Back to the Fatherland (2018)

Back to the Fatherland
Theatrical Performance
Domestic Box Office $2,697Details
Further financial details...

Synopsis

Gil and Kat, both filmmakers, struck up a friendship during their time at college in New York City ten years ago. Gil comes from Israel, Kat from Austria. Their families’ history is strikingly different. Gil is the granddaughter of a Holocaust survivor, Kat is one of a Nazi officer. The exodus of many young secular Israelis to Germany and Austria prompt Gil and Kat to embark on a journey: to find other grandchildren of Holocaust survivors who had moved to Germany and Austria and learn how their grandparents reacted to that decision. Could returning to the site of their pain decades ago create reconciliation between generations?

Metrics

Opening Weekend:$1,312 (48.6% of total gross)
Legs:2.06 (domestic box office/biggest weekend)
Domestic Share:100.0% (domestic box office/worldwide)
Theater counts:1 opening theaters/1 max. theaters, 2.0 weeks average run per theater
Infl. Adj. Dom. BO $3,169

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 17,901-18,000) 17,945 $2,697
All Time Worldwide Box Office (Rank 36,601-36,700) 36,642 $2,697
All Time Domestic Highest Grossing Limited Release Movies (Rank 8,901-9,000) 8,910 $2,697

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: June 14th, 2019 (Limited) by First Run Features
International Releases: November 8th, 2018 (Wide) (Germany)
MPAA Rating: Not Rated
Running Time: 77 minutes
Comparisons: Create your own comparison chart…
Keywords: Set in New York City, Set in Germany, Jewish, Set in Austria
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: GreenKat Productions
Production Countries: Austria
Languages: English, German, Hebrew

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jun 14, 2019 71 $1,312   1 $1,312   $1,312 1
Jun 28, 2019 80 $577   1 $577   $2,697 3

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jun 14, 2019 - $1,312   1 $1,312   $1,312 1

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Germany 11/8/2018 $0000$0
 
International Total$0

Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Documentary Subject(s)

Lea Ron Peled    Himself
Gidi Peled    Himself
Dan Peled    Himself
Uri Ben Rehav    Himself
Guy Shahar    Himself
Katharina Maschek    Herself
Kat Rohrer    Herself
Gil Levanon    Himself
Yochanan Tenzer    Himself
Ayelet Triest    Herself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Kat Rohrer    Director
Kat Rohrer    Producer
Anneliese Rohrer    Screenwriter
Gil Levanon    Co-Director
Gil Levanon    Co-Producer
Janine Michtner    Line Producer
Susan Korda    Screenwriter
Matthias Kress    Co-Producer
Tom Marschall    Director of Photography
Georg Eggenfellner    Editor
Dor Harel    Assistant Editor
Andreas Pils    Sound Mixer
Andreas Pils    Sound Editor
Tao Zervas    Composer

Theater Averages: Nothing New to Report

June 20th, 2019

Paris is Burning

There were no new releases in the $10,000 club this past weekend. That’s not to say there were no films that reached that mark, but neither of them were new. Paris is Burning is a re-release of a 1991 documentary and it earned $10,839 in its lone theater. Meanwhile, The Last Black Man in San Francisco spent a second weekend in the $10,000 club with an average of $10,581 in 36 theaters. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Gil and Kat, both filmmakers, struck up a friendship during their time at college in New York City ten years ago. Gil comes from Israel, Kat from Austria. Their families’ history is strikingly different. Gil is the granddaughter of a Holocaust survivor, Kat is one of a Nazi officer. The exodus of many young secular Israelis to Germany and Austria prompt Gil and Kat to embark on a journey: to find other grandchildren of Holocaust survivors who had moved to Germany and Austria and learn how their grandparents reacted to that decision. Could returning to the site of their pain decades ago create reconciliation between generations?

Metrics

Opening Weekend:$1,312 (48.6% of total gross)
Legs:2.06 (domestic box office/biggest weekend)
Domestic Share:100.0% (domestic box office/worldwide)
Theater counts:1 opening theaters/1 max. theaters, 2.0 weeks average run per theater
Infl. Adj. Dom. BO $3,169

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 17,901-18,000) 17,945 $2,697
All Time Worldwide Box Office (Rank 36,601-36,700) 36,642 $2,697
All Time Domestic Highest Grossing Limited Release Movies (Rank 8,901-9,000) 8,910 $2,697

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: June 14th, 2019 (Limited) by First Run Features
International Releases: November 8th, 2018 (Wide) (Germany)
MPAA Rating: Not Rated
Running Time: 77 minutes
Comparisons: Create your own comparison chart…
Keywords: Set in New York City, Set in Germany, Jewish, Set in Austria
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: GreenKat Productions
Production Countries: Austria
Languages: English, German, Hebrew

Documentary Subject(s)

Lea Ron Peled    Himself
Gidi Peled    Himself
Dan Peled    Himself
Uri Ben Rehav    Himself
Guy Shahar    Himself
Katharina Maschek    Herself
Kat Rohrer    Herself
Gil Levanon    Himself
Yochanan Tenzer    Himself
Ayelet Triest    Herself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Kat Rohrer    Director
Kat Rohrer    Producer
Anneliese Rohrer    Screenwriter
Gil Levanon    Co-Director
Gil Levanon    Co-Producer
Janine Michtner    Line Producer
Susan Korda    Screenwriter
Matthias Kress    Co-Producer
Tom Marschall    Director of Photography
Georg Eggenfellner    Editor
Dor Harel    Assistant Editor
Andreas Pils    Sound Mixer
Andreas Pils    Sound Editor
Tao Zervas    Composer

Theater Averages: Nothing New to Report

June 20th, 2019

Paris is Burning

There were no new releases in the $10,000 club this past weekend. That’s not to say there were no films that reached that mark, but neither of them were new. Paris is Burning is a re-release of a 1991 documentary and it earned $10,839 in its lone theater. Meanwhile, The Last Black Man in San Francisco spent a second weekend in the $10,000 club with an average of $10,581 in 36 theaters. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jun 14, 2019 71 $1,312   1 $1,312   $1,312 1
Jun 28, 2019 80 $577   1 $577   $2,697 3

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jun 14, 2019 - $1,312   1 $1,312   $1,312 1

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Germany 11/8/2018 $0000$0
 
International Total$0

Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.