| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| Further financial details... | ||
| Netflix: | Netflix |
| International Releases: | December 26th, 2023 (Limited) (Colombia) |
| Video Release: | March 22nd, 2024 by Netflix |
| Running Time: | 88 minutes |
| Comparisons: | Create your own comparison chart… |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Colombia |
| Languages: | Spanish |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Colombia | 12/26/2023 | $0 | 0 | 0 | 0 | $0 | |
| International Total | $0 | ||||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
| Ricardo Coral | Director |
| Netflix: | Netflix |
| International Releases: | December 26th, 2023 (Limited) (Colombia) |
| Video Release: | March 22nd, 2024 by Netflix |
| Running Time: | 88 minutes |
| Comparisons: | Create your own comparison chart… |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Colombia |
| Languages: | Spanish |
| Ricardo Coral | Director |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Colombia | 12/26/2023 | $0 | 0 | 0 | 0 | $0 | |
| International Total | $0 | ||||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
