | 9/26/2016 | |||
| Portugal | 2/23/2018 | $797 | 1 | 1 | 2 | $4,299 | 3/7/2018 | |||
| South Korea | 1/1/2016 | $0 | 0 | 0 | 0 | $33,375 | 9/9/2018 | |||
| United Kingdom | 9/22/2017 | $1,468 | 2 | 2 | 2 | $1,468 | 9/28/2017 | |||
| International Total | $417,565 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Documentary Subject
| Maria Nieves Rego | Herself | |
| Juan Carlos Copes | Himself |
Inverviewee
| Pablo Veron | Himself | |
| Alejandra Gutty | Herself | |
| Ayelen Alvarez Mino | Herself | |
| Juan Malizia | Himself | |
| Pancho Martinez Pey | Himself | |
| Johana Copes | Herself |
Production and Technical Credits
| German Kral | Director | |
| German Kral | Screenwriter | |
| Nils Dunker | Producer | |
| Dieter Horres | Producer | |
| German Kral | Producer | |
| Wim Wenders | Executive Producer | |
| Rodrigo Furth | Executive Producer | |
| Jakob Abrahamsson | Executive Producer | |
| Birgit Rothorl | Co-Producer | |
| Josef Brandmaier | Co-Producer | |
| Carolin Dassel | Associate Producer | |
| Nicole Ackermann | Associate Producer | |
| Anatole Taubman | Associate Producer | |
| Christoph Thoke | Associate Producer | |
| Jutta Krug | Editor-Commissioning Editor | |
| Lothar Mattner | Editor-Commissioning Editor | |
| Ulrike Tortora | Editor | |
| Jo Heim | Director of Photography | |
| Felix Monti | Director of Photography | |
| Luis Borda | Composer | |
| Sexteto Mayor | Composer | |
| Pablo Fidanza | Artistic Producer | |
| Carolina Fernandez | Line Producer | |
| Constanza Sanz Palacios | Line Producer | |
| Matias Martinez | Production Designer | |
| Celeste Palma | Sound Mixer | |
| Giselle Peisojovich | Costume Designer | |
| Cecilia Belsito | Costume Designer | |
| Osky Rodriguez | Make up | |
| Gabriela Tania Fantl | Casting Director | |
| Pablo Fidanza | Casting Director | |
| Melina Brufman | Choreography | |
| Leonardo Cuello | Choreography | |
| Sabrina Veliz | Choreography | |
| Ruben Veliz | Choreography | |
| Brenda Angiel | Choreography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A story of love between the two most famous dancers in tango’s history. And the story of their tremendous love of tango. María Nieves Rego and Juan Carlos Copes met when they were 14 and 17, and they danced together for nearly fifty years. In all those years they loved and hated each other and went through several painful separations but always got back together. No other man danced like Juan and no other woman danced like María! Eventually, he left her for good for a woman 20 years younger with whom he fathered two children. Now, at the end of their lives, Juan and María are willing to open up about their love, their hatred, and their passion.
Metrics
| Opening Weekend: | $6,550 (6.5% of total gross) |
| Legs: | 10.63 (domestic box office/biggest weekend) |
| Domestic Share: | 19.3% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/6 max. theaters, 9.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $138,389 |
Movie Details
| Domestic Releases: | April 15th, 2016 (Limited) by Strand Releasing, released as Our Last Tango |
| International Releases: | January 1st, 2016 (Wide) (South Korea)
March 25th, 2016 (Limited), released as Our Last Tango (Australia) April 8th, 2016 (Wide) (Germany) June 3rd, 2016 (Wide) (France) September 9th, 2016 (Limited), released as Our Last Tango (New Zealand) ... Show all releases |
| MPA Rating: | Not Rated |
| Running Time: | 85 minutes |
| Plot point: | Dancing, Romance |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Lailaps Pictures, German Kral Filmproduktion, Monogatari Films, Mateina Producciones, Schubert International, Westdeutscher Rundfunk, Filmfernsehfonds Bayern, Filmforderungsanstalt, Deutscher Filmfoerderfonds, INCAA |
| Production Countries: | Argentina, Germany |
| Languages: | Spanish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 15, 2016 | 67 | $6,550 | 1 | $6,550 | $6,550 | 1 | |
| Apr 22, 2016 | 63 | $9,419 | +44% | 3 | $3,140 | $19,086 | 2 |
| Apr 29, 2016 | 69 | $6,548 | -30% | 5 | $1,310 | $30,915 | 3 |
| May 6, 2016 | 64 | $9,003 | +37% | 6 | $1,501 | $42,921 | 4 |
| May 13, 2016 | 67 | $7,238 | -20% | 6 | $1,206 | $54,440 | 5 |
| May 20, 2016 | 72 | $4,450 | -39% | 5 | $890 | $64,246 | 6 |
| May 27, 2016 | 64 | $3,692 | -17% | 6 | $615 | $71,359 | 7 |
| Jun 3, 2016 | 80 | $930 | -75% | 3 | $310 | $75,142 | 8 |
| Jun 10, 2016 | 91 | $632 | -32% | 1 | $632 | $76,276 | 9 |
| Jun 17, 2016 | 69 | $2,591 | +310% | 3 | $864 | $79,236 | 10 |
| Jun 24, 2016 | 62 | $6,153 | +137% | 6 | $1,026 | $87,857 | 11 |
| Jul 1, 2016 | 66 | $4,200 | -32% | 4 | $1,050 | $95,608 | 12 |
| Jul 15, 2016 | 92 | $470 | 3 | $157 | $98,993 | 14 | |
| Jul 22, 2016 | 88 | $692 | +47% | 3 | $231 | $99,928 | 15 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 15, 2016 | 73 | $9,667 | 1 | $9,667 | $9,667 | 1 | |
| Apr 22, 2016 | 65 | $14,700 | +52% | 3 | $4,900 | $24,367 | 2 |
| Apr 29, 2016 | 79 | $9,551 | -35% | 5 | $1,910 | $33,918 | 3 |
| May 6, 2016 | 71 | $13,284 | +39% | 6 | $2,214 | $47,202 | 4 |
| May 13, 2016 | 71 | $12,594 | -5% | 6 | $2,099 | $59,796 | 5 |
| May 20, 2016 | 73 | $7,871 | -38% | 5 | $1,574 | $67,667 | 6 |
| May 27, 2016 | 70 | $6,545 | -17% | 6 | $1,091 | $74,212 | 7 |
| Jun 3, 2016 | 87 | $1,432 | -78% | 3 | $477 | $75,644 | 8 |
| Jun 10, 2016 | 101 | $1,001 | -30% | 1 | $1,001 | $76,645 | 9 |
| Jun 17, 2016 | 70 | $5,059 | +405% | 3 | $1,686 | $81,704 | 10 |
| Jun 24, 2016 | 64 | $9,704 | +92% | 6 | $1,617 | $91,408 | 11 |
| Jul 1, 2016 | 71 | $6,405 | -34% | 4 | $1,601 | $97,813 | 12 |
| Jul 8, 2016 | 102 | $710 | -89% | 2 | $355 | $98,523 | 13 |
| Jul 15, 2016 | 102 | $713 | n/c | 3 | $238 | $99,236 | 14 |
| Jul 22, 2016 | 102 | $850 | +19% | 3 | $283 | $100,086 | 15 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 3/25/2016 | $16,513 | 6 | 6 | 35 | $52,908 | 6/9/2016 | |||
| France | 6/3/2016 | $42,000 | 0 | 0 | 0 | $155,903 | 4/4/2026 | |||
| Germany | 4/8/2016 | $0 | 0 | 0 | 0 | $161,651 | 8/18/2018 | |||
| New Zealand | 9/9/2016 | $3,056 | 9 | 9 | 19 | $7,961 | 9/26/2016 | |||
| Portugal | 2/23/2018 | $797 | 1 | 1 | 2 | $4,299 | 3/7/2018 | |||
| South Korea | 1/1/2016 | $0 | 0 | 0 | 0 | $33,375 | 9/9/2018 | |||
| United Kingdom | 9/22/2017 | $1,468 | 2 | 2 | 2 | $1,468 | 9/28/2017 | |||
| International Total | $417,565 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Documentary Subject
| Maria Nieves Rego | Herself | |
| Juan Carlos Copes | Himself |
Inverviewee
| Pablo Veron | Himself | |
| Alejandra Gutty | Herself | |
| Ayelen Alvarez Mino | Herself | |
| Juan Malizia | Himself | |
| Pancho Martinez Pey | Himself | |
| Johana Copes | Herself |
Production and Technical Credits
| German Kral | Director | |
| German Kral | Screenwriter | |
| Nils Dunker | Producer | |
| Dieter Horres | Producer | |
| German Kral | Producer | |
| Wim Wenders | Executive Producer | |
| Rodrigo Furth | Executive Producer | |
| Jakob Abrahamsson | Executive Producer | |
| Birgit Rothorl | Co-Producer | |
| Josef Brandmaier | Co-Producer | |
| Carolin Dassel | Associate Producer | |
| Nicole Ackermann | Associate Producer | |
| Anatole Taubman | Associate Producer | |
| Christoph Thoke | Associate Producer | |
| Jutta Krug | Editor-Commissioning Editor | |
| Lothar Mattner | Editor-Commissioning Editor | |
| Ulrike Tortora | Editor | |
| Jo Heim | Director of Photography | |
| Felix Monti | Director of Photography | |
| Luis Borda | Composer | |
| Sexteto Mayor | Composer | |
| Pablo Fidanza | Artistic Producer | |
| Carolina Fernandez | Line Producer | |
| Constanza Sanz Palacios | Line Producer | |
| Matias Martinez | Production Designer | |
| Celeste Palma | Sound Mixer | |
| Giselle Peisojovich | Costume Designer | |
| Cecilia Belsito | Costume Designer | |
| Osky Rodriguez | Make up | |
| Gabriela Tania Fantl | Casting Director | |
| Pablo Fidanza | Casting Director | |
| Melina Brufman | Choreography | |
| Leonardo Cuello | Choreography | |
| Sabrina Veliz | Choreography | |
| Ruben Veliz | Choreography | |
| Brenda Angiel | Choreography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.