Une Vie (2016)
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| Theatrical Performance | ||
| Domestic Box Office | $37,626 | Details |
| International Box Office | $882,681 | Details |
| Worldwide Box Office | $920,307 | |
| OpusData ID: 284530100 More info... | ||
| Further financial details... | ||
Synopsis
Upon finishing her schooling in a convent, young aristocrat Jeanne marries local Viscount Juliende Lamare, who soon reveals himself to be a miserly and unfaithful husband. As she navigates his chronic infidelity, pressure from her family and community, and the alternating joys and burdens of motherhood, Jeanne’s rosy illusions about her privileged world are slowly stripped away.
Metrics
| Opening Weekend: | $11,483 (30.5% of total gross) |
| Legs: | 3.28 (domestic box office/biggest weekend) |
| Domestic Share: | 4.1% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/4 max. theaters, 4.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $50,172 |
Movie Details
| Domestic Releases: | May 5th, 2017 (Limited) by Kino Lorber, released as A Woman’s Life |
| International Releases: | November 25th, 2016 (Wide) (France)
March 27th, 2017 (Wide) (South Korea) June 2nd, 2017 (Wide), released as Una vita (Italy) July 28th, 2017 (Wide) (Netherlands) August 11th, 2017 (Wide), released as A vida de uma mulher (Portugal) ... Show all releases |
| MPA Rating: | Not Rated |
| Running Time: | 119 minutes |
| Cast, crew, or production detail: | Voiceover/Narration |
| Plot point: | Coming of Age, Infidelity, Money Troubles, Non-Chronological, Relationships Gone Wrong |
| Subgenre: | Historical Drama |
| Time period setting: | 1800s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | TS Productions, France 3 Cinema, Versus Productions, F Commie Film, CN5 Productions, Canal Plus, France Television, Cine Plus, Centre National du Cinema et de L Image Animee, Region Haute-Normandie, Procirep, Angoa Intl, Indefilms 4, Eurimages, MEDIA Program , Centre Du Cinema Et L'Audiovisuel De La Federation Wallonie Bruxelles, Tax Shelter du Gouvernemant Federal , Inver Invest, VOO ET BETV |
| Production Countries: | France, Belgium |
| Languages: | French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 5, 2017 | 58 | $11,483 | 2 | $5,742 | $11,483 | 1 | |
| May 12, 2017 | 64 | $7,445 | -35% | 4 | $1,861 | $24,511 | 2 |
| May 19, 2017 | - | $2,640 | -65% | 2 | $1,320 | $32,714 | 3 |
| Jun 16, 2017 | 89 | $634 | 1 | $634 | $34,617 | 7 | |
| Jun 23, 2017 | 85 | $483 | -24% | 1 | $483 | $36,087 | 8 |
| Jul 14, 2017 | 91 | $113 | 2 | $57 | $37,062 | 11 | |
| Jul 21, 2017 | 100 | $86 | -24% | 2 | $43 | $37,298 | 12 |
| Jul 28, 2017 | 102 | $24 | -72% | 2 | $12 | $37,543 | 13 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| May 5, 2017 | - | $2,571 | 2 | $1,286 | $2,571 | 1 | |
| May 6, 2017 | - | $5,742 | +123% | 2 | $2,871 | $8,313 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 5, 2017 | 58 | $17,066 | 2 | $8,533 | $17,066 | 1 | |
| May 12, 2017 | 62 | $13,008 | -24% | 4 | $3,252 | $30,074 | 2 |
| Jun 16, 2017 | 87 | $1,621 | 1 | $1,621 | $35,604 | 7 | |
| Jul 14, 2017 | 92 | $263 | 2 | $132 | $37,212 | 11 | |
| Jul 21, 2017 | 98 | $307 | +17% | 2 | $154 | $37,519 | 12 |
| Jul 28, 2017 | 100 | $107 | -65% | 2 | $54 | $37,626 | 13 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 8/11/2017 | $0 | 0 | 0 | 0 | $44,908 | 1/1/2019 | |||
| France | 11/25/2016 | $263,133 | 0 | 0 | 0 | $674,736 | 8/17/2018 | |||
| Italy | 6/2/2017 | $21,667 | 0 | 0 | 0 | $40,892 | 6/14/2017 | |||
| Netherlands | 7/28/2017 | $21,361 | 20 | 20 | 40 | $47,533 | 8/10/2017 | |||
| Portugal | 8/11/2017 | $3,601 | 4 | 4 | 11 | $13,139 | 9/26/2017 | |||
| South Korea | 3/27/2017 | $0 | 0 | 19 | 36 | $23,459 | 4/4/2026 | |||
| Spain | 10/6/2017 | $22,195 | 32 | 32 | 32 | $22,195 | 10/12/2017 | |||
| United Kingdom | 1/12/2018 | $15,819 | 6 | 6 | 6 | $15,819 | 4/4/2026 | |||
| International Total | $882,681 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Judith Chemla | Jeanne |
Supporting
| Jean-Pierre Darroussin | Baron | |
| Yolande Moreau | Baroness | |
| Swann Arlaud | Julien | |
| Clotilde Hesme | Gilberte de Fourville | |
| Nina Meurisse | Rosalie | |
| Olivier Perrier | Abbot Picot | |
| Finnegan Oldfield | Paul (20 years old) | |
| Alain Beigel | Georges de Fourville | |
| Lucette Beudin | Ludivine |
Production and Technical Credits
| Stephane Brize | Director | |
| Stephane Brize | Screenwriter | |
| Florence Vignon | Screenwriter | |
| Guy de Maupassant | Story based on the novel by | |
| Milena Poylo | Producer | |
| Gilles Sacuto | Producer | |
| Olivier Baumont | Piano forte and Original Score by | |
| Christophe Desenclos | Line Producer | |
| Emile Louis | Assistant Director | |
| Brigitte Moidon | Casting Director | |
| Coralie Amedeo | Casting Director | |
| Antoine Heberle | Director of Photography | |
| Valerie Saradjian | Production Designer | |
| Madeline Fontaine | Costume Designer | |
| Anne Klotz | Editor | |
| Pascal Jasmes | Sound Designer | |
| Alain Sironval | Sound Designer | |
| Emmanuel de Boissieu | Sound Designer | |
| Herve Guyader | Sound Designer | |
| Kim Nguyen | Location Manager | |
| Delphine Passant | Post Production Manager | |
| Nicolas Sacré | Post Production Manager | |
| Michaël Crotto | Still Photographer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Upon finishing her schooling in a convent, young aristocrat Jeanne marries local Viscount Juliende Lamare, who soon reveals himself to be a miserly and unfaithful husband. As she navigates his chronic infidelity, pressure from her family and community, and the alternating joys and burdens of motherhood, Jeanne’s rosy illusions about her privileged world are slowly stripped away.
Metrics
| Opening Weekend: | $11,483 (30.5% of total gross) |
| Legs: | 3.28 (domestic box office/biggest weekend) |
| Domestic Share: | 4.1% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/4 max. theaters, 4.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $50,172 |
Movie Details
| Domestic Releases: | May 5th, 2017 (Limited) by Kino Lorber, released as A Woman’s Life |
| International Releases: | November 25th, 2016 (Wide) (France)
March 27th, 2017 (Wide) (South Korea) June 2nd, 2017 (Wide), released as Una vita (Italy) July 28th, 2017 (Wide) (Netherlands) August 11th, 2017 (Wide), released as A vida de uma mulher (Portugal) ... Show all releases |
| MPA Rating: | Not Rated |
| Running Time: | 119 minutes |
| Cast, crew, or production detail: | Voiceover/Narration |
| Plot point: | Coming of Age, Infidelity, Money Troubles, Non-Chronological, Relationships Gone Wrong |
| Subgenre: | Historical Drama |
| Time period setting: | 1800s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | TS Productions, France 3 Cinema, Versus Productions, F Commie Film, CN5 Productions, Canal Plus, France Television, Cine Plus, Centre National du Cinema et de L Image Animee, Region Haute-Normandie, Procirep, Angoa Intl, Indefilms 4, Eurimages, MEDIA Program , Centre Du Cinema Et L'Audiovisuel De La Federation Wallonie Bruxelles, Tax Shelter du Gouvernemant Federal , Inver Invest, VOO ET BETV |
| Production Countries: | France, Belgium |
| Languages: | French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 5, 2017 | 58 | $11,483 | 2 | $5,742 | $11,483 | 1 | |
| May 12, 2017 | 64 | $7,445 | -35% | 4 | $1,861 | $24,511 | 2 |
| May 19, 2017 | - | $2,640 | -65% | 2 | $1,320 | $32,714 | 3 |
| Jun 16, 2017 | 89 | $634 | 1 | $634 | $34,617 | 7 | |
| Jun 23, 2017 | 85 | $483 | -24% | 1 | $483 | $36,087 | 8 |
| Jul 14, 2017 | 91 | $113 | 2 | $57 | $37,062 | 11 | |
| Jul 21, 2017 | 100 | $86 | -24% | 2 | $43 | $37,298 | 12 |
| Jul 28, 2017 | 102 | $24 | -72% | 2 | $12 | $37,543 | 13 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| May 5, 2017 | - | $2,571 | 2 | $1,286 | $2,571 | 1 | |
| May 6, 2017 | - | $5,742 | +123% | 2 | $2,871 | $8,313 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 5, 2017 | 58 | $17,066 | 2 | $8,533 | $17,066 | 1 | |
| May 12, 2017 | 62 | $13,008 | -24% | 4 | $3,252 | $30,074 | 2 |
| Jun 16, 2017 | 87 | $1,621 | 1 | $1,621 | $35,604 | 7 | |
| Jul 14, 2017 | 92 | $263 | 2 | $132 | $37,212 | 11 | |
| Jul 21, 2017 | 98 | $307 | +17% | 2 | $154 | $37,519 | 12 |
| Jul 28, 2017 | 100 | $107 | -65% | 2 | $54 | $37,626 | 13 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 8/11/2017 | $0 | 0 | 0 | 0 | $44,908 | 1/1/2019 | |||
| France | 11/25/2016 | $263,133 | 0 | 0 | 0 | $674,736 | 8/17/2018 | |||
| Italy | 6/2/2017 | $21,667 | 0 | 0 | 0 | $40,892 | 6/14/2017 | |||
| Netherlands | 7/28/2017 | $21,361 | 20 | 20 | 40 | $47,533 | 8/10/2017 | |||
| Portugal | 8/11/2017 | $3,601 | 4 | 4 | 11 | $13,139 | 9/26/2017 | |||
| South Korea | 3/27/2017 | $0 | 0 | 19 | 36 | $23,459 | 4/4/2026 | |||
| Spain | 10/6/2017 | $22,195 | 32 | 32 | 32 | $22,195 | 10/12/2017 | |||
| United Kingdom | 1/12/2018 | $15,819 | 6 | 6 | 6 | $15,819 | 4/4/2026 | |||
| International Total | $882,681 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Judith Chemla | Jeanne |
Supporting
| Jean-Pierre Darroussin | Baron | |
| Yolande Moreau | Baroness | |
| Swann Arlaud | Julien | |
| Clotilde Hesme | Gilberte de Fourville | |
| Nina Meurisse | Rosalie | |
| Olivier Perrier | Abbot Picot | |
| Finnegan Oldfield | Paul (20 years old) | |
| Alain Beigel | Georges de Fourville | |
| Lucette Beudin | Ludivine |
Production and Technical Credits
| Stephane Brize | Director | |
| Stephane Brize | Screenwriter | |
| Florence Vignon | Screenwriter | |
| Guy de Maupassant | Story based on the novel by | |
| Milena Poylo | Producer | |
| Gilles Sacuto | Producer | |
| Olivier Baumont | Piano forte and Original Score by | |
| Christophe Desenclos | Line Producer | |
| Emile Louis | Assistant Director | |
| Brigitte Moidon | Casting Director | |
| Coralie Amedeo | Casting Director | |
| Antoine Heberle | Director of Photography | |
| Valerie Saradjian | Production Designer | |
| Madeline Fontaine | Costume Designer | |
| Anne Klotz | Editor | |
| Pascal Jasmes | Sound Designer | |
| Alain Sironval | Sound Designer | |
| Emmanuel de Boissieu | Sound Designer | |
| Herve Guyader | Sound Designer | |
| Kim Nguyen | Location Manager | |
| Delphine Passant | Post Production Manager | |
| Nicolas Sacré | Post Production Manager | |
| Michaël Crotto | Still Photographer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.