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Box Office History for Da Vinci Code Movies

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  1. Summary
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  4. Acting Credits
  5. Technical Credits

Release DateMovieProduction
Box Office
Box Office
May 19, 2006 The Da Vinci Code $125,000,000 $77,073,388 $217,536,138 $767,820,459  
May 15, 2009 Angels & Demons $150,000,000 $46,204,168 $133,375,846 $490,875,846  
Oct 28, 2016 Inferno $75,000,000 $14,860,425 $34,343,574 $219,561,188 Play
 Totals$350,000,000 $385,255,558$1,478,257,493 
Release DateMovieDomestic
DVD Sales
Blu-ray Sales
Total Domestic
Video Sales
Nov 14, 2006 The Da Vinci Code $100,215,702   $100,215,702
Nov 24, 2009 Angels & Demons $36,869,406 $13,532,966 $50,402,372
Jan 24, 2017 Inferno $5,684,600 $4,675,418 $10,360,018

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Home Media Magazine.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Home Market Releases for January 24th, 2017

January 23rd, 2017

The Handmaiden

It’s not a particularly good week for top-notch releases. There are only three contenders for Pick of the Week, one of which doesn’t come out till next week. I was able to review Pinocchio a week early. The others are a classic from the 1970s, The Man Who Fell To Earth on Blu-ray Combo Pack, and an import from South Korea, The Handmaiden on DVD. Even though The Handmaiden is only coming out on DVD, it is still the best and is this week’s Pick of the Week. More...

International Box Office: Strange More Incredible Than The Hulk with $118.7 million

November 9th, 2016

Doctor Strange

Doctor Strange added $118.7 million in 54 markets for totals of $240.4 million internationally and $325.5 million worldwide. It has already overtaken The Incredible Hulk in the MCU and is rapidly closing in on Captain America: The First Avenger. This weekend, the film debuted in first place in China with $44.12 million, including some previews, as well as in Brazil with $7.9 million. The film also expanded wide in Russia earning $8.49 million over the weekend for a total of $15.63 million. On the downside, the film has already opened in all major markets, except for Japan, where it doesn’t open until January. With what it has pulled in so far, anything less than $600 million will be seen as troubling, while anything more than $750 million will be seen as a success. More...

Weekend Wrap-Up: Madea puts out Inferno’s Fire earning $17.22 million

November 1st, 2016

Tyler Perry’s Boo! A Madea Halloween

Halloween helped boost Tyler Perry’s Boo! A Madea Halloween’s numbers over the weekend allowing it to earn first place with $17.22 million. This was much better than the $14.86 million Inferno opened with. While Halloween didn’t happen until Monday, the holiday still had a negative effect on the box office, as it fell 29% to just $88 million. That’s worse than anticipated. Compared to the same weekend last year, 2016 was better by 17%, but it’s hard to spin this as a real victory. Year-to-date, 2016’s lead over 2015 barely budged at $9.06 billion to $8.69 billion. That said, if 2016 can just maintain this lead till Rogue One debuts, then we should have at least some growth at the end of the year. More...

Thursday Night Previews: Inferno Sparks, but Doesn’t Catch Fire with $800,000

October 28th, 2016


Inferno got off to a slow start with midnight previews earning just $800,000. That’s well below the other thrillers that have opened this month. In fact, it is on par with Deepwater Horizon’s previews at the end of September. That film earned just over $20 million, which isn’t a bad opening, but it isn’t a great opening for a film that cost $75 million to make. Things get worse for Inferno, as it has terrible reviews and it is part of a franchise, so its legs will likely be shorter. At the moment, it is on pace for a sub-$20 million debut; however, that might change when we see Friday’s estimates. Maybe it will bounce back, or maybe things will get worse. More...

Weekend Predictions: Will Inferno Catch Fire over the Weekend?

October 27th, 2016


There’s only one wide release this week, Inferno, and it should have no trouble earning first place. On the other hand, it won’t come close to matching the other two films in the Da Vinci Code franchise. Tyler Perry’s Boo! A Madea Halloween earned first place last week, but Madea movies tend to have short legs, so it could see a large drop-off this weekend. Or perhaps Halloween will help it thrive. This weekend last year, Halloween landed on a Saturday. It comes as no surprise that this was a disaster for the box office. The “best” new release, Burnt opened outside of the top five with just $5 million. The two and a half wide releases earned a combined $10 million last year. This year, there’s a small chance Inferno will earn $10 million during its opening day. There’s almost no chance 2016 won’t crush 2015 in the year-over-year comparison. More...

International Box Office: Jack Reaches for the Top earning $31.5 million

October 27th, 2016

Jack Reacher: Never Go Back

Jack Reacher: Never Go Back opened in first place internationally with $31.5 million in 31 markets. Its biggest market was China, where it earned $5.56 million, including previews. The film’s second biggest market was in the U.K. where it earned $3.28 million in 519 theaters. This is lower than it opened here, given the relative size of the two markets, and much lower than the $5.75 million the first film opened with. Granted, that film opened in the U.K. right around Christmas, but overall Never Go Back is underperforming. This is really bad news for Paramount Pictures, as they’ve had a bad year with a number of high-profile, high-cost movies failing to break even and really can’t afford another misstep. More...

2016 Preview: October

October 1st, 2016

The Girl on the Train

September is over and we should all be glad about that. Unless the final weekend brings a surprise $100 million hit or two, 2016’s lead over 2015 will shrink over the month. There were some bright spots, most notably Sully, which will be the biggest hit of the month. On the other hand, we had more outright bombs than even midlevel hits. Sadly, October isn’t much better. There are a couple of films that could be $100 million hits, but most of the films will struggle to become midlevel hits. Both Inferno and The Girl on the Train are aiming for $100 million. One of them might get there too. If both get there, then October will be seen as a success. By comparison, last October was led by The Martian; however, because of a misalignment in the calendar, The Martian’s opening weekend actually lines up with the final weekend in September. It had great legs, so that will help 2015 early in the month, but the rest of the month was terrible last year and I think 2016 will come out ahead as a result. More...

Note: This list contains actors who appeared in at least two movies in the franchise.

PersonNr. of
Box Office
Box Office
Tom Hanks 3 Robert Langdon $1,478,257,493 $10,092,603,889 14.6%

Note: This list contains people who contributed to at least two movies in the franchise.

PersonNr. of
Technical RoleFranchise
Box Office
Box Office
Ron Howard 3 Director (3)
Producer (2)
$1,478,257,493 $4,380,595,400 33.7%
Brian Grazer 3 Producer (3) $1,478,257,493 $6,422,067,319 23.0%
Dan Brown 3 Executive Producer (3)
Story Creator (3)
$1,478,257,493 $1,478,257,493 100.0%
William M. Connor 3 Assistant Director (3)
Associate Producer (1)
$1,478,257,493 $3,295,227,272 44.9%
Daniel Pagan 3 Sound Designer (2)
Supervising Sound Editor (1)
$1,478,257,493 $2,125,081,729 69.6%
David Koepp 2 Screenwriter (2) $710,437,034 $6,195,813,562 11.5%
Akiva Goldsman 2 Screenwriter (2) $1,258,696,305 $7,083,316,921 17.8%
John Calley 2 Producer (2) $1,258,696,305 $1,374,874,000 91.5%
Salvatore Totino 2 Cinematographer (2) $1,258,696,305 $2,832,917,717 44.4%
Dan Hanley 2 Editor (2) $1,258,696,305 $2,685,410,380 46.9%
Allan Cameron 2 Production Designer (2) $1,258,696,305 $3,747,209,798 33.6%
Mike Hill 2 Editor (2) $1,258,696,305 $2,721,851,783 46.2%
Anna Culp 2 Associate Producer (1)
Executive Producer (1)
$710,437,034 $818,683,974 86.8%
Todd Hallowell 2 Executive Producer (2)
Second Unit Director (2)
$1,258,696,305 $4,720,600,211 26.7%
Hans Zimmer 2 Composer (2) $1,258,696,305 $29,958,180,569 4.2%
Daniel Orlandi 2 Costume Designer (2) $1,258,696,305 $4,104,909,466 30.7%
Angus Bickerton 2 Visual Effects Supervisor (2) $1,258,696,305 $2,087,559,585 60.3%
Kathleen McGill 2 Associate Producer (2) $1,258,696,305 $3,234,496,876 38.9%
Louisa Velis 2 Associate Producer (2) $1,258,696,305 $2,267,910,933 55.5%
Giles Masters 2 Art Director (1)
Supervising Art Director (1)
$1,258,696,305 $2,431,229,160 51.8%
Greg P. Russell 2 Sound Mixer (1)
Supervising Sound Mixer (1)
$1,258,696,305 $13,196,136,299 9.5%
Chic Ciccolini 2 Supervising Sound Editor (2) $1,258,696,305 $2,084,218,610 60.4%
Jane Jenkins 2 Casting Director (2) $1,258,696,305 $14,047,462,608 9.0%
Janet Hirshenson 2 Casting Director (2) $1,258,696,305 $13,999,879,720 9.0%