Aloft (2015)
| Theatrical Performance | ||
| Domestic Box Office | $53,086 | Details |
| International Box Office | $478,053 | Details |
| Worldwide Box Office | $531,139 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $116,860 | |
| Blu-ray Sales (estimated) | $59,597 | |
| Total | $176,457 | |
| OpusData ID: 215190100 More info... | ||
| Further financial details... | ||
Synopsis
As we follow a mother and her son, we delve into a past marred by an accident that tears them apart. She will become a renowned artist and healer, and he will grow into his own and a peculiar falconer who bears the marks of a double absence. In the present, a young journalist will bring about an encounter between the two that puts the very meaning of life and art into question, so that we may contemplate the possibility of living life to its fullest, despite the uncertainties littering our paths.
Metrics
| Opening Weekend: | $2,116 (4.0% of total gross) |
| Legs: | 25.09 (domestic box office/biggest weekend) |
| Domestic Share: | 10.0% (domestic box office/worldwide) |
| Production Budget: | $8,000,000 (worldwide box office is 0.1 times production budget) |
| Theater counts: | 2 opening theaters/17 max. theaters, 3.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $75,312 |
Movie Details
| Domestic Releases: | May 22nd, 2015 (Limited) by Sony Pictures Classics |
| International Releases: | January 23rd, 2015 (Wide) (Spain) |
| Video Release: | September 29th, 2015 by Sony Pictures Home Entertainment |
| MPA Rating: | R for language and some sexuality. (Rating bulletin 2363, 3/4/2015) |
| Running Time: | 97 minutes |
| Cast, crew, or production detail: | Old Age Makeup |
| Plot point: | Non-Chronological, Single Parent, Terminal Illness |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Wanda Vision, Arcadia Motion Pictures, Buffalo Gal Pictures, Manitoba Film & Music, Noodles Production, TVE. |
| Production Countries: | United States, Spain, France |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 22, 2015 | 81 | $2,116 | 2 | $1,058 | $2,116 | 1 | |
| May 29, 2015 | 82 | $1,090 | -48% | 6 | $182 | $43,730 | 2 |
| Jul 10, 2015 | 89 | $1,090 | 6 | $182 | $44,820 | 8 | |
| Jul 17, 2015 | 78 | $2,012 | +85% | 13 | $155 | $47,072 | 9 |
| Jul 24, 2015 | 87 | $1,930 | -4% | 17 | $114 | $50,050 | 10 |
| Jul 31, 2015 | 84 | $955 | -51% | 12 | $80 | $51,919 | 11 |
| Aug 7, 2015 | 95 | $365 | -62% | 3 | $122 | $52,961 | 12 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 22, 2015 | 89 | $3,558 | 2 | $1,779 | $3,558 | 1 | |
| May 29, 2015 | 73 | $4,842 | +36% | 7 | $692 | $8,400 | 2 |
| Jun 5, 2015 | 74 | $5,340 | +10% | 5 | $1,068 | $13,740 | 3 |
| Jun 12, 2015 | 68 | $12,488 | +134% | 16 | $781 | $26,228 | 4 |
| Jun 19, 2015 | 74 | $7,296 | -42% | 10 | $730 | $33,524 | 5 |
| Jun 26, 2015 | 82 | $4,814 | -34% | 9 | $535 | $38,338 | 6 |
| Jul 3, 2015 | 79 | $4,302 | -11% | 9 | $478 | $42,640 | 7 |
| Jul 10, 2015 | 87 | $2,420 | -44% | 6 | $403 | $45,060 | 8 |
| Jul 17, 2015 | 82 | $3,060 | +26% | 13 | $235 | $48,120 | 9 |
| Jul 24, 2015 | 97 | $2,844 | -7% | 17 | $167 | $50,964 | 10 |
| Jul 31, 2015 | 96 | $1,632 | -43% | 12 | $136 | $52,596 | 11 |
| Aug 7, 2015 | 105 | $490 | -70% | 3 | $163 | $53,086 | 12 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Spain | 1/23/2015 | $108,458 | 110 | 110 | 322 | $184,602 | 11/27/2018 | |||
| Rest of World | $293,451 | |||||||||
| International Total | $478,053 | 11/27/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Jennifer Connelly | Nana |
Supporting
| Cillian Murphy | Ivan | |
| Mélanie Laurent | Ressmore | |
| William Shimell | Newman | |
| Peter McRobbie | Ike | |
| Ian Tracey | Hans | |
| Andy Murray | Lance | |
| Zen McGrath | Young Ivan | |
| Winta McGrath | Gully | |
| Oona Chaplin | Alice |
Production and Technical Credits
| Claudia Llosa | Director | |
| Claudia Llosa | Screenwriter | |
| Jose Maria Morales | Producer | |
| Ibon Cormenzana | Producer | |
| Phyllis Laing | Producer | |
| Mark Johnson | Executive Producer | |
| Nicolas Bolduc | Cinematographer | |
| Eugenio Caballero | Production Designer | |
| Guille De La Cal | Editor | |
| Fabiola Ordoyo | Sound Designer | |
| Sandra Hermida | Production Manager | |
| Michael Brook | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
As we follow a mother and her son, we delve into a past marred by an accident that tears them apart. She will become a renowned artist and healer, and he will grow into his own and a peculiar falconer who bears the marks of a double absence. In the present, a young journalist will bring about an encounter between the two that puts the very meaning of life and art into question, so that we may contemplate the possibility of living life to its fullest, despite the uncertainties littering our paths.
Metrics
| Opening Weekend: | $2,116 (4.0% of total gross) |
| Legs: | 25.09 (domestic box office/biggest weekend) |
| Domestic Share: | 10.0% (domestic box office/worldwide) |
| Production Budget: | $8,000,000 (worldwide box office is 0.1 times production budget) |
| Theater counts: | 2 opening theaters/17 max. theaters, 3.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $75,312 |
Movie Details
| Domestic Releases: | May 22nd, 2015 (Limited) by Sony Pictures Classics |
| International Releases: | January 23rd, 2015 (Wide) (Spain) |
| Video Release: | September 29th, 2015 by Sony Pictures Home Entertainment |
| MPA Rating: | R for language and some sexuality. (Rating bulletin 2363, 3/4/2015) |
| Running Time: | 97 minutes |
| Cast, crew, or production detail: | Old Age Makeup |
| Plot point: | Non-Chronological, Single Parent, Terminal Illness |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Wanda Vision, Arcadia Motion Pictures, Buffalo Gal Pictures, Manitoba Film & Music, Noodles Production, TVE. |
| Production Countries: | United States, Spain, France |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 22, 2015 | 81 | $2,116 | 2 | $1,058 | $2,116 | 1 | |
| May 29, 2015 | 82 | $1,090 | -48% | 6 | $182 | $43,730 | 2 |
| Jul 10, 2015 | 89 | $1,090 | 6 | $182 | $44,820 | 8 | |
| Jul 17, 2015 | 78 | $2,012 | +85% | 13 | $155 | $47,072 | 9 |
| Jul 24, 2015 | 87 | $1,930 | -4% | 17 | $114 | $50,050 | 10 |
| Jul 31, 2015 | 84 | $955 | -51% | 12 | $80 | $51,919 | 11 |
| Aug 7, 2015 | 95 | $365 | -62% | 3 | $122 | $52,961 | 12 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 22, 2015 | 89 | $3,558 | 2 | $1,779 | $3,558 | 1 | |
| May 29, 2015 | 73 | $4,842 | +36% | 7 | $692 | $8,400 | 2 |
| Jun 5, 2015 | 74 | $5,340 | +10% | 5 | $1,068 | $13,740 | 3 |
| Jun 12, 2015 | 68 | $12,488 | +134% | 16 | $781 | $26,228 | 4 |
| Jun 19, 2015 | 74 | $7,296 | -42% | 10 | $730 | $33,524 | 5 |
| Jun 26, 2015 | 82 | $4,814 | -34% | 9 | $535 | $38,338 | 6 |
| Jul 3, 2015 | 79 | $4,302 | -11% | 9 | $478 | $42,640 | 7 |
| Jul 10, 2015 | 87 | $2,420 | -44% | 6 | $403 | $45,060 | 8 |
| Jul 17, 2015 | 82 | $3,060 | +26% | 13 | $235 | $48,120 | 9 |
| Jul 24, 2015 | 97 | $2,844 | -7% | 17 | $167 | $50,964 | 10 |
| Jul 31, 2015 | 96 | $1,632 | -43% | 12 | $136 | $52,596 | 11 |
| Aug 7, 2015 | 105 | $490 | -70% | 3 | $163 | $53,086 | 12 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Spain | 1/23/2015 | $108,458 | 110 | 110 | 322 | $184,602 | 11/27/2018 | |||
| Rest of World | $293,451 | |||||||||
| International Total | $478,053 | 11/27/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Jennifer Connelly | Nana |
Supporting
| Cillian Murphy | Ivan | |
| Mélanie Laurent | Ressmore | |
| William Shimell | Newman | |
| Peter McRobbie | Ike | |
| Ian Tracey | Hans | |
| Andy Murray | Lance | |
| Zen McGrath | Young Ivan | |
| Winta McGrath | Gully | |
| Oona Chaplin | Alice |
Production and Technical Credits
| Claudia Llosa | Director | |
| Claudia Llosa | Screenwriter | |
| Jose Maria Morales | Producer | |
| Ibon Cormenzana | Producer | |
| Phyllis Laing | Producer | |
| Mark Johnson | Executive Producer | |
| Nicolas Bolduc | Cinematographer | |
| Eugenio Caballero | Production Designer | |
| Guille De La Cal | Editor | |
| Fabiola Ordoyo | Sound Designer | |
| Sandra Hermida | Production Manager | |
| Michael Brook | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.