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Richard Marks

Best known as an Editor based on credits in that role in 7 films, with $1,027,748,322 worldwide aggregate box office (rank #148)
Best-Known Technical Roles: Julie & Julia (Editor), As Good as it Gets (Co-Producer), As Good as it Gets (Editor), You've Got Mail (Editor), Dick Tracy (Editor)
Most productive collaborators: James L. Brooks, Laurence Mark, Nora Ephron, Jack Nicholson, Greg Kinnear

  1. Summary
  2. Acting Credits
  3. Technical Credits
  MoviesDomestic
Box Office
International
Box Office
Worldwide
Box Office
In Technical RolesEditor7$623,315,212$404,433,110$1,027,748,322
Co-Producer3$220,734,952$197,349,469$418,084,421
Second Unit Director1$103,738,726$59,000,000$162,738,726
Release
Date
TitleRoleDomestic
Box Office
International
Box Office
Worldwide
Box Office
12/17/2010 How Do You Know? Co-Producer $30,212,620 $19,415,557 $49,628,177
8/7/2009 Julie & Julia Editor $94,125,426 $32,520,693 $126,646,119
12/17/2004 Spanglish Editor,
Co-Producer 
$42,044,321 $12,300,000 $54,344,321
10/19/2001 Riding in Cars with Boys Editor $29,781,453 $0 $29,781,453
12/18/1998 You've Got Mail Editor $115,821,495 $134,978,505 $250,800,000
12/24/1997 As Good as it Gets Editor,
Co-Producer 
$148,478,011 $165,633,912 $314,111,923
12/20/1991 Father of the Bride Editor $89,325,780 $0 $89,325,780
6/15/1990 Dick Tracy Editor,
Second Unit Director 
$103,738,726 $59,000,000 $162,738,726
Movies: 8Totals:$653,527,832$423,848,667$1,077,376,499
  Averages:$81,690,979$52,981,083$134,672,062