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| Release Date | Title | Production Budget | Opening Weekend | Domestic Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Jun 26, 2019 | Annabelle Comes Home | $27,000,000 | $20,269,723 | $74,152,591 | $231,252,591 |
| Aug 11, 2017 | Annabelle: Creation | $15,000,000 | $35,006,404 | $102,092,201 | $306,592,201 |
| Oct 3, 2014 | Annabelle | $6,500,000 | $37,134,255 | $84,273,813 | $256,857,527 |
| Averages | $16,166,667 | $30,803,461 | $86,839,535 | $264,900,773 | |
| Totals | 3 | $48,500,000 | $260,518,605 | $794,702,319 | |
| Release Date | Title | Domestic Video Sales to Date | Watch Now |
|---|---|---|---|
| Jan 20, 2015 | Annabelle | $10,972,603 | Netflix Amazon iTunes Google Vudu |
| Oct 17, 2017 | Annabelle: Creation | $5,188,876 | Netflix Amazon iTunes Google Vudu |
| Sep 17, 2019 | Annabelle Comes Home | $4,768,081 | Amazon iTunes Google Vudu |
| Totals | $20,929,560 | ||
Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.
For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.
We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.
Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.
October 10th, 2019
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It’s another week with a monster hit and nearly nothing else. Fortunately, that monster hit is Toy Story 4, which is easily the Pick of the Week and would be during all but the best weeks of the year. Midsommar comes close to being a contender for Pick of the Week, but the extras are well below average, even compared to a limited release.
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Note: This list contains actors who appeared in at least two movies in the franchise.
| Person | Nr. of Movies | Role | Franchise Worldwide Box Office | Career Worldwide Box Office | Franchise / Career |
|---|---|---|---|---|---|
| Samara Lee | 2 | Bee | $537,844,792 | $741,920,185 | 72.5% |
| Lou Lou Safran | 2 | Tierney | $537,844,792 | $696,391,087 | 77.2% |
Note: This list contains people who contributed to at least two movies in the franchise.
| Person | Nr. of Movies | Technical Role | Franchise Worldwide Box Office | Career Worldwide Box Office | Franchise / Career |
|---|---|---|---|---|---|
| Peter Safran | 3 | Producer (3) | $794,702,319 | $6,276,613,840 | 12.7% |
| James Wan | 3 |
Producer (3) Story by (1) |
$794,702,319 | $7,998,496,646 | 9.9% |
| Gary Dauberman | 3 |
Screenwriter (3) Character Creator (2) Director (1) Story by (1) |
$794,702,319 | $2,781,902,355 | 28.6% |
| Richard Brener | 3 | Executive Producer (3) | $794,702,319 | $10,996,472,139 | 7.2% |
| Dave Neustadter | 3 | Executive Producer (3) | $794,702,319 | $5,932,941,777 | 13.4% |
| Walter Hamada | 2 | Executive Producer (2) | $563,449,728 | $8,547,289,561 | 6.6% |
| Jennifer Spence | 2 | Production Designer (2) | $537,844,792 | $2,438,566,796 | 22.1% |
| Michael Clear | 2 |
Co-Producer (1) Executive Producer (1) |
$537,844,792 | $2,606,516,500 | 20.6% |
| Joseph Bishara | 2 | Composer (2) | $488,110,118 | $2,177,472,514 | 22.4% |
| Leah Butler | 2 |
Casting Director (1) Costume Designer (1) |
$537,844,792 | $1,461,842,430 | 36.8% |
| Rich Delia | 2 | Casting Director (2) | $537,844,792 | $6,260,049,090 | 8.6% |
| Robert Sharman | 2 | Sound Mixer (2) | $537,844,792 | $665,942,286 | 80.8% |
| Julie Pearce | 2 | Music Editor (2) | $488,110,118 | $1,717,987,887 | 28.4% |
| Susan Bertram | 2 | Costume Supervisor (2) | $537,844,792 | $744,275,842 | 72.3% |
| Eleanor Sabaduquia | 2 | Make up (2) | $537,844,792 | $2,021,023,327 | 26.6% |
| Chris Spilfogel | 2 |
Score Recordist (2) Score Mixer (2) |
$488,110,118 | $660,922,089 | 73.9% |
| Mark Hawker | 2 |
Special Effects Supervisor (1) Special Effects Coordinator (1) |
$537,844,792 | $2,500,505,868 | 21.5% |
| Art Codron | 2 | Visual Effects Supervisor (2) | $488,110,118 | $511,587,463 | 95.4% |
