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| Release Date | Title | Production Budget | Opening Weekend | Domestic Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Aug 16, 2019 | 47 Meters Down: Uncaged | $12,000,000 | $8,427,265 | $22,260,900 | $47,582,563 |
| Jun 16, 2017 | 47 Meters Down | $5,300,000 | $11,205,562 | $44,307,193 | $62,633,705 |
| Averages | $8,650,000 | $9,816,414 | $33,284,047 | $55,108,134 | |
| Totals | 2 | $17,300,000 | $66,568,093 | $110,216,268 | |
| Release Date | Title | Domestic Video Sales to Date | Watch Now |
|---|---|---|---|
| Sep 12, 2017 | 47 Meters Down | $3,393,671 | Amazon iTunes Google Vudu |
| Oct 29, 2019 | 47 Meters Down: Uncaged | $1,362,227 | Netflix Amazon iTunes Google Vudu |
| Totals | $4,755,898 | ||
Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.
For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.
We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.
Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.
August 12th, 2022
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The dog days of Summer are upon us. While there are three new wide releases this weekend, none of them are likely to challenge Bullet Train at the top of the chart. In fact, there’s a decent chance that the top seven will be identical to last week, with the new releases struggling to break into the top 10. There’s quite a bit of uncertainty though, and the new films could surprise, particularly given the lack of competition and their potential to reach niche audiences.
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August 17th, 2019
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Good Boys earned first place on the Friday chart with $8.31 million. Universal is projecting a $20.8 million opening weekend based on this start, which would give the film a rather low internal multiplier. This is due to its reviews and its mere B plus from CinemaScore, neither of which are bad, but they are not great either. It would still be the fastest opening for a comedy all year and this is the first R-rated comedy to top the chart since The Boss debuted more than three years ago. On the one hand, this is great news for Good Boys. On the other hand, what the hell happened to the genre? R-rated comedies used to regularly earn $100 million or more at the box office.
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Note: This list contains actors who appeared in at least two movies in the franchise.
Note: This list contains people who contributed to at least two movies in the franchise.
| Person | Nr. of Movies | Technical Role | Franchise Worldwide Box Office | Career Worldwide Box Office | Franchise / Career |
|---|---|---|---|---|---|
| Ernest Riera | 2 | Screenwriter (2) | $110,216,268 | $123,121,375 | 89.5% |
| James Harris | 2 | Producer (2) | $110,216,268 | $194,212,421 | 56.8% |
| Mark Lane | 2 | Producer (2) | $110,216,268 | $189,663,981 | 58.1% |
| Johannes Roberts | 2 |
Director (2) Screenwriter (2) Executive Producer (1) |
$110,216,268 | $198,209,737 | 55.6% |
| Robert Jones | 2 |
Executive Producer (1) Producer (1) |
$110,216,268 | $359,352,683 | 30.7% |
| Will Clarke | 2 | Executive Producer (2) | $110,216,268 | $198,747,370 | 55.5% |
| Andy Mayson | 2 | Executive Producer (2) | $110,216,268 | $134,194,656 | 82.1% |
| Mike Runagall | 2 | Executive Producer (2) | $110,216,268 | $131,257,623 | 84.0% |
| Thomas Hajdu | 2 | Composer (2) | $110,216,268 | $518,034,057 | 21.3% |
| David Bryan | 2 | Production Designer (2) | $110,216,268 | $193,300,883 | 57.0% |
| Kate Glover | 2 | Co-Producer (2) | $110,216,268 | $145,689,111 | 75.7% |
| Martin Brinkler | 2 | Editor (2) | $110,216,268 | $143,848,415 | 76.6% |
| Andy Milburn | 2 | Composer (2) | $110,216,268 | $518,034,057 | 21.3% |
