La doppia ora (2011)

La doppia ora poster
Theatrical Performance
Domestic Box Office $1,514,942Details
International Box Office $1,200,809Details
Worldwide Box Office $2,715,751
Further financial details...

Synopsis

Guido, a former cop, is a luckless veteran of the speed-dating scene in Turin. But, much to his surprise, he meets Slovenian immigrant Sonia, a chambermaid at a high-end hotel. The two hit it off, and a passionate romance develops. After they leave the city for a romantic getaway in the country, things suddenly take a dark turn. As Sonia's murky past resurfaces, her reality starts to crumble. Everything in her life begins to change - - questions arise and answers only arrive through a continuous twist and turn of events keeping viewers on edge until the film's final moments

Metrics

Opening Weekend:$30,246 (2.0% of total gross)
Legs:9.29 (domestic box office/biggest weekend)
Domestic Share:55.8% (domestic box office/worldwide)
Theater counts:2 opening theaters/68 max. theaters, 7.2 weeks average run per theater
Infl. Adj. Dom. BO $2,059,400

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 8,301-8,400) 8,346 $1,514,942
All Time International Box Office (Rank 10,201-10,300) 10,238 $1,200,809
All Time Worldwide Box Office (Rank 11,901-12,000) 11,962 $2,715,751
All Time Domestic Highest Grossing Limited Release Movies (Rank 1,301-1,400) 1,328 $1,514,942

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: April 15th, 2011 (Limited) by Samuel Goldwyn Films, released as The Double Hour
MPAA Rating: Not Rated
Running Time: 94 minutes
Comparisons: vs. The Invisible
Create your own comparison chart…
Keywords: Immigration, Romance, Foreign Language, Surprise Twist, Film Noir, Haunting
Source:Original Screenplay
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Medusa Film, Indigo Film
Production Countries: Italy
Languages: Italian

Ranking on other Records and Milestones

RecordRankAmountChart
Date		Days In
Release
Top 2011 Theater Average 88 $15,123 Apr 15, 2011 3

Compare this performance with other movies…

Domestic Cumulative Box Office Records

RecordRankRevenue
All Time Domestic Box Office (Rank 8,301-8,400) 8,346 $1,514,942
All Time Domestic Inflation Adjusted Box Office (Rank 7,901-8,000) 7,962 $2,059,400
All Time Domestic Non-Sequel Box Office (Rank 7,401-7,500) 7,490 $1,514,942
Top 2011 Movies at the Domestic Box Office (Rank 101-200) 193 $1,514,942
All Time Domestic Highest Grossing Limited Release Movies (Rank 1,301-1,400) 1,328 $1,514,942
All Time Domestic Inflation Adjusted Box Office for Limited Release Movies (Rank 1,401-1,500) 1,415 $2,059,400
Top 2011 Limited Release Movies at the Domestic Box Office 50 $1,514,942
All Time Domestic Box Office for Original Screenplay Movies (Rank 4,201-4,300) 4,289 $1,514,942
All Time Domestic Box Office for Live Action Movies (Rank 7,401-7,500) 7,445 $1,514,942
All Time Domestic Box Office for Contemporary Fiction Movies (Rank 4,301-4,400) 4,398 $1,514,942
All Time Domestic Box Office for Thriller/Suspense Movies (Rank 701-800) 764 $1,514,942
All Time Domestic Box Office for Not Rated Movies (Rank 501-600) 588 $1,514,942
All Time Domestic Box Office for Samuel Goldwyn Films Movies 30 $1,514,942

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Apr 15, 2011 51 $30,246   2 $15,123   $30,246 1
Apr 22, 2011 58 $29,979 -1% 2 $14,990   $76,909 2
Apr 29, 2011 48 $57,352 +91% 7 $8,193   $144,944 3
May 6, 2011 43 $80,390 +40% 17 $4,729   $246,480 4
May 13, 2011 40 $106,738 +33% 26 $4,105   $381,679 5
May 20, 2011 36 $117,801 +10% 36 $3,272   $532,846 6
May 27, 2011 28 $163,076 +38% 58 $2,812   $738,262 7
Jun 3, 2011 30 $121,367 -26% 68 $1,785   $943,580 8
Jun 10, 2011 31 $88,120 -27% 53 $1,663   $1,082,554 9
Jun 17, 2011 41 $47,225 -46% 39 $1,211   $1,165,248 10
Jun 24, 2011 42 $49,514 +5% 30 $1,650   $1,238,728 11
Jul 1, 2011 44 $39,016 -21% 25 $1,561   $1,299,566 12
Jul 8, 2011 46 $33,176 -15% 28 $1,185   $1,354,649 13
Jul 15, 2011 53 $20,550 -38% 22 $934   $1,388,637 14
Jul 22, 2011 53 $29,147 +42% 20 $1,457   $1,426,692 15
Jul 29, 2011 62 $17,841 -39% 17 $1,049   $1,459,262 16
Aug 5, 2011 70 $13,439 -25% 16 $840   $1,480,977 17
Aug 12, 2011 78 $7,355 -45% 12 $613   $1,497,071 18
Aug 19, 2011 75 $8,805 +20% 12 $734   $1,510,893 19

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
May 30, 2011 29 $44,992     58 $776   $620,178 46
Jul 4, 2011 39 $8,542     25 $342   $1,308,108 81

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Apr 15, 2011 50 $46,930   2 $23,465   $46,930 1
Apr 22, 2011 56 $40,662 -13% 2 $20,331   $87,592 2
Apr 29, 2011 48 $78,498 +93% 7 $11,214   $166,090 3
May 6, 2011 44 $108,851 +39% 17 $6,403   $274,941 4
May 13, 2011 41 $140,104 +29% 26 $5,389   $415,045 5
May 20, 2011 39 $160,141 +14% 36 $4,448   $575,186 6
May 27, 2011 30 $247,027 +54% 58 $4,259   $822,213 7
Jun 3, 2011 34 $172,221 -30% 68 $2,533   $994,434 8
Jun 10, 2011 35 $123,589 -28% 53 $2,332   $1,118,023 9
Jun 17, 2011 44 $71,191 -42% 39 $1,825   $1,189,214 10
Jun 24, 2011 46 $71,336 n/c 30 $2,378   $1,260,550 11
Jul 1, 2011 46 $60,923 -15% 25 $2,437   $1,321,473 12
Jul 8, 2011 47 $46,614 -23% 28 $1,665   $1,368,087 13
Jul 15, 2011 54 $29,458 -37% 22 $1,339   $1,397,545 14
Jul 22, 2011 53 $43,876 +49% 20 $2,194   $1,441,421 15
Jul 29, 2011 62 $26,117 -40% 17 $1,536   $1,467,538 16
Aug 5, 2011 71 $22,178 -15% 16 $1,386   $1,489,716 17
Aug 12, 2011 81 $12,372 -44% 12 $1,031   $1,502,088 18
Aug 19, 2011 74 $12,854 +4% 12 $1,071   $1,514,942 19

International Cumulative Box Office Records

RecordRankRevenue
All Time International Box Office (Rank 10,201-10,300) 10,238 $1,200,809
All Time International Non-Sequel Box Office (Rank 9,201-9,300) 9,231 $1,200,809
All Time International Box Office for Original Screenplay Movies (Rank 5,601-5,700) 5,613 $1,200,809
All Time International Box Office for Live Action Movies (Rank 8,501-8,600) 8,523 $1,200,809
All Time International Box Office for Contemporary Fiction Movies (Rank 5,301-5,400) 5,372 $1,200,809
All Time International Box Office for Thriller/Suspense Movies (Rank 801-900) 888 $1,200,809
All Time International Box Office for Not Rated Movies (Rank 1,001-1,100) 1,007 $1,200,809
All Time International Box Office for Samuel Goldwyn Films Movies 34 $1,200,809

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 11,901-12,000) 11,962 $2,715,751
All Time Worldwide Non-Sequel Box Office (Rank 10,801-10,900) 10,802 $2,715,751
All Time Worldwide Box Office for Original Screenplay Movies (Rank 6,401-6,500) 6,425 $2,715,751
All Time Worldwide Box Office for Live Action Movies (Rank 10,201-10,300) 10,239 $2,715,751
All Time Worldwide Box Office for Contemporary Fiction Movies (Rank 6,301-6,400) 6,361 $2,715,751
All Time Worldwide Box Office for Thriller/Suspense Movies (Rank 1,001-1,100) 1,029 $2,715,751
All Time Worldwide Box Office for Not Rated Movies (Rank 1,101-1,200) 1,181 $2,715,751
All Time Worldwide Box Office for Samuel Goldwyn Films Movies 35 $2,715,751

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Ksenia Rappoport    Sonia

Supporting Cast

Filippo Timi    Guido
Antonia Truppo    Margherita
Gaetano Bruno    Riccardo
Fausto Russo Alesi    Bruno
Michele Di Mauro    Dante

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Giuseppe Capotondi    Director
Nicola Giuliano    Producer
Francesca Cima    Producer
Alessandro Fabbri    Screenwriter
Ludovica Rampoldi    Screenwriter
Stefano Sardo    Screenwriter
Tat Radcliffe    Cinematographer
Totoi Santoro    Production Designer
Guido Notari    Editor
Pasquale Catalano    Composer

Per Theater Chart: Hat Trick for Tree

June 14th, 2011

The Tree of Life remained in top spot on the per theater chart with an average of $17,596 in 47 theaters. It will clearly expand further, and it is safe to say it has already earned some measure of mainstream success. The Trip opened well with an average of $12,984 in six theaters. It did earn great reviews, so it might last a long time in theaters. On the other hand, I think its target audience is too narrow to expand significantly. Beginners was in a virtual tie with an average of $12,793. It will start hitting milestones soon. Super 8 opened with an average of $10,492 while in saturation level theater count. More...

Evil is Profitable on the Per Theater Chart

April 26th, 2011

Evil Bong 3D earned $19,315 in its lone theater to lead the way on the per theater chart, and clearly I've slipped into an alternate dimension. Actually, I'm very happy with this film's success, as it's distributed by Full Moon Features, the same company that released Puppetmaster and countless other low-budget films I've been a fan of. Second place went to The Double Hour with $14,990, which is less than 1% lower than its opening weekend. Madea's Big Happy Family was the only wide release to reach the $10,000 mark, and it was close at $10,957. There is one confusing release, Incendies, which earned over $60,000 in 13 theaters, if you include Canada. However, if you just look at its U.S. opening, it earned $50,679 in 3 theaters for an average of $16,893, which is much more impressive. More...

Rio and Hour Double-Team the Per Theater Chart

April 19th, 2011

The Double Hour earned top spot on the per theater chart with an average of $15,123 in two theaters. The only other film to crack the $10,000 mark was the overall box office leader, Rio, with an average of $10,250. More...

Weekend Estimates: Rio Opens With $40 Million to Break Box Office Slump

April 17th, 2011

At the 19th attempt, 2011 finally has a legitimate winning weekend at the box office, thanks to a better-than-expected opening for Rio (and, to be fair, a weak comparison weekend last year). With a $40 million estimated debut, Rio lays claim to having the best opening of the year so far, and the fifth-best April weekend of all time (nudging out Hop debut two weeks ago). While that's undoubtedly good news, the rest of the chart is something of a mixed bag. More...

Daydreaming of Limited Releases

April 15th, 2011

It's another big week for limited releases with a couple that are opening in far more theaters than most limited releases can dream of, plus they are opening with a lot stronger buzz. ... Or to be much more accurate, much louder buzz, as the two biggest releases are not exactly earning top notch reviews. The Conspirator is benefiting from an incredible pedigree, which includes Robert Redford as the director. Meanwhile, Atlas Shrugged: Part I is based on a book by Ayn Rand, who has a committed fan base. Personally, the film I'm most interested in seeing is Daydream Nation, which opens in Canada this weekend and in the United States next month. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Guido, a former cop, is a luckless veteran of the speed-dating scene in Turin. But, much to his surprise, he meets Slovenian immigrant Sonia, a chambermaid at a high-end hotel. The two hit it off, and a passionate romance develops. After they leave the city for a romantic getaway in the country, things suddenly take a dark turn. As Sonia's murky past resurfaces, her reality starts to crumble. Everything in her life begins to change - - questions arise and answers only arrive through a continuous twist and turn of events keeping viewers on edge until the film's final moments

Metrics

Opening Weekend:$30,246 (2.0% of total gross)
Legs:9.29 (domestic box office/biggest weekend)
Domestic Share:55.8% (domestic box office/worldwide)
Theater counts:2 opening theaters/68 max. theaters, 7.2 weeks average run per theater
Infl. Adj. Dom. BO $2,059,400

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 8,301-8,400) 8,346 $1,514,942
All Time International Box Office (Rank 10,201-10,300) 10,238 $1,200,809
All Time Worldwide Box Office (Rank 11,901-12,000) 11,962 $2,715,751
All Time Domestic Highest Grossing Limited Release Movies (Rank 1,301-1,400) 1,328 $1,514,942

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: April 15th, 2011 (Limited) by Samuel Goldwyn Films, released as The Double Hour
MPAA Rating: Not Rated
Running Time: 94 minutes
Comparisons: vs. The Invisible
Create your own comparison chart…
Keywords: Immigration, Romance, Foreign Language, Surprise Twist, Film Noir, Haunting
Source:Original Screenplay
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Medusa Film, Indigo Film
Production Countries: Italy
Languages: Italian

Ranking on other Records and Milestones

RecordRankAmountChart
Date		Days In
Release
Top 2011 Theater Average 88 $15,123 Apr 15, 2011 3

Leading Cast

Ksenia Rappoport    Sonia

Supporting Cast

Filippo Timi    Guido
Antonia Truppo    Margherita
Gaetano Bruno    Riccardo
Fausto Russo Alesi    Bruno
Michele Di Mauro    Dante

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Giuseppe Capotondi    Director
Nicola Giuliano    Producer
Francesca Cima    Producer
Alessandro Fabbri    Screenwriter
Ludovica Rampoldi    Screenwriter
Stefano Sardo    Screenwriter
Tat Radcliffe    Cinematographer
Totoi Santoro    Production Designer
Guido Notari    Editor
Pasquale Catalano    Composer

Per Theater Chart: Hat Trick for Tree

June 14th, 2011

The Tree of Life remained in top spot on the per theater chart with an average of $17,596 in 47 theaters. It will clearly expand further, and it is safe to say it has already earned some measure of mainstream success. The Trip opened well with an average of $12,984 in six theaters. It did earn great reviews, so it might last a long time in theaters. On the other hand, I think its target audience is too narrow to expand significantly. Beginners was in a virtual tie with an average of $12,793. It will start hitting milestones soon. Super 8 opened with an average of $10,492 while in saturation level theater count. More...

Evil is Profitable on the Per Theater Chart

April 26th, 2011

Evil Bong 3D earned $19,315 in its lone theater to lead the way on the per theater chart, and clearly I've slipped into an alternate dimension. Actually, I'm very happy with this film's success, as it's distributed by Full Moon Features, the same company that released Puppetmaster and countless other low-budget films I've been a fan of. Second place went to The Double Hour with $14,990, which is less than 1% lower than its opening weekend. Madea's Big Happy Family was the only wide release to reach the $10,000 mark, and it was close at $10,957. There is one confusing release, Incendies, which earned over $60,000 in 13 theaters, if you include Canada. However, if you just look at its U.S. opening, it earned $50,679 in 3 theaters for an average of $16,893, which is much more impressive. More...

Rio and Hour Double-Team the Per Theater Chart

April 19th, 2011

The Double Hour earned top spot on the per theater chart with an average of $15,123 in two theaters. The only other film to crack the $10,000 mark was the overall box office leader, Rio, with an average of $10,250. More...

Weekend Estimates: Rio Opens With $40 Million to Break Box Office Slump

April 17th, 2011

At the 19th attempt, 2011 finally has a legitimate winning weekend at the box office, thanks to a better-than-expected opening for Rio (and, to be fair, a weak comparison weekend last year). With a $40 million estimated debut, Rio lays claim to having the best opening of the year so far, and the fifth-best April weekend of all time (nudging out Hop debut two weeks ago). While that's undoubtedly good news, the rest of the chart is something of a mixed bag. More...

Daydreaming of Limited Releases

April 15th, 2011

It's another big week for limited releases with a couple that are opening in far more theaters than most limited releases can dream of, plus they are opening with a lot stronger buzz. ... Or to be much more accurate, much louder buzz, as the two biggest releases are not exactly earning top notch reviews. The Conspirator is benefiting from an incredible pedigree, which includes Robert Redford as the director. Meanwhile, Atlas Shrugged: Part I is based on a book by Ayn Rand, who has a committed fan base. Personally, the film I'm most interested in seeing is Daydream Nation, which opens in Canada this weekend and in the United States next month. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

RecordRankRevenue
All Time Domestic Box Office (Rank 8,301-8,400) 8,346 $1,514,942
All Time Domestic Inflation Adjusted Box Office (Rank 7,901-8,000) 7,962 $2,059,400
All Time Domestic Non-Sequel Box Office (Rank 7,401-7,500) 7,490 $1,514,942
Top 2011 Movies at the Domestic Box Office (Rank 101-200) 193 $1,514,942
All Time Domestic Highest Grossing Limited Release Movies (Rank 1,301-1,400) 1,328 $1,514,942
All Time Domestic Inflation Adjusted Box Office for Limited Release Movies (Rank 1,401-1,500) 1,415 $2,059,400
Top 2011 Limited Release Movies at the Domestic Box Office 50 $1,514,942
All Time Domestic Box Office for Original Screenplay Movies (Rank 4,201-4,300) 4,289 $1,514,942
All Time Domestic Box Office for Live Action Movies (Rank 7,401-7,500) 7,445 $1,514,942
All Time Domestic Box Office for Contemporary Fiction Movies (Rank 4,301-4,400) 4,398 $1,514,942
All Time Domestic Box Office for Thriller/Suspense Movies (Rank 701-800) 764 $1,514,942
All Time Domestic Box Office for Not Rated Movies (Rank 501-600) 588 $1,514,942
All Time Domestic Box Office for Samuel Goldwyn Films Movies 30 $1,514,942

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Apr 15, 2011 51 $30,246   2 $15,123   $30,246 1
Apr 22, 2011 58 $29,979 -1% 2 $14,990   $76,909 2
Apr 29, 2011 48 $57,352 +91% 7 $8,193   $144,944 3
May 6, 2011 43 $80,390 +40% 17 $4,729   $246,480 4
May 13, 2011 40 $106,738 +33% 26 $4,105   $381,679 5
May 20, 2011 36 $117,801 +10% 36 $3,272   $532,846 6
May 27, 2011 28 $163,076 +38% 58 $2,812   $738,262 7
Jun 3, 2011 30 $121,367 -26% 68 $1,785   $943,580 8
Jun 10, 2011 31 $88,120 -27% 53 $1,663   $1,082,554 9
Jun 17, 2011 41 $47,225 -46% 39 $1,211   $1,165,248 10
Jun 24, 2011 42 $49,514 +5% 30 $1,650   $1,238,728 11
Jul 1, 2011 44 $39,016 -21% 25 $1,561   $1,299,566 12
Jul 8, 2011 46 $33,176 -15% 28 $1,185   $1,354,649 13
Jul 15, 2011 53 $20,550 -38% 22 $934   $1,388,637 14
Jul 22, 2011 53 $29,147 +42% 20 $1,457   $1,426,692 15
Jul 29, 2011 62 $17,841 -39% 17 $1,049   $1,459,262 16
Aug 5, 2011 70 $13,439 -25% 16 $840   $1,480,977 17
Aug 12, 2011 78 $7,355 -45% 12 $613   $1,497,071 18
Aug 19, 2011 75 $8,805 +20% 12 $734   $1,510,893 19

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
May 30, 2011 29 $44,992     58 $776   $620,178 46
Jul 4, 2011 39 $8,542     25 $342   $1,308,108 81

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Apr 15, 2011 50 $46,930   2 $23,465   $46,930 1
Apr 22, 2011 56 $40,662 -13% 2 $20,331   $87,592 2
Apr 29, 2011 48 $78,498 +93% 7 $11,214   $166,090 3
May 6, 2011 44 $108,851 +39% 17 $6,403   $274,941 4
May 13, 2011 41 $140,104 +29% 26 $5,389   $415,045 5
May 20, 2011 39 $160,141 +14% 36 $4,448   $575,186 6
May 27, 2011 30 $247,027 +54% 58 $4,259   $822,213 7
Jun 3, 2011 34 $172,221 -30% 68 $2,533   $994,434 8
Jun 10, 2011 35 $123,589 -28% 53 $2,332   $1,118,023 9
Jun 17, 2011 44 $71,191 -42% 39 $1,825   $1,189,214 10
Jun 24, 2011 46 $71,336 n/c 30 $2,378   $1,260,550 11
Jul 1, 2011 46 $60,923 -15% 25 $2,437   $1,321,473 12
Jul 8, 2011 47 $46,614 -23% 28 $1,665   $1,368,087 13
Jul 15, 2011 54 $29,458 -37% 22 $1,339   $1,397,545 14
Jul 22, 2011 53 $43,876 +49% 20 $2,194   $1,441,421 15
Jul 29, 2011 62 $26,117 -40% 17 $1,536   $1,467,538 16
Aug 5, 2011 71 $22,178 -15% 16 $1,386   $1,489,716 17
Aug 12, 2011 81 $12,372 -44% 12 $1,031   $1,502,088 18
Aug 19, 2011 74 $12,854 +4% 12 $1,071   $1,514,942 19

International Cumulative Box Office Records

RecordRankRevenue
All Time International Box Office (Rank 10,201-10,300) 10,238 $1,200,809
All Time International Non-Sequel Box Office (Rank 9,201-9,300) 9,231 $1,200,809
All Time International Box Office for Original Screenplay Movies (Rank 5,601-5,700) 5,613 $1,200,809
All Time International Box Office for Live Action Movies (Rank 8,501-8,600) 8,523 $1,200,809
All Time International Box Office for Contemporary Fiction Movies (Rank 5,301-5,400) 5,372 $1,200,809
All Time International Box Office for Thriller/Suspense Movies (Rank 801-900) 888 $1,200,809
All Time International Box Office for Not Rated Movies (Rank 1,001-1,100) 1,007 $1,200,809
All Time International Box Office for Samuel Goldwyn Films Movies 34 $1,200,809

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 11,901-12,000) 11,962 $2,715,751
All Time Worldwide Non-Sequel Box Office (Rank 10,801-10,900) 10,802 $2,715,751
All Time Worldwide Box Office for Original Screenplay Movies (Rank 6,401-6,500) 6,425 $2,715,751
All Time Worldwide Box Office for Live Action Movies (Rank 10,201-10,300) 10,239 $2,715,751
All Time Worldwide Box Office for Contemporary Fiction Movies (Rank 6,301-6,400) 6,361 $2,715,751
All Time Worldwide Box Office for Thriller/Suspense Movies (Rank 1,001-1,100) 1,029 $2,715,751
All Time Worldwide Box Office for Not Rated Movies (Rank 1,101-1,200) 1,181 $2,715,751
All Time Worldwide Box Office for Samuel Goldwyn Films Movies 35 $2,715,751

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.