Diana Vreeland: The Eye Has to Travel

Diana Vreeland: The Eye Has to Travel poster
Theatrical Performance
Domestic Box Office $1,004,821Details
International Box Office $93,775
Worldwide Box Office $1,098,596
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Video Sales
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

An intimate portrait and a vibrant celebration of Diana Vreeland, one of the most influential women of the 20th century, an enduring icon whose influence changed the face of fashion, beauty, art, publishing and culture forever. During her fifty year reign as the "Empress of Fashion," she launched Twiggy, advised Jackie O and coined some of fashion's most eloquent proverbs such as "the bikini is the biggest thing since the atom bomb." She was the fashion editor of Harper's Bazaar where she worked for 25 years before becoming editor-in-chief of Vogue followed by a remarkable stint at the Met's Costume Institute where she helped popularize its historical collections.

Metrics

Rotten Tomatoes
Critics Certified FreshAudience Upright
Critics
94% - Certified Fresh
Audience
78% - Upright

Movie Details

Domestic Releases: September 21st, 2012 (Limited) by Samuel Goldwyn Films
Video Release: February 5th, 2013 by Entertainment One
MPAA Rating: PG-13 for some nude images.
(Rating bulletin 2227, 6/13/2012)
Running Time: 86 minutes
Keywords: Publishing Industry, Archive Footage, Animated Sequences, Biography, Fashion
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production Companies: Gloss Studio, Mago Media, Lisa Immordino

Cast

Diana Vreeland    Herself

Production and Technical Credits

Director   
Producer    Lisa Immordino
Executive Producer    Jonathan Gray
Co-Executive Producer    Mark Lee
Co-Director    Bent-Jorgen Perlmutt
Editor    Bent-Jorgen Perlmutt
Co-Director    Frederic Tcheng
Editor    Frederic Tcheng
Music Supervisor    Susan Jacobs

Per Theater Chart: Gated Community

The Gatekeepers led the way on the per theater chart with an average of $22,226 in three theaters. The only other member of the $10,000 club was Koch with an average of $17,598 in two. Both films should continue to do well on the art house circuit, but as documentaries, I doubt they will expand significantly. More...

DVD and Blu-ray Releases for February 5th, 2013

It's not a bad week as far as first run releases go with three of them appearing high on the chart. This includes Flight, which has earned some major nominations during Awards Season. However, it is a shallow week, as there are also Direct-to-DVD kids releases and even a workout DVD in the top ten, according to Amazon.com. Leading the way is Peter Pan on Blu-ray Combo Pack or Blu-ray Combo Pack with Storybook App. This is not only the best-selling Blu-ray of the week, but it is also the best and is the Pick of the Week. More...

Per Theater Chart Perks Up

The Perks of Being a Wallflower easily topped the per theater chart with an average of $57,090 in four theaters. This combined with its 81% positive reviews suggests a potential for significant expansion and long legs. Diana Vreeland - The Eye Has to Travel was also strong with an average of $21,233. This is an excellent start, but documentaries rarely expand significantly beyond the art house circuit. Occupy Unmasked just managed to top $10,000 on the per theater chart with an average of $10,238 in four theaters. More...

Limited Releases: The Perks of Being a Limited Release

It's another busy week for limited releases. However, of the nine films on this week's list, only two of them are earning overwhelmingly positive reviews, and both of them are documentaries. There is one film that is earning great reviews and is also generating a lot of buzz, The Perks of Being a Wallflower. If that film isn't the biggest hit on this week's list, I would be shocked. More...

Daily Box Office Performance

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2012/09/21 48 $63,700   3 $21,233   $63,700 3
2012/09/28 45 $90,699 +42% 14 $6,479   $193,543 10
2012/10/05 41 $85,039 -6% 18 $4,724   $330,670 17
2012/10/12 39 $55,809 -34% 17 $3,283   $438,837 24
2012/10/19 37 $73,928 +32% 27 $2,738   $547,686 31
2012/10/26 41 $57,232 -23% 26 $2,201   $653,710 38
2012/11/02 44 $54,523 -5% 24 $2,272   $744,522 45
2012/11/09 43 $42,063 -23% 24 $1,753   $811,450 52
2012/11/16 52 $20,959 -50% 15 $1,397   $859,780 59
2012/11/23 57 $18,291 -13% 15 $1,219   $890,486 66
2012/11/30 60 $13,553 -26% 12 $1,129   $912,840 73
2012/12/07 73 $7,176 -47% 15 $478   $928,157 80
2012/12/14 69 $4,532 -37% 14 $324   $938,476 87
2012/12/21 64 $3,643 -20% 7 $520   $945,959 94
2013/01/04 65 $5,882   7 $840   $963,138 108
2013/01/11 64 $6,191 +5% 7 $884   $972,291 115
2013/01/25 67 $6,776   8 $847   $996,242 129
2013/02/01 74 $5,038 -26% 6 $840   $1,004,821 136

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.