Godzilla

Godzilla poster
Theatrical Performance
Domestic Box Office $199,170,223Details
International Box Office $291,000,000
Worldwide Box Office $490,170,223
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Video Sales
  5. Full Financials
  6. Cast & Crew
  7. Trailer
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Synopsis

Godzilla 3D remake.

Metrics

Rotten Tomatoes
Critics
74% - Certified Fresh
Audience
70% - Upright

Movie Details

Production Budget:$160,000,000
Theatrical Release: May 16th, 2014 (Wide) by Warner Bros.
May 16th, 2014 (IMAX) by Warner Bros.
MPAA Rating: PG-13 for intense sequences of destruction, mayhem and creature violence.
(Rating bulletin 2317, 4/9/2014)
Franchise: Godzilla
Keywords: 3-D, Reboot, Foreign Language Remake, Development Hell, Kaiju, 3-D - Shot in 3-D, Visual Effects
Source:Remake
Genre:Action
Production Method:Live Action
Creative Type:Science Fiction

International Box Office: Bewitching the Box Office

Maleficent poster

Maleficent rose to first place with $47.9 million in 54 markets for totals of $340.8 million internationally and $526.7 million worldwide. It became the first live-action film in Angelina Jolie's career to reach the $500 million mark. The film opened in first place in China with $22.01 million. Up next for the film is Japan and if it does well there, it could top Kung Fu Panda 2 as Angelina Jolie's biggest hit. More...

International Box Office: Trio Top the Charts

Godzilla poster

There were three films that were in a virtual tie for top spot on the international top ten. Godzilla squeaked out a win with $38.4 million in 62 markets for totals of $248.7 million internationally and $440.2 million worldwide after a month of release. This includes a $37.00 million opening weekend in China. Needless to say, it earned first place in that market. The film finishes its international run in Japan at the end of July and it should jump over $500 million worldwide when it does. More...

International Box Office: Sharpening the Edge

Edge of Tomorrow poster

Edge of Tomorrow rose to first place with $82 million in 63 markets for a two-week total of $111 million. This includes a first-place, $25.68 million opening in China. It also opened in first place in South Korea with $10.52 million on 801 screens over the weekend for a total opening of $16.28 million. In Russia, the film opened on top spot with $7.41 million on 1,649, while in France it also earned first place, but with just $2.82 million on 585. It only managed second place in Australia with $2.88 million on 477 screens, while it could do no better than third place in Mexico with $2.88 million on 1,301 screens over the weekend for a total of $3.19 million. Its best holdover was in the U.K. where it added $2.08 million on 460 screens for a two-week total of $7.21 million.

More...

International Box Office: Century Opening for Maleficent

Maleficent poster

Maleficent opened on top of the international chart with $106.1 million in 47 markets, making it the latest movie to open with more than $100 million on the international chart. The film opened in a number of major markets, but individual results were mixed. The film opened in first place in Mexico with $14.05 million on 2,892 screens and in Russia with $13.06 million on 1,733 screens. In the U.K. it pulled in $11.04 million on 486 screens. It didn't crack $10 million, but did earn first place in Italy ($5.87 million on 650 screens); in Brazil ($5.63 million on 452); and in Germany ($4.87 million on 525 screens over the weekend for a total opening of $5.26 million); and Spain ($4.29 million on 625). It had to settle for second place in Australia with $3.76 million on 530 screens over the weekend for a total opening of $3.90 million. It only managed third place in France ($5.01 million on 550 screens) and in South Korea ($3.38 million on 631 screens over the weekend for a total opening of $3.81 million). The film has yet to open in China and Japan and given this start, it should reach $500 million worldwide before it is done. More...

Weekend Wrap-Up: Maleficent is Magnificent Enough

Maleficent poster

It was a mostly good weekend at the box office with Maleficent earning first place with nearly $70 million, which was on the very high end of expectations. On the other hand, A Million Ways to Die in the West failed to match the low end of expectations. Overall, the box office pulled in $165 million, which is 11% lower than last weekend. That's not bad for a post-holiday weekend. Compared to last year, the box office was higher, albeit by 0.6%, which is much lower than ticket price inflation. Considering I thought it would be worse than this, I'm calling a 0.6% increase a victory. Year-to-date, 2014 remains ahead of 2013, but by $133 million or 3.3% at $4.16 billion to $4.02 billion. If June is as bad as May, then 2014 could slip behind 2013 entirely. More...

Weekend Predictions: Will the New Releases Die at the Box Office?

Maleficent poster

The weekend after a long weekend is never the best time of year to release a new movie, but at this point, summer vacation has begun for a lot of people, so both new releases should still have a lot of potential at the box office. Maleficent is the origin story for the villain from Sleeping Beauty. It should earn first place with ease. A Million Ways to Die in the West is the latest from Seth MacFarlane, but it is not earning as much praise as Ted did and its box office chances are not as strong as a result. The box office will certainly be lower than it was last weekend. However, we are more concerned with the comparison with last year. This weekend last year, there were two wide releases, Now You See Me and After Earth, but neither opened with more than $30 million. Granted, Fast and Furious 6 earned $35 million over the weekend, but that's still lower than usual for a number one film during summer weekend. The top three films this weekend should be better than the top three films last weekend, but I think 2014's depth will hurt it in the year-over-year comparison.

More...

International Box Office: Looking Forward to the Future

X-Men: Days of Future Past poster

X-Men: Days of Future Past dominated the international box office chart with $171.08 million in 71 markets for a total opening of $191.00 million. This includes China, where it earned first place with $39.35 million on 6,000 screens. It also earned first place in the U.K. with $15.39 million on 537 screens, while in South Korea it earned $11.78 million on 1,056 screens over the weekend for a total opening of $14.15 million. Mexico contributed $9.39 million on 3,034 screens over the weekend for a total opening of $11.02 million. The film's debut in Russia was very similar with $9.90 million on 2,230 screens. France was right behind with $9.29 million on 620 screens, while in Brazil it pulled in $8.38 million on 507. The film earned $7.80 million on 684 screens in Australia. It struggled a little more in Germany and Spain with $4.03 million on 579 screens and $3.19 million on 650 respectively. More...

Weekend Wrap-Up: X-Men Earn Monster Opening, but Overall Box Office Still Down

X-Men: Days of Future Past poster

X-Men: Days of Future Past easily won the weekend race at the box office earning more than $100 million over the four-day weekend. That's great news and it helped the overall box office grow by 5% to $187 million over the three-day weekend from last week. That's the good news. The bad news the other new release, Blended, bombed and the three-day weekend was down 27% from the same weekend last year. In fact, this year's four-day weekend total of $231 million was 9% lower than last year's three-day total and 26% lower than the four-day weekend from last year. That's a devastating collapse. The only saving grace is last year was a record-breaking Memorial Day long weekend, so a sharp drop-off isn't that unexpected. So far, 2014 has pulled in $3.95 billion, which is 4% more than 2013's running tally of $3.80 billion. More...

Contest: Prizes Tailored to You: Winning Announcement

The winners of our Prizes Tailored to You contest were determined and they are... More...

Weekend Predictions: Will the X-Men Opening be Remembered in the Future

X-Men: Days of Future Past poster

It is Memorial Day long weekend and the box office is looking strong. X-Men: Days of Future Past should dominate the box office chart and there are some who think it will have the best opening of the year so far. Blended is playing the role of counter-programing this week and should do well in that role opening in third place. Meanwhile, the rest of the top five will be filled with Godzilla, Neighbors, and The Amazing Spider-Man 2, all of which should still pull in $10 million or more. By comparison, this weekend last year, there were six films that earned more than $10 million over the four-day weekend, led by Fast and Furious 6, which earned a four-day opening of $117.04 million There are some who think X-Men: Days of Future Past will top that figure. I really hope so. However, even if it does, last year was a record-breaking Memorial Day long weekend and I don't think 2014 will match it. More...

International Box Office: Godzilla Grounds the Competition

Godzilla poster

Godzilla got off to a milestone start on the international market earning $103.0 million on 16,946 screens in 64 markets during its first weekend of release. It was able to dominate the box office thanks to a string of first place finishes in most of the major markets. Its biggest market was the U.K., where the film pulled in $10.73 million on 550 screens, while Russia was close behind with $8.65 million on 1,814 screens. The film was surprisingly strong in Mexico, pulling in $7.21 million on 2,494 screens over the weekend for a total opening of $8.57 million. It was also strong in Australia with $6.34 million on 498 screens and in France with $5.73 million on 596. The film earned $4.97 million on 584 screens over the weekend in Germany for a total opening in that market of $5.50 million. Brazil was a strong market for Godzilla, as it opened with $4.07 million on 417 screens there. The film's opening in South Korea was nearly the same with $3.65 million on 610 screens over the weekend for a total opening of $4.37 million. Italy was next with $3.55 million on 692 screens. Finally, the film was soft in Spain with an opening of $1.29 million on 427 screens over the weekend for a total opening of $1.55 million, but this was still enough for first place there. Overall, it wasn't as strong internationally as it was domestically, relative to the size of the markets, but it is still on pace to break even before it reaches the home market. More...

Weekend Wrap-Up: Godzilla Helps 2014 Climb Back on Top

Godzilla poster

I thought Godzilla would be a monster hit. I mentioned that possibility in the monthly preview and the weekend predictions. However, I was in the minority and I reduced my expectations. That turns out to be a mistake. Godzilla opened with $93.19 million over the weekend, which is a better opening than The Amazing Spider-Man 2 managed, but it wasn't quite up to Captain America: The Winter Soldier. It also helped the overall box office soar to $178 million, which is 30% more than last weekend. More importantly, it was 16% more than the same weekend last year. 2014 is now ahead of 2013 by a margin of $185 million or 5.3% at $3.66 billion to $3.48 billion. More...

IMAX: Godzilla Growls Loud

Godzilla poster

Godzilla's weekend haul was very impressive and this includes its IMAX numbers. The film pulled in $14.2 million on 352 IMAX theaters, while internationally it managed $7 million in 187. Up next is Maleficent, which opens at the end of the month. I don't think it will be as big, but it should still be a significant hit on IMAX. More...

Per Theater Chart: Godzilla Chows Down on the Competition

The Immigrant poster

Godzilla led the way on both the overall box office chart and the per theater box office chart, earning an average of $23,580 in nearly 4,000 theaters. The second best film on the per theater chart was The Immigrant with an average of $14,688 in three theaters. Chinese Puzzle was the final film in the $10,000 club with an average of $11,772 in two theaters. More...

Weekend Predictions: Godzilla will be Huge, but How Huge?

Godzilla poster

Godzilla is the second of four May releases that at least have a realistic shot at reaching $200 million domestically. The first of these films, The Amazing Spider-Man 2 won't match original expectations, but it is still on pace to reach $200 million. It is very unlikely Godzilla will open as fast as The Amazing Spider-Man 2 did, but even coming close would be a huge boost to the box office. Million Dollar Arm should have a respectable opening as counter-programming and on the high end it could land in third place. Meanwhile, Neighbors is aiming for $100 million and while it won't get there this weekend, it will get there soon enough. This weekend last year, Star Trek Into Darkness earned first place with $70.17 million over the weekend, which is a figure I think Godzilla will top. If it does, and the holdovers hold on well, then 2014 might end its mini-losing streak earlier than I thought it would. More...

Contest: Prizes Tailored to You

Next weekend there are two wide releases, but the box office will be dominated by Godzilla. (Million Dollar Arm could do well in counter-programming, but its early reviews are merely mixed.) On the high end, Godzilla could earn the highest opening box office of the year so far. Even on the low end, it will double or triple the second place film. Because it will dominate the box office so much, it is really the only choice for the target film for this week's box office prediction contest. In order to win, one must simply predict the opening weekend box office number for Godzilla. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a copy of Adventure Time: The Suitor on DVD. Meanwhile, whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a copy of Adventure Time: The Suitor on DVD. Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2014 Preview: May

The Amazing Spider-Man 2 poster

It has been a great year so far and April was again a strong month. The box office was led by Captain America: The Winter Soldier, as it became the second film of the year to reach $200 million, while Rio 2 is on pace to become the seventh $100 million hit of the year. Big picture, 2014 has already hit $3 billion, which isn't a record for this time of the year, but it is $250 million ahead of 2013. That streak ends in May. Don't get me wrong. There are six films opening this month that at least have a shot at $100 million and two of those should earn more than $200 million and there are two others that at least have a shot at that milestone. Leading the way is The Amazing Spider-Man 2, which is looking to top The Winter Soldier and become the second biggest hit of the year so far. Its main competition this month is X-men: Days of Future Past, while Godzilla also has a shot at $200 million. Unfortunately, this month last year, Iron Man 3 earned more than $400 million, while two other films took in $200 million and seven films in total reached the century mark. That is going to be really hard to replicate this year and 2014 will likely lose some of its lead over 2013. Fortunately, 2014 has such a big lead that unless the box office really slumps, it will end the month with at least a small lead over 2013. More...

Cast

Aaron Taylor-Johnson    Ford Brody
C.J. Adams    Young Ford
Ken Watanabe    Dr. Ishiro Serizawa
Bryan Cranston    Joe Brody
Elizabeth Olsen    Elle Brody
Carson Bolde    Sam Brody
Sally Hawkins    Vivienne Graham
Juliette Binoche    Sandra Brody
David Strathairn    Admiral William Stenz
Richard T. Jones    Captain Russell Hampton
Victor Rasuk    Sergeant Tre Morales
Patrick Sabongui    Lieutenant Commander Marcus Waltz
Jared Keeso    Jump Master
Luc Roderique    Bomb Tracker
James Pizzinato    HALO Jumper
Catherine Lough Haggquist    PO#1
Eric Keenleyside    Boyd
Primo Allon    Mine Team Member
George Allen Gumapac Jr.    Lead Guerilla Fighter
Ken Yamamura    Takashi
Garry Chalk    Stan Walsh
Hiro Kanagawa    Hayato
Kevan Ohtsji    Nervous Engineer
Kasey Mazak    Team Member #1
Terry Chen    Team Member #2
Mas Morimoto    Team Member #3
James D. Dever    Captain Freeman
Akira Takarada    Japanese Immigration Agent
Yuko Kiyama    Mom in Japanese Jail Waiting Room
James Yoshizawa    Goth Dressed Boy
Jason Furukawa    Gruff Smuggler
Brian Markinson    Whelan
Ty Olsson    Jainway
Al Sapienza    Huddleston
Gardiner Millar    Fitzgerald
Kurt Max Runte    Crow's Nest Tech #2
Peter Shinkoda    Muto Crow's Nest Tech #1
Bill Marchant    Muto Crow's Nest Tech #2
Christian Tessier    Muto Crow's Nest Tech #3
Derrick Yamanaka    Muto Base Camp Guard
Peter Kawasaki    Muto Crane Operator
Jason Riki Kosuge    Muto Base Camp Security #1
Hiroyoshi Kajiyama    Muto Base Camp Security #2
Tetsuro Shigematsu    Muto Base Camp Security #3
Jill Teed    Head Nurse
Dean Redman    National Guard #1
Taylor Nichols    Military Analyst
Anthony Konechny    Thach
George Eli    PO #3
Jake Cunanan    Akio
Yuki Morita    Akio's Mother
Warren Takeuchi    Akio's Father
Chuck Church    Survivor
Dallas Blake    Missile Tech #1
Lane Edwards    Missile Tech #2
Todd Scott    Transport Vessel Soldier
Zoe Krivatsy    Young Girl on Beach
Serge M. Krivatsy    Father on Beach
Lise Krivatsy    Mother on Beach
Josh Cowdery    Pilot
Steven M. Murdzia    Beret Leader
Keo Woolford    Airport Worker
Lynne Halevi    Older Woman at Beach Bar
Martin Kogan    Older Man at Beach Bar
Sandy Ritz    FEMA Worker
Toby Levins    Lead Lightning Pilot
Eric Breker    Army Soldier
Jesse Reid    Ordinance Tech
Aaron Pearl    Evacuation Worker #1
Amy Fox    Evacuation Worker #2
Rich Paul    Officer
Dee Jay Jackson    Bus Driver
Kyle Riefsnyder    SFPD Cop
Michael Denis    Golden Gate Navy Man on Deck
Melody B. Choi    SF School Bus Kid #1
Taya Clyne    SF School Bus Kid #2
Erika Forest    SF School Bus Kid #3
Ben Harrison    SF School Bus Kid #4
Grayson Maxwell Gurnsey    SF School Bus Kid #5
Justin Blayne Lowery    Praying Soldier
Marci T. House    Government Spokesperson
Chris Shields    Dispatch Officer
Zach Martin    Airman
Darren Dolynski    Civilian Analyst #1
P. Lynn Johnson    Civilian Analyst #2
Leif Havdale    SF Ground Troop #3
Antonio Anagaran    Airforce Loadmaster
Kevin O'Grady    Bucket Brigadier
Zachary Choe    Akio Photo Double

Production and Technical Credits

Director    Gareth Edwards
Screenwriter    Max Borenstein
Story Creator    David Callaham
Producer    Thomas Tull
Producer    Jon Jashni
Producer    Mary Parent
Producer    Brian Rogers
Executive Producer    Patricia Whitcher
Executive Producer    Alex Garcia
Executive Producer    Yoshimitsu Banno
Executive Producer    Kenji Okuhira
Director of Photography    Seamus McGarvey
Production Designer    Owen Paterson
Editor    Bob Ducsay
Composer    Alexandre Desplat
Music Supervisor    Dave Jordan
Sound Designer    Erik Aadahl
Sound Designer    Ethan Van der Ryn
Visual Effects Producer    Allen Maris
Visual Effects Supervisor    Jim Rygiel
Costume Designer    Sharen Davis
Casting Director    Sarah Halley Finn
Unit Production Manager    LeeAnn Stonebreaker
Unit Production Manager    Jim Rowe
Unit Production Manager    Patricia Whitcher
Assistant Director    Alex Gayner
Assistant Director    Misha Bukowski
Additional Visual Effects Designer    John Dykstra
Additional Editor    Ron Rosen
Associate Producer    Shannon Triplett
Associate Producer    LeeAnn Stonebreaker
Associate Producer    Jim Rowe
Associate Producer    Martin Cohen
Supervising Art Director    Grant Van Der Slagt
Art Director    Dan Hermansen
Art Director    Ross Dempster
Art Director    Kirsten Franson
Assistant Art Director    David Clarke (Art Director)
Assistant Art Director    Andrew Li
Assistant Art Director    Harrison Yurkiw
Assistant Art Director    Doug Higgins
Lead Creature and Concept Designer    Matt Allsopp
Still Photographer    Kimberley French
Sound Mixer    Michael McGee
Costume Supervisor    Jana Rayne MacDonald
Makeup Department Head/FX Artist    Victoria Down
Hairstylist    Sherry Linder-Gygli
Special Effects Coordinator    Joel Whist
Executive in Charge of Production    Ty Warren
Visual Effects Executive    Kim LoCascio
Production Supervisor    Adrienne Sol
Casting Associate    Tamara Hunter
Casting Assistant    Jason B. Stamey
Additional Casting (Canada)    Coreen Mayrs
Additional Casting (Canada)    Heike Brandstatter
Casting Assistant    Annalise Tilling
Casting Assistant    Cera Ziegler
Set Designer    Kris Bergthorson
Set Designer    Bryan Sutton
Set Designer    Nancy Anna Brown
Set Designer    Marek Norman
Re-recording Mixer    Tim LeBlanc
Re-recording Mixer    Gregg Landaker
Re-recording Mixer    Rick Kline
Post-Production Supervisor    James K. Jensen
First Assistant Editor    Joseph Kirkland
First Assistant Editor    Jason Dale
Assistant Editor    Shaun Aprahamian
Assistant Editor    Shae Salmon
Assistant Editor    Jamal McLemore
Sound Effects Editor    Jason W. Jennings
Sound Effects Editor    Ai-Ling Lee
Sound Effects Editor    Greg ten Bosch
Sound Effects Editor    John Marquis
Dialogue Editor    David Butler
First Assistant Sound Editor    Bob Kellough
Second Assistant Sound Editor    Jesse Rosenman
Foley Mixer    Richard Duarte
Foley Mixer    John Guentner
Foley Mixer    Blake Collins
Foley Mixer    James Ashwill
Second Unit Director    E.J. Foerster
Stunt Coordinator    John Stoneham, Jr.
Stunt Coordinator    Jake Mervine
Supervising Music Editor    Kenneth Karman

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2014/05/16 1 $38,410,607   3,952 $9,719   $38,410,607 1
2014/05/17 1 $32,160,363 -16% 3,952 $8,138   $70,570,970 2
2014/05/18 1 $22,617,414 -30% 3,952 $5,723   $93,188,384 3
2014/05/19 1 $7,672,038 -66% 3,952 $1,941   $100,860,422 4
2014/05/20 1 $6,944,417 -9% 3,952 $1,757   $107,804,839 5
2014/05/21 - $4,962,197 -29% 3,952 $1,256   $112,767,036 6
2014/05/21 1 $4,962,197   3,952 $1,256   $112,767,036 6
2014/05/22 1 $4,581,331 -8% 3,952 $1,159   $117,348,367 7
2014/05/23 2 $8,799,935 +92% 3,952 $2,227   $126,148,302 8
2014/05/24 2 $11,773,125 +34% 3,952 $2,979   $137,921,427 9
2014/05/25 2 $10,373,356 -12% 3,952 $2,625   $148,294,783 10
2014/05/26 2 $7,490,882 -28% 3,952 $1,895   $155,785,665 11
2014/05/27 2 $2,689,400 -64% 3,952 $681   $158,475,065 12
2014/05/28 2 $2,109,267 -22% 3,952 $534   $160,584,332 13
2014/05/29 2 $1,847,225 -12% 3,952 $467   $162,431,557 14
2014/05/30 4 $3,344,520 +81% 3,501 $955   $165,776,077 15
2014/05/31 4 $5,246,022 +57% 3,501 $1,498   $171,022,099 16
2014/06/01 4 $3,417,587 -35% 3,501 $976   $174,439,686 17
2014/06/02 4 $1,152,979 -66% 3,501 $329   $175,592,665 18
2014/06/03 4 $1,370,135 +19% 3,501 $391   $176,962,800 19
2014/06/04 4 $1,117,001 -18% 3,501 $319   $178,079,801 20
2014/06/05 4 $1,013,205 -9% 3,501 $289   $179,093,006 21
2014/06/06 6 $1,781,428 +76% 3,110 $573   $180,874,434 22
2014/06/07 6 $2,509,131 +41% 3,110 $807   $183,383,565 23
2014/06/08 6 $1,830,620 -27% 3,110 $589   $185,214,185 24
2014/06/09 6 $752,166 -59% 3,110 $242   $185,966,351 25
2014/06/10 6 $855,132 +14% 3,110 $275   $186,821,483 26
2014/06/11 6 $743,117 -13% 3,110 $239   $187,564,600 27
2014/06/12 6 $581,409 -22% 3,110 $187   $188,146,009 28
2014/06/13 8 $880,287 +51% 2,088 $422   $189,026,296 29
2014/06/14 8 $1,209,910 +37% 2,088 $579   $190,236,206 30
2014/06/15 7 $1,220,988 +1% 2,088 $585   $191,457,194 31
2014/06/16 7 $383,462 -69% 2,088 $184   $191,840,656 32
2014/06/17 8 $458,102 +19% 2,088 $219   $192,298,758 33
2014/06/18 7 $397,153 -13% 2,088 $190   $192,695,911 34
2014/06/19 7 $399,173 +1% 2,088 $191   $193,095,084 35
2014/06/20 9 $554,530 +39% 1,365 $406   $193,649,614 36
2014/06/21 - $779,329 +41% 1,365 $571   $194,428,943 37
2014/06/22 - $554,445 -29% 1,365 $406   $194,983,388 38
2014/06/23 9 $263,110 -53% 1,365 $193   $195,246,498 39
2014/06/24 9 $330,238 +26% 1,365 $242   $195,576,736 40
2014/06/25 9 $284,008 -14% 1,365 $208   $195,860,744 41
2014/06/26 10 $224,356 -21% 1,365 $164   $196,085,100 42
2014/06/27 11 $297,710 +33% 750 $397   $196,382,810 43
2014/06/28 11 $372,363 +25% 750 $496   $196,755,173 44
2014/06/29 11 $264,965 -29% 750 $353   $197,020,138 45
2014/06/30 11 $147,148 -44% 750 $196   $197,167,286 46
2014/07/01 11 $142,136 -3% 750 $190   $197,309,422 47
2014/07/02 - $69,095 -51% 352 $196   $197,378,517 48
2014/07/03 16 $105,097 +52% 352 $299   $197,483,614 49
2014/07/04 - $111,565 +6% 352 $317   $197,595,179 50
2014/07/05 - $182,330 +63% 352 $518   $197,777,509 51
2014/07/06 - $125,213 -31% 352 $356   $197,902,722 52
2014/07/07 - $52,589 -58% 352 $149   $197,955,311 53
2014/07/08 - $58,374 +11% 352 $166   $198,013,685 54
2014/07/09 - $46,699 -20% 352 $133   $198,060,384 55
2014/07/10 - $48,567 +4% 352 $138   $198,108,951 56
2014/07/11 - $77,759 +60% 303 $257   $198,186,710 57
2014/07/12 - $97,711 +26% 303 $322   $198,284,421 58
2014/07/13 - $70,764 -28% 303 $234   $198,355,185 59
2014/07/14 - $35,382 -50% 303 $117   $198,390,567 60
2014/07/15 - $41,519 +17% 303 $137   $198,432,086 61
2014/07/16 - $36,536 -12% 303 $121   $198,468,622 62
2014/07/17 - $36,170 -1% 303 $119   $198,504,792 63
2014/07/18 - $147,471 +308% 326 $452   $198,652,263 64
2014/07/19 - $210,738 +43% 326 $646   $198,863,001 65
2014/07/20 - $156,978 -26% 326 $482   $199,019,979 66
2014/07/21 - $70,870 -55% 326 $217   $199,090,849 67
2014/07/22 - $79,374 +12% 326 $243   $199,170,223 68

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2014/05/16 1 $93,188,384   3,952 $23,580   $93,188,384 3
2014/05/23 2 $30,946,416 -67% 3,952 $7,831   $148,294,783 10
2014/05/30 4 $12,008,129 -61% 3,501 $3,430   $174,439,686 17
2014/06/06 6 $6,121,179 -49% 3,110 $1,968   $185,214,185 24
2014/06/13 7 $3,311,185 -46% 2,088 $1,586   $191,457,194 31
2014/06/20 9 $1,888,304 -43% 1,365 $1,383   $194,983,388 38
2014/06/27 11 $935,038 -50% 750 $1,247   $197,020,138 45
2014/07/04 18 $419,108 -55% 352 $1,191   $197,902,722 52
2014/07/11 24 $246,234 -41% 303 $813   $198,355,185 59
2014/07/18 22 $515,187 +109% 326 $1,580   $199,019,979 66

Godzilla

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.