All I See is You (2017)
| Theatrical Performance | ||
| Domestic Box Office | $217,644 | Details |
| International Box Office | $429,302 | Details |
| Worldwide Box Office | $646,946 | |
| OpusData ID: 230800100 More info... | ||
| Further financial details... | ||
Synopsis
The story of a blind woman and her husband. When her sight unexpectedly returns, she begins to discover the previously unseen and disturbing details about themselves, their marriage and their lives.
Metrics
| Opening Weekend: | $144,076 (66.2% of total gross) |
| Legs: | 1.51 (domestic box office/biggest weekend) |
| Domestic Share: | 33.6% (domestic box office/worldwide) |
| Theater counts: | 283 opening theaters/283 max. theaters, 1.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $290,197 |
Movie Details
| Domestic Releases: | October 27th, 2017 (Limited) by Open Road |
| International Releases: | November 10th, 2017 (Wide), released as Matau tik tave (Lithuania)
December 8th, 2017 (Wide) (Russia (CIS)) May 4th, 2018 (Wide), released as Só Te Vejo a Ti (Portugal) July 11th, 2018 (Wide), released as Chiudi gli occhi (Italy) ... Show all releases |
| Video Release: | January 16th, 2018 by Universal Home Entertainment |
| MPA Rating: | R for strong sexual content/nudity, and language. (Rating bulletin 2464 (Cert #50927), 2/22/2017) |
| Running Time: | 110 minutes |
| Plot point: | Accidental Death, Blindness, Doctors, Dysfunctional Family, Non-Chronological, Obsession, Relationships Gone Wrong, Surprise Twist |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | SC International Pictures, LINK Entertainment, 2Dux2, Wing and a Prayer Pictures, Open Road Films |
| Production Countries: | United States |
| Languages: | English, Thai, Spanish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 27, 2017 | 29 | $144,076 | 283 | $509 | $144,076 | 1 | |
| Nov 3, 2017 | 72 | $5,850 | -96% | 53 | $110 | $214,210 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 27, 2017 | - | $48,998 | 283 | $173 | $48,998 | 1 | ||
| Oct 28, 2017 | - | $52,428 | +7% | 283 | $185 | $101,426 | 2 | |
| Oct 29, 2017 | - | $42,650 | -19% | 283 | $151 | $144,076 | 3 | |
| Oct 30, 2017 | - | $18,766 | -56% | 283 | $66 | $162,842 | 4 | |
| Oct 31, 2017 | - | $20,267 | +8% | 283 | $72 | $183,109 | 5 | |
| Nov 1, 2017 | - | $14,186 | -30% | 283 | $50 | $197,295 | 6 | |
| Nov 2, 2017 | - | $11,065 | -22% | 283 | $39 | $208,360 | 7 | |
| Nov 3, 2017 | - | $1,948 | -82% | -96% | 53 | $37 | $210,308 | 8 |
| Nov 4, 2017 | - | $2,084 | +7% | -96% | 53 | $39 | $212,392 | 9 |
| Nov 5, 2017 | - | $1,818 | -13% | -96% | 53 | $34 | $214,210 | 10 |
| Nov 6, 2017 | - | $1,148 | -37% | -94% | 53 | $22 | $215,358 | 11 |
| Nov 7, 2017 | - | $1,333 | +16% | -93% | 53 | $25 | $216,691 | 12 |
| Nov 8, 2017 | - | $527 | -60% | -96% | 53 | $10 | $217,218 | 13 |
| Nov 9, 2017 | - | $426 | -19% | -96% | 53 | $8 | $217,644 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 27, 2017 | 29 | $208,360 | 283 | $736 | $208,360 | 1 | |
| Nov 3, 2017 | 71 | $9,284 | -96% | 53 | $175 | $217,644 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Italy | 7/11/2018 | $114,242 | 0 | 0 | 0 | $309,890 | 7/23/2018 | |||
| Lithuania | 11/10/2017 | $8,217 | 29 | 67 | 96 | $12,120 | 11/26/2017 | |||
| Portugal | 5/4/2018 | $10,257 | 18 | 18 | 38 | $23,575 | 5/22/2018 | |||
| Russia (CIS) | 12/8/2017 | $48,785 | 182 | 182 | 182 | $83,717 | 1/1/2019 | |||
| International Total | $429,302 | 1/1/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Blake Lively | Gina |
Supporting
| Jason Clarke | James | |
| Ahna O'Reilly | Carla | |
| Yvonne Strahovski | Karen | |
| Wes Chatham | Daniel | |
| Danny Huston | Doctor | |
| Johanna Wallmeier | Young Gina | |
| Miguel Fernandez | Ramon | |
| Kaitlin Orem | Lucy | |
| Stacee Vatanapan | Jill |
Production and Technical Credits
| Marc Forster | Director | |
| Marc Forster | Screenwriter | |
| Sean Conway | Screenwriter | |
| Marc Forster | Producer | |
| Craig Baumgarten | Producer | |
| Michael Selby | Producer | |
| Jillian Kugler | Producer | |
| Brian Wilkins | Executive Producer | |
| Ron Perlman | Executive Producer | |
| Renee Wolfe | Executive Producer | |
| Mark Cooper | Co-Producer | |
| Anchittha Phongchub | Co-Producer | |
| Jonathan Shore | Co-Producer | |
| Pam Dixon | Casting Director | |
| Matthias Koenigswieser | Director of Photography | |
| Hughes Winborne | Editor | |
| Marc Streitenfeld | Composer | |
| Matt Cavanaugh | Dialogue Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
The story of a blind woman and her husband. When her sight unexpectedly returns, she begins to discover the previously unseen and disturbing details about themselves, their marriage and their lives.
Metrics
| Opening Weekend: | $144,076 (66.2% of total gross) |
| Legs: | 1.51 (domestic box office/biggest weekend) |
| Domestic Share: | 33.6% (domestic box office/worldwide) |
| Theater counts: | 283 opening theaters/283 max. theaters, 1.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $290,197 |
Movie Details
| Domestic Releases: | October 27th, 2017 (Limited) by Open Road |
| International Releases: | November 10th, 2017 (Wide), released as Matau tik tave (Lithuania)
December 8th, 2017 (Wide) (Russia (CIS)) May 4th, 2018 (Wide), released as Só Te Vejo a Ti (Portugal) July 11th, 2018 (Wide), released as Chiudi gli occhi (Italy) ... Show all releases |
| Video Release: | January 16th, 2018 by Universal Home Entertainment |
| MPA Rating: | R for strong sexual content/nudity, and language. (Rating bulletin 2464 (Cert #50927), 2/22/2017) |
| Running Time: | 110 minutes |
| Plot point: | Accidental Death, Blindness, Doctors, Dysfunctional Family, Non-Chronological, Obsession, Relationships Gone Wrong, Surprise Twist |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | SC International Pictures, LINK Entertainment, 2Dux2, Wing and a Prayer Pictures, Open Road Films |
| Production Countries: | United States |
| Languages: | English, Thai, Spanish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 27, 2017 | 29 | $144,076 | 283 | $509 | $144,076 | 1 | |
| Nov 3, 2017 | 72 | $5,850 | -96% | 53 | $110 | $214,210 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 27, 2017 | - | $48,998 | 283 | $173 | $48,998 | 1 | ||
| Oct 28, 2017 | - | $52,428 | +7% | 283 | $185 | $101,426 | 2 | |
| Oct 29, 2017 | - | $42,650 | -19% | 283 | $151 | $144,076 | 3 | |
| Oct 30, 2017 | - | $18,766 | -56% | 283 | $66 | $162,842 | 4 | |
| Oct 31, 2017 | - | $20,267 | +8% | 283 | $72 | $183,109 | 5 | |
| Nov 1, 2017 | - | $14,186 | -30% | 283 | $50 | $197,295 | 6 | |
| Nov 2, 2017 | - | $11,065 | -22% | 283 | $39 | $208,360 | 7 | |
| Nov 3, 2017 | - | $1,948 | -82% | -96% | 53 | $37 | $210,308 | 8 |
| Nov 4, 2017 | - | $2,084 | +7% | -96% | 53 | $39 | $212,392 | 9 |
| Nov 5, 2017 | - | $1,818 | -13% | -96% | 53 | $34 | $214,210 | 10 |
| Nov 6, 2017 | - | $1,148 | -37% | -94% | 53 | $22 | $215,358 | 11 |
| Nov 7, 2017 | - | $1,333 | +16% | -93% | 53 | $25 | $216,691 | 12 |
| Nov 8, 2017 | - | $527 | -60% | -96% | 53 | $10 | $217,218 | 13 |
| Nov 9, 2017 | - | $426 | -19% | -96% | 53 | $8 | $217,644 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 27, 2017 | 29 | $208,360 | 283 | $736 | $208,360 | 1 | |
| Nov 3, 2017 | 71 | $9,284 | -96% | 53 | $175 | $217,644 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Italy | 7/11/2018 | $114,242 | 0 | 0 | 0 | $309,890 | 7/23/2018 | |||
| Lithuania | 11/10/2017 | $8,217 | 29 | 67 | 96 | $12,120 | 11/26/2017 | |||
| Portugal | 5/4/2018 | $10,257 | 18 | 18 | 38 | $23,575 | 5/22/2018 | |||
| Russia (CIS) | 12/8/2017 | $48,785 | 182 | 182 | 182 | $83,717 | 1/1/2019 | |||
| International Total | $429,302 | 1/1/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Blake Lively | Gina |
Supporting
| Jason Clarke | James | |
| Ahna O'Reilly | Carla | |
| Yvonne Strahovski | Karen | |
| Wes Chatham | Daniel | |
| Danny Huston | Doctor | |
| Johanna Wallmeier | Young Gina | |
| Miguel Fernandez | Ramon | |
| Kaitlin Orem | Lucy | |
| Stacee Vatanapan | Jill |
Production and Technical Credits
| Marc Forster | Director | |
| Marc Forster | Screenwriter | |
| Sean Conway | Screenwriter | |
| Marc Forster | Producer | |
| Craig Baumgarten | Producer | |
| Michael Selby | Producer | |
| Jillian Kugler | Producer | |
| Brian Wilkins | Executive Producer | |
| Ron Perlman | Executive Producer | |
| Renee Wolfe | Executive Producer | |
| Mark Cooper | Co-Producer | |
| Anchittha Phongchub | Co-Producer | |
| Jonathan Shore | Co-Producer | |
| Pam Dixon | Casting Director | |
| Matthias Koenigswieser | Director of Photography | |
| Hughes Winborne | Editor | |
| Marc Streitenfeld | Composer | |
| Matt Cavanaugh | Dialogue Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.