Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) (2020)
-(2020).jpg)
| Theatrical Performance | ||
| Domestic Box Office | $84,158,461 | Details |
| International Box Office | $121,200,000 | Details |
| Worldwide Box Office | $205,358,461 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $12,317,660 | |
| Blu-ray Sales (estimated) | $18,932,223 | |
| Total | $31,249,883 | |
| OpusData ID: 368910100 More info... | ||
| Further financial details... | ||
Synopsis
When Gotham’s most nefariously narcissistic villain, Roman Sionis, and his zealous right-hand, Zsasz, put a target on a young girl named Cass, the city is turned upside down looking for her. Harley Quinn, Huntress, Black Canary and Renee Montoya’s paths collide, and the unlikely foursome have no choice but to team up to take Roman down.
Metrics
| Opening Weekend: | $33,010,017 (39.2% of total gross) |
| Legs: | 2.55 (domestic box office/biggest weekend) |
| Domestic Share: | 41.0% (domestic box office/worldwide) |
| Production Budget: | $82,000,000 (worldwide box office is 2.5 times production budget) |
| Theater counts: | 4,236 opening theaters/4,236 max. theaters, 4.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $109,644,352 |
Movie Details
| Domestic Releases: | February 7th, 2020 (Wide) by Warner Bros. February 7th, 2020 (IMAX) by Warner Bros. |
| International Releases: | February 5th, 2020 (Wide) (South Korea)
February 6th, 2020 (Wide), released as Хищные птицы: Потрясающая история Харли Квинн (Russia (CIS)) February 6th, 2020 (Wide) (New Zealand) February 6th, 2020 (Wide), released as Birds of Prey e la fantasmagorica rinascita di Harley Quinn (Italy) February 7th, 2020 (Wide) (Indonesia) ... Show all releases |
| Video Release: | March 24th, 2020 by Warner Home Video, released as Birds of Prey |
| MPA Rating: | R for strong violence and language throughout, and some sexual and drug material. (Rating bulletin 2609 (Cert #52510), 12/18/2019) |
| Running Time: | 109 minutes |
| Franchise: | DC Extended Universe |
| Cast, crew, or production detail: | Ensemble, F-Rated |
| Film format: | 3-D, IMAX: DMR |
| Plot point: | Crime, Enemies Forced to Work Together, LGBTQ+, Relationships Gone Wrong |
| Source material: | D.C. Comics |
| Subgenre: | Action Comedy |
| Source: | Based on Comic/Graphic Novel |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Super Hero |
| Production/Financing Companies: | LuckyChap Entertainment, Kroll and Company Entertainment, Clubhouse Pictures, Warner Bros., DC Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 7, 2020 | 1 | $33,010,017 | 4,236 | $7,793 | $33,010,017 | 1 | |
| Feb 14, 2020 | 2 | $17,172,686 | -48% | 4,236 | $4,054 | $59,330,988 | 2 |
| Feb 21, 2020 | 3 | $6,802,003 | -60% | 3,565 | $1,908 | $72,326,018 | 3 |
| Feb 28, 2020 | 6 | $4,104,283 | -40% | 3,124 | $1,314 | $78,852,022 | 4 |
| Mar 6, 2020 | 8 | $2,137,794 | -48% | 2,173 | $984 | $82,538,376 | 5 |
| Mar 13, 2020 | 11 | $571,487 | -73% | 1,014 | $564 | $84,080,044 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 6, 2020 | P | $4,000,000 | 0 | $4,000,000 | ||||
| Feb 7, 2020 | 1 | $12,964,681 | 4,236 | $3,061 | $12,964,681 | 1 | ||
| Feb 8, 2020 | 1 | $12,193,732 | -6% | 4,236 | $2,879 | $25,158,413 | 2 | |
| Feb 9, 2020 | 1 | $7,851,604 | -36% | 4,236 | $1,854 | $33,010,017 | 3 | |
| Feb 10, 2020 | 1 | $2,160,176 | -72% | 4,236 | $510 | $35,170,193 | 4 | |
| Feb 11, 2020 | 1 | $3,381,368 | +57% | 4,236 | $798 | $38,551,561 | 5 | |
| Feb 12, 2020 | 1 | $1,826,055 | -46% | 4,236 | $431 | $40,377,616 | 6 | |
| Feb 13, 2020 | 1 | $1,780,686 | -2% | 4,236 | $420 | $42,158,302 | 7 | |
| Feb 14, 2020 | 3 | $6,277,910 | +253% | -52% | 4,236 | $1,482 | $48,436,212 | 8 |
| Feb 15, 2020 | 2 | $6,253,413 | n/c | -49% | 4,236 | $1,476 | $54,689,625 | 9 |
| Feb 16, 2020 | 2 | $4,641,363 | -26% | -41% | 4,236 | $1,096 | $59,330,988 | 10 |
| Feb 17, 2020 | 2 | $2,528,183 | -46% | +17% | 4,236 | $597 | $61,859,171 | 11 |
| Feb 18, 2020 | 2 | $1,667,914 | -34% | -51% | 4,236 | $394 | $63,527,085 | 12 |
| Feb 19, 2020 | 2 | $1,006,198 | -40% | -45% | 4,236 | $238 | $64,533,283 | 13 |
| Feb 20, 2020 | 2 | $990,732 | -2% | -44% | 4,236 | $234 | $65,524,015 | 14 |
| Feb 21, 2020 | 4 | $1,910,181 | +93% | -70% | 3,565 | $536 | $67,434,196 | 15 |
| Feb 22, 2020 | 3 | $2,977,704 | +56% | -52% | 3,565 | $835 | $70,411,900 | 16 |
| Feb 23, 2020 | 3 | $1,914,118 | -36% | -59% | 3,565 | $537 | $72,326,018 | 17 |
| Feb 24, 2020 | 3 | $535,897 | -72% | -79% | 3,565 | $150 | $72,861,915 | 18 |
| Feb 25, 2020 | 3 | $850,143 | +59% | -49% | 3,565 | $238 | $73,712,058 | 19 |
| Feb 26, 2020 | 4 | $538,119 | -37% | -47% | 3,565 | $151 | $74,250,177 | 20 |
| Feb 27, 2020 | 4 | $497,562 | -8% | -50% | 3,565 | $140 | $74,747,739 | 21 |
| Feb 28, 2020 | 6 | $1,084,443 | +118% | -43% | 3,124 | $347 | $75,832,182 | 22 |
| Feb 29, 2020 | 6 | $1,830,706 | +69% | -39% | 3,124 | $586 | $77,662,888 | 23 |
| Mar 1, 2020 | 6 | $1,189,134 | -35% | -38% | 3,124 | $381 | $78,852,022 | 24 |
| Mar 2, 2020 | 6 | $340,027 | -71% | -37% | 3,124 | $109 | $79,192,049 | 25 |
| Mar 3, 2020 | 5 | $540,174 | +59% | -36% | 3,124 | $173 | $79,732,223 | 26 |
| Mar 4, 2020 | 6 | $345,385 | -36% | -36% | 3,124 | $111 | $80,077,608 | 27 |
| Mar 5, 2020 | 5 | $322,974 | -6% | -35% | 3,124 | $103 | $80,400,582 | 28 |
| Mar 6, 2020 | 8 | $579,441 | +79% | -47% | 2,173 | $267 | $80,980,023 | 29 |
| Mar 7, 2020 | 8 | $964,612 | +66% | -47% | 2,173 | $444 | $81,944,635 | 30 |
| Mar 8, 2020 | 8 | $593,741 | -38% | -50% | 2,173 | $273 | $82,538,376 | 31 |
| Mar 9, 2020 | 8 | $233,534 | -61% | -31% | 2,173 | $107 | $82,771,910 | 32 |
| Mar 10, 2020 | 8 | $340,781 | +46% | -37% | 2,173 | $157 | $83,112,691 | 33 |
| Mar 11, 2020 | 8 | $235,234 | -31% | -32% | 2,173 | $108 | $83,347,925 | 34 |
| Mar 12, 2020 | 8 | $160,632 | -32% | -50% | 2,173 | $74 | $83,508,557 | 35 |
| Mar 13, 2020 | 11 | $169,007 | +5% | -71% | 2,173 | $78 | $83,677,564 | 36 |
| Mar 14, 2020 | 11 | $247,903 | +47% | -74% | 2,173 | $114 | $83,925,467 | 37 |
| Mar 15, 2020 | 11 | $154,577 | -38% | -74% | 2,173 | $71 | $84,080,044 | 38 |
| Mar 16, 2020 | 11 | $55,306 | -64% | -76% | 2,173 | $25 | $84,135,350 | 39 |
| Mar 17, 2020 | 11 | $15,812 | -71% | -95% | 2,173 | $7 | $84,151,162 | 40 |
| Mar 18, 2020 | 11 | $3,679 | -77% | -98% | 2,173 | $2 | $84,154,841 | 41 |
| Mar 19, 2020 | 11 | $3,620 | -2% | -98% | 2,173 | $2 | $84,158,461 | 42 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 7, 2020 | 1 | $42,158,302 | 4,236 | $9,952 | $42,158,302 | 1 | |
| Feb 14, 2020 | 2 | $23,365,713 | -45% | 4,236 | $5,516 | $65,524,015 | 2 |
| Feb 21, 2020 | 3 | $9,223,724 | -61% | 3,565 | $2,587 | $74,747,739 | 3 |
| Feb 28, 2020 | 6 | $5,652,843 | -39% | 3,124 | $1,809 | $80,400,582 | 4 |
| Mar 6, 2020 | 8 | $3,107,975 | -45% | 2,173 | $1,430 | $83,508,557 | 5 |
| Mar 13, 2020 | 11 | $649,904 | -79% | 2,173 | $299 | $84,158,461 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 2/7/2020 | $436,326 | 215 | 215 | 501 | $1,071,417 | 3/19/2020 | |||
| Australia | 2/7/2020 | $2,571,817 | 528 | 1 | 2,065 | $7,624,977 | 4/13/2026 | |||
| Brazil | 2/7/2020 | $2,800,000 | 1,506 | 1,506 | 3,066 | $5,689,847 | 4/4/2026 | |||
| Bulgaria | 2/7/2020 | $41,836 | 0 | 0 | 0 | $118,954 | 3/11/2020 | |||
| Czech Republic | 2/7/2020 | $211,996 | 145 | 145 | 382 | $620,254 | 10/19/2022 | |||
| France | 2/7/2020 | $2,610,000 | 593 | 593 | 2,119 | $8,227,854 | 3/20/2020 | |||
| Germany | 2/7/2020 | $1,600,000 | 714 | 714 | 1,674 | $4,600,000 | 3/11/2020 | |||
| Hong Kong | 2/7/2020 | $0 | 0 | 0 | 0 | $1,659,436 | 3/14/2020 | |||
| India | 2/7/2020 | $418,637 | 0 | 0 | 0 | $418,637 | 2/29/2020 | |||
| Indonesia | 2/7/2020 | $2,400,000 | 1,298 | 1,298 | 1,298 | $3,730,000 | 3/11/2020 | |||
| Italy | 2/6/2020 | $1,300,042 | 520 | 520 | 520 | $2,724,422 | 3/10/2020 | |||
| Japan | 3/20/2020 | $1,109,258 | 0 | 0 | 0 | $4,508,578 | 6/12/2020 | |||
| Lithuania | 2/7/2020 | $34,390 | 15 | 15 | 31 | $91,560 | 3/4/2020 | |||
| Mexico | 2/7/2020 | $4,180,219 | 3,915 | 3,915 | 5,145 | $9,709,847 | 10/19/2022 | |||
| Netherlands | 2/7/2020 | $579,813 | 115 | 115 | 453 | $1,637,237 | 10/19/2022 | |||
| New Zealand | 2/6/2020 | $300,096 | 92 | 92 | 502 | $913,940 | 10/19/2022 | |||
| Poland | 2/7/2020 | $0 | 0 | 242 | 484 | $1,228,294 | 10/19/2022 | |||
| Portugal | 2/7/2020 | $333,591 | 88 | 88 | 410 | $1,099,129 | 10/19/2022 | |||
| Romania | 2/7/2020 | $180,985 | 127 | 127 | 376 | $544,564 | 10/19/2022 | |||
| Russia (CIS) | 2/6/2020 | $3,748,601 | 1,881 | 1,906 | 6,090 | $6,135,979 | 4/4/2026 | |||
| Slovakia | 2/7/2020 | $78,708 | 62 | 62 | 146 | $207,265 | 3/10/2020 | |||
| Slovenia | 2/7/2020 | $20,583 | 32 | 32 | 90 | $80,518 | 4/8/2020 | |||
| South Korea | 2/5/2020 | $1,298,738 | 946 | 946 | 1,511 | $2,984,212 | 3/11/2020 | |||
| Spain | 2/7/2020 | $1,372,418 | 334 | 338 | 1,400 | $3,500,000 | 4/4/2026 | |||
| Taiwan | 2/7/2020 | $1,560,000 | 246 | 246 | 246 | $3,720,000 | 3/24/2020 | |||
| Turkey | 2/7/2020 | $383,167 | 450 | 450 | 1,078 | $833,510 | 4/4/2026 | |||
| United Kingdom | 2/7/2020 | $3,657,283 | 629 | 629 | 2,419 | $11,500,000 | 3/24/2020 | |||
| Rest of World | $36,019,569 | |||||||||
| International Total | $121,200,000 | 4/13/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Margot Robbie | Harley Quinn | |
| Mary Elizabeth Winstead | Helena Bertinelli / Huntress | |
| Jurnee Smollett | Dinah Lance / Black Canary | |
| Rosie Perez | Renee Montoya | |
| Chris Messina | Victor Zsasz | |
| Ella Jay Basco | Cassandra Cain | |
| Ali Wong | Ellen Yee | |
| Ewan McGregor | Roman Sionis |
Supporting
| David Ury | Sleazy Breeder | |
| Sara Montez | Shallow Friend #1 / Kathrine | |
| Isabel Pakzad | Shallow Friend #2 | |
| Daniel Bernhardt | Sionis’ Chauffeur | |
| KC Strubbe | Naive Teammate | |
| Jacky Shu | Skeptical Teammate | |
| Paloma Rabinov | Bitchy Teammate | |
| Derek Wilson | Detective Tim Munroe | |
| Guiseppe Bucaro | Carlo Rossi | |
| James Henry Williams Jr | Ace Chemical Police Officer | |
| Francois Chau | Mr. Keo | |
| Miyuki Matsunaga | Mrs. Keo | |
| Anna Mikami | Miss Keo (16 yrs) | |
| Bruno Oliver | Bodega Cook (Sal) | |
| Keisha Tucker | Roller Derby Girl | |
| Matthew Willig | Happy | |
| Jeremy Denzlinger | Desk Sergeant | |
| Michael Masini | Officer Drago | |
| Charles Carpenter | Processing Officer | |
| Daniel Cole | Patrol Cop | |
| Jesse Bush | Patrol Cop | |
| Steven Williams | Captain Patrick Erickson | |
| Charlene Amoia | Maria Bertinelli | |
| Paul Lasa | Helena’s Father | |
| Ella Mika | Young Helena | |
| Robert Catrini | Stefano Galante | |
| Eddie Alfano | Helena’s Bodyguard | |
| Chris Carnel | Desk Sergeant | |
| Buddy Sosthand | Coffee Cup Cop | |
| Tim Sitarz | Donut Cop | |
| Shawn Balentine | Key Card Cop | |
| Shahaub Roudbari | Smarmy Guy | |
| Pramod Kumar | Irate Shopkeeper | |
| Christine Engh | Elderly Woman | |
| K.K. Barrett | Dr. Aguilar | |
| David Bianchi | Sionis Henchman #1 | |
| Simon Rhee | Cell Guard | |
| Terrence Julien | Cell Guard | |
| George Crayton | Prisoner | |
| Caleb Spillyards | Prisoner | |
| Li Qiang | Prisoner | |
| Anthony Nanakornpanom | Prisoner | |
| Sala Baker | Prisoner | |
| Christian Womack | Prisoner | |
| Bryan Sloyer | Prisoner | |
| Kofi Yiadom | Mercenary | |
| Efka Kvaraciejus | Mercenary | |
| Sam Hargrave | Mercenary | |
| Dennis Kieffer | Mercenary | |
| Dana Lee | Doc | |
| Bojana Novakovic | Erika | |
| Andy Hoff | Erika’s Date | |
| Eric Michael Cole | Disgruntled Man | |
| Oakley Lehman | Mercedes Gang Member | |
| Richard King | Mercedes Gang Member | |
| Tim Rigby | RR Passenger |
Production and Technical Credits
| Cathy Yan | Director | |
| Sue Kroll | Producer | |
| Bryan Unkeless | Producer | |
| Margot Robbie | Producer | |
| Christina Hodson | Screenwriter | |
| Walter Hamada | Executive Producer | |
| Galen Vaisman | Executive Producer | |
| Geoff Johns | Executive Producer | |
| Hans Ritter | Executive Producer | |
| David Ayer | Executive Producer | |
| Matthew Libatique | Director of Photography | |
| K.K. Barrett | Production Designer | |
| Jay Cassidy | Editor | |
| Evan Schiff | Editor | |
| Season Kent | Music Supervisor | |
| Gabe Hilfer | Music Supervisor | |
| Daniel Pemberton | Composer | |
| Christina Hodson | Co-Producer | |
| Donald L. Sparks | Co-Producer | |
| Greg Steele | Visual Effects Supervisor | |
| Erin Benach | Costume Designer | |
| Rich Delia | Casting Director | |
| Susan McNamara | Unit Production Manager | |
| Donald L. Sparks | First Assistant Director | |
| Christina Fong | Second Assistant Director | |
| Jonathan Eusebio | Second Unit Director | |
| Annemarie Griggs | Visual Effects Producer | |
| Matt Evans | Additional Editor | |
| Steven A. Morrow | Sound Mixer | |
| Joshua Levinson | Post-Production Supervisor | |
| Mike Azevedo | First Assistant Editor | |
| Brit Delillo | First Assistant Editor | |
| Katy Wood | Supervising Sound Editor | |
| Alan Robert Murray | Supervising Sound Editor | |
| Stephanie Brown | Dialogue Editor | |
| Cameron Steenhagen | Dialogue Editor | |
| Phil Barrie | Sound Effects Editor | |
| Luke Gibleon | Sound Effects Editor | |
| Michael W. Mitchell | Sound Effects Editor | |
| Adam Kopald | Sound Effects Editor | |
| Paula Fairfield | Sound Effects Editor | |
| Clayton Weber | Supervising Foley Editor | |
| Willard Overstreet | Foley Editor | |
| Onnalee Blank | Re-recording Mixer | |
| Brandon Proctor | Re-recording Mixer | |
| Richard Duarte | Foley Mixer | |
| Jack Cucci | Foley Mixer | |
| Tavish Grade | Foley Mixer | |
| Sara Bartkiewicz | Production Supervisor | |
| Ilt Jones | Location Manager | |
| Jody Blose | Script Supervisor | |
| Robert Q. Mathews | Costume Supervisor | |
| Deborah Lamia Denaver | Make up | |
| Miho Suzuki | Make up | |
| Adruitha Lee | Hairstylist | |
| Cassie Russek | Hairstylist | |
| Florencia Martin | Set Decorator | |
| Kasra Farahani | Supervising Art Director | |
| Julien Pougnier | Art Director | |
| Gustaf Aspegren | Art Director | |
| Luis G. Hoyos | Set Designer | |
| Rich Romig | Set Designer | |
| Mark Hawker | Special Effects Supervisor | |
| Andrew Weder | Special Effects Coordinator | |
| Thomas R. Homsher | Special Effects Designer | |
| Sam Okell | Score Recordist | |
| Sam Okell | Score Mixer | |
| Daniel Pemberton | Score Producer | |
| Katrina Schiller | Supervising Music Editor | |
| Stephen Perone | Music Editor | |
| Dan DiPrima | Music Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
When Gotham’s most nefariously narcissistic villain, Roman Sionis, and his zealous right-hand, Zsasz, put a target on a young girl named Cass, the city is turned upside down looking for her. Harley Quinn, Huntress, Black Canary and Renee Montoya’s paths collide, and the unlikely foursome have no choice but to team up to take Roman down.
Metrics
| Opening Weekend: | $33,010,017 (39.2% of total gross) |
| Legs: | 2.55 (domestic box office/biggest weekend) |
| Domestic Share: | 41.0% (domestic box office/worldwide) |
| Production Budget: | $82,000,000 (worldwide box office is 2.5 times production budget) |
| Theater counts: | 4,236 opening theaters/4,236 max. theaters, 4.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $109,644,352 |
Movie Details
| Domestic Releases: | February 7th, 2020 (Wide) by Warner Bros. February 7th, 2020 (IMAX) by Warner Bros. |
| International Releases: | February 5th, 2020 (Wide) (South Korea)
February 6th, 2020 (Wide), released as Хищные птицы: Потрясающая история Харли Квинн (Russia (CIS)) February 6th, 2020 (Wide) (New Zealand) February 6th, 2020 (Wide), released as Birds of Prey e la fantasmagorica rinascita di Harley Quinn (Italy) February 7th, 2020 (Wide) (Indonesia) ... Show all releases |
| Video Release: | March 24th, 2020 by Warner Home Video, released as Birds of Prey |
| MPA Rating: | R for strong violence and language throughout, and some sexual and drug material. (Rating bulletin 2609 (Cert #52510), 12/18/2019) |
| Running Time: | 109 minutes |
| Franchise: | DC Extended Universe |
| Cast, crew, or production detail: | Ensemble, F-Rated |
| Film format: | 3-D, IMAX: DMR |
| Plot point: | Crime, Enemies Forced to Work Together, LGBTQ+, Relationships Gone Wrong |
| Source material: | D.C. Comics |
| Subgenre: | Action Comedy |
| Source: | Based on Comic/Graphic Novel |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Super Hero |
| Production/Financing Companies: | LuckyChap Entertainment, Kroll and Company Entertainment, Clubhouse Pictures, Warner Bros., DC Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 7, 2020 | 1 | $33,010,017 | 4,236 | $7,793 | $33,010,017 | 1 | |
| Feb 14, 2020 | 2 | $17,172,686 | -48% | 4,236 | $4,054 | $59,330,988 | 2 |
| Feb 21, 2020 | 3 | $6,802,003 | -60% | 3,565 | $1,908 | $72,326,018 | 3 |
| Feb 28, 2020 | 6 | $4,104,283 | -40% | 3,124 | $1,314 | $78,852,022 | 4 |
| Mar 6, 2020 | 8 | $2,137,794 | -48% | 2,173 | $984 | $82,538,376 | 5 |
| Mar 13, 2020 | 11 | $571,487 | -73% | 1,014 | $564 | $84,080,044 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 6, 2020 | P | $4,000,000 | 0 | $4,000,000 | ||||
| Feb 7, 2020 | 1 | $12,964,681 | 4,236 | $3,061 | $12,964,681 | 1 | ||
| Feb 8, 2020 | 1 | $12,193,732 | -6% | 4,236 | $2,879 | $25,158,413 | 2 | |
| Feb 9, 2020 | 1 | $7,851,604 | -36% | 4,236 | $1,854 | $33,010,017 | 3 | |
| Feb 10, 2020 | 1 | $2,160,176 | -72% | 4,236 | $510 | $35,170,193 | 4 | |
| Feb 11, 2020 | 1 | $3,381,368 | +57% | 4,236 | $798 | $38,551,561 | 5 | |
| Feb 12, 2020 | 1 | $1,826,055 | -46% | 4,236 | $431 | $40,377,616 | 6 | |
| Feb 13, 2020 | 1 | $1,780,686 | -2% | 4,236 | $420 | $42,158,302 | 7 | |
| Feb 14, 2020 | 3 | $6,277,910 | +253% | -52% | 4,236 | $1,482 | $48,436,212 | 8 |
| Feb 15, 2020 | 2 | $6,253,413 | n/c | -49% | 4,236 | $1,476 | $54,689,625 | 9 |
| Feb 16, 2020 | 2 | $4,641,363 | -26% | -41% | 4,236 | $1,096 | $59,330,988 | 10 |
| Feb 17, 2020 | 2 | $2,528,183 | -46% | +17% | 4,236 | $597 | $61,859,171 | 11 |
| Feb 18, 2020 | 2 | $1,667,914 | -34% | -51% | 4,236 | $394 | $63,527,085 | 12 |
| Feb 19, 2020 | 2 | $1,006,198 | -40% | -45% | 4,236 | $238 | $64,533,283 | 13 |
| Feb 20, 2020 | 2 | $990,732 | -2% | -44% | 4,236 | $234 | $65,524,015 | 14 |
| Feb 21, 2020 | 4 | $1,910,181 | +93% | -70% | 3,565 | $536 | $67,434,196 | 15 |
| Feb 22, 2020 | 3 | $2,977,704 | +56% | -52% | 3,565 | $835 | $70,411,900 | 16 |
| Feb 23, 2020 | 3 | $1,914,118 | -36% | -59% | 3,565 | $537 | $72,326,018 | 17 |
| Feb 24, 2020 | 3 | $535,897 | -72% | -79% | 3,565 | $150 | $72,861,915 | 18 |
| Feb 25, 2020 | 3 | $850,143 | +59% | -49% | 3,565 | $238 | $73,712,058 | 19 |
| Feb 26, 2020 | 4 | $538,119 | -37% | -47% | 3,565 | $151 | $74,250,177 | 20 |
| Feb 27, 2020 | 4 | $497,562 | -8% | -50% | 3,565 | $140 | $74,747,739 | 21 |
| Feb 28, 2020 | 6 | $1,084,443 | +118% | -43% | 3,124 | $347 | $75,832,182 | 22 |
| Feb 29, 2020 | 6 | $1,830,706 | +69% | -39% | 3,124 | $586 | $77,662,888 | 23 |
| Mar 1, 2020 | 6 | $1,189,134 | -35% | -38% | 3,124 | $381 | $78,852,022 | 24 |
| Mar 2, 2020 | 6 | $340,027 | -71% | -37% | 3,124 | $109 | $79,192,049 | 25 |
| Mar 3, 2020 | 5 | $540,174 | +59% | -36% | 3,124 | $173 | $79,732,223 | 26 |
| Mar 4, 2020 | 6 | $345,385 | -36% | -36% | 3,124 | $111 | $80,077,608 | 27 |
| Mar 5, 2020 | 5 | $322,974 | -6% | -35% | 3,124 | $103 | $80,400,582 | 28 |
| Mar 6, 2020 | 8 | $579,441 | +79% | -47% | 2,173 | $267 | $80,980,023 | 29 |
| Mar 7, 2020 | 8 | $964,612 | +66% | -47% | 2,173 | $444 | $81,944,635 | 30 |
| Mar 8, 2020 | 8 | $593,741 | -38% | -50% | 2,173 | $273 | $82,538,376 | 31 |
| Mar 9, 2020 | 8 | $233,534 | -61% | -31% | 2,173 | $107 | $82,771,910 | 32 |
| Mar 10, 2020 | 8 | $340,781 | +46% | -37% | 2,173 | $157 | $83,112,691 | 33 |
| Mar 11, 2020 | 8 | $235,234 | -31% | -32% | 2,173 | $108 | $83,347,925 | 34 |
| Mar 12, 2020 | 8 | $160,632 | -32% | -50% | 2,173 | $74 | $83,508,557 | 35 |
| Mar 13, 2020 | 11 | $169,007 | +5% | -71% | 2,173 | $78 | $83,677,564 | 36 |
| Mar 14, 2020 | 11 | $247,903 | +47% | -74% | 2,173 | $114 | $83,925,467 | 37 |
| Mar 15, 2020 | 11 | $154,577 | -38% | -74% | 2,173 | $71 | $84,080,044 | 38 |
| Mar 16, 2020 | 11 | $55,306 | -64% | -76% | 2,173 | $25 | $84,135,350 | 39 |
| Mar 17, 2020 | 11 | $15,812 | -71% | -95% | 2,173 | $7 | $84,151,162 | 40 |
| Mar 18, 2020 | 11 | $3,679 | -77% | -98% | 2,173 | $2 | $84,154,841 | 41 |
| Mar 19, 2020 | 11 | $3,620 | -2% | -98% | 2,173 | $2 | $84,158,461 | 42 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 7, 2020 | 1 | $42,158,302 | 4,236 | $9,952 | $42,158,302 | 1 | |
| Feb 14, 2020 | 2 | $23,365,713 | -45% | 4,236 | $5,516 | $65,524,015 | 2 |
| Feb 21, 2020 | 3 | $9,223,724 | -61% | 3,565 | $2,587 | $74,747,739 | 3 |
| Feb 28, 2020 | 6 | $5,652,843 | -39% | 3,124 | $1,809 | $80,400,582 | 4 |
| Mar 6, 2020 | 8 | $3,107,975 | -45% | 2,173 | $1,430 | $83,508,557 | 5 |
| Mar 13, 2020 | 11 | $649,904 | -79% | 2,173 | $299 | $84,158,461 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 2/7/2020 | $436,326 | 215 | 215 | 501 | $1,071,417 | 3/19/2020 | |||
| Australia | 2/7/2020 | $2,571,817 | 528 | 1 | 2,065 | $7,624,977 | 4/13/2026 | |||
| Brazil | 2/7/2020 | $2,800,000 | 1,506 | 1,506 | 3,066 | $5,689,847 | 4/4/2026 | |||
| Bulgaria | 2/7/2020 | $41,836 | 0 | 0 | 0 | $118,954 | 3/11/2020 | |||
| Czech Republic | 2/7/2020 | $211,996 | 145 | 145 | 382 | $620,254 | 10/19/2022 | |||
| France | 2/7/2020 | $2,610,000 | 593 | 593 | 2,119 | $8,227,854 | 3/20/2020 | |||
| Germany | 2/7/2020 | $1,600,000 | 714 | 714 | 1,674 | $4,600,000 | 3/11/2020 | |||
| Hong Kong | 2/7/2020 | $0 | 0 | 0 | 0 | $1,659,436 | 3/14/2020 | |||
| India | 2/7/2020 | $418,637 | 0 | 0 | 0 | $418,637 | 2/29/2020 | |||
| Indonesia | 2/7/2020 | $2,400,000 | 1,298 | 1,298 | 1,298 | $3,730,000 | 3/11/2020 | |||
| Italy | 2/6/2020 | $1,300,042 | 520 | 520 | 520 | $2,724,422 | 3/10/2020 | |||
| Japan | 3/20/2020 | $1,109,258 | 0 | 0 | 0 | $4,508,578 | 6/12/2020 | |||
| Lithuania | 2/7/2020 | $34,390 | 15 | 15 | 31 | $91,560 | 3/4/2020 | |||
| Mexico | 2/7/2020 | $4,180,219 | 3,915 | 3,915 | 5,145 | $9,709,847 | 10/19/2022 | |||
| Netherlands | 2/7/2020 | $579,813 | 115 | 115 | 453 | $1,637,237 | 10/19/2022 | |||
| New Zealand | 2/6/2020 | $300,096 | 92 | 92 | 502 | $913,940 | 10/19/2022 | |||
| Poland | 2/7/2020 | $0 | 0 | 242 | 484 | $1,228,294 | 10/19/2022 | |||
| Portugal | 2/7/2020 | $333,591 | 88 | 88 | 410 | $1,099,129 | 10/19/2022 | |||
| Romania | 2/7/2020 | $180,985 | 127 | 127 | 376 | $544,564 | 10/19/2022 | |||
| Russia (CIS) | 2/6/2020 | $3,748,601 | 1,881 | 1,906 | 6,090 | $6,135,979 | 4/4/2026 | |||
| Slovakia | 2/7/2020 | $78,708 | 62 | 62 | 146 | $207,265 | 3/10/2020 | |||
| Slovenia | 2/7/2020 | $20,583 | 32 | 32 | 90 | $80,518 | 4/8/2020 | |||
| South Korea | 2/5/2020 | $1,298,738 | 946 | 946 | 1,511 | $2,984,212 | 3/11/2020 | |||
| Spain | 2/7/2020 | $1,372,418 | 334 | 338 | 1,400 | $3,500,000 | 4/4/2026 | |||
| Taiwan | 2/7/2020 | $1,560,000 | 246 | 246 | 246 | $3,720,000 | 3/24/2020 | |||
| Turkey | 2/7/2020 | $383,167 | 450 | 450 | 1,078 | $833,510 | 4/4/2026 | |||
| United Kingdom | 2/7/2020 | $3,657,283 | 629 | 629 | 2,419 | $11,500,000 | 3/24/2020 | |||
| Rest of World | $36,019,569 | |||||||||
| International Total | $121,200,000 | 4/13/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Margot Robbie | Harley Quinn | |
| Mary Elizabeth Winstead | Helena Bertinelli / Huntress | |
| Jurnee Smollett | Dinah Lance / Black Canary | |
| Rosie Perez | Renee Montoya | |
| Chris Messina | Victor Zsasz | |
| Ella Jay Basco | Cassandra Cain | |
| Ali Wong | Ellen Yee | |
| Ewan McGregor | Roman Sionis |
Supporting
| David Ury | Sleazy Breeder | |
| Sara Montez | Shallow Friend #1 / Kathrine | |
| Isabel Pakzad | Shallow Friend #2 | |
| Daniel Bernhardt | Sionis’ Chauffeur | |
| KC Strubbe | Naive Teammate | |
| Jacky Shu | Skeptical Teammate | |
| Paloma Rabinov | Bitchy Teammate | |
| Derek Wilson | Detective Tim Munroe | |
| Guiseppe Bucaro | Carlo Rossi | |
| James Henry Williams Jr | Ace Chemical Police Officer | |
| Francois Chau | Mr. Keo | |
| Miyuki Matsunaga | Mrs. Keo | |
| Anna Mikami | Miss Keo (16 yrs) | |
| Bruno Oliver | Bodega Cook (Sal) | |
| Keisha Tucker | Roller Derby Girl | |
| Matthew Willig | Happy | |
| Jeremy Denzlinger | Desk Sergeant | |
| Michael Masini | Officer Drago | |
| Charles Carpenter | Processing Officer | |
| Daniel Cole | Patrol Cop | |
| Jesse Bush | Patrol Cop | |
| Steven Williams | Captain Patrick Erickson | |
| Charlene Amoia | Maria Bertinelli | |
| Paul Lasa | Helena’s Father | |
| Ella Mika | Young Helena | |
| Robert Catrini | Stefano Galante | |
| Eddie Alfano | Helena’s Bodyguard | |
| Chris Carnel | Desk Sergeant | |
| Buddy Sosthand | Coffee Cup Cop | |
| Tim Sitarz | Donut Cop | |
| Shawn Balentine | Key Card Cop | |
| Shahaub Roudbari | Smarmy Guy | |
| Pramod Kumar | Irate Shopkeeper | |
| Christine Engh | Elderly Woman | |
| K.K. Barrett | Dr. Aguilar | |
| David Bianchi | Sionis Henchman #1 | |
| Simon Rhee | Cell Guard | |
| Terrence Julien | Cell Guard | |
| George Crayton | Prisoner | |
| Caleb Spillyards | Prisoner | |
| Li Qiang | Prisoner | |
| Anthony Nanakornpanom | Prisoner | |
| Sala Baker | Prisoner | |
| Christian Womack | Prisoner | |
| Bryan Sloyer | Prisoner | |
| Kofi Yiadom | Mercenary | |
| Efka Kvaraciejus | Mercenary | |
| Sam Hargrave | Mercenary | |
| Dennis Kieffer | Mercenary | |
| Dana Lee | Doc | |
| Bojana Novakovic | Erika | |
| Andy Hoff | Erika’s Date | |
| Eric Michael Cole | Disgruntled Man | |
| Oakley Lehman | Mercedes Gang Member | |
| Richard King | Mercedes Gang Member | |
| Tim Rigby | RR Passenger |
Production and Technical Credits
| Cathy Yan | Director | |
| Sue Kroll | Producer | |
| Bryan Unkeless | Producer | |
| Margot Robbie | Producer | |
| Christina Hodson | Screenwriter | |
| Walter Hamada | Executive Producer | |
| Galen Vaisman | Executive Producer | |
| Geoff Johns | Executive Producer | |
| Hans Ritter | Executive Producer | |
| David Ayer | Executive Producer | |
| Matthew Libatique | Director of Photography | |
| K.K. Barrett | Production Designer | |
| Jay Cassidy | Editor | |
| Evan Schiff | Editor | |
| Season Kent | Music Supervisor | |
| Gabe Hilfer | Music Supervisor | |
| Daniel Pemberton | Composer | |
| Christina Hodson | Co-Producer | |
| Donald L. Sparks | Co-Producer | |
| Greg Steele | Visual Effects Supervisor | |
| Erin Benach | Costume Designer | |
| Rich Delia | Casting Director | |
| Susan McNamara | Unit Production Manager | |
| Donald L. Sparks | First Assistant Director | |
| Christina Fong | Second Assistant Director | |
| Jonathan Eusebio | Second Unit Director | |
| Annemarie Griggs | Visual Effects Producer | |
| Matt Evans | Additional Editor | |
| Steven A. Morrow | Sound Mixer | |
| Joshua Levinson | Post-Production Supervisor | |
| Mike Azevedo | First Assistant Editor | |
| Brit Delillo | First Assistant Editor | |
| Katy Wood | Supervising Sound Editor | |
| Alan Robert Murray | Supervising Sound Editor | |
| Stephanie Brown | Dialogue Editor | |
| Cameron Steenhagen | Dialogue Editor | |
| Phil Barrie | Sound Effects Editor | |
| Luke Gibleon | Sound Effects Editor | |
| Michael W. Mitchell | Sound Effects Editor | |
| Adam Kopald | Sound Effects Editor | |
| Paula Fairfield | Sound Effects Editor | |
| Clayton Weber | Supervising Foley Editor | |
| Willard Overstreet | Foley Editor | |
| Onnalee Blank | Re-recording Mixer | |
| Brandon Proctor | Re-recording Mixer | |
| Richard Duarte | Foley Mixer | |
| Jack Cucci | Foley Mixer | |
| Tavish Grade | Foley Mixer | |
| Sara Bartkiewicz | Production Supervisor | |
| Ilt Jones | Location Manager | |
| Jody Blose | Script Supervisor | |
| Robert Q. Mathews | Costume Supervisor | |
| Deborah Lamia Denaver | Make up | |
| Miho Suzuki | Make up | |
| Adruitha Lee | Hairstylist | |
| Cassie Russek | Hairstylist | |
| Florencia Martin | Set Decorator | |
| Kasra Farahani | Supervising Art Director | |
| Julien Pougnier | Art Director | |
| Gustaf Aspegren | Art Director | |
| Luis G. Hoyos | Set Designer | |
| Rich Romig | Set Designer | |
| Mark Hawker | Special Effects Supervisor | |
| Andrew Weder | Special Effects Coordinator | |
| Thomas R. Homsher | Special Effects Designer | |
| Sam Okell | Score Recordist | |
| Sam Okell | Score Mixer | |
| Daniel Pemberton | Score Producer | |
| Katrina Schiller | Supervising Music Editor | |
| Stephen Perone | Music Editor | |
| Dan DiPrima | Music Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.