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| Release Date | Title | Production Budget | Opening Weekend | Domestic Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Sep 6, 2019 | It: Chapter Two | $70,000,000 | $91,062,152 | $211,593,228 | $467,561,586 |
| Sep 8, 2017 | It | $35,000,000 | $123,403,419 | $328,828,874 | $701,012,746 |
| Averages | $52,500,000 | $107,232,786 | $270,211,051 | $584,287,166 | |
| Totals | 2 | $105,000,000 | $540,422,102 | $1,168,574,332 | |
| Release Date | Title | Domestic Video Sales to Date | Watch Now |
|---|---|---|---|
| Dec 19, 2017 | It | $52,113,431 | Netflix Hulu Amazon iTunes Google Vudu |
| Nov 19, 2019 | It: Chapter Two | $27,194,026 | Hulu Amazon Google Vudu |
| Dec 10, 2019 | It 2-Film Collection | $5,658,493 | iTunes Vudu |
| Jan 13, 2020 | It: Chapter Two | Netflix | |
| Totals | $84,965,950 | ||
Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.
For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.
We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.
Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.
September 23rd, 2019
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It was a strong weekend with almost every film in the top five topping predictions. Downton Abbey dominated the chart with $31.03 million, breaking the record for an opening weekend by a Focus Features film in the process. Both Ad Astra and Rambo: Last Blood also beat expectations, albeit by much, much smaller margins. This helped the overall box office grow 12% from last weekend to $123 million. More importantly, this is 34% higher than the same weekend last year. I was expecting substantial growth, but not this much growth. Granted, 2019 is still behind 2018, but the lead has been cut to 5.5% or $470 million at $8.14 billion to $8.61 billion. Furthermore, if we have a few more good weeks, then optimism will actually return to the box office analysis.
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Note: This list contains actors who appeared in at least two movies in the franchise.
| Person | Nr. of Movies | Role | Franchise Worldwide Box Office | Career Worldwide Box Office | Franchise / Career |
|---|---|---|---|---|---|
| Bill Skarsgård | 2 | Pennywise | $1,168,574,332 | $3,111,290,490 | 37.6% |
| Finn Wolfhard | 2 | Richie Tozier | $1,168,574,332 | $1,788,208,701 | 65.3% |
| Sophia Lillis | 2 | Beverly Marsh | $1,168,574,332 | $1,453,060,074 | 80.4% |
| Jack Dylan Grazer | 2 | Eddie Kaspbrak | $1,168,574,332 | $1,740,278,418 | 67.1% |
| Wyatt Oleff | 2 | Stanley Uris | $1,168,574,332 | $1,939,456,727 | 60.3% |
| Jeremy Ray Taylor | 2 | Ben Hanscom | $1,168,574,332 | $1,608,569,418 | 72.6% |
| Chosen Jacobs | 2 | Mike Hanlon | $1,168,574,332 | $1,168,574,332 | 100.0% |
| Nicholas Hamilton | 2 | Henry Bowers | $1,168,574,332 | $1,306,639,965 | 89.4% |
| Stephen Bogaert | 2 | Alvin Marsh | $1,168,574,332 | $1,711,111,878 | 68.3% |
| Javier Botet | 2 | Hobo/The Witch | $1,168,574,332 | $3,000,960,079 | 38.9% |
| Jackson Robert Scott | 2 | George Denbrough | $1,168,574,332 | $1,244,369,443 | 93.9% |
| Jake Sim | 2 | Reginald “Belch” Huggins | $1,168,574,332 | $1,181,400,363 | 98.9% |
| Owen Teague | 2 | Patrick Hockstetter | $1,168,574,332 | $1,194,360,959 | 97.8% |
| Logan Thompson | 2 | Victor “Vic” Criss | $1,168,574,332 | $1,168,574,332 | 100.0% |
| Joe Bostick | 2 | Mr. Keene | $1,168,574,332 | $1,168,574,332 | 100.0% |
| Megan Charpentier | 2 | Greta Bowie | $1,168,574,332 | $1,510,414,254 | 77.4% |
| Katie Lunman | 2 | Betty Ripsom | $1,168,574,332 | $1,168,574,332 | 100.0% |
| Neil Crone | 2 | Chief Borton | $1,168,574,332 | $1,212,590,533 | 96.4% |
| Ari Cohen | 2 | Rabbi Uris | $1,168,574,332 | $1,169,458,468 | 99.9% |
| Edie Inksetter | 2 | Hostess | $1,168,574,332 | $1,208,093,920 | 96.7% |
| Anthony Ulc | 2 | Joe the Butcher | $1,168,574,332 | $1,168,574,332 | 100.0% |
| Janet Porter | 2 | Stanley’s Mother | $1,168,574,332 | $1,168,574,332 | 100.0% |
Note: This list contains people who contributed to at least two movies in the franchise.
| Person | Nr. of Movies | Technical Role | Franchise Worldwide Box Office | Career Worldwide Box Office | Franchise / Career |
|---|---|---|---|---|---|
| Andy Muschietti | 2 | Director (2) | $1,168,574,332 | $1,583,220,230 | 73.8% |
| Dan Lin | 2 | Producer (2) | $1,168,574,332 | $5,863,382,218 | 19.9% |
| Barbara Muschietti | 2 | Producer (2) | $1,168,574,332 | $1,583,220,230 | 73.8% |
| Roy Lee | 2 | Producer (2) | $1,168,574,332 | $6,656,598,732 | 17.6% |
| Gary Dauberman | 2 | Screenwriter (2) | $1,168,574,332 | $2,715,690,536 | 43.0% |
| David Katzenberg | 2 |
Executive Producer (1) Producer (1) |
$1,168,574,332 | $1,212,073,912 | 96.4% |
| Stephen King | 2 | Story based on “It” by (2) | $1,168,574,332 | $2,946,559,463 | 39.7% |
| Seth Grahame-Smith | 2 |
Executive Producer (1) Producer (1) |
$1,168,574,332 | $2,045,066,454 | 57.1% |
| Dave Neustadter | 2 | Executive Producer (2) | $1,168,574,332 | $5,873,249,884 | 19.9% |
| Richard Brener | 2 | Executive Producer (2) | $1,168,574,332 | $10,911,050,952 | 10.7% |
| Jason Ballantine | 2 | Editor (2) | $1,168,574,332 | $1,979,680,314 | 59.0% |
| Marty P. Ewing | 2 |
Unit Production Manager (2) Executive Producer (2) |
$1,168,574,332 | $3,443,101,261 | 33.9% |
| Benjamin Wallfisch | 2 | Composer (2) | $1,168,574,332 | $4,062,371,271 | 28.8% |
| Rich Delia | 2 | Casting Director (2) | $1,168,574,332 | $5,557,639,286 | 21.0% |
| Nicholas Brooks | 2 | Visual Effects Supervisor (2) | $1,168,574,332 | $2,123,189,909 | 55.0% |
| Penny Charter | 2 | Second Assistant Director (2) | $1,168,574,332 | $1,635,678,556 | 71.4% |
| Sylvain Arsenault | 2 | Sound Mixer (2) | $1,168,574,332 | $1,168,703,374 | 100.0% |
| Darin Read | 2 |
Associate Producer (1) Post-Production Supervisor (1) |
$1,168,574,332 | $2,475,913,662 | 47.2% |
| Lise Richardson | 2 | Music Editor (2) | $1,168,574,332 | $2,768,305,389 | 42.2% |
| Michael Keller | 2 | Re-recording Mixer (2) | $1,168,574,332 | $8,278,206,178 | 14.1% |
| Jamie Jones | 2 | Stunt Coordinator (2) | $1,168,574,332 | $3,480,738,516 | 33.6% |
| Kris Fenske | 2 | Sound Effects Editor (2) | $1,168,574,332 | $1,633,280,267 | 71.5% |
| Randy Morgan | 2 | Location Manager (2) | $1,168,574,332 | $1,168,574,332 | 100.0% |
| Shane Scott | 2 | Script Supervisor (2) | $1,168,574,332 | $2,752,278,114 | 42.5% |
| Sarah Craig McEathron | 2 | Make up (2) | $1,168,574,332 | $1,168,574,332 | 100.0% |
| Warren Appleby | 2 |
Special Effects Coordinator (1) Special Effects Supervisor (1) |
$1,168,574,332 | $1,652,351,066 | 70.7% |
| Aaron Dinsmore | 2 | Special Effects (2) | $1,168,574,332 | $1,168,574,332 | 100.0% |
| Kristy Hollidge | 2 | Special Effects (2) | $1,168,574,332 | $1,168,574,332 | 100.0% |
| Ted Ross | 2 | Special Effects (2) | $1,168,574,332 | $1,202,021,944 | 97.2% |
| Will Waring | 2 | Second Unit Director (2) | $1,168,574,332 | $1,168,574,332 | 100.0% |
