|Jul 19, 2013||The Conjuring||$20,000,000||$41,855,326||$137,400,141||$318,000,141||Play|
|Oct 3, 2014||Annabelle||$6,500,000||$37,134,255||$84,273,813||$256,862,920||Play|
|Jun 10, 2016||The Conjuring 2: The Enfield Poltergeist||$40,000,000||$40,406,314||$102,470,008||$311,270,008||Play|
|Aug 11, 2017||Annabelle: Creation||$15,000,000||$35,006,404||$102,092,201||$305,492,201||Play|
Box Office History for The Conjuring Movies
|Oct 22, 2013||The Conjuring||$15,827,608||$11,318,454||$27,146,062|
|Jan 20, 2015||Annabelle||$6,342,129||$4,058,351||$10,400,480|
|Aug 30, 2016||The Conjuring 2: The Enfield Poltergeist||$4,994,307||$3,568,853||$8,563,160|
Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Home Media Magazine.
For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.
We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.
Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.
September 14th, 2017
Spider-Man: Homecoming returned to the international top five earning first place with $71.82 million on 21,675 screens in 47 markets for totals of $495.74 million internationally and $823.43 million worldwide. The film debuted in first place in China with $69.12 million on 20,440 screens over the weekend for a four-day opening of $70.63 million. This is already the biggest single market for the film, overtaking South Korea, where it has earned $51.51 million. At this point, the film will have no trouble getting to $900 million worldwide, but $1 billion is out of reach.
September 7th, 2017
Dunkirk returned to the international top five for the first time in nearly a month with $36.5 million in 60 markets for totals of $280.0 million international and $459.0 million worldwide. Nearly all of this came from its first place opening in China, where it pulled in $29.80 million over the weekend for a four-day opening of $30.27 million. The film also opened in Italy, but had to settle for second place with $3.6 million on 606 screens. Dunkirk wraps up its international run in Japan this weekend and will finish with north of $500 million worldwide. Unless it cost an obscene amount to advertise, this will be enough to ensure profitability by its initial push into the home market.
August 31st, 2017
Valerian and the City of a Thousand Planets earned first place on the international chart with $32.78 million in 32 countries for totals of $124.12 million internationally and $163.81 million worldwide. The film earned first place in China with $28.88 million over the weekend for a total of $29.24 million. The film has yet to open in South Korea and Italy so it will likely top its production budget worldwide; that’s nowhere near enough to break even, but if it can get to $200 million worldwide, then it can at least safe face.
August 15th, 2017
Annabelle: Creation’s opening saved summer for one week, but that’s the practically the only good news we have to talk about this weekend. The film pulled in $35.01 million, which is over three times its nearest competition. That’s the bad news. The depth this past weekend was terrible, as there were only two films with more than $10 million, compared to five films last weekend. The overall box office fell 4.6% to just $117 million. Worse still, this is 32% lower than the same weekend last year. Year-to-date, 2017 is behind 2016 by $360 million or 4.9% at $7.07 billion to $7.43 billion. The year has lost over $500 million compared to last year’s pace during summer alone. This is a disaster.
November 22nd, 2016
It’s Thanksgiving weekend, which means Black Friday, Cyber Monday, and of course the first installment of our Holiday Gift Guide. This week we will tackle first run releases, as well as franchise box sets, although there aren’t many of the latter to talk about. In fact, the best movie box set of the year includes more TV shows than movies in its running time and I’ve decided to include it in our second part, which deals with TV on DVD releases. There are still a number of big first-run releases this year that are definitely worthy gifts. We are going to start with the biggest domestic hit of the year...
June 1st, 2016
May was great, as long as you don't compare it to last May. Captain America: Civil War was a monster hit and is closing in on $400 million, while both X-Men: Apocalypse and The Angry Birds Movie will earn over $100 million. Looking ahead, every week in June, there is one movie that should top $100 million; however, only Finding Dory is expected to make more than $200 million. In fact, that film is expected to make close to $400 million domestically and over $1 billion worldwide. Last June, there were two monster hits, Inside Out and Jurassic World, plus one $100 million hit, Spy. I don't see how 2016 will top that. Even if every film with a shot at $100 million gets to that milestone, 2016 still might not top last year's pace. Fortunately, 2016 does have a large lead and that could be enough to keep 2016 ahead of 2015's pace in the year-over-year competition. It could be really close at the end of the month, on the other hand.
November 13th, 2014
As expected, Interstellar opened in first place on the international chart earning $82.90 million on 14,800 screens in 62 markets during its opening weekend. As you may or may not know, we introduced a new comprehensive look at the international numbers, so there's little more than needs to be said here. I will point out that the film's opening in South Korea was particularly strong at $12.46 million on 1,310 screens over the weekend, for a total opening of $14.21 million. The film also opened in first place in the U.K., with $8.53 million on 1,298 screens, which is about on par with its domestic opening, given the relative size of the two markets. Russia was close behind with $8.00 million on 1,800 screens. The film opened in China this week and those numbers should help the film remain in first place next weekend.
October 29th, 2014
Annabelle rose from fifth to first place on the international market with $26.5 million in 62 markets for an international total of $126.7 million after a month of release. Obviously there will be another installment in this franchise. This past weekend, the film dominated Latin America earning first place in Mexico with $7.61 million on 2,742 screens over the weekend for a total opening of $10.87 million. This was double the original film's opening in that market. The film also earned top spot in Argentina ($1.4 million on 202 screens) and in Peru ($1.3 million). The film was pushed into second place in Brazil, but still managed $2.13 million on 388 screens over the weekend for a three-week total of $11.35 million.
Note: This list contains actors which appear in at least 2 movies of the franchise.
|Joseph Bishara||3||Annabelle Demon||$934,762,350||$1,055,440,794||88.6%|
|Vera Farmiga||2||Lorraine Warren||$629,270,149||$1,898,379,280||33.1%|
|Patrick Wilson||2||Ed Warren||$629,270,149||$2,942,580,765||21.4%|
|Sterling Jerins||2||Judy Warren||$629,270,149||$1,227,729,550||51.3%|
|Steve Coulter||2||Father Gordon||$629,270,149||$3,683,150,518||17.1%|
Note: This list contains people who contributed to at least 2 movies of the franchise.
|Peter Safran||4||Producer (4)||$1,191,625,270||$1,662,653,723||71.7%|
Story by (1)
|Walter Hamada||4||Executive Producer (4)||$1,191,625,270||$2,562,473,312||46.5%|
|Dave Neustradter||4||Executive Producer (4)||$1,191,625,270||$2,974,274,970||40.1%|
|Richard Brener||3||Executive Producer (3)||$873,625,129||$6,196,516,564||14.1%|
Story by (1)
Story by (1)
|Joseph Bishara||3||Composer (3)||$886,133,069||$1,223,981,276||72.4%|
|Justin Dzuban||3||Dialogue Editor (3)||$886,133,069||$906,876,811||97.7%|
|Eleanor Sabaduquia||3||Make Up Department Head (3)||$934,762,350||$1,084,212,196||86.2%|
|Rob Cowan||2||Producer (2)||$629,270,149||$1,428,235,636||44.1%|
|John R. Leonetti||2||
Director of Photography (1)
Character Creator (1)
|Julie Berghoff||2||Production Designer (2)||$629,270,149||$1,129,348,271||55.7%|
|Kirk Morri||2||Editor (2)||$629,270,149||$2,463,339,979||25.5%|
|Anne McCarthy||2||Casting Director (2)||$629,270,149||$3,797,439,304||16.6%|
Unit Production Manager (2)
|Albert Cho||2||First Assistant Director (2)||$629,270,149||$2,356,917,581||26.7%|
Costume Supervisor (1)
Costume Designer (1)
|Sophie Neudorfer||2||Set Decorator (2)||$629,270,149||$1,093,072,802||57.6%|
Supervising Sound Editor (2)
Sound Designer (1)
|Steve Maslow||2||Re-recording Mixer (2)||$629,270,149||$5,005,443,116||12.6%|
|Gregg Landaker||2||Re-recording Mixer (2)||$629,270,149||$8,825,967,155||7.1%|
|Lise Richardson||2||Music Editor (2)||$629,270,149||$1,468,284,280||42.9%|
|Julie Pearce||2||Music Editor (2)||$568,132,928||$1,144,877,766||49.6%|