The Conjuring: The Devil Made Me Do It (2021)
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| Theatrical Performance | ||
| Domestic Box Office | $65,631,050 | Details |
| International Box Office | $140,800,000 | Details |
| Worldwide Box Office | $206,431,050 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $3,122,898 | |
| Blu-ray Sales (estimated) | $3,192,924 | |
| Total | $6,315,822 | |
| OpusData ID: 321270100 More info... | ||
| Further financial details... | ||
Synopsis
A story of terror, murder and unknown evil that shocked even experienced real-life paranormal investigators Ed and Lorraine Warren. One of the most sensational cases from their files, it starts with a fight for the soul of a young boy, then takes them beyond anything they’d ever seen before, to mark the first time in U.S. history that a murder suspect would claim demonic possession as a defense.
Metrics
| Opening Weekend: | $24,104,332 (36.7% of total gross) |
| Legs: | 2.72 (domestic box office/biggest weekend) |
| Domestic Share: | 31.8% (domestic box office/worldwide) |
| Production Budget: | $40,000,000 (worldwide box office is 5.2 times production budget) |
| Theater counts: | 3,102 opening theaters/3,280 max. theaters, 4.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $77,182,628 |
Movie Details
| Domestic Releases: | June 4th, 2021 (Wide) by Warner Bros. June 4th, 2021 (IMAX) by Warner Bros. |
| International Releases: | March 7th, 2021 (Wide), released as The Conjuring 3: A Obra do Diabo (Portugal)
May 28th, 2021 (Wide) (United Kingdom) May 28th, 2021 (Wide) (Egypt) June 2nd, 2021 (Wide), released as The Conjuring — Per ordine del diavolo (Italy) June 2nd, 2021 (Wide) (Indonesia) ... Show all releases |
| Video Release: | June 4th, 2021 by Max |
| MPA Rating: | R for terror, violence and some disturbing images. (Rating bulletin 2677 (cert #53178), 4/21/2021) |
| Running Time: | 112 minutes |
| Franchise: | The Conjuring |
| Plot point: | Demons, Paranormal Investigation |
| Social setting: | Supernatural |
| Source material: | Based on an UNTRUE Story |
| Subgenre: | Supernatural Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | New Line Cinema, Atomic Monster, The Safran Company |
| Production Countries: | United States |
| Languages: | English, Portuguese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 4, 2021 | 1 | $24,104,332 | 3,102 | $7,771 | $24,104,332 | 1 | |
| Jun 11, 2021 | 3 | $10,335,831 | -57% | 3,237 | $3,193 | $44,085,831 | 2 |
| Jun 18, 2021 | 4 | $5,009,698 | -52% | 3,280 | $1,527 | $53,460,982 | 3 |
| Jun 25, 2021 | 6 | $2,991,145 | -40% | 2,668 | $1,121 | $59,204,511 | 4 |
| Jul 2, 2021 | 8 | $1,260,000 | -58% | 1,716 | $734 | $62,195,663 | 5 |
| Jul 9, 2021 | 9 | $655,324 | -48% | 667 | $982 | $63,833,077 | 6 |
| Jul 16, 2021 | 14 | $353,137 | -46% | 390 | $905 | $64,577,677 | 7 |
| Jul 23, 2021 | - | $167,932 | -52% | 214 | $785 | $64,981,913 | 8 |
| Jul 30, 2021 | - | $70,999 | -58% | 100 | $710 | $65,161,252 | 9 |
| Aug 6, 2021 | - | $170,063 | +140% | 94 | $1,809 | $65,383,287 | 10 |
| Aug 13, 2021 | - | $54,618 | -68% | 61 | $895 | $65,521,610 | 11 |
| Aug 20, 2021 | - | $7,786 | -86% | 30 | $260 | $65,556,488 | 12 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jun 4, 2021 | 1 | $9,805,000 | 3,102 | $3,161 | $9,805,000 | 1 | ||
| Jun 5, 2021 | 1 | $8,605,000 | -12% | 3,102 | $2,774 | $18,410,000 | 2 | |
| Jun 6, 2021 | 1 | $5,600,000 | -35% | 3,102 | $1,805 | $24,010,000 | 3 | |
| Jun 11, 2021 | 4 | $3,600,000 | -63% | 3,237 | $1,112 | $37,350,000 | 8 | |
| Jun 18, 2021 | 4 | $1,660,000 | -54% | 3,280 | $506 | $50,111,000 | 15 | |
| Jun 25, 2021 | 6 | $900,000 | -46% | 2,668 | $337 | $57,113,000 | 22 | |
| Jul 2, 2021 | 8 | $470,000 | -48% | 1,716 | $274 | $61,406,000 | 29 | |
| Jul 9, 2021 | 10 | $200,000 | -57% | 667 | $300 | $63,378,000 | 36 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 4, 2021 | 1 | $33,750,000 | 3,102 | $10,880 | $33,750,000 | 1 | |
| Jun 11, 2021 | 3 | $14,699,859 | -56% | 3,102 | $4,739 | $48,451,284 | 2 |
| Jun 18, 2021 | 5 | $7,762,082 | -47% | 3,102 | $2,502 | $56,213,366 | 3 |
| Jun 25, 2021 | 6 | $4,722,297 | -39% | 2,668 | $1,770 | $60,935,663 | 4 |
| Jul 2, 2021 | 8 | $2,242,090 | -53% | 1,716 | $1,307 | $63,177,753 | 5 |
| Jul 9, 2021 | 10 | $1,046,787 | -53% | 667 | $1,569 | $64,224,540 | 6 |
| Jul 16, 2021 | 14 | $589,441 | -44% | 667 | $884 | $64,813,981 | 7 |
| Jul 23, 2021 | 17 | $276,272 | -53% | 214 | $1,291 | $65,090,253 | 8 |
| Jul 30, 2021 | - | $122,971 | -55% | 100 | $1,230 | $65,213,224 | 9 |
| Aug 6, 2021 | - | $253,768 | +106% | 100 | $2,538 | $65,466,992 | 10 |
| Aug 13, 2021 | - | $81,710 | -68% | 61 | $1,340 | $65,548,702 | 11 |
| Aug 20, 2021 | - | $16,372 | -80% | 30 | $546 | $65,565,074 | 12 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 6/3/2021 | $2,236,187 | 321 | 335 | 1,606 | $7,550,558 | 10/20/2022 | |||
| Brazil | 6/3/2021 | $1,700,000 | 913 | 1,063 | 3,012 | $6,000,000 | 10/20/2022 | |||
| Colombia | 6/4/2021 | $0 | 0 | 0 | 0 | $3,500,000 | 10/20/2022 | |||
| Czech Republic | 6/25/2021 | $135,180 | 84 | 84 | 292 | $576,805 | 10/20/2022 | |||
| Egypt | 5/28/2021 | $179,000 | 29 | 29 | 29 | $506,000 | 10/20/2022 | |||
| Finland | 6/4/2021 | $0 | 0 | 18 | 25 | $468,704 | 4/21/2026 | |||
| France | 6/9/2021 | $5,000,000 | 518 | 539 | 2,916 | $17,700,000 | 8/24/2021 | |||
| Germany | 7/1/2021 | $1,301,553 | 0 | 0 | 0 | $7,200,000 | 8/24/2021 | |||
| Hong Kong | 6/3/2021 | $433,371 | 0 | 0 | 0 | $988,122 | 7/6/2021 | |||
| Indonesia | 6/2/2021 | $2,400,000 | 1,379 | 1,379 | 1,379 | $5,400,000 | 10/20/2022 | |||
| Italy | 6/2/2021 | $747,464 | 0 | 19 | 19 | $2,480,536 | 10/20/2022 | |||
| Lithuania | 6/4/2021 | $23,989 | 14 | 14 | 69 | $128,643 | 8/27/2021 | |||
| Mexico | 6/3/2021 | $5,956,742 | 0 | 2,172 | 2,172 | $17,000,000 | 10/20/2022 | |||
| Netherlands | 6/11/2021 | $281,117 | 69 | 86 | 572 | $2,125,377 | 10/20/2022 | |||
| New Zealand | 6/3/2021 | $450,663 | 65 | 65 | 333 | $1,189,031 | 10/20/2022 | |||
| Poland | 8/6/2021 | $0 | 0 | 0 | 0 | $2,800,000 | 10/20/2022 | |||
| Portugal | 3/7/2021 | $0 | 0 | 85 | 338 | $563,900 | 7/13/2021 | |||
| Romania | 6/4/2021 | $193,980 | 80 | 80 | 283 | $540,524 | 10/20/2022 | |||
| Russia (CIS) | 6/10/2021 | $1,542,698 | 1,358 | 1,358 | 4,893 | $3,600,000 | 10/20/2022 | |||
| Saudi Arabia | 6/4/2021 | $1,000,000 | 48 | 48 | 48 | $2,700,000 | 10/20/2022 | |||
| Slovakia | 6/4/2021 | $80,874 | 31 | 31 | 178 | $418,886 | 11/2/2021 | |||
| South Korea | 6/4/2021 | $2,669,409 | 1,133 | 1,133 | 3,280 | $7,200,000 | 8/24/2021 | |||
| Spain | 6/4/2021 | $1,857,933 | 311 | 324 | 2,345 | $7,400,000 | 8/24/2021 | |||
| Turkey | 7/9/2021 | $66,659 | 188 | 188 | 624 | $371,683 | 4/4/2026 | |||
| United Arab Emirates | 6/4/2021 | $0 | 0 | 0 | 0 | $1,500,000 | 6/14/2021 | |||
| United Kingdom | 5/28/2021 | $3,842,870 | 473 | 486 | 3,221 | $13,300,000 | 8/24/2021 | |||
| Rest of World | $27,591,231 | |||||||||
| International Total | $140,800,000 | 4/21/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Patrick Wilson | Ed Warren | |
| Vera Farmiga | Lorraine Warren |
Supporting
| Ruairi O’Connor | Ame Cheyenne Johnson | |
| Sarah Catherine Hook | Debbie Glatzel | |
| Julian Hilliard | David Glatzel | |
| John Noble | Kastner | |
| Eugenie Bondurant | The Occulist | |
| Shannon Kook | Drew Thomas | |
| Ronnie Gene Blevins | Bruno | |
| Keith Arthur Bolden | Sergeant Clay | |
| Steve Coulter | Father Gordon | |
| Vince Pisani | Father Newman | |
| Ingrid Bisu | Jessica | |
| Andrea Andrade | Katie | |
| Ashley LeConte Campbell | Meryl | |
| Sterling Jerins | Judy Warren | |
| Paul Wilson | Carl Glatzel | |
| Charlene Amoia | Judy Glatzel | |
| Davis Osborne | Infirmary Patient | |
| Nick Massouh | Doctor | |
| Stella Doyle | Kennel Customer | |
| Megan Ashley Brown | Young Lorraine | |
| Mitchell Hoog | Young Ed | |
| Jimmy Gonzales | Boss | |
| Franco Castan | Police Officer | |
| Mark Rowe | Police Sergeant | |
| Chris Greene | Cop | |
| Lindsay Ayliffe | Judge | |
| Zele Avradopoulos | Duty Nurse | |
| Jacinte Blankenship | Paramedic | |
| Robert Walker Branchaud | Prison Guard | |
| Jay Peterson | The Linebacker | |
| Kaleka | Jury Foreman |
Production and Technical Credits
| Michael Chaves | Director | |
| David Leslie Johnson-McGoldrick* | Screenwriter | |
| James Wan | Story by | |
| David Leslie Johnson-McGoldrick* | Story by | |
| Peter Safran | Producer | |
| James Wan | Producer | |
| Richard Brener | Executive Producer | |
| Dave Neustadter | Executive Producer | |
| Victoria Palmeri | Executive Producer | |
| Michael Clear | Executive Producer | |
| Judson Scott | Executive Producer | |
| Michelle Morrissey | Executive Producer | |
| Jennifer Spence | Production Designer | |
| Peter Gvozdas | Editor | |
| Christian Wagner | Editor | |
| Joseph Bishara | Composer | |
| Michael Burgess | Director of Photography | |
| Chad Hayes | Character Creator | |
| Carey Hayes | Character Creator | |
| Ian Broucek | Music Supervisor | |
| Leah Butler | Costume Designer | |
| Anne McCarthy | Casting Director | |
| Kellie Roy | Casting Director | |
| Will Greenfield | Unit Production Manager | |
| Jeffrey Wetzel | First Assistant Director | |
| Joann Connolly | Second Assistant Director | |
| Will Greenfield | Co-Producer | |
| Éric Bruneau | Visual Effects Producer | |
| Peter Borck | Supervising Art Director | |
| Rachel Block | Art Director | |
| Julian Scalia | Art Director | |
| Lisa Son | Set Decorator | |
| Chris Giles | Sound Mixer | |
| Tricia Miles Tharp | Post-Production Supervisor | |
| Liz Calandrello | First Assistant Editor | |
| Richard Conkling | First Assistant Editor | |
| Julie Pearce | Supervising Music Editor | |
| Lise Richardson | Music Editor | |
| Oliver Hug | Music Editor | |
| Barbara McDermott | Music Editor | |
| Joe E. Rand | Music Editor | |
| Julian Slater | Re-recording Mixer | |
| Michael Babcock | Re-recording Mixer | |
| Jason W. Jennings | Supervising Sound Editor | |
| Jon Title | Sound Designer | |
| D. Chris Smith | Sound Designer | |
| Doobie White | Sound Designer | |
| Nancy Macleod | Sound Effects Editor | |
| Dave McMoyler | Sound Effects Editor | |
| Michelle Pazer | Dialogue Editor | |
| Eliza Zebert | Dialogue Editor | |
| Jim Brookshire | Dialogue Editor | |
| Robert Troy | Dialogue Editor | |
| John Sanacore | Foley Mixer | |
| Robert Nederhorst | Visual Effects Supervisor | |
| Gerard Averill | Location Manager | |
| Jody Blose | Script Supervisor | |
| Susan Bertram | Costume Supervisor | |
| Eleanor Sabaduquia | Make up | |
| Kimberly Jones | Make up | |
| Melanie DeForrest | Special Make-up Effects | |
| Adruitha Lee | Hairstylist | |
| Melizah Wheat | Hairstylist | |
| Kristen B. Adams | Set Designer | |
| Shana McKay Burns | Set Designer | |
| Kevin Crooks | Set Designer | |
| Al Hobbs | Set Designer | |
| J.D. Schwalm | Special Effects Supervisor | |
| Wayne Rowe | Special Effects Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A story of terror, murder and unknown evil that shocked even experienced real-life paranormal investigators Ed and Lorraine Warren. One of the most sensational cases from their files, it starts with a fight for the soul of a young boy, then takes them beyond anything they’d ever seen before, to mark the first time in U.S. history that a murder suspect would claim demonic possession as a defense.
Metrics
| Opening Weekend: | $24,104,332 (36.7% of total gross) |
| Legs: | 2.72 (domestic box office/biggest weekend) |
| Domestic Share: | 31.8% (domestic box office/worldwide) |
| Production Budget: | $40,000,000 (worldwide box office is 5.2 times production budget) |
| Theater counts: | 3,102 opening theaters/3,280 max. theaters, 4.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $77,182,628 |
Movie Details
| Domestic Releases: | June 4th, 2021 (Wide) by Warner Bros. June 4th, 2021 (IMAX) by Warner Bros. |
| International Releases: | March 7th, 2021 (Wide), released as The Conjuring 3: A Obra do Diabo (Portugal)
May 28th, 2021 (Wide) (United Kingdom) May 28th, 2021 (Wide) (Egypt) June 2nd, 2021 (Wide), released as The Conjuring — Per ordine del diavolo (Italy) June 2nd, 2021 (Wide) (Indonesia) ... Show all releases |
| Video Release: | June 4th, 2021 by Max |
| MPA Rating: | R for terror, violence and some disturbing images. (Rating bulletin 2677 (cert #53178), 4/21/2021) |
| Running Time: | 112 minutes |
| Franchise: | The Conjuring |
| Plot point: | Demons, Paranormal Investigation |
| Social setting: | Supernatural |
| Source material: | Based on an UNTRUE Story |
| Subgenre: | Supernatural Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | New Line Cinema, Atomic Monster, The Safran Company |
| Production Countries: | United States |
| Languages: | English, Portuguese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 4, 2021 | 1 | $24,104,332 | 3,102 | $7,771 | $24,104,332 | 1 | |
| Jun 11, 2021 | 3 | $10,335,831 | -57% | 3,237 | $3,193 | $44,085,831 | 2 |
| Jun 18, 2021 | 4 | $5,009,698 | -52% | 3,280 | $1,527 | $53,460,982 | 3 |
| Jun 25, 2021 | 6 | $2,991,145 | -40% | 2,668 | $1,121 | $59,204,511 | 4 |
| Jul 2, 2021 | 8 | $1,260,000 | -58% | 1,716 | $734 | $62,195,663 | 5 |
| Jul 9, 2021 | 9 | $655,324 | -48% | 667 | $982 | $63,833,077 | 6 |
| Jul 16, 2021 | 14 | $353,137 | -46% | 390 | $905 | $64,577,677 | 7 |
| Jul 23, 2021 | - | $167,932 | -52% | 214 | $785 | $64,981,913 | 8 |
| Jul 30, 2021 | - | $70,999 | -58% | 100 | $710 | $65,161,252 | 9 |
| Aug 6, 2021 | - | $170,063 | +140% | 94 | $1,809 | $65,383,287 | 10 |
| Aug 13, 2021 | - | $54,618 | -68% | 61 | $895 | $65,521,610 | 11 |
| Aug 20, 2021 | - | $7,786 | -86% | 30 | $260 | $65,556,488 | 12 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jun 4, 2021 | 1 | $9,805,000 | 3,102 | $3,161 | $9,805,000 | 1 | ||
| Jun 5, 2021 | 1 | $8,605,000 | -12% | 3,102 | $2,774 | $18,410,000 | 2 | |
| Jun 6, 2021 | 1 | $5,600,000 | -35% | 3,102 | $1,805 | $24,010,000 | 3 | |
| Jun 11, 2021 | 4 | $3,600,000 | -63% | 3,237 | $1,112 | $37,350,000 | 8 | |
| Jun 18, 2021 | 4 | $1,660,000 | -54% | 3,280 | $506 | $50,111,000 | 15 | |
| Jun 25, 2021 | 6 | $900,000 | -46% | 2,668 | $337 | $57,113,000 | 22 | |
| Jul 2, 2021 | 8 | $470,000 | -48% | 1,716 | $274 | $61,406,000 | 29 | |
| Jul 9, 2021 | 10 | $200,000 | -57% | 667 | $300 | $63,378,000 | 36 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 4, 2021 | 1 | $33,750,000 | 3,102 | $10,880 | $33,750,000 | 1 | |
| Jun 11, 2021 | 3 | $14,699,859 | -56% | 3,102 | $4,739 | $48,451,284 | 2 |
| Jun 18, 2021 | 5 | $7,762,082 | -47% | 3,102 | $2,502 | $56,213,366 | 3 |
| Jun 25, 2021 | 6 | $4,722,297 | -39% | 2,668 | $1,770 | $60,935,663 | 4 |
| Jul 2, 2021 | 8 | $2,242,090 | -53% | 1,716 | $1,307 | $63,177,753 | 5 |
| Jul 9, 2021 | 10 | $1,046,787 | -53% | 667 | $1,569 | $64,224,540 | 6 |
| Jul 16, 2021 | 14 | $589,441 | -44% | 667 | $884 | $64,813,981 | 7 |
| Jul 23, 2021 | 17 | $276,272 | -53% | 214 | $1,291 | $65,090,253 | 8 |
| Jul 30, 2021 | - | $122,971 | -55% | 100 | $1,230 | $65,213,224 | 9 |
| Aug 6, 2021 | - | $253,768 | +106% | 100 | $2,538 | $65,466,992 | 10 |
| Aug 13, 2021 | - | $81,710 | -68% | 61 | $1,340 | $65,548,702 | 11 |
| Aug 20, 2021 | - | $16,372 | -80% | 30 | $546 | $65,565,074 | 12 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 6/3/2021 | $2,236,187 | 321 | 335 | 1,606 | $7,550,558 | 10/20/2022 | |||
| Brazil | 6/3/2021 | $1,700,000 | 913 | 1,063 | 3,012 | $6,000,000 | 10/20/2022 | |||
| Colombia | 6/4/2021 | $0 | 0 | 0 | 0 | $3,500,000 | 10/20/2022 | |||
| Czech Republic | 6/25/2021 | $135,180 | 84 | 84 | 292 | $576,805 | 10/20/2022 | |||
| Egypt | 5/28/2021 | $179,000 | 29 | 29 | 29 | $506,000 | 10/20/2022 | |||
| Finland | 6/4/2021 | $0 | 0 | 18 | 25 | $468,704 | 4/21/2026 | |||
| France | 6/9/2021 | $5,000,000 | 518 | 539 | 2,916 | $17,700,000 | 8/24/2021 | |||
| Germany | 7/1/2021 | $1,301,553 | 0 | 0 | 0 | $7,200,000 | 8/24/2021 | |||
| Hong Kong | 6/3/2021 | $433,371 | 0 | 0 | 0 | $988,122 | 7/6/2021 | |||
| Indonesia | 6/2/2021 | $2,400,000 | 1,379 | 1,379 | 1,379 | $5,400,000 | 10/20/2022 | |||
| Italy | 6/2/2021 | $747,464 | 0 | 19 | 19 | $2,480,536 | 10/20/2022 | |||
| Lithuania | 6/4/2021 | $23,989 | 14 | 14 | 69 | $128,643 | 8/27/2021 | |||
| Mexico | 6/3/2021 | $5,956,742 | 0 | 2,172 | 2,172 | $17,000,000 | 10/20/2022 | |||
| Netherlands | 6/11/2021 | $281,117 | 69 | 86 | 572 | $2,125,377 | 10/20/2022 | |||
| New Zealand | 6/3/2021 | $450,663 | 65 | 65 | 333 | $1,189,031 | 10/20/2022 | |||
| Poland | 8/6/2021 | $0 | 0 | 0 | 0 | $2,800,000 | 10/20/2022 | |||
| Portugal | 3/7/2021 | $0 | 0 | 85 | 338 | $563,900 | 7/13/2021 | |||
| Romania | 6/4/2021 | $193,980 | 80 | 80 | 283 | $540,524 | 10/20/2022 | |||
| Russia (CIS) | 6/10/2021 | $1,542,698 | 1,358 | 1,358 | 4,893 | $3,600,000 | 10/20/2022 | |||
| Saudi Arabia | 6/4/2021 | $1,000,000 | 48 | 48 | 48 | $2,700,000 | 10/20/2022 | |||
| Slovakia | 6/4/2021 | $80,874 | 31 | 31 | 178 | $418,886 | 11/2/2021 | |||
| South Korea | 6/4/2021 | $2,669,409 | 1,133 | 1,133 | 3,280 | $7,200,000 | 8/24/2021 | |||
| Spain | 6/4/2021 | $1,857,933 | 311 | 324 | 2,345 | $7,400,000 | 8/24/2021 | |||
| Turkey | 7/9/2021 | $66,659 | 188 | 188 | 624 | $371,683 | 4/4/2026 | |||
| United Arab Emirates | 6/4/2021 | $0 | 0 | 0 | 0 | $1,500,000 | 6/14/2021 | |||
| United Kingdom | 5/28/2021 | $3,842,870 | 473 | 486 | 3,221 | $13,300,000 | 8/24/2021 | |||
| Rest of World | $27,591,231 | |||||||||
| International Total | $140,800,000 | 4/21/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Patrick Wilson | Ed Warren | |
| Vera Farmiga | Lorraine Warren |
Supporting
| Ruairi O’Connor | Ame Cheyenne Johnson | |
| Sarah Catherine Hook | Debbie Glatzel | |
| Julian Hilliard | David Glatzel | |
| John Noble | Kastner | |
| Eugenie Bondurant | The Occulist | |
| Shannon Kook | Drew Thomas | |
| Ronnie Gene Blevins | Bruno | |
| Keith Arthur Bolden | Sergeant Clay | |
| Steve Coulter | Father Gordon | |
| Vince Pisani | Father Newman | |
| Ingrid Bisu | Jessica | |
| Andrea Andrade | Katie | |
| Ashley LeConte Campbell | Meryl | |
| Sterling Jerins | Judy Warren | |
| Paul Wilson | Carl Glatzel | |
| Charlene Amoia | Judy Glatzel | |
| Davis Osborne | Infirmary Patient | |
| Nick Massouh | Doctor | |
| Stella Doyle | Kennel Customer | |
| Megan Ashley Brown | Young Lorraine | |
| Mitchell Hoog | Young Ed | |
| Jimmy Gonzales | Boss | |
| Franco Castan | Police Officer | |
| Mark Rowe | Police Sergeant | |
| Chris Greene | Cop | |
| Lindsay Ayliffe | Judge | |
| Zele Avradopoulos | Duty Nurse | |
| Jacinte Blankenship | Paramedic | |
| Robert Walker Branchaud | Prison Guard | |
| Jay Peterson | The Linebacker | |
| Kaleka | Jury Foreman |
Production and Technical Credits
| Michael Chaves | Director | |
| David Leslie Johnson-McGoldrick* | Screenwriter | |
| James Wan | Story by | |
| David Leslie Johnson-McGoldrick* | Story by | |
| Peter Safran | Producer | |
| James Wan | Producer | |
| Richard Brener | Executive Producer | |
| Dave Neustadter | Executive Producer | |
| Victoria Palmeri | Executive Producer | |
| Michael Clear | Executive Producer | |
| Judson Scott | Executive Producer | |
| Michelle Morrissey | Executive Producer | |
| Jennifer Spence | Production Designer | |
| Peter Gvozdas | Editor | |
| Christian Wagner | Editor | |
| Joseph Bishara | Composer | |
| Michael Burgess | Director of Photography | |
| Chad Hayes | Character Creator | |
| Carey Hayes | Character Creator | |
| Ian Broucek | Music Supervisor | |
| Leah Butler | Costume Designer | |
| Anne McCarthy | Casting Director | |
| Kellie Roy | Casting Director | |
| Will Greenfield | Unit Production Manager | |
| Jeffrey Wetzel | First Assistant Director | |
| Joann Connolly | Second Assistant Director | |
| Will Greenfield | Co-Producer | |
| Éric Bruneau | Visual Effects Producer | |
| Peter Borck | Supervising Art Director | |
| Rachel Block | Art Director | |
| Julian Scalia | Art Director | |
| Lisa Son | Set Decorator | |
| Chris Giles | Sound Mixer | |
| Tricia Miles Tharp | Post-Production Supervisor | |
| Liz Calandrello | First Assistant Editor | |
| Richard Conkling | First Assistant Editor | |
| Julie Pearce | Supervising Music Editor | |
| Lise Richardson | Music Editor | |
| Oliver Hug | Music Editor | |
| Barbara McDermott | Music Editor | |
| Joe E. Rand | Music Editor | |
| Julian Slater | Re-recording Mixer | |
| Michael Babcock | Re-recording Mixer | |
| Jason W. Jennings | Supervising Sound Editor | |
| Jon Title | Sound Designer | |
| D. Chris Smith | Sound Designer | |
| Doobie White | Sound Designer | |
| Nancy Macleod | Sound Effects Editor | |
| Dave McMoyler | Sound Effects Editor | |
| Michelle Pazer | Dialogue Editor | |
| Eliza Zebert | Dialogue Editor | |
| Jim Brookshire | Dialogue Editor | |
| Robert Troy | Dialogue Editor | |
| John Sanacore | Foley Mixer | |
| Robert Nederhorst | Visual Effects Supervisor | |
| Gerard Averill | Location Manager | |
| Jody Blose | Script Supervisor | |
| Susan Bertram | Costume Supervisor | |
| Eleanor Sabaduquia | Make up | |
| Kimberly Jones | Make up | |
| Melanie DeForrest | Special Make-up Effects | |
| Adruitha Lee | Hairstylist | |
| Melizah Wheat | Hairstylist | |
| Kristen B. Adams | Set Designer | |
| Shana McKay Burns | Set Designer | |
| Kevin Crooks | Set Designer | |
| Al Hobbs | Set Designer | |
| J.D. Schwalm | Special Effects Supervisor | |
| Wayne Rowe | Special Effects Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
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