All My Life (2020)
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| Theatrical Performance | ||
| Domestic Box Office | $913,935 | Details |
| International Box Office | $1,110,128 | Details |
| Worldwide Box Office | $2,024,063 | |
| OpusData ID: 435470100 More info... | ||
| Further financial details... | ||
Synopsis
Jennifer Carter and Solomon Chau are a sweet, fun-loving, newly-engaged couple whose whole life seems ahead of them. But when Sol is diagnosed with terminal liver cancer in December, their plans for a summer wedding become impossible. In a race against time, Jenn and Sol’s friends and family launch an online fundraiser to help the couple create their dream wedding in just two weeks. In the process, they unleash an outpouring of generosity and attention from people around the world who want to celebrate the power of love with them. Through it all, Jenn and Sol’s commitment to each other only deepens, becoming a heartwarming reminder that the strength of true love knows no limits.
Metrics
| Opening Weekend: | $370,315 (40.5% of total gross) |
| Legs: | 2.47 (domestic box office/biggest weekend) |
| Domestic Share: | 45.2% (domestic box office/worldwide) |
| Production Budget: | $25,000,000 (worldwide box office is 0.1 times production budget) |
| Theater counts: | 970 opening theaters/970 max. theaters, 2.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,188,884 |
Movie Details
| Domestic Releases: | December 4th, 2020 (Wide) by Universal |
| International Releases: | October 23rd, 2020 (Limited) (United Kingdom)
November 19th, 2020 (Limited) (Australia) November 27th, 2020 (Limited) (Netherlands) December 10th, 2020 (Limited), released as All My Life — Liebe, als gäbe es kein Morgen (Germany) December 11th, 2020 (Wide), released as Para toda la vida (Spain) ... Show all releases |
| Video Release: | December 23rd, 2020 by Universal Home Entertainment |
| MPA Rating: | PG-13 for brief language. (Rating bulletin 2643 (Cert #52855), 8/19/2020) |
| Running Time: | 91 minutes |
| Plot point: | Romance |
| Subgenre: | Romantic Drama |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Broken Road, Universal Pictures, Perfect World Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 4, 2020 | 4 | $370,315 | 970 | $382 | $370,315 | 1 | |
| Dec 11, 2020 | 8 | $209,895 | -43% | 965 | $218 | $690,825 | 2 |
| Dec 18, 2020 | 14 | $74,765 | -64% | 609 | $123 | $833,330 | 3 |
| Dec 25, 2020 | - | $10,570 | -86% | 133 | $79 | $886,315 | 4 |
| Jan 1, 2021 | - | $10,355 | -2% | 88 | $118 | $909,940 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Dec 4, 2020 | 4 | $141,710 | 970 | $146 | $141,710 | 1 | ||
| Dec 5, 2020 | 5 | $146,815 | +4% | 970 | $151 | $288,525 | 2 | |
| Dec 6, 2020 | 5 | $81,790 | -44% | 970 | $84 | $370,315 | 3 | |
| Dec 7, 2020 | 4 | $24,980 | -69% | 970 | $26 | $395,295 | 4 | |
| Dec 8, 2020 | 4 | $37,120 | +49% | 970 | $38 | $432,415 | 5 | |
| Dec 9, 2020 | 4 | $23,145 | -38% | 970 | $24 | $455,560 | 6 | |
| Dec 10, 2020 | - | $25,370 | +10% | 970 | $26 | $480,930 | 7 | |
| Dec 11, 2020 | - | $70,275 | +177% | -50% | 965 | $73 | $551,205 | 8 |
| Dec 12, 2020 | - | $89,255 | +27% | -39% | 965 | $92 | $640,460 | 9 |
| Dec 13, 2020 | - | $50,365 | -44% | -38% | 965 | $52 | $690,825 | 10 |
| Dec 14, 2020 | - | $13,890 | -72% | -44% | 965 | $14 | $704,715 | 11 |
| Dec 15, 2020 | - | $23,060 | +66% | -38% | 965 | $24 | $727,775 | 12 |
| Dec 16, 2020 | - | $16,070 | -30% | -31% | 965 | $17 | $743,845 | 13 |
| Dec 17, 2020 | - | $14,720 | -8% | -42% | 965 | $15 | $758,565 | 14 |
| Dec 18, 2020 | - | $22,840 | +55% | -67% | 609 | $38 | $781,405 | 15 |
| Dec 19, 2020 | - | $29,910 | +31% | -66% | 609 | $49 | $811,315 | 16 |
| Dec 20, 2020 | - | $22,015 | -26% | -56% | 609 | $36 | $833,330 | 17 |
| Dec 21, 2020 | - | $10,120 | -54% | -27% | 609 | $17 | $843,450 | 18 |
| Dec 22, 2020 | - | $13,155 | +30% | -43% | 609 | $22 | $856,605 | 19 |
| Dec 23, 2020 | - | $12,065 | -8% | -25% | 609 | $20 | $868,670 | 20 |
| Dec 24, 2020 | - | $7,075 | -41% | -52% | 609 | $12 | $875,745 | 21 |
| Dec 25, 2020 | - | $2,445 | -65% | -89% | 133 | $18 | $878,190 | 22 |
| Dec 26, 2020 | - | $4,755 | +94% | -84% | 133 | $36 | $882,945 | 23 |
| Dec 27, 2020 | - | $3,370 | -29% | -85% | 133 | $25 | $886,315 | 24 |
| Dec 28, 2020 | - | $3,200 | -5% | -68% | 133 | $24 | $889,515 | 25 |
| Dec 29, 2020 | - | $3,835 | +20% | -71% | 133 | $29 | $893,350 | 26 |
| Dec 30, 2020 | - | $3,520 | -8% | -71% | 133 | $26 | $896,870 | 27 |
| Dec 31, 2020 | - | $2,715 | -23% | -62% | 133 | $20 | $899,585 | 28 |
| Jan 1, 2021 | - | $3,365 | +24% | +38% | 88 | $38 | $902,950 | 29 |
| Jan 2, 2021 | - | $4,135 | +23% | -13% | 88 | $47 | $907,085 | 30 |
| Jan 3, 2021 | - | $2,855 | -31% | -15% | 88 | $32 | $909,940 | 31 |
| Jan 4, 2021 | - | $1,175 | -59% | -63% | 88 | $13 | $911,115 | 32 |
| Jan 5, 2021 | - | $1,030 | -12% | -73% | 88 | $12 | $912,145 | 33 |
| Jan 6, 2021 | - | $685 | -33% | -81% | 88 | $8 | $912,830 | 34 |
| Jan 7, 2021 | - | $1,105 | +61% | -59% | 88 | $13 | $913,935 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 4, 2020 | 4 | $480,930 | 970 | $496 | $480,930 | 1 | |
| Dec 11, 2020 | - | $277,635 | -42% | 965 | $288 | $758,565 | 2 |
| Dec 18, 2020 | - | $117,180 | -58% | 609 | $192 | $875,745 | 3 |
| Dec 25, 2020 | - | $23,840 | -80% | 133 | $179 | $899,585 | 4 |
| Jan 1, 2021 | - | $14,350 | -40% | 88 | $163 | $913,935 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 11/19/2020 | $215,860 | 228 | 228 | 707 | $615,228 | 10/19/2022 | |||
| Italy | 8/5/2021 | $5,990 | 0 | 0 | 0 | $5,990 | 10/20/2022 | |||
| Netherlands | 11/27/2020 | $117,036 | 73 | 74 | 220 | $388,192 | 10/19/2022 | |||
| Spain | 12/11/2020 | $34,883 | 151 | 151 | 151 | $34,883 | 12/17/2020 | |||
| United Kingdom | 10/23/2020 | $65,835 | 224 | 224 | 224 | $65,835 | 4/4/2026 | |||
| International Total | $1,110,128 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Jessica Rothe | Jenn Carter | |
| Harry Shum Jr. | Solomon “Sol” Chau |
Supporting
| Kyle Allen | Kyle Campbell | |
| Chrissie Fit | Amanda Fletcher | |
| Jay Pharoah | Dave Berger | |
| Marielle Scott | Megan Denhoff | |
| Keala Settle | Viv Lawrence | |
| Ever Carradine | Gigi Carter | |
| Jon Rudnitsky | Chris, Bartender | |
| Molly Hagen | Hope Marie Carter | |
| Josh Brener | Eric Bronitt | |
| Anjali Bhimani | Mina White | |
| Dan Butler | Dr. Alan Mendelson | |
| Mario Cantone | Jerome Patterson | |
| Greg Vrotsos | Chef Neil Snider | |
| Michael Masini | Peter Ohl | |
| Lara Grice | Margaret, Bridal Shop | |
| Samantha Beaulieu | Receptionist, Sperm Bank | |
| Joseph Poliquin | Brian, Chemo Patient | |
| Christina Watkins | News Anchor | |
| Christina Elizabeth Smith | Chemotherapy Nurse | |
| Matthew Underwood | Pedestrian | |
| Betsy Holt | Bootcamp Trainer | |
| Robert Larriviere | Professor | |
| John Fohl | Jazz Guitarist | |
| Mike Harvey | Jazz Violinist | |
| Jermal Watson | Jazz Drummer | |
| Nathan Lambertson | Jazz Upright Bass | |
| Lulu Chustz | Prep Chef |
Production and Technical Credits
| Marc Meyers | Director | |
| Todd Rosenberg | Screenwriter | |
| Todd Garner | Producer | |
| Sean Robins | Producer | |
| Robin Mulcahy Fisichella | Executive Producer | |
| Gina Matthews | Executive Producer | |
| Russ Alsobrook | Director of Photography | |
| Chris Spellman | Production Designer | |
| David Moritz | Editor | |
| Christina Flannery | Costume Designer | |
| Lisbeth Scott | Composer | |
| Rich Delia | Casting Director | |
| Robin Mulcahy Fisichella | Unit Production Manager | |
| Caroline Aragon | First Assistant Director | |
| Seth Hansen | Second Assistant Director | |
| Robb Earnest | Associate Producer | |
| Jarrette Moats | Art Director | |
| Jonathan Cappel | Set Decorator | |
| Adie Kaplan | Set Designer | |
| Paul Ledford | Sound Mixer | |
| Matt Kutcher | Special Effects Coordinator | |
| Shannon Jantz | Costume Supervisor | |
| Kim Perrodin | Make up | |
| Natalie Shea Rose | Hairstylist | |
| Kara McGee* | Script Supervisor | |
| Matt McLellan | Location Manager | |
| Ryan C. Fill | Assistant Editor | |
| Drew Webster | Re-recording Mixer | |
| Greg Orloff | Re-recording Mixer | |
| Kami Asgar | Supervising Sound Editor | |
| Erin Oakley | Supervising Sound Editor | |
| Benjamin L. Cook | Sound Designer | |
| Paul Pirola | Sound Effects Editor | |
| Jon Wakeham | Dialogue Editor | |
| Brendan Croxon | Foley Mixer | |
| Brendan Hill | Foley Editor | |
| John Finklea | Music Editor | |
| Daniel Kresco | Score Recordist | |
| Daniel Kresco | Score Mixer | |
| Harry Risoleo | Score Recordist | |
| Juan Melgoza | Visual Effects Supervisor | |
| Christal Wolgamott | Visual Effects Producer | |
| Timothy Bell | Stunt Coordinator | |
| Andy Dylan | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Jennifer Carter and Solomon Chau are a sweet, fun-loving, newly-engaged couple whose whole life seems ahead of them. But when Sol is diagnosed with terminal liver cancer in December, their plans for a summer wedding become impossible. In a race against time, Jenn and Sol’s friends and family launch an online fundraiser to help the couple create their dream wedding in just two weeks. In the process, they unleash an outpouring of generosity and attention from people around the world who want to celebrate the power of love with them. Through it all, Jenn and Sol’s commitment to each other only deepens, becoming a heartwarming reminder that the strength of true love knows no limits.
Metrics
| Opening Weekend: | $370,315 (40.5% of total gross) |
| Legs: | 2.47 (domestic box office/biggest weekend) |
| Domestic Share: | 45.2% (domestic box office/worldwide) |
| Production Budget: | $25,000,000 (worldwide box office is 0.1 times production budget) |
| Theater counts: | 970 opening theaters/970 max. theaters, 2.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,188,884 |
Movie Details
| Domestic Releases: | December 4th, 2020 (Wide) by Universal |
| International Releases: | October 23rd, 2020 (Limited) (United Kingdom)
November 19th, 2020 (Limited) (Australia) November 27th, 2020 (Limited) (Netherlands) December 10th, 2020 (Limited), released as All My Life — Liebe, als gäbe es kein Morgen (Germany) December 11th, 2020 (Wide), released as Para toda la vida (Spain) ... Show all releases |
| Video Release: | December 23rd, 2020 by Universal Home Entertainment |
| MPA Rating: | PG-13 for brief language. (Rating bulletin 2643 (Cert #52855), 8/19/2020) |
| Running Time: | 91 minutes |
| Plot point: | Romance |
| Subgenre: | Romantic Drama |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Broken Road, Universal Pictures, Perfect World Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 4, 2020 | 4 | $370,315 | 970 | $382 | $370,315 | 1 | |
| Dec 11, 2020 | 8 | $209,895 | -43% | 965 | $218 | $690,825 | 2 |
| Dec 18, 2020 | 14 | $74,765 | -64% | 609 | $123 | $833,330 | 3 |
| Dec 25, 2020 | - | $10,570 | -86% | 133 | $79 | $886,315 | 4 |
| Jan 1, 2021 | - | $10,355 | -2% | 88 | $118 | $909,940 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Dec 4, 2020 | 4 | $141,710 | 970 | $146 | $141,710 | 1 | ||
| Dec 5, 2020 | 5 | $146,815 | +4% | 970 | $151 | $288,525 | 2 | |
| Dec 6, 2020 | 5 | $81,790 | -44% | 970 | $84 | $370,315 | 3 | |
| Dec 7, 2020 | 4 | $24,980 | -69% | 970 | $26 | $395,295 | 4 | |
| Dec 8, 2020 | 4 | $37,120 | +49% | 970 | $38 | $432,415 | 5 | |
| Dec 9, 2020 | 4 | $23,145 | -38% | 970 | $24 | $455,560 | 6 | |
| Dec 10, 2020 | - | $25,370 | +10% | 970 | $26 | $480,930 | 7 | |
| Dec 11, 2020 | - | $70,275 | +177% | -50% | 965 | $73 | $551,205 | 8 |
| Dec 12, 2020 | - | $89,255 | +27% | -39% | 965 | $92 | $640,460 | 9 |
| Dec 13, 2020 | - | $50,365 | -44% | -38% | 965 | $52 | $690,825 | 10 |
| Dec 14, 2020 | - | $13,890 | -72% | -44% | 965 | $14 | $704,715 | 11 |
| Dec 15, 2020 | - | $23,060 | +66% | -38% | 965 | $24 | $727,775 | 12 |
| Dec 16, 2020 | - | $16,070 | -30% | -31% | 965 | $17 | $743,845 | 13 |
| Dec 17, 2020 | - | $14,720 | -8% | -42% | 965 | $15 | $758,565 | 14 |
| Dec 18, 2020 | - | $22,840 | +55% | -67% | 609 | $38 | $781,405 | 15 |
| Dec 19, 2020 | - | $29,910 | +31% | -66% | 609 | $49 | $811,315 | 16 |
| Dec 20, 2020 | - | $22,015 | -26% | -56% | 609 | $36 | $833,330 | 17 |
| Dec 21, 2020 | - | $10,120 | -54% | -27% | 609 | $17 | $843,450 | 18 |
| Dec 22, 2020 | - | $13,155 | +30% | -43% | 609 | $22 | $856,605 | 19 |
| Dec 23, 2020 | - | $12,065 | -8% | -25% | 609 | $20 | $868,670 | 20 |
| Dec 24, 2020 | - | $7,075 | -41% | -52% | 609 | $12 | $875,745 | 21 |
| Dec 25, 2020 | - | $2,445 | -65% | -89% | 133 | $18 | $878,190 | 22 |
| Dec 26, 2020 | - | $4,755 | +94% | -84% | 133 | $36 | $882,945 | 23 |
| Dec 27, 2020 | - | $3,370 | -29% | -85% | 133 | $25 | $886,315 | 24 |
| Dec 28, 2020 | - | $3,200 | -5% | -68% | 133 | $24 | $889,515 | 25 |
| Dec 29, 2020 | - | $3,835 | +20% | -71% | 133 | $29 | $893,350 | 26 |
| Dec 30, 2020 | - | $3,520 | -8% | -71% | 133 | $26 | $896,870 | 27 |
| Dec 31, 2020 | - | $2,715 | -23% | -62% | 133 | $20 | $899,585 | 28 |
| Jan 1, 2021 | - | $3,365 | +24% | +38% | 88 | $38 | $902,950 | 29 |
| Jan 2, 2021 | - | $4,135 | +23% | -13% | 88 | $47 | $907,085 | 30 |
| Jan 3, 2021 | - | $2,855 | -31% | -15% | 88 | $32 | $909,940 | 31 |
| Jan 4, 2021 | - | $1,175 | -59% | -63% | 88 | $13 | $911,115 | 32 |
| Jan 5, 2021 | - | $1,030 | -12% | -73% | 88 | $12 | $912,145 | 33 |
| Jan 6, 2021 | - | $685 | -33% | -81% | 88 | $8 | $912,830 | 34 |
| Jan 7, 2021 | - | $1,105 | +61% | -59% | 88 | $13 | $913,935 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 4, 2020 | 4 | $480,930 | 970 | $496 | $480,930 | 1 | |
| Dec 11, 2020 | - | $277,635 | -42% | 965 | $288 | $758,565 | 2 |
| Dec 18, 2020 | - | $117,180 | -58% | 609 | $192 | $875,745 | 3 |
| Dec 25, 2020 | - | $23,840 | -80% | 133 | $179 | $899,585 | 4 |
| Jan 1, 2021 | - | $14,350 | -40% | 88 | $163 | $913,935 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 11/19/2020 | $215,860 | 228 | 228 | 707 | $615,228 | 10/19/2022 | |||
| Italy | 8/5/2021 | $5,990 | 0 | 0 | 0 | $5,990 | 10/20/2022 | |||
| Netherlands | 11/27/2020 | $117,036 | 73 | 74 | 220 | $388,192 | 10/19/2022 | |||
| Spain | 12/11/2020 | $34,883 | 151 | 151 | 151 | $34,883 | 12/17/2020 | |||
| United Kingdom | 10/23/2020 | $65,835 | 224 | 224 | 224 | $65,835 | 4/4/2026 | |||
| International Total | $1,110,128 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Jessica Rothe | Jenn Carter | |
| Harry Shum Jr. | Solomon “Sol” Chau |
Supporting
| Kyle Allen | Kyle Campbell | |
| Chrissie Fit | Amanda Fletcher | |
| Jay Pharoah | Dave Berger | |
| Marielle Scott | Megan Denhoff | |
| Keala Settle | Viv Lawrence | |
| Ever Carradine | Gigi Carter | |
| Jon Rudnitsky | Chris, Bartender | |
| Molly Hagen | Hope Marie Carter | |
| Josh Brener | Eric Bronitt | |
| Anjali Bhimani | Mina White | |
| Dan Butler | Dr. Alan Mendelson | |
| Mario Cantone | Jerome Patterson | |
| Greg Vrotsos | Chef Neil Snider | |
| Michael Masini | Peter Ohl | |
| Lara Grice | Margaret, Bridal Shop | |
| Samantha Beaulieu | Receptionist, Sperm Bank | |
| Joseph Poliquin | Brian, Chemo Patient | |
| Christina Watkins | News Anchor | |
| Christina Elizabeth Smith | Chemotherapy Nurse | |
| Matthew Underwood | Pedestrian | |
| Betsy Holt | Bootcamp Trainer | |
| Robert Larriviere | Professor | |
| John Fohl | Jazz Guitarist | |
| Mike Harvey | Jazz Violinist | |
| Jermal Watson | Jazz Drummer | |
| Nathan Lambertson | Jazz Upright Bass | |
| Lulu Chustz | Prep Chef |
Production and Technical Credits
| Marc Meyers | Director | |
| Todd Rosenberg | Screenwriter | |
| Todd Garner | Producer | |
| Sean Robins | Producer | |
| Robin Mulcahy Fisichella | Executive Producer | |
| Gina Matthews | Executive Producer | |
| Russ Alsobrook | Director of Photography | |
| Chris Spellman | Production Designer | |
| David Moritz | Editor | |
| Christina Flannery | Costume Designer | |
| Lisbeth Scott | Composer | |
| Rich Delia | Casting Director | |
| Robin Mulcahy Fisichella | Unit Production Manager | |
| Caroline Aragon | First Assistant Director | |
| Seth Hansen | Second Assistant Director | |
| Robb Earnest | Associate Producer | |
| Jarrette Moats | Art Director | |
| Jonathan Cappel | Set Decorator | |
| Adie Kaplan | Set Designer | |
| Paul Ledford | Sound Mixer | |
| Matt Kutcher | Special Effects Coordinator | |
| Shannon Jantz | Costume Supervisor | |
| Kim Perrodin | Make up | |
| Natalie Shea Rose | Hairstylist | |
| Kara McGee* | Script Supervisor | |
| Matt McLellan | Location Manager | |
| Ryan C. Fill | Assistant Editor | |
| Drew Webster | Re-recording Mixer | |
| Greg Orloff | Re-recording Mixer | |
| Kami Asgar | Supervising Sound Editor | |
| Erin Oakley | Supervising Sound Editor | |
| Benjamin L. Cook | Sound Designer | |
| Paul Pirola | Sound Effects Editor | |
| Jon Wakeham | Dialogue Editor | |
| Brendan Croxon | Foley Mixer | |
| Brendan Hill | Foley Editor | |
| John Finklea | Music Editor | |
| Daniel Kresco | Score Recordist | |
| Daniel Kresco | Score Mixer | |
| Harry Risoleo | Score Recordist | |
| Juan Melgoza | Visual Effects Supervisor | |
| Christal Wolgamott | Visual Effects Producer | |
| Timothy Bell | Stunt Coordinator | |
| Andy Dylan | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.