Majo Tonorio, aka, "Filly Brown" is a young, raw hip-hop artist from Los Angeles who spits rhymes from the heart. With a mother in prison and a father struggling to provide for his daughters, Majo knows that a record contract could be her family's ticket out. But when a record producer offers her a shot at stardom, she is suddenly faced with the prospect of losing who she is as an artist, as well as the friends who helped her reach the cusp of success.
||April 19th, 2013 (Limited) by Pantelion Films|
||July 30th, 2013 by Gaiam Vivendi|
||R for language, some drug use and violence.|
(Rating bulletin 2231, 7/11/2012)
||Hip Hop and Rap, Musicians, Singers, Big Break, Music Industry, Hispanic, Poverty, Posthumous Release|
|Production Method:||Live Action|
|Creative Type:||Contemporary Fiction|
While there were two films in the $10,000 club this week, Kon-Tiki and The Reluctant Fundamentalist, one could argue Mud had the best opening on the per theater chart this past weekend. Kon-Tiki earned an average of $11,084 in two theaters, while The Reluctant Fundamentalist earned an average of $10,307 in three. However, Mud earned an average of $6,103 while playing in 363 theaters. It missed the top ten by just $160,000.
There was only one film in the $10,000 club this week, In the House, which earned an average of $11,738 in three theaters. However, Filly Brown had a more impressive opening with $1.48 million in 188 theaters for an average of $7,863. You rarely see limited releases playing in that many theaters earning that high a per theater average.
Given the news over the past week, and the shutdown of Boston on Friday, there was some uncertainty over how much sci-fi action moviegoers would have an appetite for this weekend. Sunday's studio estimates provide the answer: quite a lot. Oblivion will open with about $38.2 million according to Universal, which is on the high end of expectations. That's enough to put it firmly in the top ten April weekends, in between Rio and Hop, but a long way behind Clash of the Titans, which debuted with $61.2 million in 2010 and is probably the closest comparison film to Oblivion among recent April openers.
There are not a huge number of films on this weeks list, but there are some big releases in terms of theater counts. In fact, there is a trio of films opening in more than 100 theaters and there is a slim chance one of them will be a breakout hit. If I were a betting man, I would go with Home Run. Its reviews are weak, but churchgoers tend not to listen to critics. There are also a trio of documentaries, and a trio of Canadian films. Hopefully there will be at least a couple surprise hits in the bunch.
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